kottke.org posts about TV
Chef David Chang, who I guess is in the process of being not a chef now in the way that Bourdain became not a chef, is back for season 2 of Ugly Delicious, a food/travel/culture show on Netflix. From Eater:
Like the first season, this one promises to “use food as a vehicle to break down cultural barriers, tackle misconceptions and uncover shared experiences,” per a press release. The four episodes — only half the number of episodes as season 1 — will focus on food made for babies and children (“Kids’ Menu”), the vast world of Indian food (“Don’t Call It Curry”), the appeal and mystique of steak (“Steak”), and the varied cuisines that encompass what’s generalized as “Middle Eastern” cooking (“As the Meat Turns”).
I really liked season 1 of this show and I am not going to lie, I would love to somehow be involved in season 3. David, I have a passport, love to eat, and can talk about *gestures around at website* almost anything. Hit me up!
From PBS’s FRONTLINE comes Amazon Empire: The Rise and Reign of Jeff Bezos, a feature-length documentary investigation into Amazon and its founder.
Jeff Bezos is not only the richest man in the world, he has built a business that is without precedent in the history of American capitalism. His power to shape everything from the future of work to the future of commerce to the future of technology is unrivaled. As politicians and regulators around the world start to consider the global impact of Amazon — and how to rein in Bezos’ power — FRONTLINE investigates how he executed a plan to build one of the most influential economic and cultural forces in the world.
One of the 10 key takeaways from the film is how deliberately Amazon attacked the publishing industry:
“Amazon took over a large market share of the publishing industry very, very fast,” James Marcus, a former senior Amazon.com editor, tells FRONTLINE — a situation that he says prompted publishers to realize, “‘Oh, wait a minute, they’re our partner, but they now have the beginnings of a boot on our windpipe’.” Inside the company, the team had launched a strategy that some called “the Gazelle Project,” because they’d heard Bezos wanted them to pursue publishers the way a cheetah pursues a sickly gazelle. “Well, you don’t go after the strongest,” Randy Miller, who ran the European book team, says of the strategy. “He’s like, ‘The cheetah. The cheetah looks for the weak, looks for the sick, looks for the small.’” That way, by the time it comes to take on the publishers at the top, “the noise has gotten back to them. They’re going to know this is coming, and chances are you may be able to settle that without a full-on war.”
Here’s a trailer but the whole thing is available online, embedded above and on YouTube.
From the feature-length documentary Miles Davis: Birth of the Cool that’s debuting on PBS’s American Masters next week, this is a short clip about how Miles’ masterpiece, Kind of Blue, came together in the studio.
Miles Davis didn’t provide sheet music for his musicians during the recording of his iconic album “Kind of Blue.” He said that “I didn’t write out the music for ‘Kind of Blue.’ But brought in sketches ‘cause I wanted a lot of spontaneity in the playing.”
Here’s the trailer and a couple of other clips from the film. (via @tedgioia)
The BBC and Hulu are producing a 12-part TV series based on Sally Rooney’s book Normal People (which I excerpted here). The first trailer is above and I have to say, color me intrigued. (via the recently relaunched recs)
The premise is pretty simple and there’s no need to oversell it because you can imagine what this is going to sound like going in and it delivers perfectly: George Costanza’s father’s voice dubbed over Darth Vader’s dialogue in Star Wars. Serenity now!
(Quickly: Luke = Jerry, Han = George, Leia = Elaine, Chewie = Kramer. Does that even work? (Obi-Wan = Uncle Leo? Is 3PO Newman?))
With the Wuhan coronavirus in the news, this is a timely release from Netflix: Pandemic is a 6-part series on the inevitable worldwide disease outbreak and what’s being done to stop it, or at least to mitigate its effects.
Open Culture’s Josh Jones takes us on a tour of the amazing YouTube channel for The Dick Cavett Show. The show ran from 1968 well into the 80s and Cavett was known for having on big name guests and getting them to talk about important and interesting topics, making the show a more serious older sibling to The Tonight Show. Jones says Cavett “had a way of making everyone around him comfortable enough to reveal just a little more than they might otherwise”.
