After hearing a buzz from my social circle about Severance on Apple+, I’ve been catching up on it for the past couple of weeks. Here’s the series synopsis:
Mark leads a team of office workers whose memories have been surgically divided between their work and personal lives. When a mysterious colleague appears outside of work, it begins a journey to discover the truth about their jobs.
I’m going to reserve judgment on the show for my next media diet post, but let’s talk about the opening credits sequence by Oliver Latta. It’s fantastic, an instant addition to the Unskippable Intros Hall of Fame. Mashable talked to Latta about his process and you can see a few behind the scenes images at Behance. And check out Latta’s other animations…you can definitely see where some of the imagery in the title sequence came from.
Yet there’s one thing that annoys softly spoken Britell: the “Skip intro” facility on streaming services, which was brought in five years ago and lets viewers bypass a show’s opening credits. “I am very against it,” says Britell. “TV theme music is incredibly important. It’s almost a show’s DNA identifier. It serves as an overture to bring you in and sets the tone. I think that formal entrée is crucial.”
Robust words from the man whose Emmy-winning, earwormy Succession work, with its gothic strings, cascading piano and skittering beats, is helping to revive TV theme tunes.
DeepStore was set up in the 1990s because we’ve got the perfect atmosphere down here to store items. The salt creates a naturally occurring dry atmosphere. And of course with the racking, nothing actually comes into contact with the salt. Because this is relatively a shallow mine — we’re around 150 metres, 400-500 feet — and because of the salt bed, it has created this natural ambient temperature of 14-15° along with a relative humidity of 53-55%, which anybody in the archive and storage world knows, naturally occurring, that is absolutely fantastic.
I would love to see more video of just riding through the tunnels in that cavernous place…gonna have to poke around on YouTube to see what I can uncover.
Let’s listen in on a support group for recovering conspiracy theorists.
Hi, my name’s Terry and I believe that Matt Damon runs a network of underground tunnels beneath a pizza parlor in Washington DC to secretly vaccinate 5G towers.
Hi, Terry.
So, it’s been six days since I last posted anything on Facebook about lizards running the world.
But even the most hardcore members of the group don’t believe one of the most durable conservative tenets of American capitalism…
At the Oscars last night, The Queen of Basketball won the award for best documentary short. The film is about Lusia Harris, the only woman to officially be drafted by an NBA team. Here’s what I wrote about Harris and the film back in August:
Before this morning, I had never heard of Lusia Harris and now she’s one of my favorite basketball players. Playing in the 1970s, before the enforcement of Title IX in athletics, the 6’3” Harris dominated in high school, led a small university to three consecutive national basketball championships in the first 5 years of the program (while averaging 25.9 points and 14.5 rebounds per game), scored the first basket in Olympics women’s basketball history, is the only woman ever officially drafted by an NBA team, and was inducted into the National Basketball Hall of Fame.
Great to see this film win, but also bittersweet because Harris died only two months ago at the age of 66. The director is Ben Proudfoot, whose stuff I have been posting about since 2011. Really fun to see him be rewarded for his talent.
This is another great episode of James Payne’s Great Art Explained on the work of Claude Monet, specifically the massive water lily canvases he completed before his death, created as “a war memorial to the millions of lives tragically lost in the First World War”.
Claude Monet is often criticised for being overexposed, too easy, too obvious, or worse, a chocolate box artist. His last works, the enormous water lily canvasses are among the most popular art works in the world.
Yet there is nothing tame, traditionalist, or cosy about these last paintings. These are his most radical works of all. They turn the world upside down with their strange, disorientating and immersive vision.
Monet’s water lilies have come to be viewed as simply an aesthetic interpretation of the garden that obsessed him. But they are so much more.
These works were created as a direct response to the most savage and apocalyptic period of modern history. They were in fact conceived as a war memorial to the millions of lives tragically lost in the First World War.
I’ve seen these paintings at the Musée de l’Orangerie — amazing to see them exactly the way in which the artist intended them to be seen.
