Final photos
A list of final photographs taken of people before they died. Included Marilyn Monroe, Albert Einstein, and Adolf Hitler. (via cyn-c)
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A list of final photographs taken of people before they died. Included Marilyn Monroe, Albert Einstein, and Adolf Hitler. (via cyn-c)
Photos of women bodybuilders. If you cover up the faces with your hands, they look like men in bikini tops and if you cover up the bodies, meth addicts.
A lovely photo set of New York City from the 1930s. My favorites are the crowded beach scene at Coney Island, Margaret Bourke-White’s shot of hats in the Garment District, and a shot of “the Lung Block” on the Lower East Side. In due time, that then-notorious but now-beautiful block was razed to make way for one of Manhattan’s first large apartment complexes, Knickerbocker Village which at various times housed several members of the Bonnano crime family and Julius & Ethel Rosenberg. (thx, mark)
For his Fabric of Brooklyn project, Tom Mason took photos of scenes in Brooklyn and combined them to depict super-bustling neighborhoods. Reminded me of this wonderful composite image of a busy airport by Ho-Yeol Ryu.
Filip Dujardin samples photos of buildings to create new photographs of improbable, impossible, or fantastical buildings.

These are great.
Update: More fictional architecture, this time by Philipp Schaerer. (via today and tomorrow)
Richard Renaldi’s photos of touching strangers seem a little predictable to me — white guy with black family, blue-collar guy with white-collar guy, blig black guy with white family — but still worth a look. Joerg Colberg thinks they’re amazing:
Asking two complete strangers to not only pose with each other, but to also touch each other while doing that… And this in a culture whose discomfort with touching someone you don’t know, or touching something that someone else might have touched still baffles me, even after having spent almost ten years in it! I remember I asked Richard how he actually did that. How do you ask complete strangers to pose with and touch each other? How do you do that in New York City of all places?
The act of making a photograph turns the subjects into actors, and two actors touching each other isn’t that unusual. When I look at many of these photos, I see actors and that detracts from the intimacy. Even so, I love this one.
A month after the bombing of Hiroshima in 1945, the US government imposed a code of censorship in Japan, which means that photos of the effects of the nuclear device are somewhat difficult to come by. Enter diner owner Don Levy of Watertown, MA.
One rainy night eight years ago, in Watertown, Massachusetts, a man was taking his dog for a walk. On the curb, in front of a neighbor’s house, he spotted a pile of trash: old mattresses, cardboard boxes, a few broken lamps. Amidst the garbage he caught sight of a battered suitcase. He bent down, turned the case on its side and popped the clasps.
He was surprised to discover that the suitcase was full of black-and-white photographs. He was even more astonished by their subject matter: devastated buildings, twisted girders, broken bridges — snapshots from an annihilated city. He quickly closed the case and made his way back home.
The photographs were taken by the US Strategic Bombing Survey immediately after the war and are now in the possession of the International Center of Photography. A copy of a report made by the US Strategic Bombing Survey is available online at the Truman Library.
When it looked as though Obama was going to win the election, former photojournalist Matt Mendelsohn went to the Lincoln Memorial in Washington DC expecting to find a huge crowd of celebrants.
I’d spent most of election night in front of the TV in Arlington, Va. But around 11 p.m. I couldn’t sit idle any longer, which is why I sped to the memorial. When I arrived, I found a TV crew sitting on the plaza above the Reflecting Pool, waiting, I assumed, for a mob to arrive. I approached with cameras in hand. One of them looked up and said with a slight roll of his eyes, “Nothing to see here.”
Instead he found a small group of people listening to Obama’s acceptance speech on a transistor radio and shot this wonderful picture of the scene. I can’t think of an image that better characterizes the grass-roots, get-out-the-vote, small-donations-by-millions-of-people aspect of Obama’s campaign. (via 3qd)
Update: Here’s another view of the same scene. (thx, andy)
Flickr is getting slammed right now (I’m getting a lot of “hold your clicks” messages) because of the behind-the-scenes election night photos the Obama campaign put up yesterday. Maybe bookmark and come back in a few hours?
I’ve updated the post about the NY Times’ use of 96-pt type for their Obama headline. They’ve used the big type at least one additional time, on 1/1/2000.
Kristen Borchardt made an awesome video that takes a number of Nov 5th newspaper front pages and animates through them using each papers’ Obama photo as the focal point…very much like YTMND’s Paris Hilton doesn’t change facial expressions.
