Wes Anderson and the movies he makes
Wes Anderson and the movies he makes are racist. Point. Point. Counterpoint. Reminds me of the hubbub about the alleged racism in Sofia Coppola’s Lost in Translation.
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Every once in awhile, my friend Matt
Every once in awhile, my friend Matt takes a photo of the whiteboard at Orbital Comics in London. The most recent one features a list of the top 10 greatest moments in movies from comics. Orbital’s MySpace page has more of their whiteboard lists.
The Darjeeling Limited
The Darjeeling Limited is the first Wes Anderson movie since Rushmore that I’ve really liked after seeing it for the first time. The Royal Tenenbaums and The Life Aquatic both took another viewing (and now I love them both).
Two more Wes Anderson/Dareeling things and then I think we’re done for awhile. Marc Jacobs created the luggage and the fashion “look” for Darjeeling:
The result is a large set of tawny luggage and a trio of suits with matching back belts and angled cuffs for the three main characters, played by onscreen brothers Owen Wilson, Adrien Brody and Jason Schwartzman. Once again, as in Anderson’s previous films like “Rushmore” and “The Royal Tenenbaums,” the cast wears one look throughout the film. “I like actors to have costumes that help them to get into character,” says Anderson. “Whether it’s a good idea or not, I tend to give them uniforms.”
See also How to Dress Like a Tenenbaum from Esquire in 2002. The Onion A/V Club recently interviewed Anderson. His response near the end about his commercial work is interesting.
Al Gore won a share of the 2007
Al Gore won a share of the 2007 Nobel Peace Prize for what is essentially a PowerPoint presentation. More info here.
Update: Yes, yes, I know Al Gore uses Keynote and not Powerpoint. Hence the “essentially”. (thx, everyone in the world)
Update: Amazingly, Al Gore now has an Emmy, an Oscar, and now a Nobel Prize. All he needs is a Grammy for the full Gore. (thx, brent)
Update: Man, you folks are testy today. When I say that Gore won a Nobel Prize for a Powerpoint presentation (again, “essentially”), I’m not being derogatory towards Gore. I like Gore…I’ve written several posts about him. But whatever his other accomplishments regarding the environment, he won the Nobel for An Inconvenient Truth. No movie, no prize. Period. Suppose someone had told you two years ago that someone would win a Nobel Peace Prize for a Hollywood film of a Powerpoint presentation…you’d have laughed in their face and every other part of their body!
As promised, a list of films that
As promised, a list of films that were influenced by Wes Anderson, including Little Miss Sunshine, Napoleon Dynamite, and Garden State.
Set thy TiVos: 49 Up, the latest in
Set thy TiVos: 49 Up, the latest in a series of documentary films in which the same group of people are interviewed every seven years, is on PBS tonight.
It’s a cruel trick to confront people with the cold reality of the past. Despite that, some enjoy being in the film and claim it as a thing to treasure; others take part under sufferance, persuaded that the films are unique and we should finish what we started. I thank them all for their generosity and courage in making these films possible.
Watch the trailer. (thx, mark)
The Onion AV Club tracks which films
The Onion AV Club tracks which films and directors have had the most influence on Wes Anderson, including The Graduate, Peter Bogdanovich, and Francois Truffaut.
The “uniforms” he outfits his characters in are like a variation on Charlie Brown’s zigzag shirt and Lucy’s blue dress, and there’s an atmosphere of wistful melancholy common to Peanuts cartoons and Anderson’s seriocomedies. A Boy Named Charlie Brown echoes Anderson’s persistent “sic transit gloria” theme, as Charlie Brown blazes through the rounds of a local spelling bee, then washes out at the nationals. When he returns home to a group of friends who accept him as much as they mock him, he might as well be walking in slow motion, while “Ooh La La” plays on the soundtrack.
And today they’re going to run a list of films which were influenced by Anderson…I’ll have that link a bit later.