For the radio program CBS Radio Workshop that premiered in January 1956, Aldous Huxley read a one-hour dramatization of his 1932 dystopian1 science fiction novel Brave New World. You can listen to it here or at Internet Archive:
It took three radio sound men, a control-room engineer and five hours of hard work to create the sound that was heard for less than 30 seconds on the air. The sound consisted of a ticking metronome, tom-tom beats, bubbling water, air hose, cow moo, boing! (two types), oscillator, dripping water (two types) and three kinds of wine glasses clicking against each other. Judiciously blended and recorded on tape, the effect was still not quite right. Then the tape was played backward with a little echo added. That did it. The sound depicted the manufacturing of babies in the radio version of Aldous Huxley’s Brave New World.
You might have noticed that the two families in Succession and Arrested Development share some similarities — business-focused, rich, dysfunctional, sibling rivalry. Luís Azevedo explored the likeness with this video of scenes from Succession with music & Ron Howard’s voiceover from Arrested Development. So good. Also worth a look: scenes from Arrested Development with the music from Succession.
You know what they say: if you build a better screwdriver, the world will beat a path to your door. Or something like that. With their All-in-One Screwdriver, Yanko Design believes they have done just that.
This all-in-one screwdriver not only provides you with all the bits you’ll ever need, it also makes twisting and spinning feel more like play than work. An innovative ball bearing lets your fingers do the talking, while a spinner wheel makes short work of bigger problems with bigger screws. And when your muscle strength fails, a hexagon bit holder lets an electric screwdriver take over without missing a beat.
It looks like a very well-designed tool, but at $99 the price is more than a lot of these recommended electric screwdrivers, which address many of the same challenges (different bits, torque). (via clive thompson)
What happens inside a dishwasher when it’s running? How does it get your dishes clean? Warped Perception decided to find out by placing a couple of cameras (a GoPro and a 360-degree camera) inside the machine and running the full wash cycle. (via digg)
Within the past 100 million years, an icy moon got too close to Saturn and the planet’s gravity ripped it apart, forming the iconic rings. This clip from BBC’s The Planets details how that happened, accompanied by some amazing photography from NASA’s Cassini mission.
They are younger than the dinosaurs, they form a disk wider than Jupiter that averages just 9 meters (30 feet) thick, and thanks to Cassini, we now know that there are tall peaks rising as high as 2.5 kilometers (1.6 miles) from the planet’s B ring.
I’ve shared this story on the site before, but seeing the rings of Saturn through my telescope in my backyard as a teenager made a massive impression on me as to the scale of the solar system and humankind’s ability to understand it through science and technology. I still can’t believe you can see those rings with a cheap telescope or binoculars. Incredible.
As part of his Real Time series of new clock designs, Maarten Baas created the Sweeper’s Clock, a timepiece where the time is indicated by hands made of trash that is swept around the face by a pair of cleaners sweeping for 12 hours.
In this short clip, the cast of Galaxy Quest looks back on how the speech, mannerisms, and culture of the Thermian people were developed. One of the actors came up with the voice in an audition and the filmmakers and actors just ran with it. (via digg)
This is really good: Arnold Schwarzenegger recorded a message, subtitled in both English and Russian, directed at the Russian people (and briefly, Vladimir Putin) about the war in Ukraine. It’s a canny piece of media by an exceptional communicator — drawing on his obvious respect for the people of Russia and his father’s experience as a German soldier in World War II, Schwarzenegger tells Russian citizens that they’ve been lied to about the war by their leadership, that most of the world is against their actions, and warns them about the consequences of being economically and socially isolated from the rest of the world.
This is not the war to defend Russia that your grandfather or your great grandfathers fought. This is an illegal war! Your lives, your limbs, your futures are being sacrificed for a senseless war condemned by the entire world.
This is an oldie but a goodie: Brian Borcherdt took an album of 80s covers sung by Alvin & the Chipmunks (Walk Like an Egyptian, My Sharona, Always On My Mind) and played them at 16 RPM on a record player. The effect “revealed what was secretly the most important postpunk/goth album ever recorded”.
Every time I hear the version of “You Keep Me Hanging On” on this video I just collapse laughing because it sounds exactly like what would happen if The Afghan Whigs were given the sound of Peter Gabriel’s 1982 SECURITY. That opening! That’s f**king “San Jacinto” right there!
