I bet you don’t think about wicker furniture that much, but Estelle Caswell does. In this video, which proves that almost anything can be interesting if the right person looks at it from the right angle, she explores how the peacock wicker chair became an unlikely pop culture icon.
The golden age of album cover design doesn’t have a specific start and end date, but many regard the late 1960s to 1970s as one of the field’s most exciting times. From the psychedelic rock covers of the ’60s to glistening airbrush covers of the ’70s, the era was a kaleidoscope of colors worthy of placement in modern art museums.
But there’s one genre of cover so ubiquitous it almost flew under the radar. The covers typically featured a wide shot of the artist sitting on a throne-like wicker chair, like a king or queen. Usually, the artist looked casual and relaxed; sometimes props would sit around them to decorate the scene. No matter what, the oversized woven chair was the main feature. This was the peacock chair album cover, and it was everywhere: Dolly Parton, Al Green, and Cher all sat in it.
The idea of design has been so thoroughly associated with computers in my mind, I’d forgotten the essential sculptural processes it used to involve: carving, modelmaking, molding, pouring… How design and art ever stayed separate in those days, I cannot imagine.
This is my dedication to the creative team behind Pixar’s movie The Incredibles. I loved the depth of the world, the buildings, the gadgets and most of all I loved the chairs.
Hey Modern/contemporary furniture fans, that pair of beige chairs on the left side of the photo, anyone know what they are? Hit me on my burner or reply on Twitter.
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