In his 1945 book The Open Society and Its Enemies, political philosopher Karl Popper asserted that tolerance need not be extended to those who are intolerant.
Less well known is the paradox of tolerance: Unlimited tolerance must lead to the disappearance of tolerance. If we extend unlimited tolerance even to those who are intolerant, if we are not prepared to defend a tolerant society against the onslaught of the intolerant, then the tolerant will be destroyed, and tolerance with them. In this formulation, I do not imply, for instance, that we should always suppress the utterance of intolerant philosophies; as long as we can counter them by rational argument and keep them in check by public opinion, suppression would certainly be unwise. But we should claim the right to suppress them if necessary even by force; for it may easily turn out that they are not prepared to meet us on the level of rational argument, but begin by denouncing all argument; they may forbid their followers to listen to rational argument, because it is deceptive, and teach them to answer arguments by the use of their fists or pistols. We should therefore claim, in the name of tolerance, the right not to tolerate the intolerant. We should claim that any movement preaching intolerance places itself outside the law, and we should consider incitement to intolerance and persecution as criminal, in the same way as we should consider incitement to murder, or to kidnapping, or to the revival of the slave trade, as criminal.
The last part bears repeating:
We should therefore claim, in the name of tolerance, the right not to tolerate the intolerant. We should claim that any movement preaching intolerance places itself outside the law, and we should consider incitement to intolerance and persecution as criminal, in the same way as we should consider incitement to murder, or to kidnapping, or to the revival of the slave trade, as criminal.
The photo above was taken by Steve Helber of Charlottesville resident Corey Long pointing an improvised flamethrower at a group of white supremacists this past weekend. Yesha Callahan of The Root interviewed Long about that moment:
“At first it was peaceful protest,” Long said softly as he spoke. “Until someone pointed a gun at my head. Then the same person pointed it at my foot and shot the ground.”
Long said the only weapon he had was a can of spray paint that a white supremacist threw at him earlier, so he took a lighter to the spray paint and turned it into a flame thrower. And a photographer snapped the photo.
But inside every photograph is an untold story. If you look closely at Long’s picture, there’s an elderly white man standing in between Long and his friend. The unknown man was part of the counterprotests, too, but was afraid, and Long and his friends were trying to protect him. Even though, Long says, those who were paid to protect the residents of Charlottesville were doing just the opposite.
Playing Soviet is an online interactive database created by Princeton of children’s books from the Soviet Union.
In the selections featured here, the user can see first-hand the mediation of Russia’s accelerated violent political, social and cultural evolution from 1917 to 1953. These conditions saw the proliferation of new styles and techniques in all the graphic arts: the diverse productivity of the Russian avant-garde, photomontage, experimental typography, and socialist realism. As was clear both from the rhetoric of the arbiters of Soviet culture — its writers and government officials — the illustration and look of Soviet children’s books was of tantamount importance as a vehicle for practical and concrete information in the new Soviet regime. Directives for a new kind of children’s literature were founded on the assumption that the “language of images” was immediately comprehensible to the mass reader, far more so than the typed word. Illustrators were raised as equals to the revered Russian author, bringing artists such as Alexander Deineka, El Lissitzky, Vladimir Lebedev, and numerous other graphic designers to the pages of children’s books to create imaginative models for Soviet youth in the new languages of Soviet modernism.
The bottom image is from a book called For Children About Lenin, a 71-page illustrated book about Lenin and the Russian Revolution published 2 years after his death.
After Europeans arrived and pushed west, the cowboys roamed free, herding cattle over the boundless plains.
But settlers needed fences, not least to keep those free-roaming cattle from trampling their crops. And there wasn’t a lot of wood — certainly none to spare for fencing in mile after mile of what was often called “The American Desert”.
Farmers tried growing thorn-bush hedges, but they were slow-growing and inflexible. Smooth wire fences didn’t work either — the cattle simply pushed through them.
Barbed wire changed what the Homestead Act could not.
Until it was developed, the prairie was an unbounded space, more like an ocean than a stretch of arable land.
Private ownership of land wasn’t common because it wasn’t feasible.
