I’ve seen several versions of the iconic Tank Man photo but here’s a little-known wider view that shows just how many tanks the guy was holding up. Larger version here. There is also, amazingly, video of the incident:
One of the most memorable images of the Vietnam War is Nick Ut’s photo of a naked Kim Phuc running from her just-napalmed village.
I’ve seen that photo hundreds of times but I had no idea that video footage of the event also exists. In this clip shot by Alan Downes and Le Phuc Dinh, you see the napalm dropped on the village and then a bunch of people, Phuc among them, come running down the road. [Warning, this footage is graphic…severe burns and burnt skin hanging off of young children.]
The photo was famous, but Phuc largely remained unknown except to those living in her tiny village near the Cambodian border. Ut and a few other journalists sometimes visited her, but that stopped after northern communist forces seized control of South Vietnam on April 30, 1975, ending the war.
Life under the new regime became tough. Medical treatment and painkillers were expensive and hard to find for the teenager, who still suffered extreme headaches and pain.
She worked hard and was accepted into medical school to pursue her dream of becoming a doctor. But all that ended once the new communist leaders realized the propaganda value of the “napalm girl” in the photo.
She was forced to quit college and return to her home province, where she was trotted out to meet foreign journalists. The visits were monitored and controlled, her words scripted. She smiled and played her role, but the rage inside began to build and consume her.
“I wanted to escape that picture,” she said. “I got burned by napalm, and I became a victim of war … but growing up then, I became another kind of victim.”
Phuc now lives in Ontario with her husband and has two children.
Since the companies mining the oil from the sands of Alberta wouldn’t provide access to their operations to a reporter, he rented a plane and took a bunch of photos.
Cory Poole made this video of the annular solar ecplise yesterday using 700 photographs from a telescope with “a very narrow bandpass allowing you to see the chromosphere and not the much brighter photosphere below it.”
Cory says: “The filter only allows light that is created when hydrogen atoms go from the 2nd excited state to the 1st excited state.” Very cool.
A group photograph of MGM’s stars and starlets under contract, taken for the studio’s 20th anniversary in 1943.
The full-size photo is available at Mlkshk or at Wikipedia for stargazing. Here’s who’s in the photo:
Front Row: James Stewart, Margaret Sullavan, Lucille Ball, Hedy Lamarr, Katharine Hepburn, Louis B Mayer, Greer Garson, Irene Dunne, Susan Peters, Ginny Simms, Lionel Barrymore
Second Row: Harry James, Brian Donlevy, Red Skelton, Mickey Rooney, William Powell, Wallace Beery, Spencer Tracy, Walter Pidgeon, Robert Taylor, Pierre Aumont, Lewis Stone, Gene Kelly, Jackie Jenkins
Third Row: Tommy Dorsey, George Murphy, Jean Rogers, James Craig, Donna Reed, Van Johnson, Fay Bainter, Marsha Hunt, Ruth Hussey, Marjorie Main, Robert Benchley
Fourth Row: Dame May Whitty, Reginald Owen, Keenan Wynn, Diana Lewis, Marilyn Maxwell, Esther Williams, Ann Richards, Marta Linden, Lee Bowman, Richard Carlson, Mary Astor
Fifth Row: Blanche Ring, Sara Haden, Fay Holden, Bert Lahr, Frances Gifford, June Allyson, Richard Whorf, Frances Rafferty, Spring Byington, Connie Gilchrist, Gladys Cooper
Sixth Row:
Ben Blue, Chill Wills, Keye Luke, Barry Nelson, Desi Arnaz, Henry O’Neill, Bob Crosby, Rags Ragland
The New York City Department of Records has put a huge portion of the Municipal Archive’s collection of photos online, more than 870,000 in all. The server is overwhelmed at times due to heavy usage, the searching/browsing interface is not what you’d call cutting edge, and many of the photos are available in thumbnail size only, but this is still an incredible resource.
Painters on the Brooklyn Bridge in 1914:
The unfinished Manhattan Bridge in 1908:
A pair of men lay dead in an elevator shaft after a failed robbery attempt:
Using a digital camera, Mechanical Turk, and a thermal printer, Matt Richardson’s Descriptive Camera outputs descriptions of photos instead of the photos themselves.
After the shutter button is pressed, the photo is sent to Mechanical Turk for processing and the camera waits for the results. A yellow LED indicates that the results are still “developing” in a nod to film-based photo technology. With a HIT price of $1.25, results are returned typically within 6 minutes and sometimes as fast as 3 minutes. The thermal printer outputs the resulting text in the style of a polaroid print.
I was under the impression that not many photographs of the Titanic existed…especially those taken on the ship. But amateur photographer Francis Browne was aboard the Titanic from Southampton to Cobh, Ireland and captured many images of the ship’s interior, exterior, and voyage. The photos were widely known in the aftermath of the sinking but have been little seen since then.
