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Yasumasa Morimura takes photos of himself recreating iconic photos like Lee Harvey Oswald’s murder and Che Guevara. A bit of Cindy Sherman + these photos + maybe even a little Be Kind Rewind. At Luhring Augustine in NYC until Dec 22. (thx, tony)
For example, those participants shown the doctored photograph of the protest in Rome (top right), in which figures placed in the foreground give the impression of violence, rated the event as being significantly more violent and negative than it actually was. In their comments, they also provided false details, such as conflicts, damages, injuries and casualties that did not appear in the photos and were not documented at the event.
(via conscientious)
Top 50 photo series from the 2006 Critical Mass competition. Some good stuff in there if you poke around a bit…2005 and 2004 too. (via ffffound!)
A terrific post recapping the early years of photography. The oldest known color photograph was taken in 1872.
Update: Or was it? James Clerk Maxwell took this color photo of a purty ribbon in 1861. Maxwell also, and so but by the way, linked electromagnetism and light in a seminal paper from that same year, work that Albert Einstein called “the most profound and the most fruitful that physics has experienced since the time of Newton”. (thx, chris)
With the blessing of the main abbot, Shi Yong Xin, Guariglia has earned the full collaboration of the monks to create an astonishing, empathic record of the Shaolin art forms and the individuals who consider themselves the keepers of these traditions. It is the first time the monks have allowed such extensive documentation of these masters and their centuries-old art forms-from Buddhist mudras to classical kung fu-in their original setting, a 1,500-year-old Buddhist temple.
Photos and video here. Watching the videos, especially the one featuring Tong Jian Quan, I was reminded of hip hop dancing (Michael Jackson in particular) in a way that watching kung-fu and other martial arts in Hollywood movies does not.
Also, Shaolin monk Hai Deng was famous for performing a one-finger handstand. The video seems a little suspect but this performance brings the single finger handstand into the realm of possibility.
Scene: Two women on a smoke break outside in the rain, a white woman dressed all in black and a black woman dressed in all white. The woman in all black holds a giant golf umbrella with alternating black and white panels.
Excuse for missing it: Three stories up and babysitting.
See also: Unphotographable, a text account of pictures missed.
Eye-Fi is a wireless memory card for digital cameras. Once you get it set up, you take a photo with your camera and it’s automatically uploaded to your computer and to Flickr (or another photo sharing site of your choosing). The first thing you notice about the Eye-Fi is that it looks just like an ordinary 2-gig SD card…so tiny that when you use it for the first time, you almost can’t help but examine your camera from all angles to make certain that there are no wires involved. It’s magic.
But can an enchanted memory card make you a better photographer? That is, does it make you want to use your camera more and take better pictures? I’ve been testing an Eye-Fi for the past week, courtesy of my friends at Photojojo (where every order comes with a Blow Pop!). The setup and usage were pretty easy. Not having to fuss with an uploading cord was nice. I didn’t like the requirement of setting up each wireless connection you want the card to use; it should find open wireless access points when it can. But after a week of using the card, I finally figured out the optimal way to use the Eye-Fi:
1. Get a Flickr account.
2. Set the Eye-Fi to upload automatically to your Flickr account with the privacy set so that only you can see it.
3. Use Flickr’s online organization tools to publish, group, tag, or order prints of the keepers and discard/ignore the rest.
Instant online-only workflow…no intermediate “download then find the best ones then upload” steps required, everything happens right in Flickr. The lack of editing tools (brightness, levels, etc.) on Flickr might be a deal breaker for some, but for the rest, it certainly makes it easier to take a lot of photographs and get them up where family and friends can see them.
Advice for young photographers, including:
In college, take a year off and drive across the country, and camp along the way. Do it with good friends that are smart; not dumbasses that just want to get high. Bring some books. Bring some audio books if you can’t read.
Photograph of a human Statue of Liberty taken circa-WWI in Des Moines, Iowa.
Silhouettes of patrons at the American Museum of Natural History by NYC photographer Joe Holmes. Joe also has a nice photo of the Manhattan Bridge up today on his photoblog.
Has Abe Lincoln been discovered in the background of a pair of photographs taken right before the Gettysburg Address?
The new photos are enlarged details from much wider crowd shots; they were discovered by a Civil War hobbyist earlier this year in the vast trove of Library of Congress photographs digitized since 2000, and provided to USA Today. They show a figure believed to be Lincoln, white-gloved and in his trademark stovepipe hat, in a military procession.