I’ve also updated the election headlines post with a few more collections that popped up.
Hopefully I’ll have some time this afternoon to update the 2008 Election Maps page; I’ve got lots of good submissions waiting in my inbox. Thanks to everyone who sent in links and screenshots.
Idea for the Obama administration: fireside chats. On the radio, on satellite radio, as a podcast, transcripts available online soon after airing. Done live if possible, a genuine lightly scripted chat. Maybe Obama could have special guests on to talk about different aspects of policy and government. Bush does weekly radio addresses but they’re short, boring, and scripted.
Newsweek has posted the rest of their seven-part piece on the 2008 election: part four, part five, part six, part seven. I wrote about the first three installments yesterday.
More related stuff on kottke.org: the barackobama, 2008election, and politics tags.
And I gotta tell you, if change.gov is indicative of how the Obama administration is going to use the web to engage with Americans, this is going to be an interesting four years.
Ok, that’s probably the last Obama post for a bit. Back to your irregularly unscheduled programming.
Three collections of old Star Wars photos and illustrations: 1) a huge collection of classic Star Wars stills, set photos, etc., 2) a smaller collection of photos from the set of the first film, and 3) some early storyboards from the first movie, tentatively titled “The Star Wars”.
The Big Picture, the best new blog of the year, celebrates the victory of Barack Obama, no doubt Time’s Man of the Year for 2008, with some of the best photos of the President-Elect taken over the past few months.
If you submit your astronomy photo to the Astrometry group on Flickr, a tool of the same name will look at the image, tell you the location of the field of view, and label all of the celestial objects contained within it. Here’s an annotated photo of the Pleiades.
Your assignment: use the Astrometry and Exif data to stitch all these photos together into a huge Hockney-esque map of the sky. I am also wondering the extent to which you can fool Astrometry with, say, a painting of a portion of the sky. It would be neat if you could submit a drawing of a constellation and get the correct star IDs back. (via mouser)
Shorpy has posted a photo of the Metropolitan Life Tower taken in 1909, the year the building was completed. I recently wrote posts about the building and about an odd death that occurred there. (thx, finn)
A collection of photos of signs located in NYC from 14th St to 42nd St in Manhattan. Many of the photos were taken in the 80s and 90s and the signs they depict are already gone. The photos are extensively annotated…this is a real history lesson.
It seems like I’ve linked to this before but why not again? Paris en Images is a huge collection of historic photos of Paris.
Idée Multicolr Search Lab is pretty amazing. You select up to ten colors and it returns Flickr photos with those colors. I couldn’t stop playing with this.
A fantastic series of photos from Time photographer Callie Shell of Barack Obama. Shell has been photographing Obama since 2004.
Obama listens from a back stairwell as he is introduced in Muscatine, Iowa. It was his second or third speech of the day. Unlike many of the politicians I have photographed in the past, I find it is easy to get a photograph of Obama alone. He lets his staff do their jobs and not fuss over him.
I loved that he cleaned up after himself before leaving an ice cream shop in Wapello, Iowa. He didn’t have to. The event was over and the press had left. He is used to taking care of things himself and I think this is one of the qualities that makes Obama different from so many other political candidates I’ve encountered.
Two staffers had just passed this site and done two pull-ups. Not to be outdone, Obama did three with ease, dropped and walked out to make a speech.
It’s always the little things.
PhotoSwap is a simple iPhone app: you take a photo, the app sends it to another user at random, and you get a random one in return. Check out a review and a bunch of photos people have received through the app. (thx, david)
A fake tilt-shift photo of Fenway Park in Boston makes the ballpark look like a scale model. I seemingly will never tire of this gimmick. (via let’s go mets)
Vanity Fair has a list of the 25 best news photographs. Many are familar but I had never seen the photo of Roman Polanski sitting outside his house after his wife’s murder. (Quite a few of these photos are disturbing. Viewer beware.)
The Big Picture collects photos of the Sun. I’ve featured a number of these on kottke.org before but it never hurts to look often at the Sun.
The Metropolitan Life Tower is located on the east side of Madison Square Park at 1 Madison Avenue. It has quietly become one of my favorite buildings in the city; I find myself peering up at it whenever I’m in the area. (I took a photo of the building while in line at the Shake Shack last spring…it’s a lovely color in the late afternoon light.) Inspired by a photo posted recently to Shorpy that shows the tower under construction — and before the addition of the building’s iconic clock — I did some research and discovered three things.