With demand came fierce competition; there were dozens of different types of barbed wire:
Just two years after Joseph Glidden patented his design for barbed wire in 1874, another of the 19th century’s great inventions burst onto the scene in the form of Alexander Graham Bell’s telephone. The two world-changing technologies would combine in a surprising way in the western United States. Because of the expense of running dedicated telephone services over long distances, some farmers opted to run their telecommunications over the hundreds of thousands of miles of barbed wire criss-crossing the land.
It was in building the network connecting homestead to homestead that the farmers’ ingenuity came to the fore. Instead of erecting new poles and wires, many either ran phone wires along the top of wooden fence posts or used the barbed wire itself to carry signals. The latter hardly worked as well as insulated copper wire, but with the lines already in place, installation and operating costs could be kept to a minimum. By one estimate, service ran a mere $3 to $18 a year, far less than the regional phone companies charged, and labor for maintaining the network was supplied by volunteers.
So cool. I’m reading A Mind at Play right now. It’s a biography of Claude Shannon, “the architect of the information age”. As a boy, Shannon wired the half-mile stretch of barbed wire fence between his family’s farm and a friend’s house:
He charged it himself: he hooked up dry-cell batteries at each end, and spliced spare wire into any gaps to run the current unbroken. Insulation was anything at hand: leather straps, glass bottlenecks, corncobs, inner-tube pieces. Keypads at each end — one at his house on North Center Street, the other at his friend’s house half a mile away — made it a private barbed-wire telegraph. Even insulated, it is apt to be silenced for months in the ice and snow that accumulate on it, at the knuckle of Michigan middle finger. But when the fence thaws and Claude patches the wire, and the current runs again from house to house, he can speak again at lightspeed and, best of all, in code.
In the 1920s, when Claude was a boy, some three million farmers talked through networks like these, wherever the phone company found it unprofitable to build. It was America’s folk grid. Better networks than Claude’s carried voices along the fences, and kitchens and general stores doubled at switchboards.
For all eight years of Barack Obama’s Presidency, Pete Souza was Chief Official White House Photographer and took over 2 million photos of the President and his activities in office. Souza has collected some of those photos into a book: Obama: An Intimate Portrait, out in November.
Obama: An Intimate Portrait reproduces Souza’s most iconic photographs in exquisite detail, more than three hundred in all. Some have never been published. These photographs document the most consequential hours of the Presidency — including the historic image of President Obama and his advisors in the Situation Room during the bin Laden mission — alongside unguarded moments with the President’s family, his encounters with children, interactions with world leaders and cultural figures, and more.
It’s impossible to pick a favorite photo of Souza’s, but these two are right near the top:
When a normal person finds out that it’s illegal in Alabama to carry an ice cream cone in your back pocket, they might say, huh, that’s interesting. But photographer Olivia Locher took that strange fact and turned it into a project documenting the weirdest laws across all 50 US states (aided by a 70s children’s book called Crazy Laws). Locher has collected the photos into a book, I Fought the Law, which is out in September. Laws depicted in the photos above:
In Alabama, it is illegal to have an ice-cream cone in your back pocket.
In Ohio, it’s illegal to disrobe in front of a man’s portrait.
In Pennsylvania, it’s illegal to tie a dollar bill to a string and pull it away when someone tries to pick it up.
The desire for more positive experience is itself a negative experience. And, paradoxically, the acceptance of one’s negative experience is itself a positive experience.
Those two sentences are a pretty good way to sum up the human experience. As an exercise, think about how the world’s major religions and philosophies are attempts to help people manage these desires and acceptance.
A bunch of libraries and museums have banded together for the Color Our Collections campaign, offering up free coloring books that let you color artworks from their collections. Participating institutions include the NYPL, the Biodiversity Heritage Library, the Smithsonian, the New York Botanical Garden, and the Bodleian Libraries at Oxford.
Once Ellie and her team discover the signal from Vega, seemingly every scene in the film features a monitor or some kind of television-related paraphernalia. Whether that’s unpacking a TV to unveil the Olympic footage, people watching news reports on CNN, a terrorist videotaping himself, or multiple scenes in the screen-filled Mission Control, Contact is filled with monitors, forcing both the characters and the audience to watch them. Full scenes of the film are made up of fuzzy TV footage. There are numerous press conferences on TV. The selection of the Machine representative unfolds via the news. Ellie’s interactions with Hadden are almost entirely done over a monitor. Even in scenes where the camera is in a room with the characters, Zemeckis often films them watching TV, or simply puts TV monitors in the frame to constantly remind us they’re there.
