kottke.org posts about photography
Leica is offering a “perpetual update program” for its M8 digital camera.
In keeping with these proud traditions, but now in the age of digital technology, Leica introduces it’s perpetual update program which makes the LEICA M8 a digital camera in which, uniquely, owners will be able to incorporate the latest refinements and developments in technology. While other digital cameras quickly become outdated and are replaced by new models, Leica’s new concept allows it’s customers to invest in the photographic equipment they need sure in the knowledge that they will not miss out on improvements and technological developments in the future.
The first upgrade adds a hard-to-scratch sapphire glass LCD screen cover and a quieter shutter.
Update: Just to be clear, the upgrade program costs money. According to Gizmodo, the first upgrade is $1800. On the plus side, each time you upgrade, they extend the warranty on the whole camera for two years.
Eddie Adams, who won a Pulitzer Prize for his famous photo of General Nguyen Ngoc Loan shooting a Viet Cong prisoner, wishes he had never taken the photo.
The general killed the Viet Cong; I killed the general with my camera. Still photographs are the most powerful weapon in the world. People believe them, but photographs do lie, even without manipulation. They are only half-truths. What the photograph didn’t say was, “What would you do if you were the general at that time and place on that hot day, and you caught the so-called bad guy after he blew away one, two or three American soldiers?”
(via times online)
A series of photos by Alexei Vassiliev, along with some introductory text about his “anonymous portraits”.
Armed with only a hand-held 35mm film camera, and using available artificial light, Russian photographer Alexei Vassiliev has created a series of stunning portraits of anonymous 21st century urban dwellers. A very slow shutter speed allows him to capture rich colors and blurred human gestures to create iconic images that evoke the essence of modern humanity without much of the detail.
Reminds me of a favorite photo of mine, a picture I took of Meg in Ireland with a fogged up lens.
The oil sands of Alberta have created an oil boom in the Canadian province.
And how much oil is there? Estimates bounced around for years until 1999, when Alberta got serious about determining its potential. Based on data from 56,000 wells and 6,000 core samples, the Energy and Utilities Board (EUB) came up with an astonishing figure: The amount of oil that could be recovered with existing technology totalled 175 billion barrels, enough to cover U.S. consumption for more than 50 years. With the new math, Canada slipped quietly into second place behind Saudi Arabia’s 265 billion barrels in oil reserves, followed by Iran and Iraq.
Edward Burtynsky took some photos of the oil sands to accompany the piece. (thx, marshall)
Update: VBS.tv did a report on the oil sands as part of the Toxic Series. Elizabeth Kolbert wrote about the oil sands for the New Yorker late last year; unfortunately only an abstract of the article is available online. (thx, meg, ben, sanj, and greg)
A cache of photographic negatives taken by Robert Capa that was presumed lost during WWII has been recently located and recovered.
Capa established a mode and the method of depicting war in these photographs, of the photographer not being an observer but being in the battle, and that became the standard that audiences and editors from then on demanded. Anything else, and it looked like you were just sitting on the sidelines. And that visual revolution he embodied took place right here, in these early pictures.
The negatives could change the way we regard Capa and his photos. There’s even speculation that they may prove or disprove that he staged his most famous photo. Here’s a close-up look at one of the suitcases and the hand-lettered negative descriptions. (thx, tammy)
Long-exposure photo of two people having sex on a bed. (It’s mostly safe for work, believe it or not.) This reminds me of two things: the timelapse threesome scene in A Clockwork Orange and Jason Salavon’s work, specifically 76 Blowjobs and Every Playboy Centerfold. Those last tow links probably NSFW. (via the h line)
Update: Atta Kim’s work is similar too, particularly his “Sex Series”. (thx, jeff)
(I saw these mentioned in a few places online a week or two ago but could never get to the web site. Looks like the site is back up.)
Annnnnnnnnyway. Alison Jackson takes fake what-if paparazzi photos: George Bush pumping gas, Bill Gates dancing around with an iPod, and Marilyn Monroe masturbating. A bit NSFW. (via the year in pictures, a recent discovery that’s going right into the daily reading list)
This happened while Choire was minding the store so apologies if you’ve seen it already, but Flickr’s new Commons program is quite interesting. For a start, the Library of Congress has put 1500 photos with “no known copyright restrictions” up on Flickr for people to tag and annotate. The LoC’s extensive online image repository has always been exceedingly difficult to use so making images available on the easy-to-use Flickr is a great step forward. The response so far has been pretty good.
