kottke.org posts about movies
David Gallagher dings Beowulf for using digital actors, resulting in an uncanny valley problem for the movie.
It’s impossible to watch “Beowulf” without sensing that the “actors” are being pushed around by invisible forces, not living and breathing on their own.
I noticed the same thing when I saw the trailer in the theater a few weeks ago. I’m stunned that the filmmakers thought it was OK that the whole thing seems soulless and constantly reminds people that, hey, this is fake, you’re watching a movie! It’s a real testament to Pixar that they’re able to stop short of the uncanny valley (they’re still obviously cartoons) and still imbue their characters with life and emotion (see Anton Ego’s revelation in Ratatouille).
Update: I forgot that Zemeckis and company did the creepy Polar Express as well.
In discussing a popular conspiracy theory film (Zeitgeist), David Galbraith coins a new acronym: FEBL for Fucking Entertaining Big Lie.
FEBL media usually means nothing and is patently false but incredibly seductive. It is the perfect scaffold to hang propaganda and acts like a bit-borne, pernicious narcotic. Although films like Zeitgeist are mildly entertaining, due to their unbelievable popularity (more than 5 Million people have watched it on YouTube), they must be taken seriously. I suspect they might actually be dangerous, and therefore, as someone who does not believe in censorship it is important to make fun of Zeitgeist as the tired piece of po-faced, visually illiterate, polemically challenged, pornographic bullshit that it is.
(thx, bbj)
Trailer for There Will Be Blood, the highly anticipated film from PT Anderson starring Daniel Day-Lewis.
Withnail and I, reunited.
An appreciation of Star Trek II: The Wrath of Khan and William Shatner.
This Kirk is a melancholy man who feels older than he looks. “Gallavanting around the galaxy is a game for the young, Doctor,” he tells McCoy. His voice and gait confirm that his best days are behind him. En route to the Enterprise to conduct a training mission, he can hardly contain his disdain for his new job. “I hate inspections,” he tells his helmsman. He steps aboard his old starship a shadow of his warrior self, a sad figurehead trapped in a small world of his own making. Redemption is coming, but it will cost him.
Lagerfeld Confidential is a documentary film about Karl Lagerfeld, the first such film done with Lagerfeld’s authorization. It’s playing at Film Forum in NYC later this month.
A review of the script for Where the Wild Things Are, written by Dave Eggers and Spike Jonze (the script, not the review):
Where the Wild Things Are is filled with richly imagined psychological detail, and the screenplay for this live-action film simply becomes a longer and more moving version of what Maurice Sendak’s book has always been at heart: a book about a lonely boy leaving the emotional terrain of boyhood behind.
Second trailer for the could-be-amazing I’m Not There, a movie about Bob Dylan, starring Christian Bale, Heath Ledger, Cate Blanchett, and three other actors as Bob Dylan. Not very related: would any of Christian Bale’s characters be any good in bed?
Wes Anderson and the movies he makes are racist. Point. Point. Counterpoint. Reminds me of the hubbub about the alleged racism in Sofia Coppola’s Lost in Translation.
Every once in awhile, my friend Matt takes a photo of the whiteboard at Orbital Comics in London. The most recent one features a list of the top 10 greatest moments in movies from comics. Orbital’s MySpace page has more of their whiteboard lists.
The Darjeeling Limited is the first Wes Anderson movie since Rushmore that I’ve really liked after seeing it for the first time. The Royal Tenenbaums and The Life Aquatic both took another viewing (and now I love them both).
Two more Wes Anderson/Dareeling things and then I think we’re done for awhile. Marc Jacobs created the luggage and the fashion “look” for Darjeeling:
The result is a large set of tawny luggage and a trio of suits with matching back belts and angled cuffs for the three main characters, played by onscreen brothers Owen Wilson, Adrien Brody and Jason Schwartzman. Once again, as in Anderson’s previous films like “Rushmore” and “The Royal Tenenbaums,” the cast wears one look throughout the film. “I like actors to have costumes that help them to get into character,” says Anderson. “Whether it’s a good idea or not, I tend to give them uniforms.”
See also How to Dress Like a Tenenbaum from Esquire in 2002. The Onion A/V Club recently interviewed Anderson. His response near the end about his commercial work is interesting.
Al Gore won a share of the 2007 Nobel Peace Prize for what is essentially a PowerPoint presentation. More info here.
Update: Yes, yes, I know Al Gore uses Keynote and not Powerpoint. Hence the “essentially”. (thx, everyone in the world)
Update: Amazingly, Al Gore now has an Emmy, an Oscar, and now a Nobel Prize. All he needs is a Grammy for the full Gore. (thx, brent)
Update: Man, you folks are testy today. When I say that Gore won a Nobel Prize for a Powerpoint presentation (again, “essentially”), I’m not being derogatory towards Gore. I like Gore…I’ve written several posts about him. But whatever his other accomplishments regarding the environment, he won the Nobel for An Inconvenient Truth. No movie, no prize. Period. Suppose someone had told you two years ago that someone would win a Nobel Peace Prize for a Hollywood film of a Powerpoint presentation…you’d have laughed in their face and every other part of their body!
