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kottke.org posts about design

Vintage business signs

This is a fantastic set of photos of old business signs, many of them neon. As Ben says, “is it possible to favorite every photo in a set at once?”


no caps for vanity fair

Influenced by Modern design trends in Europe, Vanity Fair in 1929 got rid of all capital letters in their headlines. A few months later, the capital letters were reinstated and the design change was accompanied by a letter from the editor called “A Note on Typography”, reprinted in full on Design Observer.

The eye and the mind can adapt themselves to new forms with surprising ease. An innovation stands out at first like a sore thumb but before it has passed its infancy it has become invisible to the conscious eye. The unconscious eye, however, is another matter. It is vaguely dulled by the stale and hackneyed, it is antagonized by the tasteless and inept, and it is completely stopped by the involved and illegible. The unconscious eye is a remorseless critic of all art forms, it awards the final fame and final oblivion.


Old airline menus

A large collection of old airline menus. The collection is poorly organized but worth poking through (check out Air France and Pan Am). Tracked this down after reading this short piece in the Times about a private menu collection, complete with a tiny image of some menus that’s barely worth the effort of clicking the link.


Phone numbers on letterhead

A Bell Telephone pamphlet on how to show telephone numbers on letterhead from the early 1960s. More info at Oddmart. (via quips)


Objectified, a film about industrial design

Objectified is an upcoming film about industrial design by Gary Hustwit, director of Helvetica.

Objectified is a documentary about industrial design; it’s about the manufactured objects we surround ourselves with, and the people who make them. On an average day, each of us uses hundreds of objects. (Don’t believe it? Start counting: alarm clock, light switch, faucet, shampoo bottle, toothbrush, razor…) Who makes all these things, and why do they look and feel the way they do? All of these objects are “designed,” but how can good design make them, and our lives, better?

The film is due out in early 2009. (via design observer)


Stop sign design

What would happen if there were no stop signs and a large corporation attempted to design one?

“We’re targeting women, but we’re also targeting men, secondarily.”


A.G. Low Construction logo

The logo for A.G. Low Construction is the best one I’ve seen in awhile.

A.G. Low Logo

Nice work by design student Rebecca Low, who I’m assuming is related to the A.G. Low in question. (via monoscope)


Obama lapel pins

Steven Heller asked a bunch of designers and illustrators to re-imagine the lapel pin for Barack Obama.

Since Mr. Obama promotes himself as the candidate of change, maybe he should start wearing a different kind of lapel pin that signals his patriotism as well as other values he wants to communicate.

One fellow suggests ripping his lapels off and thereby skirting the whole pin issue. (via design observer)


I Was A Mad Man

On the heels of Michael Bierut’s rave for Mad Men comes William Drenttel’s admission: I Was A Mad Man.

Then the CEO [of Krystal Restaurants] turns to me, ignoring everyone else, and asks me to take out my wallet. He asks me how much money I have. I count about $150, and tell him so. He smiles, looks me squarely in the eye, and asks: “Would you spend your last $150 on this shit?”

The rest of the story involves me telling him to take out his own wallet and me swearing I’d spend not only my money but all of his. And we did. We spent all of Krystal’s money, millions of dollars. We made second-rate advertising, and they had second-rate stores with really second-rate hamburgers. We deserved each other.


Page layout video

Time lapse video of a designer laying out an article for a magazine. I could watch stuff like this all day. It’s also the type of video I wish were on Vimeo…sometimes YouTube is like watching a UHF station from 200 miles away with the rabbit ears positioned just so. (via quips)


Clever New York magazine cover

I love this clever New York magazine cover design from 1969…a photo of a too tall mayoral candidate is cropped just below the chin.


Recent classic book covers

Entertainment Weekly recently compiled a list of well-designed book covers from the past 25 years. Not fantastic but a solid list worth browsing.


England on maps

How big is England? Mapmakers can’t seem to agree.

So for the last two years I’ve been taking pictures of Britain on world maps. Not accurate maps, but drawings or illustrations of maps. The differences are amazing. You might assume that all maps were accurate, or at least accurate-ish. But no, designers play fast and loose with the truth making the host country bigger, more important or more central. Look at Britain in these photos. Look at the size of it compared to Europe. It’s the same, but different.

I love the averaged England near the bottom of the post. (via migurski)


Zadie Smith’s writing advice

Writing advice from Zadie Smith: write it then put it in a drawer.

