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Ok, bear with me here…this is a video of a helicopter harvesting Christmas trees in Oregon. But the pace at which the pilot is moving those trees into the trucks is almost literally unbelievable.
(via @jchristopher & @cdevroe)
Update: And here’s the helicopter cockpit view from a similar harvest:
(via @iEddyG)
We are divided by an increasingly wide income gap. Often, this gap can be seen from across a street or park (even if we sometimes try not to look). The NYT takes us for a journey into the world of a homeless girl named Dasani in a multipart piece called Invisible Child:
On the Brooklyn block that is Dasani’s dominion, shoppers can buy a $3 malt liquor in an airless deli where food stamps are traded for cigarettes. Or they can cross the street for a $740 bottle of chardonnay at an industrial wine shop accented with modern art.
Here’s David Simon, creator of The Wire, on the two Americas:
I live in one, on one block in Baltimore that is part of the viable America, the America that is connected to its own economy, where there is a plausible future for the people born into it. About 20 blocks away is another America entirely. It’s astonishing how little we have to do with each other, and yet we are living in such proximity.
Inspired by the A History of the World in 100 Objects project done by the BBC and the British Museum, Adrian Hon presents A History of the Future in 100 Objects, presented from the perspective of someone writing in 2082. From the introduction:
Every century is extraordinary, of course. Some may be the bloodiest or the darkest; others encompass momentous social revolutions, or scientific advances, or religious and philosophical movements. The 21st century is different: it represents the first time in our history that we have truly had to question what it means to be human. It is the stories of our collective humanity that I hope to tell through the hundred objects in this book.
I tell the story of how we became more connected than ever before, with objects like Babel, Silent Messaging, the Nautilus-3, and the Brain Bubble - and how we became fragmented, both physically and culturally, with the Fourth Great Awakening, and the Biomes.
With the Braid Collective, the Loop, the Steward Medal, and the Rechartered Cities, we made tremendous steps forward on our long pursuit of greater equality and enlightenment — but the Locked Simulation Interrogations, the Sudan-Shanghai Letter, the Collingwood Meteor, and the Downvoted all showed how easy it was for us to lapse back into horror and atrocity.
We automated our economy with the UCS Deliverbots, the Mimic Scripts, the Negotiation Agents, and the Old Drones, destroying the entire notion of work and employment in the process; and we transformed our politics with Jorge Alvarez’s Presidential Campaign, and the Constitutional Blueprints.
The book is available on the Kindle.
The teeterboard is an acrobatic apparatus that looks like a seesaw. This is a pair of acrobats training on a Korean-style teeterboard, where instead of getting catapulted off the board, the participants land back on the board after each jump:
In the early 1960s, French director Jean-Luc Godard put together a list of the Ten Best American Sound Films. The list included:
The Great Dictator (Charles Chaplin)
Vertigo (Alfred Hitchcock)
Singin’ in the Rain (Kelly-Donen)
The Lady from Shanghai (Orson Welles)
The list appeared as one of a series in Cahiers du Cinema, the influential French film magazine. (via @DavidGrann)
Using a black & white workprint of The Dark Crystal that Jim Henson and Frank Oz wanted to release, YouTube user scoodidabop made a full-length director’s cut of the film. It’s a bit rough in spots, but the original vision is all there.
Production was supposed to have begun on a Dark Crystal sequel, but according to the Muppet Wiki, the project has been shelved.
Vimeo user Subterminally appears to have had the worst 13 seconds of his life last week when he hit the cliff off of which he was base jumping. Subterminallyill received a “Compression Fracture of the T12 Vertebra, 5 stitches to the eye, 6 stitches to the chin, severely sprained Back, wrist and hand. multiple bruised areas,” which is not too bad considering he FELL OFF A FUCKING CLIFF.
Alternate copy for this post, “No. No, no no no no no no. No. No. No. No, no, no, no, no. No.”
(via just about everyone)
Which gray block is actually darker? Hold something over the seam to find out.