As promised, a list of films that were influenced by Wes Anderson, including Little Miss Sunshine, Napoleon Dynamite, and Garden State.
Set thy TiVos: 49 Up, the latest in a series of documentary films in which the same group of people are interviewed every seven years, is on PBS tonight.
It’s a cruel trick to confront people with the cold reality of the past. Despite that, some enjoy being in the film and claim it as a thing to treasure; others take part under sufferance, persuaded that the films are unique and we should finish what we started. I thank them all for their generosity and courage in making these films possible.
Watch the trailer. (thx, mark)
The Onion AV Club tracks which films and directors have had the most influence on Wes Anderson, including The Graduate, Peter Bogdanovich, and Francois Truffaut.
The “uniforms” he outfits his characters in are like a variation on Charlie Brown’s zigzag shirt and Lucy’s blue dress, and there’s an atmosphere of wistful melancholy common to Peanuts cartoons and Anderson’s seriocomedies. A Boy Named Charlie Brown echoes Anderson’s persistent “sic transit gloria” theme, as Charlie Brown blazes through the rounds of a local spelling bee, then washes out at the nationals. When he returns home to a group of friends who accept him as much as they mock him, he might as well be walking in slow motion, while “Ooh La La” plays on the soundtrack.
And today they’re going to run a list of films which were influenced by Anderson…I’ll have that link a bit later.
A Missouri man recently rented out the theater where he first watched Star Wars and invited a bunch of friends to watch it with him again, thirty years later. (thx, amos)
Nick Park and Aardman Animations are doing a new Wallace & Gromit film called Trouble At’ Mill (pronounced Trouble At The Mill). Unlike Chicken Run or Were-Rabbit, it’ll be a 30-minute film made for TV, like A Close Shave or The Wrong Trousers.
Wallace and Gromit have a brand new business. The conversion of 62 West Wallaby Street is complete and impressive, the whole house is now a granary with ovens and robotic kneading arms. Huge mixing bowls are all over the place and everything is covered with a layer of flour. On the roof is a ‘Wallace patent-pending’ old-fashioned windmill.
Video montage of all the handjob references from Rushmore. (via fimoculous, which I can finally spell without looking it up on Google)
We’re running a bit behind in watching The War; we stopped the other night right before D-Day. The series is quite good so far, even with all its flaws. The last section we watched dealt with the Battle of Monte Cassino and the related Battle of Anzio in Italy. With the Germans holding the high ground, these battles were some of toughest of the war for the Allies. During one particularly difficult moment, an American soldier yelled out a prayer (I’m paraphrasing slightly): “Oh God, where are you? We really could use your help down here. And don’t send Jesus, come down here yourself. This ain’t no place for children.”
I missed the trailer for Be Kind Rewind, Michel Gondry’s upcoming film starring Mos Def and Jack Black, when it came out back in August…perhaps you did too? The gist of the film: two video store clerks find all the tapes in the store are blank and set out to refilm all of the movies themselves.
Michael Hanscom notes that Pixar has not made a movie with a lead female character and this unfortunate trend looks to continue with Wall-E.
What’s been frustrating so far is simply that in many of Pixar’s prior films, there’s no particular reason why one or another of their characters couldn’t be female rather than male — would Ratatouille have been any less well done if he were a she? Would the rescue of the ant colony be less spectacular if Julia Louis-Dreyfus had voiced Flik against Dave Foley’s Prince Atta?
Not nearly as much fun when you know the secret.
Wall-E is Pixar’s next movie, to be released in June 2008. A new teaser trailer is due to be released today at 8pm ET, although a French site has jumped the gun and is displaying it now (much better HD version). Does it make sense even if you don’t speak French? Yes, because the movie isn’t going to have any dialogue. Says director Andrew Stanton: “I’m basically making R2-D2: The Movie”. At least it’s not in Aramaic. And talkies are overrated anyway, right?
Pixar has also launched a promotional web site for the film. The site was formerly just a placeholder but is now faux-corporate brochureware for Buy n Large, maker of the Wall-E robot. The site is full of ridiculous corporate-speak like “by visiting the Buy n Large web site you instantaneously relinquish all claims against the Buy n Large corporation and any of its vendors or strategic partners.” Check out the Nanc-E under Robotics/Robot Models for a chuckle. (thx, david)
Update: The English trailer is now available at Yahoo in HD (480p, 720p and 1080p).
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