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In this short video, YouTuber Paul E.T. shows how you can make a Netflix-style true crime documentary about anything. Even stolen toast. The equipment needs are pretty minimal - a good camera, a couple of lenses, some lighting, and a decent mic. The magic is in the editing. (via my son’s insistence that I click on this while browsing YouTube on the TV last night)
Wes Anderson’s tenth film, The French Dispatch, is about a fictional magazine published by a group of Americans in France. The movie’s magazine is based on the New Yorker and in advance of its release, Anderson has published an anthology of articles from the actual New Yorker (and other magazines) that inspired the characters in the film. It’s called An Editor’s Burial.
A glimpse of post-war France through the eyes and words of 14 (mostly) expatriate journalists including Mavis Gallant, James Baldwin, A.J. Liebling, S.N. Behrman, Luc Sante, Joseph Mitchell, and Lillian Ross; plus, portraits of their editors William Shawn and New Yorker founder Harold Ross. Together: they invented modern magazine journalism.
Because the world is constantly folding in on itself these days, Anderson explained why he is publishing the book to Susan Morrison in the New Yorker:
Two reasons. One: our movie draws on the work and lives of specific writers. Even though it’s not an adaptation, the inspirations are specific and crucial to it. So I wanted a way to say, “Here’s where it comes from.” I want to announce what it is. This book is almost a great big footnote.
Two: it’s an excuse to do a book that I thought would be really entertaining. These are writers I love and pieces I love. A person who is interested in the movie can read Mavis Gallant’s article about the student protests of 1968 in here and discover there’s much more in it than in the movie. There’s a depth, in part because it’s much longer. It’s different, of course. Movies have their own thing. Frances McDormand’s character, Krementz, comes from Mavis Gallant, but Lillian Ross also gets mixed into that character, too — and, I think, a bit of Frances herself. I once heard her say to a very snooty French waiter, “Kindly leave me my dignity.”
As Morrison then noted, it would be very cool if every movie came with a suggested reading list. The French Dispatch is set for release in the US in late October and An Editor’s Burial will be out September 14 and is available for preorder.
You might want to take a deep breath or do a couple of laps around the house before watching this video about a community in the Ozarks with a very low Covid-19 vaccination rate. Here’s a sample. An ICU patient wearing an oxygen mask on why he didn’t get vaccinated:
I’m more of a libertarian and I don’t like being told what I have to do. I’m still not completely 100% sold on the inoculation.
Video narrator:
It was eerie to hear Christopher insist on his individual freedoms even as he struggled to breathe.
Can you hear me screaming all the way from my desk to wherever you are? I don’t like being told what I have to do?! Fucking hell. And this:
There’s no better place to see the impact of this political rhetoric than in the hospital. Only about 50 percent of the staff are vaccinated. None of the unvaccinated staffers were willing to talk.
Absolutely maddening. I want off this ride.
I love these little stop motion videos by Huw Messie (using Processing, I think) that use embroidery for the animation.
You can check out more of Messie’s work on Vimeo, Instagram, and NFT repository hic et nunc.
Well. The robots sure are getting good at moving around — running, jumping, doing flips, casually vaulting over railings like an eighth grader trying to impress friends. It is eerie and weird and uncanny and all other such adjectives watching these machines smoothly caper around like humans. Even in the blooper reel they seem really toddler-esque.
Jumbo the Elephant was one of the most famous animals in the world. Bought as a calf in Sudan by a European animal dealer in 1860, Jumbo found fame first at the London Zoo and later as the centerpiece of the Barnum & Bailey Circus in the US. Jumbo was so beloved in London that news of his sale to P.T. Barnum prompted 100,000 children to write to Queen Victoria, urging her to nix the deal. In the video above, Andrew McClellan recounts Jumbo’s too-short (and probably unhappy) life and the impact he had on society.
The word “jumbo” hadn’t been known or used in the English language before he came along and has since become the byword for anything humongous or supersized. So every time we use the word “jumbo jet” or “jumbotron”, we’re actually referring back to Jumbo the elephant.