But that’s not it. People video chat regularly, which was not common in 1997. The terrorist attack on the Machine is first discovered on a TV monitor and subsequently played out there too. Then, finally, what’s the smoking gun of Ellie’s whole trip at the end of the movie? Eighteen hours of video footage. I could go on and on with examples where Contact uses television and monitors, but once you start seeing the film’s obsession with video, it’s almost comical how often it’s used. Which poses the obvious question, “Why?”
In this light, the organized religion & organized science depicted in the film are just other forms of mediated experience, separate from the personal experience of seeing something with your own eyes.
Contact is one of my favorite movies — I watch it every 12-18 months or so — and this makes me appreciate it all the more. And I had forgotten how good the trailer was:
It’s dead simple: that amazingly resonant Vega signal sound over a series of quickly cut scenes that tells the story in miniature. Surely this belongs on best movie trailers lists as much as any of these.
Oh, and while I’m not generally a fan of reboots, I would love to see what Denis Villeneuve could do with Sagan’s story. I’m also not crazy about Jodie Foster — I find her less and less tolerable as Arroway with each viewing — so it would be cool to see another actress in the role. Arrival’s Amy Adams is almost too on the nose…how about Lupita Nyong’o, ?Emma Watson, Janelle Monáe, Brie Larson, or Emma Stone?
The Atlas of Remote Islands, Judith Schalansky’s beautiful and deeply personal account of the islands that have held a place in her heart throughout her lifelong love of cartography, has captured the imaginations of readers everywhere. Using historic events and scientific reports as a springboard, she creates a story around each island: fantastical, inscrutable stories, mixtures of fact and imagination that produce worlds for the reader to explore.
There’s a lot of talk about the opioid crisis these days, but what’s missing from the statistics is the human story, the understanding of why people are making the choices they do. This novel, which focuses on Kentucky in the 1990s, gave me that understanding. After I finished it — which didn’t take long because I couldn’t put it down — I felt like I had physically been transported to that time and place.
In Placing Outer Space Lisa Messeri traces how the place-making practices of planetary scientists transform the void of space into a cosmos filled with worlds that can be known and explored. Making planets into places is central to the daily practices and professional identities of the astronomers, geologists, and computer scientists Messeri studies.
Due to my work filming with former jihadis, I’ve become very interested in understanding more about human interaction. Behave explores human nature, from the firing of a synapse all the way to the broader effects of culture. Based on a wide and multidisciplinary knowledge of science, this book provides a fascinating exploration of humanity, which might give us some important information on how we can work towards a better future for us all.
When the Supreme Court decided, in the 1954 case of Brown vs. Board of Education, that segregated public schools were unconstitutional, Tennessee-born economist James McGill Buchanan was horrified. Over the course of the next few decades, the libertarian thinker found comfortable homes at a series of research universities and spent his time articulating a new grand vision of American society, a country in which government would be close to nonexistent, and would have no obligation to provide education-or health care, or old-age support, or food, or housing-to anyone.
This radical vision has become the playbook for a network of people looking to override democracy in order to shift more money to the wealthiest few.
I suspect MacLean’s argument is much more fleshed out in her book than in the interview and criticisms are easy to find (although I don’t know how ideologically motivated they are), but what she says could explain what’s happening in our government right now. As I wrote back in December:
More than anything for me, this is the story of politics in America right now: a shrinking and increasingly extremist underdog party has punched above its weight over the past few election cycles by methodically exploiting the weaknesses in our current political system. Gerrymandering, voter suppression, the passing of voter ID laws, and spreading propaganda via conservative and social media channels has led to disproportionate Republican representation in many areas of the country which they then use to gerrymander and pass more restrictive voter ID laws.
In the interview, McLean says that Buchanan advised Chilean dictator Augusto Pinochet on the structure of his country’s constitution:
This document was later called a “constitution of locks and bolts,” [and was designed] to make it so that the majority couldn’t make its will felt in the political system, unless it was a huge supermajority.
That feels like where we’re heading in this country right now. Perhaps slowly and perhaps it won’t come to that, but it’s difficult to escape the conclusion these days that Republicans (or at least the ascendant far right arm of the party) want anything less than to rule the US no matter what the majority of its citizens might want.