One. Modeled after the bell tower of St. Mark’s Basilica in Venice, the Metropolitan Life Tower was completed in 1909 and at 700 feet, it was the tallest building in the world until the Woolworth Building was completed four years later.
Two. The NY Times ran a story in December 1907 about the eventual completion of the structure and how it would take over as the world’s tallest building, surpassing another then-unfinished building, the Singer Tower. In the era before widely available air travel, the building’s vantage point was remarkable.
The view from the top was of a new New York. No other skyscrapers obstructed the vista in either direction. Passing the green roof of the Flatiron Building, the gaze literally spanned the Jersey City Heights and rested on Newark and towns on the Orange Mountains, fifteen miles away.
To the southward the skyscrapers bulked like a range of hills in steel and mortar, the Singer tower rising in the midst, a solitary watch tower on a peak. This hid the harbor, but to the left beyond the bridges, reduced at this height to gray cobwebs, the eye caught the sunlight on the sea — a long strip of shimmering silver beyond Coney Island and the Rockaways.
Three. Star architect Daniel Libeskind is allegedly working on an addition to the Metropolitan Life Building, an addition that by some accounts would reach 70 stories. You can guess how I feel about the prospect of one of those residential glass monstrosities literally and emotionally dwarfing the existing 50-story clock tower, Libeskind or no. Of course, the Metropolitan Life Tower may never have become so iconic had Metropolitan Life’s plans for a 100-story tower one block north not been scrapped because of the Great Depression. They only finished 32 floors of that building, which today houses the celebrated restaurant, Eleven Madison Park.
Paho Mann photographs other people’s souls junk drawers and medicine cabinets.
My work explores the persistent mark of individuality in a culture that brands, packages, and relentlessly promotes conformity. Even among those who attempt to fit into society, there is an amazing wealth of information each individual reveals in near-privacy, spaces such as junk-drawers and medicine cabinets. The near-private nature of these spaces force the viewer to contend with the natural desire of humans to collect, categorize, and by doing so, manage to give clues about their personality and identity.
(via the moment)
Tilt-shift camera lenses have been around for awhile and have been typically used in architectural photography to straighten perspective lines. A few photographers have recently begun to make what look like photographs of scale models, using these lenses to control the angle and orientation of the depth of field. Vincent Laforet or Olivo Barbieri for example.
Pretty freaky, right? Keith Loutit has posted three videos to Vimeo that use the same effect. Seeing those miniatures in motion really blows your noodle. (via waxy)
Update: Director Matt Mahurin used the tilt-shift technique in music videos in the early 90s. Take Bush’s Everything Zen video for example. (thx, siege)
The Big Picture has a selection of photographs from Yann Arthus-Bertrand, who is the answer to the question “hey, who takes those amazing aerial photos of all these different places on earth?” Many more images are available on Arthus-Bertrand’s web site and in his many books.
Some of these photos are coming to NYC in May 2009 in an exhibition in Battery Park City.
David Friedman of the excellent Ironic Sans blog took some photos of a Kentucky denim factory that distresses jeans for high-end designers.
I used to scoff at paying a premium for jeans that come with holes in them already. Then I saw just how much work goes into distressing jeans, and I realized that these people are artists. You can’t just have any loose threads, you have to have the right loose threads. They can’t just be faded. They have to be the right color. A lot of work goes into making these jeans look just right.
A photographer talks about how he edits his photos and collects editing approaches from other photographers as well.
You usually have a hunch, but the great thing about photography is that it’s so unpredictable, so you never quite understand how and when a good photograph comes about. But when editing, I do contact sheets, then machine prints and then select from that.
And when asked what makes one image stand out more than another, is it emotional or an intellectual reaction he answers: “It must be intuitive. If it were intellectual, I’d be able to explain what happens. That’s why I’m a photographer. I express myself visually, not verbally.
Two main themes emerge: 1) take some time off from your images in order to evaluate them more fairly, and 2) edit with an outside party, someone you trust to be tough but fair. (via conscientious)
Several photo series of fashion models transforming into different outfits. It’s amazing how different they can look with changes in makeup, hair, and clothes.
Five noted photographers choose films they’ve been influenced by. Blue Velvet appears on more than one list.
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