Mindblowing, right? Now for the fun science part: how does this effect work? Well, it works because whoever made this thing is a fucking witch. I mean, Jesus. QED. (via ★interesting-links)
From Pitchfork, a list of the best album covers from 2013. My favorite is this one from Tyler, The Creator, which looks more or less like the opposite of a rap album.
I also liked Michael Cina’s cover for Fort Romeau (which he adapted from his very fetching art) and of course Yeezus, which is this year’s unignorable album in every way. (via @pieratt)
Your font: Helvetica. Your smell: Helvetica The Perfume.
Helvetica has gone on to become arguably the most ubiquitous and widely used typeface in history.
It is in this spirit that we have created the ultimate Modernist perfume — a scent distilled down to only the purest and most essential elements to allow you, the content, to convey your message with the utmost clarity.
Air. Water. You.
2 oz. of distilled water. Precious bodily fluids, Mandrake.
Using a large piece of spandex (representing spacetime) and some balls and marbles (representing masses), a high school science teacher explains how gravity works.
The bits about how the planets all orbit in the same direction and the demo of the Earth/Moon orbit are really neat. And you can stop watching around the 7-minute mark…the demos end around then.
Update: Here’s another video of a similar system with some slightly different demos.
This Lego Mona Lisa is amazing:
Crazy recognizable even with only ~400 pixels. The Girl With the Pearl Earring is pretty good too. Of course, nothing beats Lego Stephen Hawking. (via mlkshk)
In a clip from Eye of the Leopard narrated by Jeremy Irons, we see a female leopard kill a baboon. And then the leopard notices the baboon has just given birth to a tiny baby. Her reaction is unexpected:
In celebration of his 44th birthday, Jay Z ranked his solo albums:
Here’s the annotated list:
1. Reasonable Doubt (Classic)
2. The Blueprint (Classic)
3. The Black Album (Classic)
4. Vol. 2 (Classic)
5. American Gangster (4 1/2, cohesive)
6. Magna Carta (Fuckwit, Tom Ford, Oceans, Beach, On the Run, Grail)
7. Vol. 1 (Sunshine kills this album… fuck… Streets, Where I’m from, You Must Love Me…)
8. BP3 (Sorry critics, it’s good. Empire (Gave Frank a run for his money))
9. Dynasty (Intro alone…)
10. Vol. 3 (Pimp C verse alone… oh, So Ghetto)
11. BP2 (Too many songs. Fucking Guru and Hip Hop, ha)
12. Kingdom Come (First game back, don’t shoot me)
(via @anildash)
As I said last year, the photos are always my favorite end-of-the-year media to check out. It’s only early December, but a few media outlets are out of the gate already with their year-end lists.
Best photos of the year 2013 from Reuters.
The Top 10 Photos of 2013 from Time.
2013 Pictures of the Year from Agence France Presse.
The 80 Most Powerful Photos of 2013 from The Roosevelts.
Las mejores fotos del 2013 from Yahoo En Español.
The 45 Most Powerful Photos Of 2013 from BuzzFeed.
2013: The Year in Photos from In Focus. Here are parts two and three.
2013 Year in Pictures from Big Picture. Here are parts two and three.
Year in Focus 2013 from Getty Images.
Year in Photos 2013 from The Wall Street Journal.
The Year in Pictures from The New York Times.
Do you have a list for this list? Send it along!
From a blog about the science of dogs, a comparison of photos of purebred dogs from 1915 to those of today. You can see how much the dogs have changed in just under 100 years, in some cases for the worse. For instance, the difference in the Bull Terrier (aka the Spuds MacKenzie dog) is marked and a bit disturbing:
Pure breeding has also introduced medical problems for some breeds.
The English bulldog has come to symbolize all that is wrong with the dog fancy and not without good reason; they suffer from almost every possible disease. A 2004 survey by the Kennel Club found that they die at the median age of 6.25 years (n=180). There really is no such thing as a healthy bulldog. The bulldog’s monstrous proportions makes them virtually incapable of mating or birthing without medical intervention.