Quick reviews of some things I’ve read, seen, and heard in the past few weeks. As always, don’t take the letter grades so seriously. Lots of music & TV and fewer movies & books this time around.
Cafe Society. Jesse Eisenberg is the worst version of Woody Allen yet. (C+)
Behave. I’ve barely started reading this (and then stopped because I was in the mood for fiction instead) but aspire to finish because I’ve heard really great things from a diverse array of trusted sources. (n/a)
Narcos. Season 2 is less compelling than the initial season, but Wagner Moura as Escobar is flat-out amazing. If you skipped this show, do yourself a favor and try season 1. (B+)
My Struggle: Book 2. I generally don’t find myself in characters in books, historical figures, or working artists, but the degree to which I identify with Karl Ove Knausgaard as depicted in the first two My Struggle books scares the shit out of me. On practically every page, he writes something that resonates with me and how I approach the world. I’m not sure any other book has helped me identify and understand the good and bad parts of myself as much as this one. (A+)
This Bridge Will Not Be Gray. The only Dave Eggers book I’ve read in recent years. Sparked an interest in Art Deco in my kids a couple years ago. (A-)
Melodrama. After such a strong debut, it’s great to see Lorde come back with such a strong sophomore effort. (B+)
It Will Be Forever. Recommended by a friend who never gets it wrong. (He also put me onto this.) Tycho-esque. (B+)
Ctrl. Haven’t listened to this much but want to give it more attention. (B)
Cars 3. Way better than the deplorable Cars 2 but it felt very much like a sequel in a way that the Toy Story movies didn’t. (B)
Halt and Catch Fire. Rewatching from season one, which ppl will tell you to skip, but they’re wrong. I had forgotten how good it is, right away. Looking forward to their final season starting in August. (A-)
GLOW. Enjoyable television: really fun and just a little meaty. (B+)
Star Trek: The Next Generation. I’ve seen all of these multiple times, and I just love them. Even the ones where Troi is possessed and Geordi falls in love with Holodeck characters. (A)
Iteration. If you love Com Truise, you will love this. (B+)
Big Fish Theory. The album of the summer? I haven’t been able to stop playing this in the car. (A-)
Okja. I wanted to like this way more than I did. Felt muddled. Never a good sign when you stop a movie halfway through to go to bed. (C+)
According to a recent interview with Stephens-Davidowitz, right now the data is showing an increase in search queries on how to perform abortions at home and, no surprise, the activity is highest in parts of the country where access to abortion is most difficult.
I’m pretty convinced that the United States has a self-induced abortion crisis right now based on the volume of search inquiries. I was blown away by how frequently people are searching for ways to do abortions themselves now. These searches are concentrated in parts of the country where it’s hard to get an abortion and they rose substantially when it became harder to get an abortion. They’re also, I calculate, missing pregnancies in these states that aren’t showing up in either abortion or birth rates.
That’s pretty disturbing and I think isn’t really being talked about. But I think, based on the data, it’s clearly going on.
It’s easy to see the influence of the books from the list on the movies he made. Indeed, two of the top five books were actually made into Studio Ghibli films (The Borrowers and When Marnie Was There).
P.S. The Totoro / Little Prince illustration is from Pinterest, but I couldn’t find the original source. Anyone?
New ideas and inventions have woven, tangled or sliced right through the invisible economic web that surrounds us every day. From the bar code to double-entry bookkeeping, covering ideas as solid as concrete or as intangible as the limited liability company, this book not only shows us how new ideas come about, it also shows us their unintended consequences — for example, the gramophone introducing radically unequal pay in the music industry, or how the fridge shaped the politics of developing countries across the globe.
On the official maps, however, the endings aren’t coded in any way that reveals their nature. Instead, they operate according to a simple key: each arrow represents a page, each circle a choice, and each square an ending. Dotted lines show where branches link to one another.
Mapping the bones of the books can have other purposes, too. Nick Montfort, a poet and professor at the Massachusetts Institute of Technology who studies interactive fiction, has a habit of asking people what they know about “Choose Your Own Adventure” books. “They often say, ‘You have two choices after every page,’” he says. “That’s not true. Sometimes you have one choice. Sometimes you have more than two. When you show the maps, you can see that these books don’t look exactly the same.”