(thx, ben)
In this short video from TED-Ed, we learn how Iceland extracts nearly emissions-free geothermal energy from the Earth (hint: volcanoes) but also how harnessing geothermal energy with heat pumps is something that can be done around the world. (via the kid should see this)
For a Volkswagen ad campaign in 1988, Kurt Vonnegut wrote a letter of advice to people living in 2088. In the video above from 2019, Benedict Cumberbatch reads Vonnegut’s prescient letter. His main message is an environmental one: that if we don’t get our shit together, Nature will have its way with us.
The sort of leaders we need now are not those who promise ultimate victory over Nature through perseverance in living as we do right now, but those with the courage and intelligence to present to the world what appears to be Nature’s stern but reasonable surrender terms:
1. Reduce and stabilize your population.
2. Stop poisoning the air, the water, and the topsoil.
3. Stop preparing for war and start dealing with your real problems.
4. Teach your kids, and yourselves, too, while you’re at it, how to inhabit a small planet without helping to kill it.
5. Stop thinking science can fix anything if you give it a trillion dollars.
6. Stop thinking your grandchildren will be OK no matter how wasteful or destructive you may be, since they can go to a nice new planet on a spaceship. That is really mean, and stupid.
7. And so on. Or else.
Vonnegut: definitely a prophet. (via open culture)
One of the many effects of human-driven climate change is that, on average, the bodies of animals are getting smaller — birds, fish, deer, frogs, rodents, insects. And these changes could have large and unpredictable consequences.
“That’s the problem with human-driven climate change. It’s the rate of change that’s just orders of magnitude faster than what the natural world has had to deal with in the past. Size is really important to survival, and you can’t just change that indefinitely without consequence. For one thing, I don’t think it’s feasible that species are going to be able to continue to get smaller and maintain things like a migration from one hemisphere to another.”
And since smaller bodies can hold fewer eggs, they result in fewer offspring, and a lower population size in the long run. For amphibians who need to keep their skin wet in order to breathe, shrinking can mean higher chances of drying out in a drought because their bodies absorb and hold smaller quantities of water.
But the more concerning consequences have to do with how this could destabilize relationships between species. Because shrinking plays out at different rates for different species, predators might have to eat more and more of shrinking prey, for example, throwing a finely-tuned ecosystem off balance.
Watch as these tiny folded structures slowly unfold while floating on the water. It’s all about surface tension and capillary action. The shadows are cool to watch as well. (via the kid should see this)
Usually when I post these sorts of non-narrative videos — in this case, a series of creative stop motion vignettes featuring matchsticks made by Tomohiro Okazaki — I say something to the effect of “I could have watched this all day” or “I wish this video were longer” because they’re often quite short. Well, this one is seven and a half minutes long and I still wish it had gone on for longer. Ok sure, you get the point after awhile, but each successive animation is just as inventive than the last that it kept me hooked.
The YouTube channel In Depth Cine has been looking at how directors like Spike Lee, Alfonso Cuarón, Martin Scorsese, and Wes Anderson shoot films at three different budget levels, from the on-a-shoestring films early in their careers to later blockbusters, to see the similarities and differences in their approaches. For instance, Wes Anderson made Bottle Rocket for $5 million, Rushmore for $10 million, and Grand Budapest Hotel for $25 million:
Steven Spielberg shot Duel for $450,000, Raiders of the Lost Ark for $20 million, and Saving Private Ryan for $70 million:
Christopher Nolan did Following for $6,000, Memento for $9 million, and Inception for $160 million:
You can find the full playlist of 3 Budget Levels videos here. (This list really needs some female directors — Ava DuVernay, Sofia Coppola, and Kathryn Bigelow would be easy to do, for starters. And Chloé Zhao, after The Eternals gets released.)
90-year-old Wayan Nyo has been fishing in Indonesian waters for 80 years but now pulls mostly plastic and trash out of the water. This short film follows him during his daily routine as he talks about what the formerly clean & bountiful ocean has meant to him and his family. (via colossal)
In the first part of a multi-video series on how the human immune system works, Kurzgesagt describes how the system’s first lines of defense work when your body is invaded by microorganisms.
The human immune system is the most complex biological system we know, after the human brain, and yet, most of us never learn how it works. Or what it is. Your immune System consists of hundreds of tiny and two large organs, it has its own transport network spread throughout your body. Every day it makes hundreds of billions of fresh cells.
