From Harlem and upper Manhattan to Brooklyn, Queens and the Atlantic Ocean - New York city’s A Line subway route covers over 30 miles, takes two hours to ride from end to end, and is the inspiration for one of jazz’s best known tunes.
Here — with archive images and vibrant present-day photographs from Melanie Burford — New Yorker columnist Adam Gopnik takes a ride on one of today’s A trains, and explores the communities living along the route.
The values were almost comparable to general Japanese workplace values, actually. Most yakuza gangs actually have neighborhood offices, and the plaques they have on the door state core values like “respect your superiors,” “keep the office clean,” and so on.
One thing I noticed early on with gang life was how subtle everything was. Everything was unspoken, and will was expressed through group pressure. A pressure was constantly there. There was this innate understanding of form — if someone did something wrong, no one would say anything; he would simply be expected to apologize. And the fact everyone would be so silent about it made the pressure really intense.
Noah Kalina, one of my favorite photographers, has taken a self-portrait of himself every day for the past 12 and a half years. After six years, he released a video of the results, which video went crazy viral and brought the attention of the world to Kalina’s door. Now he’s released the 12.5 year version.
I hope I live to be 100 to see the 75th anniversary edition.
Water Wigs is a project from LA artist Tim Tadder, introducing the heads of bald men to water balloons. The Water Wig Club for Men, I’m not only the president…
We just finished shooting a new project we call Water Wigs. The concept is simple and it is another visual exploration of something new and totally different. We found a bunch of awesome bald men and hurled water balloons at their heads, to capture the explosion of water at various intervals. The result a new head of of water hair! We used a laser and sound trigger to capture the right moments for each subject to create just the head of hair that fit best with the face.
The storm had an unusually low central pressure area. Paul A. Newman, chief scientist for Atmospheric Sciences at NASA’s Goddard Space Flight Center in Greenbelt, Md., estimates that there have only been about eight storms of similar strength during the month of August in the last 34 years of satellite records. “It’s an uncommon event, especially because it’s occurring in the summer. Polar lows are more usual in the winter,” Newman said.
Arctic storms such as this one can have a large impact on the sea ice, causing it to melt rapidly through many mechanisms, such as tearing off large swaths of ice and pushing them to warmer sites, churning the ice and making it slushier, or lifting warmer waters from the depths of the Arctic Ocean.
I love The Day After Tomorrow. I know it’s a cheeseball disaster movie (which is pretty much why I love it) but it’s also looking more than a little prescient. Well, as prescient as a cheeseball disaster movie can be anyway. In the Washington Post the other day, prominent climatologist James Hansen wrote that human-driven climate change is responsible for an increase in extreme weather.
My projections about increasing global temperature have been proved true. But I failed to fully explore how quickly that average rise would drive an increase in extreme weather.
In a new analysis of the past six decades of global temperatures, which will be published Monday, my colleagues and I have revealed a stunning increase in the frequency of extremely hot summers, with deeply troubling ramifications for not only our future but also for our present.
This is not a climate model or a prediction but actual observations of weather events and temperatures that have happened. Our analysis shows that it is no longer enough to say that global warming will increase the likelihood of extreme weather and to repeat the caveat that no individual weather event can be directly linked to climate change. To the contrary, our analysis shows that, for the extreme hot weather of the recent past, there is virtually no explanation other than climate change.
In many ways, the phrase “global warming” is grossly misleading. “Oh,” we think, “it’s gonna be a couple degrees warmer in NYC in 20 years than it is now.” But the Earth’s climate is a chaotic non-linear system, which means that a sudden shift of a degree or two — and when you’re talking about something as big as the Earth, a degree over several decades is sudden — pushes things out of balance here and there in unpredictable ways. So it’s not just that it’s getting hotter, it’s that you’ve got droughts in places where you didn’t have them before, severe floods in other places, unusually hot summers, and even places that are cooler than normal, all of which disrupts the animal and plant life that won’t be able to acclimate to the new reality fast enough.
‘There’s a popular belief that projects like this are going to be very advanced but there are things that mitigate against that. These designs were proposed in 2004, and you don’t get to propose one specification and then go off and develop something else. 2MP with 8GB of flash [memory] didn’t sound too bad in 2004. But it doesn’t compare well to what you get in an iPhone today.’
The cameras were also supposed to be outfitted with zoom lenses but that part of the project was scrapped.
Nate Jones was disappointed about how women’s Olympic beach volleyball has been photographed at the Olympics so he decided to show us what other sports look like through the lens of women’s Olympic beach volleyball photographer’s lens. The results are hilarious.
Belgian photographer Kurt Stallaert’s “Bodybuilders’ World” is a project showing a world where children are more ripped than you. It’s creepy as hell imagining these kids lifting weights every day since they were born.
Nice cumulonimbus mammatus in #s 4, 14, and 16. And by coincidence, the NY Times Lens blog also featured Seaman’s work yesterday, an earlier project that entailed shooting portraits of icebergs.
I like Seaman’s portraiture approach to things like clouds and icebergs:
“They are like humans in that each one reacts to its environment and its circumstances in its own way,” Camille Seaman, 42, said. “I’ve come across icebergs that were very stalwart and just refused to dissolve or break up. And there were others — massive, massive icebergs — that were like ‘I can’t take it anymore’ and in front of my eyes would just dissolve into the sea. There’s so many unique personalities. There’s a sadness to them.”
In an interview with Nicola Twilley and Geoff Manaugh, photographer Edward Burtynsky talks about his use of film and drones, his current big project photographing water, and the challenges of finding ways to photograph the ubiquitous.