Gird your loins, Prime Minister. Charlie Brooker is bringing his mind-warping TV series to bookstores in early 2018. Brooker is editing a book version of Black Mirror (the first in a promised series) “featuring original stories from leading fiction writers, all set in the world of the cult series”.
Feynman was a truly great teacher. He prided himself on being able to devise ways to explain even the most profound ideas to beginning students. Once, I said to him, “Dick, explain to me, so that I can understand it, why spin one-half particles obey Fermi-Dirac statistics.” Sizing up his audience perfectly, Feynman said, “I’ll prepare a freshman lecture on it.” But he came back a few days later to say, “I couldn’t do it. I couldn’t reduce it to the freshman level. That means we don’t really understand it.”
John Gruber writes the simple explanations are the goal at Apple as well:
Engineers are expected to be able to explain a complex technology or product in simple, easily-understood terms not because the executive needs it explained simply to understand it, but as proof that the engineer understands it completely.
Feynman was well known for simple explanations of scientific concepts that result a in deeper understanding of the subject matter: e.g. see Feynman explaining how fire is stored sunshine, rubber bands, how trains go around curves, and magnets. Critically, he’s also not shy about admitting when he doesn’t understand something…or, alternately, when scientists as a group don’t understand something. There’s the spin anecdote above and of his explanation of magnets, he says:
I really can’t do a good job, any job, of explaining magnetic force in terms of something else you’re more familiar with, because I don’t understand it in terms of anything else you’re more familiar with.
Feynman was also quoted as saying:
I think I can safely say that nobody understands quantum mechanics.
Pretty interesting thing to hear from a guy who won a Nobel Prize for explaining quantum mechanics better than anyone ever had before. Even when he died in 1988 at the end of a long and fruitful careeer, a note at the top of his blackboard read:
Every once in awhile, I send out an email newsletter to the kottke.org members. I’ve been having fun doing my media diet posts recently, and I’m always on the lookout for new things to try, so I used the most recent newsletter to ask them: “What’s the most interesting thing you’ve read/watched/heard/experienced in the past few weeks?” Here’s a sampling of what they said, accompanied by some of their short thoughts.
I’ve mentioned Dreaming the Beatles on the site before, but Celia offered up a short but compelling review: “In any group of 2-4 people, I mentally assign each person the role of John, Paul, George, or Ringo. This book has changed most of my assignments.”
The A.V. Club’s A History of Violence series was highlighted by Chris. “As a fan of quality action movies (and occasionally cheesy ones) it was great to see an in-depth review of every year’s best of the genre, including things I’ve seen and some I haven’t.”
A few people recommended Tim Urban’s epic post on Elon Musk’s newest venture, Neuralink and the Brain’s Magical Future. Neuralink is working on “a way for our brains to communicate directly with one another”.
Rich shares that Orhan Pamuk’s A Strangeness in My Mind “moved me profoundly and I continue thinking about it months after reading it”.
Benjamin recommends Magnum Manifesto, an exhibition at the International Center of Photography Museum in NYC: “Amazing history of photojournalism and documentary photography. Emphasized the importance of journalism in this specific medium.”
I have friends who rave about Pop-up Magazine and Mary agrees: “It’s a live performance of California Sunday magazine. Insane.”
Big fan of 99% Invisible here and Jessie recommends this recent episode, Squatters of the Lower East Side. “I’m familiar with squatting and adverse possession. However, I have never heard of a city/county working with squatters to legally adversely possess properties, especially those are city-owned.”
Sean recommends The Barkley Marathons, a documentary “about a crazy race, eccentric organizer, and lunatic participants”.
Les Cowboys is a recommendation from Joao: “devastating beautiful take on immigration, terrorism and family”.
HBO’s The Leftovers got many recs. I think I watched most of season 1 and it didn’t stick.
Suzanne has been enjoying True Story, a monthly publication delivered monthly to your home — what a concept! She particularly enjoyed the first issue, Fruitland.
Diana recommends the audiobook version of Trevor Noah’s Born a Crime (review). Although not normally an audiobook listener, she says: “I have been listening to this for weeks now and am so impressed. It’s the best book of the year for me (and I typically read 100+ books a year).”