When you finish your novel, if money is not a desperate priority, if you do not need to sell it at once or be published that very second โ€” put it in a drawer. For as long as you can manage. A year of more is ideal โ€” but even three months will do. Step away from the vehicle. The secret to editing your work is simple: you need to become its reader instead of its writer. I can’t tell you how many times I’ve sat backstage with a line of novelists at some festival, all of us with red pens in hand, frantically editing our published novels into fit form so that we might go on stage and read from them. It’s an unfortunate thing, but it turns out that the perfect state of mind to edit your novel is two years after it’s published, ten minutes before you go on stage at a literary festival. At that moment every redundant phrase, each show-off, pointless metaphor, all of the pieces of dead wood, stupidity, vanity, and tedium are distressingly obvious to you.

Top notch advice. I’m currently working on a (mostly visual) redesign for kottke.org. I pretty much finished the Photoshop part of it two months ago and haven’t looked at it since, hoping that the distance will give me some much needed perspective on whether the new design is any good or not. I’ve used this technique on the past couple of designs as well…if you have the luxury of the extra time, I’d highly recommend it.


Michael Bierut on Mad Men

An appreciation of Mad Men by designer Michael Bierut.

Jesus God in heaven! Not until I know I’m not wasting my time! From the minute Don launched his this-meeting-is-over bluff, I was on the edge of my seat, and my lovely wife Dorothy will tell you that I literally clapped my hands at that line. For me, this sequence is as close to pornography as I ever get to see on basic cable.

Alright, uncle, I give, I give. I will try and find some time in my schedule to watch this show.


World’s first album cover

The world’s first album cover was designed by Alex Steinweiss for Columbia Records in 1938. Before that, records were sold in generic sleeves. (via quipsologies)


Penguin’s Great Ideas

Flickr set of the cover designs for the 3rd installment of Penguin’s Great Ideas series of books. As We Made This rightly notes, the cover for The Work of Art in the Age of Mechanical Reproduction is the gem of the collection.


Dark Knight poster

Nicely designed poster for The Dark Knight.


Remixed album covers

CandyKaraoke, a bunch of album covers reimagined by Irish artists. (via ffffound)


2008 Penguin Design Award

The winners and shortlist of the 2008 Penguin Design Award, a student award in its second year. More info on Penguin’s blog. (via book design review)


Stamen interview

Short interview with Mike Migurski and Tom Carden of Stamen about their projects and process.

We try to start from a position of great abundance and information, to show the vastness or the liveness. I think live, vast, and deep is some of the terminology that we’ve been using lately in a lot of our talks.


TiVo remote control design

The history of the design and manufacture of the TiVo remote control.

Like any remote, the designers were adamant about keeping the remote’s button layout as simple as possible. But with the DVR’s numerous features, the designers needed to create lots of extra buttons. To keep things straight, each button needed to have a distinctive feel, giving the ability to control the remote without even looking at it, which Newby described as a “key Braille-ability” surprisingly helped by the “blank finger parking spots between keys” that were equally important.

(via waxy)


Exxon logo sketches

Raymond Loewy is well-known as an industrial designer but he was also responsible for some of the world’s most iconic logos. Pictured below are several sketches that Loewy did for the new Exxon logo:

Exxon Logo

Big business moved more slowly back then; the sketches were done by Loewy in 1966 but the name change and new logo didn’t go into effect until 1972. Loewy was also responsible for several other logos: Shell, Hoover, BP, Nabisco, Canada Dry, and U.S. Mail.


Hypnerotomachia Poliphili

This is a page from a book called Hypnerotomachia Poliphili.

Hypnerotomachia Poliphili

Any guesses as to when it was published? The title, Latin text, yellowed paper, and lack of page numbers might tip you off that it wasn’t exactly released yesterday. Turns out that Hypnerotomachia Poliphili was published in 1499, more than 500 years ago and only 44 years after Gutenberg published his famous Bible. It belongs to a group of books collectively referred to as incunabula, books printed with a printing press using movable type before 1501.