A Missouri man recently rented out the
A Missouri man recently rented out the theater where he first watched Star Wars and invited a bunch of friends to watch it with him again, thirty years later. (thx, amos)
Nick Park and Aardman Animations are doing
Nick Park and Aardman Animations are doing a new Wallace & Gromit film called Trouble At’ Mill (pronounced Trouble At The Mill). Unlike Chicken Run or Were-Rabbit, it’ll be a 30-minute film made for TV, like A Close Shave or The Wrong Trousers.
Wallace and Gromit have a brand new business. The conversion of 62 West Wallaby Street is complete and impressive, the whole house is now a granary with ovens and robotic kneading arms. Huge mixing bowls are all over the place and everything is covered with a layer of flour. On the roof is a ‘Wallace patent-pending’ old-fashioned windmill.
Video montage of all the handjob references
Video montage of all the handjob references from Rushmore. (via fimoculous, which I can finally spell without looking it up on Google)
No place for children
We’re running a bit behind in watching The War; we stopped the other night right before D-Day. The series is quite good so far, even with all its flaws. The last section we watched dealt with the Battle of Monte Cassino and the related Battle of Anzio in Italy. With the Germans holding the high ground, these battles were some of toughest of the war for the Allies. During one particularly difficult moment, an American soldier yelled out a prayer (I’m paraphrasing slightly): “Oh God, where are you? We really could use your help down here. And don’t send Jesus, come down here yourself. This ain’t no place for children.”
I missed the trailer for Be Kind
I missed the trailer for Be Kind Rewind, Michel Gondry’s upcoming film starring Mos Def and Jack Black, when it came out back in August…perhaps you did too? The gist of the film: two video store clerks find all the tapes in the store are blank and set out to refilm all of the movies themselves.
Pixar: no female leads
Michael Hanscom notes that Pixar has not made a movie with a lead female character and this unfortunate trend looks to continue with Wall-E.
What’s been frustrating so far is simply that in many of Pixar’s prior films, there’s no particular reason why one or another of their characters couldn’t be female rather than male — would Ratatouille have been any less well done if he were a she? Would the rescue of the ant colony be less spectacular if Julia Louis-Dreyfus had voiced Flik against Dave Foley’s Prince Atta?
Dozens of stills from The Simpsons that
Dozens of stills from The Simpsons that make references to famous scenes in movies.
Wall-E update
Wall-E is Pixar’s next movie, to be released in June 2008. A new teaser trailer is due to be released today at 8pm ET, although a French site has jumped the gun and is displaying it now (much better HD version). Does it make sense even if you don’t speak French? Yes, because the movie isn’t going to have any dialogue. Says director Andrew Stanton: “I’m basically making R2-D2: The Movie”. At least it’s not in Aramaic. And talkies are overrated anyway, right?
Pixar has also launched a promotional web site for the film. The site was formerly just a placeholder but is now faux-corporate brochureware for Buy n Large, maker of the Wall-E robot. The site is full of ridiculous corporate-speak like “by visiting the Buy n Large web site you instantaneously relinquish all claims against the Buy n Large corporation and any of its vendors or strategic partners.” Check out the Nanc-E under Robotics/Robot Models for a chuckle. (thx, david)
Update: The English trailer is now available at Yahoo in HD (480p, 720p and 1080p).
Which Photo Came First?
Errol Morris writes several hundred words about two iconic photos taken by Roger Fenton during the Crimean War, during which he explores the interplay between “clear” evidence and the interpretation of that evidence by people with different agendas and ideas.
As I’ve said elsewhere: Nothing is so obvious that it’s obvious. When someone says that something is obvious, it seems almost certain that it is anything but obvious - even to them. The use of the word “obvious” indicates the absence of a logical argument - an attempt to convince the reader by asserting the truth of something by saying it a little louder.
This might be the best blog post I’ve ever read. I can’t wait to see Standard Operating Procedure, Morris’ upcoming documentary on Abu Ghraib and, from what it sounds like, the culmination of his exploration of truth in photography.