Of New York 2140 by Kim Stanley Robinson, Jeff says, “I’m just thrilled that an author as smart as this thinks there will even BE a New York in 2140”. I almost started this the other day after a recommendation from a pal…perhaps I’ll pick it up if my current book sputters.
And last, but perhaps not least, this heartbreaking clip from Clickhole: Hibachi Chef Tries To Make Meal On A Regular Table. Sez Mike: “Having seen teppanyaki food cooked with such drama and precision, this was a nice piece of satire… especially with the music.”
Welcome to “Digi Valley,” the epitome of twenty-first-century urban life! The animal-people who call it home do cool things: life coach, cat landlord, baby DJ teacher, app developer, iPhone photographer, new media consultant, beauty blogger, and, of course, freelancer. On the street, in the coffee shop, at the farmer’s market, or the local vegan cafe, you’ll meet new friends like Frances and Sadie, Freelance Frank, Realtor Rick, and Bethany the Beauty Blogger as they bike, drive, bus, hoverboard, and Uber their way around town-or just sit and enjoy a latte while doing important things on their devices.
This new video by Kurzgesagt examines automation in the past (“big stupid machines doing repetitive work in factories”) and argues that automation in the information age is fundamentally different. In a nutshell,1 whereas past automation resulted in higher productivity and created new and better jobs for a growing population, automation in the future will happen at a much quicker pace, outpacing the creation of new types of jobs for humans.
In the face of widespread fear and apathy, an international coalition of researchers, professionals, and scientists have come together to offer a set of realistic and bold solutions to climate change. One hundred techniques and practices are described here-some are well known; some you may have never heard of. They range from clean energy to educating girls in lower-income countries to land use practices that pull carbon out of the air. The solutions exist, are economically viable, and communities throughout the world are currently enacting them with skill and determination. If deployed collectively on a global scale over the next thirty years, they represent a credible path forward, not just to slow the earth’s warming but to reach drawdown, that point in time when greenhouse gases in the atmosphere peak and begin to decline.
On the website for the book, you can browse the solutions in a ranked list. Here are the 10 best solutions (with the total atmospheric reduction in CO2-equivalent emissions in gigatons in parentheses):
Refrigerant management is about replacing hydro-fluorocarbon coolants with alternatives because HFCs have “1,000 to 9,000 times greater capacity to warm the atmosphere than carbon dioxide”. As a planet, we should be hitting those top 7 solutions hard, particularly when it comes to food. If you look at the top 30 items on the list, 40% of them are related to food.
If, somehow, we could get to a place where we are talking about dealing with climate change not as “saving the planet” (which it isn’t) but as “improving humanity” (which it is), we might actually be able to accomplish something.
King Arthur: Legend of the Sword. I wasn’t even going to see this, but the power went out in my house for three hours due to a 45-second wind/rain storm, so I went to the movies. It is exactly what you’d expect from a medieval action movie directed by Guy Ritchie, and I left entertained. (B-)
Alien: Covenant. More entertaining and felt more like an Alien movie than Prometheus. Why are the people so stupid though? (B)
Mad Men. I rewatched all seven seasons in just under three months. The middle part lagged in places, but the final seasons were as strong as the first seasons. IMO, Mad Men is among the best ever TV shows. (A+)
Passengers. J. Law and Chris Pratt stranded together in space? Yes, please. But the filmmakers should have found a way around the stalker plot point…it was unnecessarily disturbing and uninteresting. (B-)
Moana. Long-time readers might remember Pamie, one of the most well-known OG online diarists from the late 90s. I noticed her name in the credits…she co-wrote screenplay. Also, I was not the onlyperson to immediately think of Beyonce when I saw Te Fiti. (A-)
The Keepers. Disturbing in more ways than one and well worth watching. (B+)
The Americans. The fifth season did not quite live up to the high standard of the previous seasons. (B)
She Persisted. The day this arrived, my daughter cracked this open and said, delighted, “Harriet Tubman!” (A-)
Emotions Part One of Invisibilia. The classical view is that emotions happen to you. But according to guest Lisa Feldman Barrett, “the way emotion works is opposite of what you think — emotions aren’t reactions to the world; emotions actually construct the world”. See also Barrett’s recent book How Emotions Are Made. (B+)
That’s the title of a forthcoming book edited by Cass Sunstein (Harvard professor, former Obama regulatory administrator). On Twitter, Sunstein says he’s the editor not the author and that the essays will “offer diverse views”. But by the time this book comes out in March 2018, we might already know the actual answer to the title’s question. (via @tylercowen)
I love the inclusion of Busy, Busy Town and Make Way for Ducklings. Books marked by an asterisk I have read or can otherwise personally vouch for. If I could recommend just one book to read from this list, it would be The Warmth of Other Suns.
