Netflix and Charlie Brooker have agreed to make 12 more episodes of the fantastic Black Mirror.
Netflix has commissioned House of Tomorrow to produce the twelve new episodes as a Netflix original series. House of Tomorrow’s Charlie Brooker and Annabel Jones, who executive produced the first seven episodes of the series, will continue to serve as executive producers and showrunners for the new episodes. Brooker has commenced writing the new episodes, which are scheduled to begin production in late 2015 from the series’ production base in the UK.
“It’s all very exciting — a whole new bunch of Black Mirror episodes on the most fitting platform imaginable. Netflix connects us with a global audience so that we can create bigger, stranger, more international and diverse stories than before, whilst maintaining that ‘Black Mirror’ feel. I just hope none of these new story ideas come true,” said Brooker.
My three favorite TV shows from the past 5 years: Mad Men, Transparent, and Black Mirror. Second tier: Breaking Bad, Sherlock, Game of Thrones, Halt and Catch Fire, and Boardwalk Empire. (via @mccanner)
From Charlie Brooker’s Weekly Wipe, here’s how every single news report on the economy plays out:
Dennis and Pamela People are affected by numbers, and since they have a child, you’ll empathize with what they say while I nod in their direction.
“Well, it’s been hard because of the numbers.”
“Yeah, it has been hard, mainly because of the numbers.”
Brooker, you may remember, is the creator of Black Mirror. (via mr)
If you weren’t watching the new HD remaster of The Wire over the holidays, you may have been tuning in to Black Mirror on Netflix. Charlie Brooker’s dystopian sci-fi series was broadcast in Britain beginning in 2011 but only recently became available in the US on Netflix. Emily Nussbaum reviews the show for the New Yorker’s latest issue.
Still, for all the show’s inventive storytelling, its true provocation is its righteous outrage, which shares something with Mike White’s whistle-blower series “Enlightened,” although it’s overlaid with a dark filter. Like “Enlightened,” “Black Mirror” is about love in the time of global corporate hegemony. It’s a bleak fairy tale that doubles as an exposé. An anthology series, it consists of six one-hour episodes spanning two seasons (plus a Christmas special), each with a new story and a different cast. In various future settings, Brooker’s characters gaze into handhelds or at TV-walled cells, using torqued versions of modern devices. In one episode, a couple has sex while stupefied by virtual visions of earlier, better sex. In another, a woman builds a replica of her husband from his photos and posts on social media. In a third, workers watch streaming schlock and are docked points if they shut their eyes. Some plots deal with political terrorism (or performance art-on this show, there’s little difference) and the criminal-justice system; there are warped versions of reality TV. Though the episodes vary in tone, several have a Brechtian aggression: the viral video “Too Many Cooks” would fit right in. But, in even the most perverse installments, there’s a delicacy, a humane concern at how easily our private desires can be mined in the pursuit of profit. The worlds can be cartoonish, but the characters are not.
Like Nussbaum, I also watched the show “through occult means”1 and it’s fun hearing from friends who are catching up on it. Too bad the show couldn’t have found a way over here earlier.
Update: From Josh Dzieza at The Verge, I can’t stop comparing everything to Black Mirror:
A friend recently told me that his favorite thing about the show Black Mirror is that he finally has a term for a certain type of technological anxiety. It’s a type of anxiety that seemed everywhere this year. The Sony hack could have been an episode of Black Mirror, as could Gamergate. In the same way that we refer to Blade Runner as shorthand for gritty dystopian cityscapes, Gattaca for worries about corporate use of genetic information, and Terminator for ominously powerful AI, Black Mirror has become shorthand for a certain type of contemporary internet-age creepiness.
The third episode of the first season of Charlie Brooker’s Black Mirror was called The Entire History of You, in which many people have their entire lives recorded by implants. Brooker’s take on the self-recorded future and Google’s rosier view meet in this video:
Black Mirror is currently in its second season in the UK, with no US release on the horizon. Here’s what one of the season two episodes is about:
A CG character from a TV show is jokingly put forward to become a member of Parliament. The actor behind the character is uneasy about this new political world he’s found himself in, and as the character’s popularity among voters increases things begin to take a turn for the worse.
See also The real Google Glasses.
From a few years ago, Charlie Brooker’s Newswipe takes on the media’s reaction to mass killings, similar to what Roger Ebert was getting at.
The UK’s Channel 4 is bringing back Charlie Brooker’s Black Mirror for a second season of three episodes.
He said: ‘British drama seems particularly obsessed with murder and the past, often together. Black Mirror is a rare modern look at where society and individuals could be headed, given the all-pervasive deluge of social media and technology.’
The first series prompted 322 complaints over a story in which a Prime Minister was blackmailed into having sex with a pig live on TV.
Brooker said: ‘Half of the things in the first run of Black Mirror seem to be on the verge of coming true. They’ve got prisoners in Brazilian prisons pedalling on exercise bikes to reduce their sentences (not entirely dissimilar to the episode 15 Million Merits) and Google Glass looks like copyright infringement as far as The Entire History of You is concerned.