Star Wars viewing order
Look, I know it’s Friday you’re just looking for some fun stuff to end the work week with, but we’ve got a pressing matter to discuss. Let’s say you’re a new father and a movie fan. When your child is of an appropriate age to start watching movies, in which order will you show him/her the six Star Wars movies? By original release date (Star Wars, Empire, Jedi, Phantom Menace, Clones, Sith) or according to the intra-movie chronology (Phantom Menace, Clones, Sith, Star Wars, Empire, Jedi)?
We’re currently leaning toward by original release date, but I can see the advantages of the other way around too. At dinner the other night, a friend asserted that not only was original release date the way to go, but that viewing the original versions on VHS was essential as well. I believe the relevant tapes and a cheapo VCR have been stashed away for this purpose already.
What do you think? How would you approach this? (thx to rehan for the suggested topic)
The Strand recently provided books for the
The Strand recently provided books for the upcoming Indiana Jones and the Kingdom of the Crystal Skull through their Books By The Foot service.
Hotel Chevalier, the short film by Wes
Hotel Chevalier, the short film by Wes Anderson that takes place before the action in The Darjeeling Limited, is available at the iTunes Music Store for free.
New York magazine takes Wes Anderson’s spiritual
New York magazine takes Wes Anderson’s spiritual temperature on the eve of the release of The Darjeeling Limited, his fifth film.
That we happen to be traveling by train to discuss a movie that takes place on a train was not part of the original plan, though I’m starting to think of it as yet another example of Anderson’s knack for retouching reality with an idiosyncratic gloss. (It may be connected to his fear of flying as well; until recently, Anderson traveled to Europe by boat, and he far prefers trains and automobiles to anything airborne.) Also somewhat peculiar is the fact that buried in one of Anderson’s monogrammed suitcases is 10,000 euros in cash — about $14,000 — an amount that may or may not be legal to carry, and that was given to the director by Bill Murray, who asked that the money be “delivered to Luigi.”
Remember the Transformers movie from this summer?
Remember the Transformers movie from this summer? Those were fun times. Here’s a letter to Optimus Prime from his Geico auto insurance agent. “Mr. Prime, I am going to remind you again: Your policy with GEICO only reimburses you for accidents that occur while you are engaged in the reasonable use of your truck and trailer. As I told you when you originally purchased the policy, GEICO does not offer Megatron coverage, Starscream coverage, Soundwave coverage, Decepticon coverage, or Energon-blast coverage. Those are just not the types of damages we would expect from reasonable use.”
Wes Anderson is promoting The Darjeeling Limited
Wes Anderson is promoting The Darjeeling Limited by releasing a 13-minute teaser film called Hotel Chevalier on the web before Darjeeling opens in theaters. Three words: Natalie Portman nude. Portman, Anderson, and Jason Schwartzman will be at the Apple Store in NYC to premiere the short. If you go, expect a freakin’ mob scene of twee hipster horndogs.
Update: New Wes Anderson Film Features Deadpan Delivery, Meticulous Art Direction, Characters With Father Issues. Completely unexpected.
An incredible archive of all the televised
An incredible archive of all the televised reviews of Siskel and Ebert (and Roeper) after 1986. Here, for example, is Siskel and Ebert’s review of Die Hard from 1988. (thx, martin)
Trailer for No Country For Old Men,
Trailer for No Country For Old Men, a film by the Coen Brothers based on a book by Cormac McCarthy.
The New Yorker’s Nancy Franklin pans Ken
The New Yorker’s Nancy Franklin pans Ken Burns’ The War.
They’ve taken a subject that is inexhaustible and made it merely exhausting. Scene by scene, interview by interview, the series doesn’t bore, if you are of the school that believes that everyone’s experiences are at least somewhat interesting, and that the experiences of those who went through the Second World War are more interesting than most.
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