It is not some sort of abstract entity. Your immune system is YOU. Your biology protecting you from the billions of microorganisms that want to consume you and from your own perverted cells that turn into cancer.
Kurzgesagt founder Philipp Dettmer is publishing a companion book to the series, Immune: A Journey Into the Mysterious System That Keeps You Alive; it’s out in late September.
I have read a lot about the human immune system over the past 18 months, but this video was still helpful in understanding how it all fits together. For more information, consult their extensive list of sources or watch their earlier video on what the SARS-CoV-2 virus does to a human body.
The 2020 Summer Olympics are over, but it’s never too late to find inspiration in the athletes who competed. For the New Yorker, Nathan Fitch made a short film about professional skateboarder Lizzie Armanto, who was then preparing to represent Finland in the first ever skateboarding competition at the Olympics.
“There [are] no masters,” Armanto says. “And even the people that we call masters — they haven’t done every trick. No one can do everything on a skateboard at all times without failing. Everyone falls, and everyone will have something that they can work on.”
Armanto didn’t medal at these Games — she broke several bones and underwent surgery after a skating accident in late 2020 and was perhaps still recovering from that. But she represented Finland and her sport in fine style; she helped design the uniforms she wore:
Those distinctive squiggles were actually an homage to Finland, the country Armanto was competing for. Specifically, she was inspired by architect and designer Alvar Aalto. “In 1939, he designed a kidney-shaped swimming pool which became synonymous with pool skateboarding much later in the ’70s,” Armanto says. “The various patterns on the jumpsuits are modeled after empty swimming pools around the world.”
(thx, pete)
File this under Things I Definitely Want to Do Sometime: riding electric-assist railbikes through a California redwood forest. Check out how fun this looks:
From the LA Times:
To pedal the rails at Fort Bragg, you book a trip, show up at the station, settle into a vehicle, don a helmet and seat belt, pedal through four downtown intersections (train signals halt traffic) and pass a cemetery.
Then suddenly you’re in the woods, hearing only birdsong and the gentle hum of wheels on tracks. There’s no need to exert yourself pedaling: The railbikes, which weigh about 250 pounds each, are outfitted like e-bikes with quiet electric motors that can push you along at 10 mph even if you don’t pedal.
(via the morning news)
To celebrate the 30th anniversary of their 16x platinum Black Album, Metallica is releasing an album on Sept 10th called The Metallica Blacklist, which contains Black Album covers featuring 53 different artists. One of those covers is Enter Sandman by Weezer, which you can watch above. Some of the other songs on the album include:
St. Vincent — Sad but True
The Hu — Through the Never
Phoebe Bridgers — Nothing Else Matters
Miley Cyrus Feat. Watt, Elton John, Yo-yo ma, Robert Trujillo, Chad Smith — Nothing Else Matters
Darius Rucker — Nothing Else Matters
Rodrigo y Gabriela — The Struggle Within
All profits from the album will be donated to charity. You can listen to the songs that have already been posted on Spotify, pre-save or pre-order the album, or check out this album trailer to hear what you’re getting into:
I’ve been listening to the Black Album a little bit recently (it came out my freshman year in college and so hits me right between the eyes) so I’m looking forward to checking this out.
BuzzFeed enlisted NYU track athlete Jon Diaz to help answer a burning question: Can a fast runner beat an NYC subway train from one station to the next? I don’t want to spoil the answer, but they probably wouldn’t have made the video if he’d failed, right? (via clive thompson)
Update: See also subway races in other cities like London & Paris. (via @philipkennedy)
In a series of four short time lapse films, Casper Rolsted captures the changing of the seasons in Denmark, from summer (top) all the way through to spring (bottom). I’ve gotta say, the springtime video in particular put a smile on my face — all those flowers emerging from the snowy ground, reaching out for the strengthening sunlight.
See also Four Seasons in the Life of a Finnish Island. (via colossal)
Update: See also David Hockney’s The Four Seasons, Woldgate Woods. (thx, phil)
Black holes are the largest single objects in the universe, many times larger than even the biggest stars, and have no upper limit to their size. But practically, how big is the biggest, heaviest black hole in the universe? (A: More massive than the entire Milky Way.)
