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WWW: The Way We Were

posted by Jason Kottke   Oct 12, 2016

Note: There are some *major* unavoidable spoilers about the finale of season three of Halt and Catch Fire in this post. If you’ve been watching (and you definitely should be), you might want to catch the finale first and then come back.

The final two episodes of Halt and Catch Fire aired last night. The previous eight episodes of the season took place in the mid-1980s with Joe running something like Norton or McAfee in San Francisco, and Cameron, Donna, and Gordon running a dial-up service like Compuserve for playing online video games, chatting, and selling stuff on a nascent Etsy. In the 8th episode, a lot of that changed and the characters headed their separate ways.

For the final two episodes, the show jumps forward to 1990, and in the last episode, Donna brings the four main characters (plus Cameron’s husband Tom, who works for Sega in Japan) back together to talk about a new and potentially revolutionary idea that’s crossed her desk at the VC firm where she’s now a senior partner: the World Wide Web. The five of them meet over two days, trying to figure out if there’s a business to be built on the Web — Joe argues metaphorically that they should build a stadium while Cameron says that no one’s gonna come to the stadium unless you have a kickass band playing (lack of compelling content) and then Gordon retorts that rock n’ roll hasn’t even been invented yet (aka there’s no network for this to run on). The discussion, some anachronisms and having the benefit of hindsight aside, is remarkably high level for a television audience…I doubt I could explain the Web so well.

At the second meeting, Joe, who is a Steve Jobs / Larry Ellison sort of character, has had some time to think about the appeal of the Web and lays out his vision (italics mine):

Joe: Berners-Lee wrote HTML to view and edit the Web and HTTP so that it could talk to itself. The chatter could be cacophonous, it could be deafeningly silent. Big picture: What will the World Wide Web become? Short answer: Who knows?

Donna: Ok, so what’s your point?

Joe: It’s a waste of time to try to figure out what the Web will become, we just don’t know. Because right now, at the end of the day, it’s just an online research catalog running on NeXT computers on a small network in Europe.

Cam: So, you’re saying everything we’ve talked about since we got here has been a waste of time?

Joe: I’m saying let’s take a step back. Literally step back.

Gordon: What is this on the board?

Joe: It’s the code for the Web browser.

Tom: And you wrote it all on the whiteboard.

Donna: The online catalog of research?

Cameron: Full of Norwegian dudes’ physics papers and particle diagrams and stuff?

Gordon: And we care about this because why?

Joe: How did we all get here today? The choices we made? The sheer force of our wills, something like that? Here’s another answer: the winds of fate, random coincidence, some unseen hand pushing us along. Destiny. How did we all get here today? We walked through this door. We don’t have to build a big white box or stadium or invent rock n’ roll. The moment we decide what the Web is, we’ve lost. The moment we try to tell people what to do with it, we’ve lost. All we have to do is build a door and let them inside.

When I was five, my mother took me to the city. And we went through the Holland Tunnel and it was basic, concrete and steel, but it was also my excitement sitting in the backseat, wondering when it was going to be our turn to emerge, it was the explosion of sunlight. And when we exited the tunnel, all of Manhattan was laid out before us. And that was the best part of the trip: the amazing possibility to be able to go anywhere within something that is magnificent and never-ending.

This is the first Web browser, the one CERN built to view and edit research. I wrote it up here for you to see how simple it is. It takes up one whiteboard — that’s basic concrete and steel — but we can take this and we can build a door and we can be the first ones to do it because right now, everyone else sees this…

Donna: …as an online research catalog…

Gordon: …running on NeXT…

Cameron: …on a network in Europe.

Joe: And with this handful of code, we can build the Holland Tunnel.