I don’t know that there’s much to say about this…it’s the world’s fastest land animal moving in slow motion, muscles rippling, legs moving in concert, etc. It’s beautiful and mesmerizing — time kinda stopped for me while I was watching it.
I have to admit that about 3 minutes into this video, I was not entirely sure that the RCA SelectaVision, a vinyl record-based system for playing videos released in 1981, was not a made-up thing. I’d never heard of this contraption before, but apparently it was an actual product that got released into the world and was apparently pretty much a disaster, as you might expect.
This video, as well as parts 2 & 3 (below), is a pretty deep and entertaining dive into the SelectaVision and the Capacitance Electronic Discs it played.
Admission time: it’s been a long time since I considered myself any sort of gadget nerd, but I have to tell you that I watched much of this demo of Pockit with my jaw on the floor and my hand on my credit card. 12-year-old Jason would have run through a wall to be able to play with something like this. It does web browsing, streaming video, AI object detection, home automation, and just anything else you can think of. Reminded me of some combination of littleBits, Arduino, and Playdate. What a fun little device! (via craig mod)
This short sketch from Saturday Night Live highlights how Amazon Go’s “grab-and-go” shopping experience (where you walk out of the store with your items without having to check out first) doesn’t work that well for all shoppers.
White people who have never been “randomly” followed around at a Walgreens may have no problem walking into a store, grabbing an item and leaving — like this guy in the Amazon Go promo video.
But shoppers of color, who already see enough unwanted attention, may have their doubts. Especially in a store where the employees are mostly there for customer service, as Amazon’s promo video suggests. They roam the store, stock shelves and hang out near shoppers.
Japan’s lost and found system is legendarily good — millions of items are turned into local police stations by residents every year and most of those items make their way back to their owners (unless it’s a cheap umbrella). As this short video explains, there are a few reasons why the system works so well — the importance of the “societal eye”1 in Japanese culture is one of them.
The Japanese concept of ‘hitono-me’ or the ‘societal eye’ is an important part of the process. “Our internal morals usually help us modify our behavior, but so does the ‘societal eye.’” The culture prevents people from doing wrong, even without a police presence. “Japanese people care deeply about how other people view their behavior. So their attitude to lost property is tied to their image in society.” The moral discipline is upheld even in the face of natural disasters. “It’s often the case in Japan that when disasters happen, crime doesn’t go up. The only exception was the Fukushima disaster when we had cases of crime. So I think that the power of people’s eyes around us is far greater than the power of public authority.”
This article goes into more detail about why Japan’s lost and found system works so well. The comments on YouTube are full of people describing their experience w/ the lost and found system, many by foreigners who are stunned at the honesty. Here’s one:
This is really true. I lost my bag that had all our passports, laptops, money… everything. Somehow they managed to track it down 200km in Nagoya and bring it to me the next morning in Takayama. I offered to give them something as a token of my gratitude but they didn’t accept because this is considered normal in their country. Absolutely amazing.
It is not quite the same thing, but “hitono-me” reminds me of Jane Jacobs’ emphasis on the importance in cities of having “eyes upon the street”:
A city street equipped to handle strangers, and to make a safety asset, in itself, out of the presence of strangers, as the streets of successful city neighborhoods always do, must have three main qualities:
First, there must be a clear demarcation between what is public space and what is private space. Public and private spaces cannot ooze into each other as they do typically in suburban settings or in projects.
Second, there must be eyes upon the street, eyes belonging to those we might call the natural proprietors of the street. The buildings on a street equipped to handle strangers and to insure the safety of both residents and strangers, must be oriented to the street. They cannot turn their backs or blank sides on it and leave it blind.
And third, the sidewalk must have users on it fairly continuously, both to add to the number of effective eyes on the street and to induce the people in buildings along the street to watch the sidewalks in sufficient numbers. Nobody enjoys sitting on a stoop or looking out a window at an empty street. Almost nobody does such a thing. Large numbers of people entertain themselves, off and on, by watching street activity.
Almost no need to note here that “eyes upon the street” is a thing that almost does not exist in most American cities these days. ↩
This is a really nice way to start the week: with relaxing bucolic scenes from the Lake District, a mountainous region in NW England that inspired the tales of Beatrix Potter. The lovely short film is part of an exhibition on Potter at the V&A.