Browne took this as he was boarding the ship:
The infamous deck chairs:
Browne traveled on a first class ticket…this is a view of some passengers on the second class promenade:
This was taken shortly after the ship dropped anchor in Cobh. Browne obviously did not take this photo because he was still aboard the ship…he acquired it from a photography friend after the fact:
And this is one of the last photos taken of Titanic before Bob Ballard and his team found the wreckage in the mid-80s:
These photos will be a big blow to the remaining folks who believe that the Titanic was fictional:
The Collective Snapshot is a photographic series by Spanish photographer Pep Ventosa which blends “together dozens of snapshots to create an abstraction of the places we’ve been and the things we’ve seen.” He layers multiple pictures from several angles to create one image familiar and foreign at the same time.
Robert Frank was a one-man revolution. Before him pictures for the most part were pretty and clean and pre-visualized, and shot from a tripod. Frank came along and tore a new A-hole in that aesthetic. Fortunately he had something to replace it with: a strong personal vision. Most young photographers who follow in his footsteps don’t. They mistake grain, guts, and verve with substance. Sorry folks, but hitting three out of four doesn’t count. I know it took cajones to shoot that cowboy bar at 1 am pushing your film to 3200, but that doesn’t keep your photo from being boring. Time to shoot something you care about, and don’t try to convince me it’s flags or the underclass.
The Catcher in the Rye by J.D. Salinger.
Mark Twain made the American vernacular a literary language; Salinger tried to do the same for the American adolescent whine. We who read Catcher as teenagers in the 1950s and ’60s at once considered ourselves free to babble on paper just the way we did over coffee and cigarettes. It was certainly easier than learning how to write a straightforward sentence expressing something more than teen angst.
I wonder if there might be a similar list for designers or artists?
For her project My Pie Town, Debbie Grossman modified Depression-era photos to depict all-female families.
Joan Myers’ biography of Doris Caudill (Doris is in many of the pictures), Pie Town Woman, describes her husband, Faro, as less than helpful on the homestead. I had downloaded a portrait of Doris and Faro from the Library of Congress website, and because it was so high-resolution, it occurred to me that I had enough pixels to work with that I could alter the image. I removed Faro, and I loved the opportunity to look at Doris on her own and imagine a different life for her. I thought it would be fun to remake the whole town in a way that reflected my own family, and I imagined a Pie Town filled with women.
The main reason for doing so was to give us the unusual experience of getting to see a contemporary idea of family (female married couples as parents, for example) as if it were historical. But I am also very interested in using Photoshop to create imaginary or impossible images-this is something I have done in other work as well.
I first heard about the Buzludzha monument (pronounced Buz’ol’ja) last summer when I was attending a photo festival in Bulgaria. Alongside me judging a photography competition was Alexander Ivanov, a Bulgarian photographer who had gained national notoriety after spending the last 10 years shooting ‘Bulgaria from the Air’. Back then he showed me some pictures of what looked to me like a cross between a flying saucer and Doctor Evil’s hideout perched atop a glorious mountain range.
The Holga is a cheap toy camera with a simple lens that takes pictures prized by some for their happy accidents (light leaks, distortions, etc.). The Holga D is a concept that translates the Holga experience to digital.
From the front it may look like just another digital camera, may be a bit minimal, but the backside is surprising, as it does not have a display!
Even though Holga D is a digital camera, in order to achieve its simplicity, it reduces the feature set to absolute minimum.
Even the display is not there! So your photographs remain mysterious until you download the images. This makes the experience quite similar to the good old film based cameras.
The headline specifications are a new 22.3 Megapixel full-frame sensor with 100-25600 ISO sensitivity (expandable to 102,400 ISO), 1080p video at 24, 25 or 30fps and 720p at 50 or 60fps, a 61-point AF system (with 41 cross-type sensors), 6fps continuous shooting, a viewfinder with 100% coverage, 3.2in screen with 1040k resolution, 63-zone iCFL metering, three, five or seven frame bracketing, a new three-frame HDR mode, microphone and headphone jacks and twin memory card slots, one for Compact Flash, the other for SD; the control layout has also been adjusted and the build slightly improved. So while the resolution and video specs remain similar to its predecessor, the continuous shooting speed, AF system, viewfinder, screen and build are all improved, and again there’s the bonus of twin card slots.
What you may have heard: This new kind of camera from Lytro allows you to take pictures without worrying about focusing until after the photos have been taken.
What’s totally cool that I didn’t know until this morning when I followed a link to Heather Champ’s Lytro photos: you can focus and refocus the photos on Lytro’s web site as much as you want. What a fun thing! Try it out with Heather’s photos or Lytro’s default picture gallery.
In one of the most eloquent photographs ever made of a great athlete in decline, Yankee star Mickey Mantle flings his batting helmet away in disgust after another terrible at-bat near the end of his storied, injury-plagued career.
Mantle was only 33 when that photo was taken but he’d already had 13 extremely productive seasons under his belt and his last four seasons from ‘65 to ‘68 were not nearly as good.
I love these cauliflower explosions done by Brock Davis…you can find them in his Food Stuff set on Flickr. Here’s the Challenger explosion in cauliflower:
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