To contemporary eyes, the HP looks almost modern. The text is very readable. The typography, layout, and the way the text flows around the illustration; none of it looks out of the ordinary. When compared to other books of the time (e.g. take a look at a page from the Gutenberg Bible), its modernity is downright eerie. The most obvious difference is the absence of the blackletter typeface. Blackletter was a popular choice because it resembled closely the handwritten script that preceded the printing press, and I imagine its use smoothed the transition to books printed by press. HP dispensed with blackletter and instead used what came to be known as Bembo, a humanist typeface based on the handwriting of Renaissance-era Italian scholars. From a MIT Press e-book on the HP:

One of the features of the Hypnerotomachia that has attracted the attention of scholars has been its use of the famed Aldine “Roman” type font, invented by Nicholas Jenson but distilled into an abstract ideal by Francesco Biffi da Bologna, a jeweler who became Aldus’s celebrated cutter. This font โ€” generally viewed as originating in the efforts of the humanist lovers of belles-lettres and renowned calligraphers such as Petrarch, Poggio Bracciolini, Niccolo Niccoli, Felice Feliciano, Leon Battista Alberti, and Luca Pacioli, to re-create the script of classical antiquity โ€” appeared for the first time in Bembo’s De Aetna. Recut, it appeared in its second and perfected version in the Hypnerotomachia.

In that way, Hypnerotomachia Poliphili is both a throwback to Roman times and an indication of things to come.

The MIT Press site also notes a number of other significant aspects of the book. As seen above, illustrations are integrated into the main text, allowing “the eye to slip back and forth from textual description and corresponding visual representation with the greatest of ease”. In his 2006 book, Beautiful Evidence, Edward Tufte says:

Overall, the design of Hypnerotomachia tightly integrates the relevant text with the relevant image, a cognitive integration along with the celebrated optical integration.

Several pages in the book make use of the text itself to illustrate the shapes of wine goblets. The HP also contained aspects of film, comics, and storyboarding…successive illustrations advanced action begun on previous pages:

Hypnerotomachia Poliphili

All of which makes the following puzzling:

The Hypnerotomachia Poliphili is one of the most unreadable books ever published. The first inkling of difficulty occurs at the moment one picks up the book and tries to utter its tongue-twisting, practically unpronounceable title. The difficulty only heightens as one flips through the pages and tries to decipher the strange, baffling, inscrutable prose, replete with recondite references, teeming with tortuous terminology, choked with pulsating, prolix, plethoric passages. Now in Tuscan, now in Latin, now in Greek โ€” elsewhere in Hebrew, Arabic, Chaldean and hieroglyphs โ€” the author has created a pandemonium of unruly sentences that demand the unrelenting skills of a prodigiously endowed polyglot in order to be understood.

It’s fascinating that a book so readable, so beautifully printed, and so modern would also be so difficult to read. If you’d like to take a crack at it, scans of the entire book are available here and here. The English translation is available on Amazon.


New ATM interface

Case study: a new interface for Wells Fargo’s ATMs.

The new UI still offers the Quick Cash feature, but in a much smarter way. Instead of one Quick Cash button, we introduced a whole column of shortcut buttons that behave somewhat like the History menu in a web browser. It is still possible to customize them through Set My ATM Preferences, but hardly necessary since they always reflect the most recent transactions.

(via magnetbox)


Through the legs

Print Magazine has an awesome roundup of book covers, advertisements, movies posters, etc. using the “cutoff-torso-spread-leg framing device”, what Steven Heller calls “the most frequently copied trope ever used”.


John Gall, book designer

Video of designer John Gall, who shares his five rules for book cover design.

The other great source of inspiration is the deadline.


The Brannock Foot-Measuring Device

Michael Bierut celebrates the elegantly simple design of the Brannock Foot-Measuring Device.

Charles F. Brannock only invented one thing in his life, and this was it. The son of a Syracuse, New York, shoe magnate, Brannock became interested in improving the primitive wooden measuring sticks that he saw around his father’s store. He patented his first prototype in 1926, based on models he had made from Erector Set parts. As the Park-Brannock Shoe Store became legendary for fitting feet with absolute accuracy, the demand for the device grew, and in 1927 Brannock opened a factory to mass produce it. The Brannock Device Co., Inc., is still in business today. Refreshingly, it still only makes this one thing. They have sold over a million, a remarkable number when one considers that each of them lasts up to 15 years, when the numbers wear off.

Bierut also notes that Tibor Kalman was a big fan of the Brannock Device, once saying:

It showed incredible ingenuity and no one has ever been able to beat it. I doubt if anyone ever will, even if we ever get to the stars, or find out everything there is to find out about black holes.

The humble shoe horn is another well designed shoe-related device that may never be bettered.


Outside the album cover

The b3ta folk explore what happens just outside the border of some well-known album covers. The Simon and Garfunkel and Pink Floyd/Kool-Aid ones are pretty good.


US presidential candidate logos

A list of all the US presidential election logos from 1960-2008. That’s a whole lot of red and blue. I particularly liked 1988’s Dick “Chrysler” Gephardt and Paul Simon’s Top Gun homage. (via quips)