The show’s YouTube channel contains dozens and dozens of interview clips, including Marlon Brando talking about rejecting his Best Actor Oscar for The Godfather:
Some of the other videos feature John Lennon on why The Beatles ended, Jimi Hendrix talking about performing at Woodstock, Orson Welles recounting a dinner with Adolf Hitler, Janis Joplin’s final TV interview, Joni Mitchell, Jefferson Airplane, and David Crosby fresh off of their appearances at Woodstock, Robin Williams on depression, and Carly Simon talks about stage fright. Check out the post at Open Culture for more or cross-reference this Wikipedia list of the show’s most memorable moments with the YouTube videos.
Every year, director Steven Soderbergh publishes a list of the movies, books, TV series, short films, and short stories he’s watched and read over the course of the year (one of the inspirations for my media diet posts). For many creators, the key to making good work is to read and watch widely with an emphasis on quality — it’s difficult make great work if your ingredients are poor — so Soderbergh’s 2019 list is a fascinating look at the director’s inputs for the next year’s creative endeavors.
Some observations:
- The pace here is incredible…2,3,4 movies in a day, several episodes of TV shows in a sitting.
- He didn’t watch Star Wars: Rise of Skywalker but did watch the Kenobi fan film.
- He binged Succession in three days. Finishing Fleabag took him more than a month.
- He watched Marriage Story and The Irishman on the same day.
- One day he did a mini Mike Judge film festival: Office Space and Idiocracy.
- I remember from past lists that he watches some movies over and over…that doesn’t seem to be the case this year.
Including special shows, Mister Rogers’ Neighborhood ran for 912 episodes and at the beginning of each one, Rogers sang “Won’t You Be My Neighbor?” while putting his sweater on and changing his shoes. In the video above, you can compare his rendition of the song from the first episode (February 19, 1968) and the final episode (August 31, 2001). It would take a significant effort (and might actually be impossible because he sings the song at a different pace each time), but I’d love to see someone cut together a version of this that features all 912 openings strung together chronologically, so you can see Rogers get older as he sings (a la Noah Kalina’s Everyday).
The same YouTube channel also edited together the first and last times Rogers sang “Good Feeling”:
(via open culture)
In July 2018, I posted about the FBI investigation into the multi-million dollar McDonald’s Monopoly fraud.
For years, Jerry Jacobson was in charge of the security of the game pieces for McDonald’s Monopoly, one of the most successful marketing promotions in the fast food giant’s history. And for almost as long, Jacobson had been passing off winning pieces to family, friends, and “a sprawling network of mobsters, psychics, strip club owners, convicts, drug traffickers”, to the tune of more than million in cash & prizes.
In early February, HBO is airing a five-part documentary series on the investigation called McMillions:
Every month or two for the past couple of years, I’ve shared the movies, books, music, TV, and podcasts I’ve enjoyed (or not) recently. Here’s everything I’ve “consumed” since late October.
Uncut Gems. Watching this movie replicates very closely what it feels like to live in NYC (and not in a good way). This movie contains one of my favorite scenes of the year and Sandler is a genius. (A)
Seduce And Destroy with Josh Safdie, Benny Safdie & Paul Thomas Anderson (A24 Podcast). The best bits of this were fascinating but some of it was too inside baseball. Listen to this after seeing Uncut Gems. (B+)
The Song of Achilles by Madeline Miller. The Iliad as a romance novel (of sorts). Loved it. (A)
Hustlers. Jennifer Lopez did not require fancy cameras or the de-aging CGI of The Irishman to make her look 20 years younger. (B+)
The Amazing Adventures of Kavalier & Clay by Michael Chabon. Such a great alchemy of subjects — kind of a miracle how it all works together. (A-)
Jesus Is King. Boring. Christian hip hop isn’t any better than Christian rock. Born again Kanye? I miss the old Kanye… (C-)
The Dark Crystal: Age of Resistance. Wonderfully creative. A couple of really disturbing parts though for kids. (A-)
The Dark Crystal. Watched this after Age of Resistance and it holds up really well. (B+)
Tunes 2011-2019. Gets better with every listen. (A-)
The Laundromat. Soderbergh and Streep? This should have been better. (B)
The Fifth Season by N.K Jemison. Liked this but it didn’t make me want to immediately start the next book in the series. (B+)
21 Lessons for the 21st Century by Yuval Noah Harari. Lots to chew on in this one but I ultimately didn’t finish it. But that’s more on me than Harari. (B+)
David Whyte: The Conversational Nature of Reality (On Being). “Sometimes it takes darkness and the sweet / confinement of your aloneness / to learn / anything or anyone / that does not bring you alive / is too small for you.” Whyte sounds like a fascinating person. (A-)
