What I find interesting in photo shoot videos is not the 11 assistants or the lighting setup but watching the photographer interact with the subject.
As Rob says, “Annie really shows her tenacity in this video when she immediately tries to get the Queen to remove her crown after deciding it doesn’t look good in the first shot and not giving up on an original request to shoot the Queen on horseback inside the state apartments.”
Simultaneously fascinating and terrifying — like watching a trapeze artist at work.
“You get the sense that Gottfried didn’t necessarily leave her house to go get the picture wherever that picture might be, but that she lived her life with gusto and was ready for the pictures when the pictures came to her.”
The most striking thing in Pakistan is the vision of trucks and buses completely covered in a riot of color and design. They might spew diesel fumes, they may take up all of the winding, narrow, under-maintained road one is trying to negotiate, but they are certainly noticeable, like so many mechanical dinosaurs adorned in full courtship colors.
After giving your request serious consideration, even though it is against company policy to consider such a request, it is with regret that I inform you that we are not willing to grant the permission you seek…As you are aware, our Disney characters, parks and other valuable properties have become beloved by young and old alike, and with this comes a tremendous responsibility to protect their use and the protection we currently enjoy. Should we lapse in our vigilance, we run the risk of losing this protection and the Disney characters as we know and love them…Especially during these violent times, I personally believe that the magical spell cast on guests who visit our theme parks is particularly important to protect and helps to provide them with an important fantasy they can escape to.
The firemen have put out the fire in seconds. That’s their job, after all. They do this with decisive brevity and great courage, sometimes walking right into flames — but it doesn’t make for an easy photograph. It’s all a bit like the sexual act: the flames come up and men run in and spray everything with a high power water hose and then it’s all over.
Q: Your about to be published autobiography stops in 1982. What have the readers missed?
A: Nothing! People who reach their goals are very uninteresting. What could I have written about the last 20 years? I met a lot of awfully boring Hollywood bimbos. I earned a lot of money. I fly only first class.
NSFW if tasteful nudes aren’t safe to view at your place of employ. Oh, and here’s another interview with Newton with a bit more about his work.
The company, which stopped making instant cameras for consumers a year ago and for commercial use a year before that, said today that as soon as it had enough instant film manufactured to last it through 2009, it would stop making that, too. Three plants that make large-format instant film will close by the end of the quarter, and two that make consumer film packets will be shut by the end of the year, Bloomberg News reports.
Hopefully someone else will pick up where they left off; Polaroid is willing to license the manufacturing technology to other companies. (via clusterflock)
I do have specific ideas of what a good portrait may consist of, but I am often amazed at the portraits I come across that do not abide by any of these “rules.” Many of these images are truly spectacular. And it further reminds me that good art is made up of many things, and this question can almost never really be answered, at least not with any certainty.
As for image quality, even wide open it’s quite lovely. Stopped down to f/8 and f/11 it’s actually quite remarkable. How remarkable? From midtown Manhattan we were able to read the street signs on the corner of JFK Boulevard East and 43rd St. in Weehawkin New Jersey when viewing image files at pixel resolution.
The lens weighs 36 pounds and there are probably less than 20 of them in existence. (thx, rob)
Update: Ok, last one and then we’re on to telescopes. (I’m kidding…please do not send me links to telescopes.) The Panavision 300x HD Lens…2100mm. (thx, philip)
But, we can kind of think of the multi-playthrough Kaizo Mario World video as a silly, sci-fi style demonstration of the Quantum Suicide experiment. At each moment of the playthrough there’s a lot of different things Mario could have done, and almost all of them lead to horrible death. The anthropic principle, in the form of the emulator’s save/restore feature, postselects for the possibilities where Mario actually survives and ensures that although a lot of possible paths have to get discarded, the camera remains fixed on the one path where after one minute and fifty-six seconds some observer still exists.
Some of my favorite art and media deals with the display of multiple time periods at once. Here are some other examples, many of which I’ve featured on kottke.org in the past.
Averaging Gradius predates the Mario World video by a couple years; it’s 15 games of Gradius layered over one another.
I found even the more pointless things incredibly interesting (and telling), like seeing when each person pressed the start button to skip the title screen from scrolling in, or watching as each Vic Viper, in sequence, would take out the red ships flying in a wave pattern, to leave behind power-ups in an almost perfect sine wave sequence. I love how the little mech-like gunpods together emerge from off screen, as a bright, white mass, and slowly break apart into a rainbow of mech clones.
According to the start screen, Cursor*10 invites the you to “cooperate by oneself”. The game applies the lessons of Averaging Gradius and multiple-playthrough Kaizo Mario World to create a playable game. The first time through, you’re on your own. On subsequent plays, the game overlays your previous attempts on the screen to help you avoid mistakes, get through faster, and collaborate on the tougher puzzles.
The same kind of thing happens in this Call and Response video; 9 frames display at the same time (with audio), each a moment ahead of the previous frame.
Update:Recreating Movement is a method for making time merge photos (thx, boris):
With the help of various filters and settings Recreating Movement makes it possible to extract single frames of any given film sequence and arranges them behind each other in a three-dimensional space. This creates a tube-like set of frames that “freezes” a particular time span in a film.
How You See It overlays three TV news programs covering the same story. (via waxy)
When you take a picture with an S.L.R., there is a distinctive sound, somewhere between a clatter and a thump; I worship my beat-up Nikon FE, but there is no denying that every snap reminds me of a cow kicking over a milk pail. With a Leica, all you hear is the shutter, which is the quietest on the market. The result — and this may be the most seductive reason for the Leica cult — is that a photograph sounds like a kiss.
In keeping with these proud traditions, but now in the age of digital technology, Leica introduces it’s perpetual update program which makes the LEICA M8 a digital camera in which, uniquely, owners will be able to incorporate the latest refinements and developments in technology. While other digital cameras quickly become outdated and are replaced by new models, Leica’s new concept allows it’s customers to invest in the photographic equipment they need sure in the knowledge that they will not miss out on improvements and technological developments in the future.
The first upgrade adds a hard-to-scratch sapphire glass LCD screen cover and a quieter shutter.
Update: Just to be clear, the upgrade program costs money. According to Gizmodo, the first upgrade is $1800. On the plus side, each time you upgrade, they extend the warranty on the whole camera for two years.
The general killed the Viet Cong; I killed the general with my camera. Still photographs are the most powerful weapon in the world. People believe them, but photographs do lie, even without manipulation. They are only half-truths. What the photograph didn’t say was, “What would you do if you were the general at that time and place on that hot day, and you caught the so-called bad guy after he blew away one, two or three American soldiers?”
Armed with only a hand-held 35mm film camera, and using available artificial light, Russian photographer Alexei Vassiliev has created a series of stunning portraits of anonymous 21st century urban dwellers. A very slow shutter speed allows him to capture rich colors and blurred human gestures to create iconic images that evoke the essence of modern humanity without much of the detail.
And how much oil is there? Estimates bounced around for years until 1999, when Alberta got serious about determining its potential. Based on data from 56,000 wells and 6,000 core samples, the Energy and Utilities Board (EUB) came up with an astonishing figure: The amount of oil that could be recovered with existing technology totalled 175 billion barrels, enough to cover U.S. consumption for more than 50 years. With the new math, Canada slipped quietly into second place behind Saudi Arabia’s 265 billion barrels in oil reserves, followed by Iran and Iraq.
Capa established a mode and the method of depicting war in these photographs, of the photographer not being an observer but being in the battle, and that became the standard that audiences and editors from then on demanded. Anything else, and it looked like you were just sitting on the sidelines. And that visual revolution he embodied took place right here, in these early pictures.
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