The Lake District is a region and national park in Cumbria, North West England known for its glacial lakes and rugged fell mountains. Beatrix Potter eventually settled here after growing up in her ‘unloved birthplace’ of London, becoming an award-winning sheep farmer and respected member of the local community. When Potter died aged 77 on 22 December 1943, she left 14 farms and more than 4,000 acres to the National Trust.
Produced and directed by award-winning filmmaker and photographer Terry Abraham, this film captures intimate shots of the native wildlife that Potter would have sketched and later immortalised in her storybooks, alongside epic panoramic footage of its mountains and lakes, featuring locations where Potter lived, worked and admired.
Over the last year or so I’ve been volunteering for my local red squirrel charity in the Eden Valley. Sadly, our beloved Squirrel Nutkin is on the verge of extinction within England and Wales thanks to the non-native grey squirrel brought in by the Victorians from North America. Little did they know that greys are immune carriers of a virus that wipes out red squirrel communities. Cumbria is the last major stronghold for Nutkin now and so along with many others I do my best to protect them and ensure their survival. Consequently, I’ve befriended many wild reds and can easily capture them on camera. Some even eat from my hand or sit by my side in the forest!
You can see some red squirrel footage starting right around 3:20 in the video. (via the kid should see this)
For his music video for Sébastien Guérive’s Bellatrix, Thomas Blanchard filmed ice crystals forming at close range and ultra-high resolution.
Bellatrix Sébastien Guérive music video is an experimental film on the crystallization of ice stars. It is a chemical saturation in hot water which is then cooled. The chemical saturation becomes very unstable when the liquid cools. The slightest disturbance in the liquid activates crystallization.
I spent hours and hours as a kid watching snowflakes accumulate on windowsills, raindrops rolling down windows, clouds rolling in from the west, and frost advance on surfaces, looking for patterns in the seeming randomness, so this is right up my alley. (via colossal)
Ernest Shackleton’s ship, The Endurance, has been lost since it sank in the Antarctic in 1915. A team of explorers and researchers just found it in icy waters 10,000 feet beneath the surface.
The ship was found about four miles south of the last location recorded by Shackleton’s captain and navigator, Frank Worsley. The search had been conducted over a wide area to account for errors in Worsley’s navigation equipment.
Endurance’s relatively pristine appearance was not unexpected, given the cold water and the lack of wood-eating marine organisms in the Weddell Sea that have ravaged shipwrecks elsewhere.
Mr. Bound also described the wreck as “intact.” Although Hurley’s photographs before the sinking had shown major damage to, and the collapse of, the ship’s mast and rigging, and there had been damage to the hull, Mr. Bound had expected most of the ship to be in one piece.
The video above was taken by the underwater drones that found the wreck.
The set design of The Andy Griffith Show is perhaps an odd place to start when talking about 19th century French painter Jean-François Millet, but this video hits its stride when Salvador Dali enters the picture. After viewing, you can read more about Millet’s painting The Angelus.
From Richard Linklater (Boyhood, A Scanner Darkly) comes a new Netflix movie called Apollo 10 1/2, in which a young boy growing up in Houston, TX in the 60s gets recruited by NASA to land a accidentally-too-small lunar lander on the Moon. It’s animated1 and premieres on Netflix on April 1.
The movie is rotoscoped, like Linklater’s A Scanner Darkly. I have to say, the rotoscoping effect is not my favorite. Why couldn’t this have been live action? I bet it would find more of an audience that way…↩
In this entertaining and informative video, Oliver Bullough, who has written a pair of books on money laundering (Moneyland and the forthcoming Butler to the World) takes us on a tour of London while telling us how “the most efficient scaled-up money laundering system in the world” has helped Russia’s oligarchs hide their billions and keep Putin in power. Bullough also wrote about the UK’s role in laundering oligarch money recently in The Guardian.
Russia is a mafia state, and its elite exists to enrich itself. Democracy is an existential threat to that theft, which is why Putin has crushed it at home and seeks to undermine it abroad. For decades, London has been the most important place not only for Russia’s criminal elite to launder its money, but also for it to stash its wealth. We have been the Kremlin’s bankers, and provided its elite with the financial skills it lacks. Its kleptocracy could not exist without our assistance. The best time to do something about this was 30 years ago — but the second best time is right now.