(via @mulegirl)
In a masterfully edited video, David Ehrlich presents his 25 favorite films of 2013.
Fantastic. This video makes me want to stop what I’m doing and watch movies for a week. It’s a good year for it apparently…both Tyler Cowen and Bruce Handy argue that 2013 is an exceptional year for movies. I’m still fond of 1999… (via @brillhart)
From a 1968 film shot by director Jean-Luc Godard, here’s the Rolling Stones in the recording studio, working on refining Sympathy for the Devil.
(via openculture)
Linda Holmes writes about the gender roles of the main characters in the Hunger Games movies and how unusual they are for a mainstream blockbuster film.
But one of the most unusual things about Katniss isn’t the way she defies typical gender roles for heroines, but the way Peeta, her arena partner and one of her two love interests, defies typical Hollywood versions of gender roles for boyfriends.
Consider the evidence: Peeta’s family runs a bakery. He can literally bake a cherry pie, as the old song says.
He is physically tough, but markedly less so than she is. He’s got a good firm spine, but he lacks her disconnected approach to killing. Over and over, she finds herself screaming “PEETA!”, not calling for help but going to help, and then running, because he’s gone and done some damn fool thing like gotten himself electrocuted.
Mimi Schippers, riffing on Holmes’ piece, argues that Katniss is such an interesting character because she’s not tied to a particular gender…she’s the “movie boyfriend” with Peeta and the “movie girlfriend” with Gale.
Forcing Katniss to choose is forcing Katniss into monogamy, and as I suggested above, into doing gender to complement her partner. Victoria Robinson points out in her article, “My Baby Just Cares for Me,” that monogamy compels women to invest too much time, energy, and resources into an individual man and limits their autonomy and relationships with others. What Robinson doesn’t talk about is how it also limits women’s range of how they might do gender in relationship to others.
It also limits men’s range of doing gender in relationships. Wouldn’t it be nice if Peeta and Gale never felt the pressure to be something they are not? Imagine how Peeta’s and Gale’s masculinities would have to be reconfigured to accommodate and accept each other?
Maybe this is why the end of Catching Fire (minor spoilers!) — Katniss as the cliched irrational hysterical woman who can’t be trusted with information — felt so out of place compared to her gender fluidity throughout the rest of the movie.
In a recent interview, the Coen brothers revealed that their next movie will be “a sandal movie” set in ancient Rome.
Right now, the brothers are plainly excited about what they’re writing, which they proudly explain, is set in ancient Rome. It’s the allure of the unexpected, all over again.
“It’s like: Would you ever do a sandal movie?” laughs Joel. “It’s big,” says Ethan, grinning. “We’re interested in the big questions. And we don’t (expletive) around with subtext. This one especially.”
Though their movies usually revel in the absurdity of life’s predicaments, Ethan promises this film has answers: “It’s not like our piddly ‘A Serious Man.’” Chimes Joel: “That was a cop-out. We just totally chickened out on that one.”
This is what it’s like to be poor orig. from Dec 02, 2013
* Q: Wha? A: These previously published entries have been updated with new information in the last 24 hours. You can find past updates here.
Merck is working on a new insomnia drug that they claim has few of the sometimes nasty side effects of other drugs like Ambien. Ian Parker reports for the New Yorker.
If the Merck scientists succeeded at the F.D.A., they would be the first to bring an orexin-related drug to market. “It’s an amazing achievement,” Richard Hargreaves, the fourth colleague at the Hilton, said. “Everyone should be really proud.” But, he added, “my worry is that a new mechanism is being evaluated on the science of an old mechanism.”