It’s Don Draper’s carousel speech from Mad Men…but for the Web. And it hit me right in the feels. Hard. When I tell people about the first time I saw the Web, I would sheepishly describe it as love at first sight. Logging on that first time, using an early version of NCSA Mosaic with a network login borrowed from my physics advisor, was the only time in my life I have ever seen something so clearly, been sure of anything so completely. It was a like a thunderclap — “the amazing possibility to be able to go anywhere within something that is magnificent and never-ending” — and I just knew this was for me and that it was going to be huge and important. I know how ridiculous this sounds, but the Web is the true love of my life and ever since I’ve been trying to live inside the feeling I had when I first saw it.

Which is why this scene wrecked me so hard. The Web that they are talking about on the show, the open Web, is ailing, dying. It was like listening to a eulogy at a funeral, this thing that I love, poured the best of my self into, gone forever. Of course that’s not strictly true, the Web is still a fabulous place where anyone can set up a site to do, say, or sell whatever they want, but instead of the promise of small pieces loosely joined, what we mostly got was large pieces tightly coupled. Today’s Web browsers and apps are Holland Tunnels that open up right into shopping malls instead of open city streets. Facebook makes it absurdly easy to start your own blog that all your friends and family can conveniently read, but you give up the freedom to say anything you want, it’s impossible to move those words elsewhere if you’d like (I’m talking with URLs and social graph intact), and they sell advertising against your words & images and you don’t get a cut.

Now, I’m not advocating a Make The Web Great Again policy because the open Web of the 90s had many problems, the greatest of which was a lack of access for anyone without the free time and skills necessary to set up a web server, install software, etc. etc., not to mention the expense involved. Today’s Web is much more accessible to people of all ages, backgrounds, and skill levels and as a result you see much more participation across the socioeconomic spectrum, especially in developing countries.

But the open Web enthusiasts and advocates missed an opportunity to take what the Web was in the 90s and make that available to everyone. Instead of walled gardens like Facebook, Pinterest, and Medium (which echo the closed online services like AOL, Prodigy, and Compuserve that predated the Web), imagine a bunch of smaller services bound together with open protocols where individuals have both freedom and convenience. At this stage, building an open Twitter or open Facebook is nearly impossible, but it wouldn’t have been 10-12 years ago. I hope I’m wrong, but with all of the entrenched incumbents and money pumping into online services, I’m afraid that time has truly passed. And it’s breaking my heart.

We Work Remotely

The Halt and Catch Fire soundtrack

posted by Jason Kottke   Aug 19, 2016

Ah, my Friday is off to a bit of a rough start, but a phone chat with a friend and the soundtrack for Halt and Catch Fire dropping on Spotify is patching things up nicely.

P.S. Season 3 starts on Aug 23rd. Here’s a clip from the new season:

And another one. I am excite. (via @aaroncoleman0)

Silicon Cowboys, a documentary film on the history of Compaq Computer

posted by Jason Kottke   Feb 18, 2016

Silicon Cowboys

Silicon Cowboys is an upcoming documentary about Compaq Computer, one of the first companies to challenge IBM with a compatible computer.

Launched in 1982 by three friends in a Houston diner, Compaq Computer set out to build a portable PC to take on IBM, the world’s most powerful tech company. Many had tried cloning the industry leader’s code, only to be trounced by IBM and its high-priced lawyers. SILICON COWBOYS explores the remarkable David vs. Goliath story, and eventual demise, of Compaq, an unlikely upstart who altered the future of computing and helped shape the world as we know it today. Directed by Oscar(R)-nominated director Jason Cohen, the film offers a fresh look at the explosive rise of the 1980’s PC industry and is a refreshing alternative to the familiar narratives of Jobs, Gates, and Zuckerberg.

There’s no trailer yet, but the film is set to debut at SXSW in March. The first season of Halt and Catch Fire had a lot of influences, but the bare-bones story was that of Compaq.

Many reviews mention the similarity of the characters to Apple founders Steve Jobs and Steve Wozniak, but the trio of managers from Texas Instruments who left to form Compaq in the early 80s are a much closer fit. The Compaq Portable was the first 100% IBM compatible computer produced.