We journalists have long been writing about this, but it is not simply overheated rhetoric from overexcited hacks. Parliament’s intelligence and security committee wrote two years ago that our investigative agencies are underfunded, our economy is awash with dirty money, and oligarchs have bought influence at the very top of our society.
One of the biggest hits of the past two years has been Dua Lipa’s Levitating — this catchy disco-inflected tune didn’t hit #1 in the US but has set quite a few records for Billboard chart longevity (e.g. 41 weeks in the top 10). Lipa, her label, and her co-writers were recently hit with a lawsuit1
by a band called Artikal Sound System alleging that Levitating was ripped off from their song, Live Your Life. At first glance, Artikal Sound System seems to have a point — take a listen to Levitating and then to Live Your Life.
But! As Adam Neely explains in this video, if you listen to it with an expert ear and with the history of music in mind, their case doesn’t seem so ironclad. For starters, Rosa Parks by Outkast (1998) and Blame It on the Boogie from The Jacksons (1978) contain very similar rhythms.
And just today brings news of a second lawsuit: “songwriters L. Russell Brown and Sandy Linzer allege that Lipa ‘duplicate[d]’ the ‘signature’ opening melody for ‘Levitating’ from their 1979 song ‘Wiggle and a Giggle All Night’ and 1980 song ‘Don Diablo’, performed by Cory Daye and Miguel Bosé respectively.”↩
Ken Burns’s two-part, four-hour documentary, Benjamin Franklin, explores the revolutionary life of one of the 18th century’s most consequential and compelling personalities, whose work and words unlocked the mystery of electricity and helped create the United States. Franklin’s 84 years (1706-1790) spanned an epoch of momentous change in science, technology, literature, politics, and government — fields he himself advanced through a lifelong commitment to societal and self-improvement.
Also available to watch while we wait for the series is this 6-minute extended scene about Franklin, smallpox, and his son Frankie.
For more reading on the history of smallpox inoculation and its introduction to America by an enslaved African man named Onesimus, check out thesetwo articles. (via @CharlesCMann)
So, I have been waiting for months for season three of HBO’s My Brilliant Friend series (based on Elena Ferrante’s Neapolitan novels) and somehow it has snuck in1 and started without me noticing! Anyway, the s03 trailer is above, the first episode aired earlier this week & is on HBO Max now, and new episodes will follow every Monday.
If you haven’t seen the show, you should check out the first two seasons first…this show is a gem and I wish HBO was doing more to promote it.
I’ve logged into HBO Max like 4 times this week and it has shown me nothing about the show, even though I watched the first two seasons of it. Even now, I had to dig to find it. Algorithm, you had one job…↩
After an absence of more than two years, John Plant has returned to the wilderness to build a thatched workshop. Plant is the sole proprietor behind the Primitive Technology YouTube channel, where he uploads deftly-edited videos of himself silently crafting tools, huts, weapons, and other Stone Age technologies in the forests of North Queensland, Australia. About the hut, he writes:
I built a thatched workshop as an area to do future projects in out of the rain and weather. The structure was a 4 x 4 m square covered with a gabled thatched roof where the lowest point was 2 m above the ground and the highest point was 4 m. This is the largest hut I’ve built to date taking 5 weeks to build. The structure sheds rain quite well and being open and without walls allows smoke to exit without issue.
If you’re unfamiliar with Plant, his videos are really well-done and quite meditative to watch. In a 2016 post, I wrote:
The way he shoots & edits these videos is so good…packing, what, dozens or even hundreds of years of technological evolution into a minute or two of wordless video.
So yeah, check these out if you have some time today to sit still and observe someone doing something they love. (via @nielsmann)
I was with some friends having a couple of drinks and one of them mentioned he had to go talk to some people about an automatic grave digger, which meant a huge amount of dirt removal. And I said, “Why don’t we just make a big large carrot shaped thing with threads around it and screw it into the ground?”
Scruggs says that burying someone in his coffin is “no more trouble than putting a fencepost in”.
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