Just wanna make sure you all know there is a Russian handbook from 1997 on “taking over the world” and Putin is literally crossing shit off.
The book in question is The Foundations of Geopolitics: The Geopolitical Future of Russia by neo-fascist political scientist Aleksandr Dugin, whose nickname is “Putin’s Brain”. The book has been influential within Russian military & foreign policy circles and it appears to be the playbook for recent Russian foreign policy. In the absence of an English language translation, some relevant snippets from the book’s Wikipedia page:
The book declares that “the battle for the world rule of [ethnic] Russians” has not ended and Russia remains “the staging area of a new anti-bourgeois, anti-American revolution.” The Eurasian Empire will be constructed “on the fundamental principle of the common enemy: the rejection of Atlanticism, strategic control of the USA, and the refusal to allow liberal values to dominate us.”
The United Kingdom should be cut off from Europe.
Ukraine should be annexed by Russia because “Ukraine as a state has no geopolitical meaning, no particular cultural import or universal significance, no geographic uniqueness, no ethnic exclusiveness, its certain territorial ambitions represents an enormous danger for all of Eurasia and, without resolving the Ukrainian problem, it is in general senseless to speak about continental politics”.
The book stresses the “continental Russian-Islamic alliance” which lies “at the foundation of anti-Atlanticist strategy”. The alliance is based on the “traditional character of Russian and Islamic civilization”.
Russia should use its special services within the borders of the United States to fuel instability and separatism, for instance, provoke “Afro-American racists”. Russia should “introduce geopolitical disorder into internal American activity, encouraging all kinds of separatism and ethnic, social and racial conflicts, actively supporting all dissident movements — extremist, racist, and sectarian groups, thus destabilizing internal political processes in the U.S. It would also make sense simultaneously to support isolationist tendencies in American politics.”
Ukraine, Brexit, Syria, Trump, promotion of fascist candidates in European elections (Le Pen in France), support for fascism in the US…it’s all right there in the book. And they’ve done it all while barely firing a shot.
Kenneth Branagh is directing and starring in (as uber-detective Hercule Poirot) a movie adapted from Agatha Christie’s Murder on the Orient Express. I mean, what more do you need?
Oh. More? Alright. The movie also stars Penélope Cruz, Willem Dafoe, Judi Dench, Johnny Depp, Derek Jacobi, Leslie Odom, Jr., Michelle Pfeiffer, and Daisy Ridley. I mean…
More? Did you miss the part where I mentioned Judi flipping Dench? Well, the movie comes out in November so there’s no Rotten Tomatoes score yet. You know what, just watch the trailer and go about your business.
Dronescapes is an art book of some of the most visually arresting drone photography collected from Dronestagram.
Readers will see the planet from entirely new vantage points, whether it’s a bird’s-eye view of Christ the Redeemer in Rio de Janeiro, a photograph taken inches away from an eagle in midflight, or a vertiginous shot taken above Mexico’s Tamul Waterfalls. There are extended commentaries on how individual images were created and a separate, concise guide containing technical advice on how to use a drone and select the right model.
God knows we can all use a shot of the mini-overview effect right now.
Just as he did last year, Bill Gates has recommended five books for people to read this summer. Among the picks:
The Heart by Maylis de Kerangal. Gates, who usually reads nonfiction, says:
While you’ll find this book in the fiction section at your local bookstore, what de Kerangal has done here in this exploration of grief is closer to poetry than anything else. At its most basic level, she tells the story of a heart transplant: a young man is killed in an accident, and his parents decide to donate his heart. But the plot is secondary to the strength of its words and characters.
Even though the former President has already written more than two dozen books, he somehow managed to save some great anecdotes for this quick, condensed tour of his fascinating life. I loved reading about Carter’s improbable rise to the world’s highest office.
Last year, I took Gates’ advice and read Seveneves by Neal Stephenson, which I thoroughly enjoyed.
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