Teaser clip from season two of Halt and Catch Fire

posted by Jason Kottke   Mar 27, 2015

Halt and Catch Fire season two is starting on May 31! And there’s a five-minute clip to whet your appetite! And it passes the Bechdel test with flying colors!

The exclamation points mean that I am excited for the new season without explicitly saying so!! (via @kathrynyu)

The top 10 film/TV title sequences of 2014

posted by Jason Kottke   Dec 31, 2014

From the excellent Art of the Title (which had a great year), the top 10 title sequences of 2014. So awesome to see Halt and Catch Fire take the top spot. And Too Many Cooks!

Halt and Catch Fire soundtrack

posted by Jason Kottke   Aug 04, 2014

Halt and Catch Fire just ended its first season last night and while the show wasn’t perfect, I loved almost every single minute of it. (In Time, James Poniewozik writes about why the series was so interesting.) Even haters of the show can agree that one of the best aspects of the 80s period drama is the music. There are several playlists of the music on Rdio…this seems to be the best one:

Each main character from the show also has their own playlist. Joe MacMillan: Brian Eno, Eurythmics, and The Cars. Cameron Howe: Blondie, The Clash, and The Slits. Gordon Clark: Creedence, Eric Clapton, and Dire Straits. Donna Clark: Mozart, Joni Mitchell, and Billy Joel.

Halt and Catch Fire titles

posted by Jason Kottke   Jul 02, 2014

Speaking of Halt and Catch Fire, the title sequence is pretty awesome:

I am also currently trying (and mostly failing) not to have a giant crush on Mackenzie Davis, who plays crack programmer Cameron Howe on the show, reads Infinite Jest in Brooklyn coffee shops, gets anxious about talking on the phone (me too!), and has recently read The Soul of a New Machine (me too!). Am I wrong to think we’d totes be BFFs?!

Update: The Art of the Title did a feature on the H&CF titles, which includes 55 photos of storyboards. Pretty cool to see the process. (via @ScottIvers)

Update: Halt’s opening sequence was nominated for an Emmy in Outstanding Main Title Design!

Halt and Catch Fire

posted by Jason Kottke   Jun 20, 2014

Halt And Catch Fire

I’ve been hearing some good things about Halt and Catch Fire, which is three episodes into its first season on AMC. The show follows a group of 80s computer folk as they attempt to reverse engineer the IBM PC. The first episode is available online in its entirety.

Many reviews mention the similarity of the characters to Apple founders Steve Jobs and Steve Wozniak, but the trio of managers from Texas Instruments who left to form Compaq in the early 80s are a much closer fit. The Compaq Portable was the first 100% IBM compatible computer produced. Brian McCullough recently did a piece on Compaq’s cloning of the IBM PC for the Internet History Podcast.

The idea was to create a computer that was mostly like IBM-PC and mostly ran all the same software, but sold at a cheaper price point. The first company to pursue this strategy was Columbia Data Products, followed by Eagle Computer. But soon, most of the big names in the young computer industry (Xerox, Hewlett-Packard, Digital Equipment Corporation, Texas Instruments, and Wang) were all producing PC clones.

But all of these machines were only mostly PC-compatible. So, at best, they were DOS compatible. But there was no guarantee that each and every program or peripheral that ran on the IBM-PC could run on a clone. The key innovation that Canion, Harris and Murto planned to bring to market under the name Compaq Computer Corporation would be a no-compromises, 100% IBM-PC compatibility. This way, their portable computer would be able to run every single piece of software developed for the IBM-PC. They would be able to launch their machine into the largest and most vibrant software ecosystem of the time, and users would be able to use all their favorite programs on the road.

My dad bought a machine from Columbia Data Products; I had no idea it was the first compatible to the market. My uncle had a Compaq Portable that he could take with him on business trips. I played so much Lode Runner on both of those machines. I wonder if that disk of levels I created is still around anywhere… (via @cabel)

Update: I’m all caught up, five episodes into the season, and I’m loving it.