What I love about the approach is that it’s showing us a complicated, virtuoso performance, but making it really clear and accessible at the same time. It’s entertaining, but it’s also an exercise in demystification โ which of course is exactly the opposite objective of every music video, ever. Their purpose has been to mystify, to masquerade, to mythologize in real-time.
Maybe you’re tired of un-pop-music-like things being run through Auto-Tune, but I’m not quite there yet. This Auto-Tuned Carl Sagan mix is very nearly sublime.
In 2001, Tim Hawkinson created Uberorgan for the gallery at MassMOCA.
Several bus-size biomorphic balloons, each with its horn tuned to a different note in the octave, make up a walk-in self-playing organ. A 200 foot-long scroll of dots and dashes encodes a musical score of old hymns, pop classics, and improvisational ditties. This score is deciphered by the organ’s brain - a bank of light sensitive switches - and then reinterpreted by a series of switches and relays that translate the original patterns into non-repeating variations of the score.
Part sculpture, part giant musical instrument, Hawkinson’s installation was a loose interpretation of the human body’s organ systems. Uberorgan conducted itself for five minutes every hour, on the hour. The exhibition traveled from MassMOCA to the Getty Center in Los Angeles, where it graced the museum’s entrance hall during the exhibit of Hawkinson’s work called Zoopsia, a name that means “visual hallucinations of animals.”
You can hear a minute long sample of the Uberorgan on the Getty Center website. To me it sounds like a duet between a three-year-old jamming out on a bass saxophone and an elephant in a good mood.
Update: Tim Hawkinson and the Uberorgan are featured the Art:21 episode,”Time.” Seeing and hearing the piece, even on the small screen, is impressive, and Hawkinson explains how he came about creating such a voluminous, volume-driven work of art. (thx, cliff)
In the past couple of weeks i’ve been getting a band together for fun to play the eraser stuff live and the new songs etc.. to see if it could work! here’s a photo.. its me, joey waronker, mauro refosco, flea and nigel godrich.
We had a few complaints that the MP3s of our last record wasn’t encoded at a high enough rate. Some even suggested we should have used FLACs, but if you even know what one of those is, and have strong opinions on them, you’re already lost to the world of high fidelity and have probably spent far too much money on your speaker-stands.
This conversation with Greenwood is part of a new series by Sasha Frere-Jones’ on the sound quality of recorded music.
The soprano problem is the mispronunciation of lyrics by sopranos at the high end of their range. In order to make themselves heard in opera houses, sopranos need their voices to resonate, which they only do when making certain sounds.
Jane Eaglen, a critically acclaimed soprano who has performed Wagner’s works in opera houses worldwide, explains that sopranos must try to find a balance between power and clarity. “It’s really about how you modify the vowels at the top of the voice so that the words are still understandable but so that you are also making the best sound that you can make,” she says.
Thom Yorke says that there will be no more Radiohead albums.
“None of us want to go into that creative hoo-ha of a long-play record again,” he said. “Not straight off … It worked with In Rainbows because we had a real fixed idea about where we were going. But we’ve all said that we can’t possibly dive into that again. It’ll kill us.”
Amazon’s mp3 store has another one of those deals today where you can get hours and hours of classical musics for pennies a song: 99 Bach masterpieces (8+ hours!) for $2.99. Even though Bach’s works preceded copyright protection, this is a good example of how our culture benefits from sensible copyright term limits: eight hours of some of the finest music ever composed for about the price of a Happy Meal. More good classical music mp3 deals here.
Drei Klavierstรผcke op. 11 is a set of pieces written for the piano by Arnold Schoenberg in 1909, some of the first western music to written in an atonal style. Cory Arcangel took a bunch of YouTube videos of cats playing the piano and fused them together into a performance of op. 11.
This project fuses a few different things I have been interested in lately, mainly “cats”, copy & paste net junk, and youtube’s tendency in the past few years to host videos that are as good and many times similar to my favorite video artworks. I think all this is somehow related.
Cory’s no-bullshit statements about his art are just as entertaining as the work itself:
So, I probably made this video the most backwards and bone headed way possible, but I am a hacker in the traditional definition of someone who glues together ugly code and not a programmer. For this project I used some programs to help me save time in finding the right cats. Anyway, first I downloaded every video of a cat playing piano I could find on Youtube. I ended up with about 170 videos…
I’m sure the nearest college student can tell you what “an electro-pop project from members of Vampire Weekend and Ra Ra Riot” means, but I can tell you that I’m really enjoying this album by Discovery (on sale at Amazon for $3.99 today only). I almost want to say that it reminds me of The Postal Service except 1) that would be wrong and 2) someone could get themselves slapped around for saying something like that.
Due to a dispute with EMI, Danger Mouse will release his next album (a collaboration with Sparklehorse) as a blank CD-R, on which the buyer can then burn the album downloaded from the file-sharing network of their choice.
Please note: Due to an ongoing dispute with EMI, Danger Mouse is unable to include music on the CD without fear of legal entanglement. Therefore, he has included a blank CD-R as an artifact to use however you see fit.
Woody Rich, Pop Rising. Harry Sage. Several Savages. Mac Scarce. Bill Sharp. Bill, Chris, Dave, and Rick Short. Many Smalls. One Smart guy (JD). Three Starks. Adam Stern. Of course, there’s Doug Strange (and Alan and Pat, too). Jamal and Joe Strong. Even a guy named Sturdy, literally: Guy Sturdy. DIck Such. Bill Swift, x2.
Recently a number of efforts have been made at re-imagining the packaging for movies, books, video games, and other media, mostly mashups and in the illustration style of typical of Saul Bass’ movie posters or Penguin Classics book covers. I’ve collected several examples below.
In his I Can Read Movies series, spacesick imagines Penguin-like book covers for movies like Close Encounters of the Third Kind, Sixteen Candles, and Back to the Future.
The Norwegian study looked at almost 2,000 online music users, all over the age of 15. Researchers found that those who downloaded “free” music โ whether from lawful or seedy sources โ were also 10 times more likely to pay for music. This would make music pirates the industry’s largest audience for digital sales.
Not surprising that some people are so crazy for music that they’ll *pay* for it. Crazy!
Mr. Gruber intended for the texts to be delivered in a kind of speech-song, complete with nasal squawks and patter. You do not need a proper singing voice to perform the part, but you do have to be uninhibited. Mr. Robertson’s performance was a tour de force of uninhibition.
When western music was played to members of the Mafa people from Cameroon who have never been exposed to western music, movies, or art, they were able to recognize the emotions conveyed by the music, even though the Mafa don’t associate emotions with their own music.
The A.V. Club picks 25 albums that work best when listened to from start to finish. +1 for In The Aeroplane Over The Sea. I tend to listen to albums more than individual songs…Sigur Ros or Boards of Canada doesn’t make any sense on shuffle.
The original producer, Brendan O’Brien, remixed and remastered the tracks and the result is remarkable. It sounds like it was recorded yesterday, instead of on the muddy banks of 1990s grunge. […] The remixes confirm what I’ve always thought about Pearl Jam. The label of “grunge” described a new variation of modern (at the time) rock music. Nirvana was grunge, Soundgarden was grunge. Pearl Jam was always just plain old Rock ‘n Rollยฎ.
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