“With Ambien, you’ve got a drug that’s got basically only onset,” Renger said, dismissively. That is, it sends you to sleep but might not keep you asleep. “Suvorexant has the onset, but it has the great maintenance, especially in the last third of the night, where other drugs fail.” And even though suvorexant keeps working longer than Ambien, suvorexant patients don’t feel groggier afterward, as you might expect. Impassioned, Renger imagined himself addressing the F.D.A.: “Why aren’t you giving this a chance?”
“Drugs usually have some side effects,” Schoepp said. “It’s all benefit-risk.” He added, “There is some dose where suvorexant will be ultimately safe-because nothing will happen. If you go low enough, it becomes homeopathic.”
They stood to go to their rooms. Schoepp murmured, “I’d love to take it right now.”
Errol Morris is at it again, publishing book-length blog posts for the NY Times. This time, he’s examining the photograph evidence of Abraham Lincoln and, I think, what those photos might tell us about Lincoln’s death. Here’s the prologue and part one (of an eventual four).
My fascination with the dating and interpretation of photographs is really a fascination with the push-pull of history. Facts vs. beliefs. Our desire to know the origins of things vs. our desire to rework, to reconfigure the past to suit our own beliefs and predilections. Perhaps nothing better illustrates this than two radically different predispositions to objects — the storyteller vs. the collector.
For the collector the image with the crack [in one of Lincoln’s photographs] is a damaged piece of goods — the crack potentially undermining the value of the photograph as an artifact, a link to the past. The storyteller doesn’t care about the photograph’s condition, or its provenance, but about its thematic connections with events. To the storyteller, the crack is the beginning of a legend — the legend of a death foretold. The crack seems to anticipate the bullet fired into the back of Lincoln’s head at Ford’s Theater on Good Friday, April 14, 1865.
It should have a name. I call it “the proleptic crack.”
From Rap Genius, a chart showing mentions in rap songs of popular social sites and apps like Twitter and Instagram:
Compare with the graph for the same terms from Google News:
And here’s the graph for general search terms. (I excluded Snapchat from the Google graphs because Google wouldn’t allow 6 search terms at a time…it barely showed up in either case.) Twitter rules the rap roost, but Facebook demolishes everyone in general and news search traffic.
In a video analogue of Alvin Lucier’s I Am Sitting in a Room, this YouTube video is uploaded and then downloaded 1000 consecutive times until the image becomes all artifacts.
(via digg)
Using an iPad app called Procreate, artist Kyle Lambert made this painting of Morgan Freeman. It took him 200 hours. The video of him doing it is mesmerizing:
(via gizmodo)
From the cotton in the fields to the manufacturing machines to the container ships, NPR’s Planet Money looks at the often complex world behind the making of a simple t-shirt.
We flew drones over Mississippi. We got mugged in Chittagong, Bangladesh. We met people whom we’ll never forget — the actual people who make our clothing. At every location we had radio reporters and videographers.
This is what it’s like to be poor orig. from Dec 02, 2013
* Q: Wha? A: These previously published entries have been updated with new information in the last 24 hours. You can find past updates here.
A few weeks ago, David Sedaris had a piece in the New Yorker about his recently deceased sister Tiffany.
In late May of this year, a few weeks shy of her fiftieth birthday, my youngest sister, Tiffany, committed suicide. She was living in a room in a beat-up house on the hard side of Somerville, Massachusetts, and had been dead, the coroner guessed, for at least five days before her door was battered down. I was given the news over a white courtesy phone while at the Dallas airport. Then, because my plane to Baton Rouge was boarding and I wasn’t sure what else to do, I got on it. The following morning, I boarded another plane, this one to Atlanta, and the day after that I flew to Nashville, thinking all the while about my ever-shrinking family. A person expects his parents to die. But a sibling? I felt I’d lost the identity I’d enjoyed since 1968, when my younger brother was born.
On Wicked Local Somerville, a close friend of Tiffany’s lets Sedaris have it with both barrels:
I found David Sedaris’ article, “Now we are five,” in the Oct. 28 New Yorker to be obviously self-serving, often grossly inaccurate, almost completely unresearched and, at times, outright callous. Some of her family had been more than decent, loving and kind to her. “Two lousy boxes” is not Tiffany’s legacy. After her sister left with that meager lot, her house was still full of treasures.