Star Trek: Deep Space Nine. Re-watched the entire series over the past several months. Strong in the middle seasons but not a great ending. (B+)
The OJ Simpson Trial (You’re Wrong About…). Excellent multi-part reexamination of the OJ trial centered on the women, principally Nicole Brown Simpson but also Marcia Clark and Paula Barbieri. It took me awhile to get used to the sometimes-too-casual banter about distressing subject matter, but their knowledge and discussion of the subject matter won me over. (A-)
Ad Astra. The filmmakers couldn’t find a way to do this movie without the voiceover? Just let Pitt act…everything he says is obvious from his face. Beautiful though. (B+)
Dead Wake by Erik Larson. Engaging account of the sinking of the Lusitania, which eventually & circuitously led to the entry of the United States into World War I. (A-)
The Wonderful Wizard of Oz. This wasn’t my favorite book I’ve read with my kids. (B-)
The Devil Next Door. Interesting story but I wanted more from this re: the nature of truth & evil. (B)
The Lighthouse. Sunshine x Fight Club. (A-)
Ford v Ferrari. Driving home from the theater, it took every ounce of self-control not to put the pedal on the floor and see if my car can do 120 on a Vermont county road. (A-)
The Crown (season 3). I didn’t like this quite much as the first two seasons, but I did like the overt and not-so-overt references to Brexit. There was a low-stakes-ness to this season which fits with other exported British media (Downton, British Baking Show) and the country’s rapidly dwindling status as a world power. (B+)
Menu Mind Control (Gastropod). Really interesting discussion of how menus are constructed to balance the needs of the restaurant and the desires of the diner. Buckle up though…Gastropod is one of the densest podcasts out there. (A-)
A Beautiful Day in the Neighborhood. A surprisingly trippy adaptation of one of my favorite magazine articles on Fred Rogers. Hanks is great as usual. (B+)
Coco. Another Pixar gem. (A-)
A Table for Two, Please? (Talk Money). From a new podcast by my pal Mesh — the first episode is about the business side of opening and running restaurants. (B+)
Knives Out. From the hype this got, I was expecting a bit more than a good murder mystery but it was just a good murder mystery. (B+)
Marriage Story. Great performances all around, but Jesus why did I watch this? It captures very well the feeling and experience of divorce. Total PTSD trigger though. (D/A-)
Galatea. Engaging short story by Madeline Miller. (B+)
Star Wars: Rise of Skywalker. Impossible at this point for anyone to objectively review the ninth movie in a series which in some ways has defined culture of the last 40 years. I loved it, even the hokey parts. (A)
High Life. Not even sure what to say about this one. (B-)
Past installments of my media diet are available here.
Move over, every other craft project — this Homer Simpson disappears into the bushes embroidery piece by Rayna of Hermit Girl Creations is the best embroidery in the history of the world. The scene is taken from a 1994 episode of The Simpsons called Homer Loves Flanders and has become a bit of a meme in recent years; here’s the clip:
Check out her Instagram or Etsy shop — she does a lot of other Simpsons-based embroidery as well as Charlie Brown, The Office, Dr. Seuss, Frog & Toad, Stranger Things, and Futurama. Looks like she takes commissions via Instagram DM.
I am sorry this is too late to make my holiday gift guide, but I just found out it existed: Fleabag: The Scriptures consists of the scripts for both seasons of Fleabag, the original stage directions for the play, and commentary from Phoebe Waller-Bridge.
Her coat falls open. She only has her bra on underneath. She pulls out the little sculpture of the woman with no arms. It sits on her lap. Two women. One real. One not. Both with their innate femininity out.
The book has been out since November. How am I just finding out about this now?!
This Saturday Night Live mock TV commercial for a Macy’s holiday sale cuts right to the truth about buying clothes for kids that aren’t right for them or their parents.
Some of their deals include “40% off cozy corduroys that’ll pinch his little nuts”, “kids jackets that are so big & thick they won’t fit in their carseat anymore”, and “everyday savings on mittens they’ll lose, shirts with the wrong Frozen princess, sweaters that make them hot”.
Sitting at a piano, composer Nicholas Britell explains how he came up with the theme music to Succession.
I’m constantly winding in these notes that aren’t part of the scale to just to kind of jolt the music in a different direction. So you see that things are always kind of off-kilter with themselves — like the family in the show.
See also The Succession Theme Works Over Any TV Show Title Sequence.
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