I’d say, actually, that I’ve been careful not to frame the work in an activist or political kind of way. That would be too restrictive in terms of how the work can be used in society and how it can be interpreted. I see the work as being a bit like a Rorschach test. If you see an oil field and you see industrial heroism, then perhaps you’re some kind of entrepreneur in the oil business and you’re thinking, “That’s great! That’s money being made there!” But, if you’re somebody from Greenpeace or whatever, you’re going to see it very differently. Humans can really reveal themselves through what they choose to see as the most important or meaningful detail in an image.
In Singapore, it is a common practice for entire families to gather on special occasions for a formal picture, often at a studio, with the resulting image framed and prominently displayed at home. The growing tendency of younger family members to take jobs abroad, however, has left many modern portraits missing a relation or two. So the Singaporean photographer John Clang devised a solution, piggybacking on the video-calling technology that already helps ease the dislocation of separated family members: Skype.
If you make a series of horrifying photos of little girls dressed like Vegas cocktail waitresses, I will apparently always click through. First it was Susan Anderson’s High Glitz, a series of child beauty pageant contestants.
Why does McDonald’s food look so much better in the ads than at the restaurant? Watch as the director of marketing for McDonald’s Canada buys a Quarter Pounder at McDonald’s and compares that to a burger prepared by a food stylist and retouched in post by an image editor.
Short answer: the burger at the restaurant is optimized for eating and the photo burger is optimized for looking delicious. (via ★interesting)
I’ve seen several versions of the iconic Tank Man photo but here’s a little-known wider view that shows just how many tanks the guy was holding up. Larger version here. There is also, amazingly, video of the incident:
One of the most memorable images of the Vietnam War is Nick Ut’s photo of a naked Kim Phuc running from her just-napalmed village.
I’ve seen that photo hundreds of times but I had no idea that video footage of the event also exists. In this clip shot by Alan Downes and Le Phuc Dinh, you see the napalm dropped on the village and then a bunch of people, Phuc among them, come running down the road. [Warning, this footage is graphic…severe burns and burnt skin hanging off of young children.]
The photo was famous, but Phuc largely remained unknown except to those living in her tiny village near the Cambodian border. Ut and a few other journalists sometimes visited her, but that stopped after northern communist forces seized control of South Vietnam on April 30, 1975, ending the war.
Life under the new regime became tough. Medical treatment and painkillers were expensive and hard to find for the teenager, who still suffered extreme headaches and pain.
She worked hard and was accepted into medical school to pursue her dream of becoming a doctor. But all that ended once the new communist leaders realized the propaganda value of the “napalm girl” in the photo.
She was forced to quit college and return to her home province, where she was trotted out to meet foreign journalists. The visits were monitored and controlled, her words scripted. She smiled and played her role, but the rage inside began to build and consume her.
“I wanted to escape that picture,” she said. “I got burned by napalm, and I became a victim of war … but growing up then, I became another kind of victim.”
Phuc now lives in Ontario with her husband and has two children.
Since the companies mining the oil from the sands of Alberta wouldn’t provide access to their operations to a reporter, he rented a plane and took a bunch of photos.
Cory Poole made this video of the annular solar ecplise yesterday using 700 photographs from a telescope with “a very narrow bandpass allowing you to see the chromosphere and not the much brighter photosphere below it.”
Cory says: “The filter only allows light that is created when hydrogen atoms go from the 2nd excited state to the 1st excited state.” Very cool.
A group photograph of MGM’s stars and starlets under contract, taken for the studio’s 20th anniversary in 1943.
The full-size photo is available at Mlkshk or at Wikipedia for stargazing. Here’s who’s in the photo:
Front Row: James Stewart, Margaret Sullavan, Lucille Ball, Hedy Lamarr, Katharine Hepburn, Louis B Mayer, Greer Garson, Irene Dunne, Susan Peters, Ginny Simms, Lionel Barrymore
Second Row: Harry James, Brian Donlevy, Red Skelton, Mickey Rooney, William Powell, Wallace Beery, Spencer Tracy, Walter Pidgeon, Robert Taylor, Pierre Aumont, Lewis Stone, Gene Kelly, Jackie Jenkins
Third Row: Tommy Dorsey, George Murphy, Jean Rogers, James Craig, Donna Reed, Van Johnson, Fay Bainter, Marsha Hunt, Ruth Hussey, Marjorie Main, Robert Benchley
Fourth Row: Dame May Whitty, Reginald Owen, Keenan Wynn, Diana Lewis, Marilyn Maxwell, Esther Williams, Ann Richards, Marta Linden, Lee Bowman, Richard Carlson, Mary Astor
Fifth Row: Blanche Ring, Sara Haden, Fay Holden, Bert Lahr, Frances Gifford, June Allyson, Richard Whorf, Frances Rafferty, Spring Byington, Connie Gilchrist, Gladys Cooper
Sixth Row:
Ben Blue, Chill Wills, Keye Luke, Barry Nelson, Desi Arnaz, Henry O’Neill, Bob Crosby, Rags Ragland
The New York City Department of Records has put a huge portion of the Municipal Archive’s collection of photos online, more than 870,000 in all. The server is overwhelmed at times due to heavy usage, the searching/browsing interface is not what you’d call cutting edge, and many of the photos are available in thumbnail size only, but this is still an incredible resource.
Painters on the Brooklyn Bridge in 1914:
The unfinished Manhattan Bridge in 1908:
A pair of men lay dead in an elevator shaft after a failed robbery attempt:
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