The largest things in the universe are black holes. In contrast to things like planets or stars they have no physical size limit, and can literally grow endlessly. Although in reality specific things need to happen to create different kinds of black holes, from really tiny ones to the largest single things in the universe. So how do black holes grow and how large is the largest of them all?
Videos about space are where Kurzgesagt really shines. I’ve seen all their videos about black holes and related objects, and I always pick up something I never knew whenever a new one comes out. This time around, it was quasistars and the surprisingly small mass of supermassive black holes located at galactic centers compared to the galaxies themselves.
For his Faces of Century project, photographer Jan Langer made portraits of Czech people who are 100+ years old that mimic the style of photos of those same people 70 or 80 years before. If you click on the ⓘ below each pair of photographs, you can read a short biography of each person. All of these folks lived through two world wars, the Cold War, the space age, the computer age, and so much more. Incredible. (via life is so beautiful)
I was 16 years old on the day the Berlin Wall fell. I remember coming home from school that day and watching the events unfold on television, completely shocked at how quickly it had all happened. Politics & protests had been pushing the Eastern Bloc countries toward more openness for years, but before watching this video, I’d never heard that the catalyst for that world-changing event was a short mistaken statement at the end of an otherwise boring press conference. From the BBC:
East German leaders had tried to calm mounting protests by loosening the borders, making travel easier for East Germans. They had not intended to open the border up completely.
The changes were meant to be fairly minor — but the way they were delivered had major consequences.
Notes about the new rules were handed to a spokesman, Günter Schabowski — who had no time to read them before his regular press conference. When he read the note aloud for the first time, reporters were stunned.
“Private travel outside the country can now be applied for without prerequisites,” he said. Surprised journalists clamoured for more details.
Shuffling through his notes, Mr Schabowski said that as far as he was aware, it was effective immediately.
In fact it had been planned to start the next day, with details on applying for a visa.
But the news was all over television — and East Germans flocked to the border in huge numbers.
How did the Berlin Wall fall? Two ways. Gradually, then suddenly.
In this video, Tomorrow’s Build takes a look at the $7 billion flood defense system that was built to protect Venice, Italy from increased flooding due to climate change. They detail how the system was built, how well it works, how it compares with other defense systems, the challenges associated with keeping it working, and how well this sort of defense system might work for other coastal cities (NYC, SF, Sydney).
Here’s the thing about humans: they will danceify every possible activity — and canoeing is no exception.
American Freestyle canoeing is the art of paddling a canoe on flat water with perfect control of its movements. The canoe is usually leaned over to the side to help the boat turn sharply and efficiently and paddle strokes are taken on either side of the canoe depending on the individual move. Balance, paddle placement and turn initiation are a few keys to this control. Since the movements seem dance-like, some practice this art timed to music, which is the ultimate in control.
The vest & bow tie, the choice of music (The Lady in Red by Chris de Burgh), his control of the canoe — it’s all perfect.
See also It’s Reflective Fjord Season, Watch As a Master Woodworker Turns a Giant Log into an Elegant Dugout Canoe, and Kayaking Down a Drainage Ditch. (via life is so beautiful)
For his video series for Eater, Daniel Geneen took a tour of the Lodge Cast Iron factory in South Pittsburg, Tennessee to see how cast iron skillets are made.
While all of this is happening, molds for pans are being made out of fine, pliable sand that’s compressed in massive machines. The ladles pour the molten metal into these molds. Once the metal is poured and cooled, the sand molds get placed into a shake-out machine that shakes the sand away from the pan, and then into an enormous drum to shake off the rest. The pans are finally put on a giant conveyor belt to be sorted and inspected. Any pans that are not up to muster get thrown back into the original scrap heap to be melted down again and remade into another pan.
In comparison, here’s how Borough Furnace makes their cast iron pans by hand in their much smaller workshop:
Very similar process, down to the sand molds, just on a much smaller and more hands-on scale.
Among Giants is a short documentary about a group of activists who lived in the trees of a Humboldt County redwood forest for four years in order to stop logging in the area.