Recent Pacific storms have resulted in some epic big wave surfing at Cortes Bank, a seamount located 105 miles off the California coast.

The NY Times has a nice overview:
With a second major storm bearing down, four of the most experienced big-wave surfers in the world launched a boat and two Jet Skis toward Cortes Bank, an underwater mountain range whose tallest peak rises 4,000 feet from the ocean floor to within about four feet of the surface. The perilous spot, about 100 miles off the coast of Southern California, had been surfed only a handful of times in the past decade. With just the right conditions, its shallow waters turn huge ocean swells into giant, perfect breaking waves.
On a big wave site set up by Billabong, one of the riders said that 100-foot waves will be ridden out there:
Cortes Bank veteran Mike Parsons returned from the voyage absolutely certain that larger sea monsters are awaiting around the spooky open-ocean shoal. “It’s getting closer and closer now…I guarantee you there will be a 100-foot-wave ridden out there,” said Parsons. “For sure. There were several big peaks that jumped up at the top of the reef outside of us that could not have been too far off that size. If you put yourself in the right place at the right time, it will happen. It’s only a matter of time now.”
For photos and a nice audio feature with the crew that took the trip out there, head on over to Surfline.
Graffiti Research Lab built their own camera rig to capture bullet time photography (a la The Matrix) for $5000-$8000. Here are the instructions to build your own and the music video they made using the rig.
Living in Three Centuries, Mark Story’s photos of centenarians and other aged people. (via clusterflock)
Arresting images of Benazir Bhutto’s last moments, including some shots of the suicide bomb going off nearby shortly after she was shot.
I love the way she leans every so slightly to the side as the train passes.
Rankin’s Eyescapes photos are great. One of my favorite things to do with Ollie is stare into his eyes and see all the wonderful whirls of color. I also like his One Dress project. (Rankin’s project, not Ollie’s.)
Advice from a photo editor at a national magazine on how to talk about photography, particularly to those who know little about it.
I have a sweet technique I use for finding the great images from a shoot that really tends to piss-off the editors: I edit the film without reading the story. This helps me tune into which images have the most impact on me and which ones transcend subject matter and become forces in their own right.
His description of defending good photography applies to design as well.
A list of the top 10 astronomy images of 2007, including entwined galaxies and a dying star.
Diane Arbus’ archives were recently gifted to the Met in NYC.
Unlike the belongings of artists who fade gradually from view, which are sometimes scattered, pilfered or lost, Arbus’s effects were in some ways frozen in time when she committed suicide at 48. Quickly her life began to acquire a cult status paralleling that of her photography.
(via sippey)
Wow, The Simpsons did a parody of Noah Kalina’s Everyday video. Noah, you just graduated summa cum laude from Pop Culture University.
Update: But apparently the background music was used without permission.
A few months back a producer from the Simpsons contacted Carly about using her song ‘everyday’ for an upcoming episode in which they were going to parody my video. She was negotiating a rate for the song, until they never got back to her. No fee was agreed on, no contracts signed.
Maybe they decided since it was parody they didn’t need permission? I don’t find that likely since what little I know about Hollywood/TV is that they’re really concerned about clearing rights. (thx, slava)
Update: The song rights mixup was an accidental oversight and is currently being corrected.
This photo of lower Manhattan taken from the Statue of Liberty in 1901 is plenty interesting, especially what I believe is the beginnings of the Manhattan Bridge under construction behind the Brooklyn Bridge.
Update: The bridge under construction is most likely the Williamsburg Bridge, not the Manhattan Bridge. (thx, jake)
Photo of Steve Jobs at his home in 1982.
This was a very typical time. I was single. All you needed was a cup of tea, a light, and your stereo, you know, and that’s what I had.
This was right in the thick of Lisa/Macintosh development; I bet Jobs didn’t spend a whole lot of time at home. Note: there’s some bad Exif data that prevents the display of this photo in Safari (ironic, eh?)…try Firefox instead. (thx, mark)
Update: Exif data fixed, Safari away.
Jessica Dimmock’s The Ninth Floor is a series of photos taken of heroin addicts living in a ninth floor Manhattan apartment. The NY Times and New York magazine have slideshows with a little more context. Also available in book form. NSFW. (via clusterflock)
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