The funny thing is, if you look at a similar photograph of Lincoln taken shortly after his speech, there are at least three men seated around him who are wearing stovepipe hats. The photographic evidence alone is not compelling. “Paging Errol Morris. Would Errol Morris please come to the information desk. Thank you.”
Jason Salavon’s Field Guide to Style & Color, a reproduction of the 2007 Ikea catalog with everything but the structure and color excluded. You may remember Mr. Salavon from his composite photographs and videos of blowjobs, late night talk show hosts, and Playboy centerfolds.
Examples of photographic tampering from the 1860s to the present. This would be more instructive with the unaltered originals displayed in situ.
Limit-telephotography involves photographing landscapes that cannot be seen with the unaided eye. The technique employs high powered telescopes whose focal lengths range between 1300mm and 7000mm. At this level of magnification, hidden aspects of the landscape become apparent.
Trevor Paglen uses this technique to take photographs of military bases surrounded by miles of restricted land. (via 3quarksdaily)
This is the 2 billionth photo uploaded to Flickr. 2,000,000,000!
A collection of group photos taken by Annie Leibovitz for the cover of Vanity Fair. That’s an unfortunate getup on Sarah Jessica Parker.
How are Don DeLillo, Flickr, and The Most Photographed Barn in America related? Read on, my friends.
These have been passed around the web extensively in the past week or so, but if you haven’t seen these photos of a 1968 French nuclear test, now’s the time. Best viewed as large as you can zoom them.
Joel pointed to these iconic photographs of the 20th century duplicated with the elderly as the subjects last week. See also: iconic photographs recreated with Legos. I remember another set of photo recreations that I can’t seem to find…famous historical events as if they happened in a video game. Anyone recall seeing something like that?
Update: Screenshots is what I was looking for. (thx, rumsey)
Over at Slate, Jim Lewis assesses Errol Morris’s posts on Roger Fenton’s photographs in his Zoom blog for The New York Times:
He seems to have struck a nerve, or perhaps forensics is a more popular pastime than I would have guessed. The whole affair snowballed to browser-crashing size: If you add the readers’ comments to Morris’ own writing, you get a word count of about 223,000, which—just to put it in perspective—is slightly longer than Moby-Dick.
Euro art collective Henry VIII’s Wives recreate iconic 20th century photographs using Glaswegian pensioners as models, all posed outside their housing complex in Glasgow. A real glaswegian kiss to the complacent gaze with which the original photos are too-easily met.
(thx, joseph)
Alexander Bohn wrote a glowing review of FFFFOUND! at Speak Up the other day. My FFFFOUND! fandom is documented elsewhere, so I’ll comment instead on an observation Bohn made in his initial paragraph:
Graphic design might not work in the white cube, but it flourishes on a white background. A new mutated strain of design blog has evolved: The Randomly Curated Other People’s Images White Background Site, or RCOPIWS. Sites like Manystuff, Monoscope, Your Daily Awesome, and VVORK (among countless others) offer designers and design aficionados a constant flood of typographic morsels, interesting photos, arresting new art, and the like. One such site sets itself apart, notably, from the other RCOPIWSes: the collaborative image-bookmarking site ffffound.com — allegedly, but unconfirmed, initiated by online fiend Yugo Nakamura.
Among the many things that the internet has democratized is curating, a task once more or less exclusive to editors (magazine, book, and newspaper), art gallery owners, media executives (music, TV, and film), and museum curators. They choose the art you see on a museum’s wall, the shows you see on TV, the movies that get made, and the stories you read in the newspaper. The ease and low cost of publishing on the web coupled with the abundance of sample-ready media has made the curating process available to many more people. Smashing Telly is David Galbraith’s rolling film festival (or TV channel). By simply listening to the music that you like, Last.fm allows anyone to put together their own radio station to share with others. kottke.org is essentially a table of contents for a magazine I wish existed. Shorpy has freed old photography from the nearly impenetrable Library of Congress web site and presented it in a compelling blog-like fashion.
In the case of FFFFOUND! and other RCOPIWSs, I would argue that these sites showcase a new form of art curating. The pace is faster, you don’t need a physical gallery or museum, and you don’t need to worry about crossing arbitrary boundaries of style or media. Nor do you need to concern yourself with questions like “is this person an artist or an outsider artist?” If a particular piece is good or compelling or noteworthy, in it goes. The last week’s output at Monoscope would make a pretty good show in a Chelsea art gallery, no? It’ll be interesting to see how this grassroots art curating will affect the art/design/photography world at large. Jen Bekman, who has roots in the internet industry, is already exploring this new frontier with her nimble gallery and the Hey, Hot Shot! competition. Others are sure to follow.