And this:
Not only could Tiffany have been saved, she could have blossomed. While her friends had done pretty much all they could, at least half of her mental health issues stemmed from, or were exaggerated by, her poverty and unstable housing situation, but also from David’s occasional mockery of her in his writings.
(thx, matt)
The Rolling Stones favorite American dish is something the band invented called Hot Dogs on the Rocks:
10 frankfurters
5 potatoes, or enough instant mashed potatoes to serve five
1 large can baked beansPrepare instant mashed potatoes, or boil and mash the potatoes. (Use milk and butter, making regular, every-day mashed potatoes.) Cook the frankfurters according to the package directions and heat the baked beans.
On each plate, serve a mound of creamy mashed potatoes ringed by heated canned baked beans. Over all the top of this, slice up the frankfurters in good-sized chunks.
Emily from Dinner is Served made some Hot Dogs on the Rocks; this is what the finished product looks like:
The recipe is from a 1967 “scene-makers cook book” called Singers & Swingers in the Kitchen (at Amazon). In addition to the Stones’ contribution, the book contained recipes like Paul Anka’s Party Spaghetti, Crepes Suzette by Liza Minelli, Leonard Nimoy’s Cold Soup Nimoy, and Barbra Streisand’s Instant Coffee Ice Cream. I dunno…I think I’d take burgers from Sinatra, Dean Martin, or even Hemingway over any of this celebrity fare. (via if charlie parker was a gunslinger)
Kinja user KillerMartinis provides some perspective on what it’s like to live in poverty.
Rest is a luxury for the rich. I get up at 6AM, go to school (I have a full courseload, but I only have to go to two in-person classes) then work, then I get the kids, then I pick up my husband, then I have half an hour to change and go to Job 2. I get home from that at around 1230AM, then I have the rest of my classes and work to tend to. I’m in bed by 3. This isn’t every day, I have two days off a week from each of my obligations. I use that time to clean the house and soothe Mr. Martini and see the kids for longer than an hour and catch up on schoolwork. Those nights I’m in bed by midnight, but if I go to bed too early I won’t be able to stay up the other nights because I’ll fuck my pattern up, and I drive an hour home from Job 2 so I can’t afford to be sleepy. I never get a day off from work unless I am fairly sick. It doesn’t leave you much room to think about what you are doing, only to attend to the next thing and the next. Planning isn’t in the mix.
Her response to the first (agressively negative) comment is worth reading as well.
Update: We can’t have nice things on the Internet…looks like KillerMartinis was not exactly forthcoming with regard to her financial status. (thx, @j4)
Update: Michelle Goldberg at The Nation fleshes out KillerMartini’s back-story. (thx, @tkudo)
You’re probably sick of this news already, but Amazon says they’re working on 30-minute package delivery by drone.
The goal of this new delivery system is to get packages into customers’ hands in 30 minutes or less using unmanned aerial vehicles.
Putting Prime Air into commercial use will take some number of years as we advance the technology and wait for the necessary FAA rules and regulations.
Back in January, riffing off a piece by John Robb, I speculated that Amazon would be an early mover into delivery-by-drone:
More likely that Amazon will buy a fledgling drone delivery company in the next year or two and begin rolling out same-day delivery of items weighing less than 2 pounds in non-urban areas where drone flights are permitted.
Tyler Cowen is already out of the gate this morning talking about the economics of drone delivery:
You would buy smaller size packages and keep smaller libraries at home and in your office. Bookshelf space would be freed up, you would cook more with freshly ground spices, the physical world would stand a better chance of competing with the rapid-delivery virtual world, and Amazon Kindles would decline in value.
But for now, Amazon Prime Air sure is providing lots of Cyber Monday PR for Amazon.
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