Risking injury and incarceration, an environmental activist disrupts the clear-cutting of an ancient redwood grove by sitting on a tiny platform a hundred feet up in the tree canopy. Already three years into the tree-sit when filming begins, AMONG GIANTS blends vérité cinematography with intimate personal reflection to create a vivid picture of life in the trees and the unwavering dedication of the activists.
The activists’ tree-sit was successful — 1000 acres of the redwood forest were transferred to a public trust to create the McKay Community Forest. (via the morning news)
Before this morning, I had never heard of Lusia Harris and now she’s one of my favorite basketball players. Playing in the 1970s, before the enforcement of Title IX in athletics, the 6’3” Harris dominated in high school, led a small university to three consecutive national basketball championships in the first 5 years of the program (while averaging 25.9 points and 14.5 rebounds per game), scored the first basket in Olympics women’s basketball history, is the only woman ever officially drafted by an NBA team, and was inducted into the National Basketball Hall of Fame. And those aren’t even her proudest achievements — you’ll have to watch the video for that.
For an electrifying young basketball player on the national stage, success often comes with a lucrative professional contract and brand deals — but Harris’s moment came in the 1970s, decades before the W.N.B.A. was founded, when few opportunities were available to female athletes interested in pursuing a professional career. In Ben Proudfoot’s “The Queen of Basketball,” Harris tells the story of what happens when an unstoppable talent runs out of games to win.
This video is part of the NY Times’ Almost Famous series, which also includes stories about radio astronomer Jocelyn Bell Burnell and actress/singer Kim Hill.
Here’s a description of what the machine featured in this video does: “The HD Video Feedback Kinetic Sculpture creates fractals and organic-looking images in real-time, without a computer: this is old-school video feedback.” But just watch the video for the full effect — this thing produces some amazing imagery.
This is part sculpture, part performance art, and may make the most complex video feedback ever created, using three cameras, two video switchers, a sheet of beam-splitter glass, and an HDMI input from a phone or live video feed.
Much like a musical instrument, the operator at the helm of this device plays it, but instead of making sounds, makes entire worlds, spirals within spirals, loops within loops, galaxies, classical fractal imagery and primordial organisms, leaves, trees, and insects. It really is the God machine.
This video from Vox takes a look at how Taiwan avoided a Covid-19 outbreak for more than a year (and kept total deaths to just 7 in 2020 in a country of 23.6 million) while residents were mostly able to go about their normal lives. The video features photojournalist Ed Ou, who underwent a mandatory 14-day quarantine when he traveled to Taiwan last year. Ou had this to say after spending time in Taiwan, doing normal things without lockdowns or restrictions:
This was an alternate universe of what America, and the rest of the world, had seen all year. The Taiwanese people had been able to just live their lives, as if nothing had happened. Like, to me, that’s freedom.
After more than a year of almost no cases, Taiwan experienced its first Covid-19 outbreak in May (after relaxing their quarantine rules and, presumably, the rise of the delta variant) but has since gotten it under control. Other countries that had been successful in controlling the virus until recently — like Vietnam, Thailand, and Mongolia — are also seeing outbreaks now. When the rest of the world is teeming with the virus, it becomes more likely over time that even the most organized and protected systems are going to be vulnerable.
Using dozens of bot accounts, The Wall Street Journal did an investigation and determined that TikTok’s algorithm needs only one piece of information to determine what you want to watch: the amount of time you spend watching individual videos. Observing your watch time and rewatching is enough for them to fill your “For You” page with recommended videos that are right in your wheelhouse after just an hour or two. That this happens so quickly and completely — 90-95% of what users see on TikTok is algorithmically determined — leads to users going down narrow-interest rabbit holes that can be dangerous, e.g. if someone’s Covid interest turns into anti-vax QAnon crap or sadness turns into video after video about depression or harming yourself.
As someone who built an entire web app that collected people’s social media likes/faves, this focus on a single signal is fascinating. API limitations and rate limits on the number of requests would keep you from building a service with a TikTok-like algorithm for Twitter or Instagram that used likes as the only signal for whether to show someone a piece of content or not, but if you could, I bet it would be amazing.
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