Ursine is a new series of photos by Jill Greenberg, who previously did monkey portraiture and crying children, the latter of which provoked some controversy in the blogosphere.
I was going to shoot grizzly bears because they’re safer than bloggers.
A complete series of photos are available on Greenberg’s web site, sadly buried in an inscrutable Flash interface.
Errol Morris has posted the third and final installment of his quest to find out which of two Roger Fenton photographs taken during the Crimean War came first. It is as excellent (and lengthy) as the first and second parts. Morris asks “How can the real world be recovered from the simulacrum?” and arrives at a compelling answer (which I won’t give away here) via sun-maps, shadow experts, The Wisconsin Death-Trip Effect, and ultimately, the Dust-Plunging-Straight-Down Test.
It is insane, but I would like to make the claim that the meaning of photography is contained in these two images. By thinking about the Fenton photographs we are essentially thinking about some of the most vexing issues in photography — about posing, about the intentions of the photographer, about the nature of photographic evidence — about the relationship between photographs and reality.
Morris’ posts make me a bit sad though. Yes, because the series is concluded but also for two other reasons:
1. Morris’ investigation sticks out like a sore thumb, especially compared to most popular media (newspapers, magazines, blogs, TV news). Why isn’t Morris’ level of skepticism and doggedness the norm rather than the delightful exception? Choosing the easy answer or the first answer that seems right enough is certainly compelling, especially under limited time constraints. Once acquired, that easy answer often becomes tied up with the ego of the person holding the belief…i.e. “this answer is correct because I think it’s right because I’m smart and not easily duped and it proves the point I’m trying to make and therefore this answer is correct”. Morris encountered dozens of easy and plausibly correct answers and rejected them all based on a lack of evidence, which allowed him to finally arrive at a correct answer supported by compelling physical evidence.
2. At the same time, lessons in photography and philosophy aside, what did we really learn? In the course of this investigation, Morris spent dozens of hours, wrote thousands of words, flew to Ukraine, enlisted the help of several experts, and probably spent thousands of dollars. Based on seemingly insignificant details, he was able to determine that one photograph was taken slightly before another photograph. If so much energy was put into the discovery of that one small fact, how are we actually supposed to learn anything truthful about larger and more significant events like the Iraq War or global warming. Presumably there’s more evidence to go on, but that’s not always helpful. Does this completely bum anyone else the fuck out?
Photograph of the graves of Vincent and Theodore van Gogh in Auvers-sur-Oise, France. (Don’t quite know why I’m posting this…it just struck me is all.)
Historical photo detection sounds like an interesting profession.
Maureen Taylor has dated a photograph to 1913 by studying the size and shape of a Lion touring car’s headlamps. Armed with her collection of 19th-century fashion magazines, she can pinpoint the brief period when Victorian women wore their bangs in tight curls rather than swept back. Using a technique borrowed from the CIA, she identified a photo of Jesse James by examining the shape of his right ear.
See also last week’s post on forensic genealogy.
A photo series of people and their breakfasts. I’ve often thought that a photo series of people and their favorite condiment would reveal much about contemporary American society.
Kevin Kelly has a rave review of a slide/negative scanning company called Scan Cafe. Here’s how it works: send off your slides and negatives to Scan Cafe, they catalog and send them off to India to be scanned, you go online to choose the which negatives/slides you want final scans of, and in a few weeks, you get your originals and a DVD containing 3000 dpi scans of your photos. Kelly says:
Some people are very concerned about sending their precious originals to India — or anywhere for that matter. They should not be. ScanCafe has a very elaborate tracking and shipping system that would work even if you were shipping jewels. Their scanning facilities in Bangalore (description and photos here) are more organized than you are. I have more trust in this system than I would handing them over to any neighborhood scanner.
Photo by Joao Silva that made the front page of the NY Times yesterday.
An Iraqi boy peered Tuesday inside a car that was towed to a Baghdad police station after two women inside were killed.
As I was rushing late to an appointment yesterday, I saw this on the newsstand and had to stop for a long look. An arresting image.
A bunch of climbers took a portable jacuzzi up to the top of Mont Blanc, the tallest mountain in the Alps, and took a soak. The photos are crazy. (via stupid)
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