This video is 20 minutes of the best YouTube footage from 2015 of extreme sports, marriage proposals, cute kids, funny animals, fast cars, groovy dancing, dronies, and more slow-motion GoPro footage than you could ever want to see in one lifetime. I’ve linked to a few of these videos, but generally my list of cool videos of the year would be a bit less X-TREEM. If you want to watch all 506 videos in the compilation, check out this playlist.
As I have in pastyears, I’ll share more lists of the year’s best photos as they come in.
Update: The AP shares their Top 100 News Images of 2015. Very few of these photographs show anything good, so fair warning.
Update: In Focus has published all and threeparts of a three-part series of 2015: The Year in Photos.
Update: One more from In Focus: Hopeful Images from 2015. A reminder that the good in the world vastly outweighs the bad…even if it doesn’t often make the news.
One of the things I look forward to at the end of each year is David Ehrlich’s video compilation of his favorite films of the year. 2015’s installment does not disappoint.
The person I listen to the most regarding books I should be reading is Tyler Cowen…he has never once steered me wrong. So when he wrote about the best fiction of 2015, I perked up. I’ve been hearing many good things about Elena Ferrante’s series (Cowen himself flagged her The Lost Daughter as a favorite back in 2008) but his assertion that her recent series of novels ranks as “one of the prime literary achievements of the last twenty years” puts it solidly on my holiday beach reads list. The New World by Chris Adrian & Eli Horowitz and Vendela Vida’s The Diver’s Clothes Lie Empty also sound particularly interesting.
Update: Cowen recently shared his list of best non-fiction books of the year as well. Biographies rule the list: on Elon Musk, Henry Kissinger, Margaret Thatcher, and Genghis Khan. What a list…but I have to say that reading biographies of Thatcher or Kissinger doesn’t appeal at all.
Update: The NY Times Sunday Book Review names their 10 Best Books of 2015. Coates and Ferrante feature. By my count, 7 of the 10 books are written by women.
From the New Yorker Food Issue,1Lauren Collins examines how the World’s 50 Best Restaurants list comes together. I haven’t eaten at any of these sorts of restaurants in years (for a lot of reasons), and this bit gets to part of the reason why:
The restaurants in the upper reaches of the list tend to fall into a certain mode. They are all the same place, Giles Coren once conjectured in the London Times, “only the face changes, like Doctor Who.” Just as there is Oscar bait, there is 50 Best bait. “It’s opening up in Beijing,” David Chang said, imagining the archetypal 50 Best restaurant. “It’s a Chinese restaurant by a guy who worked for AdriΓ , Redzepi, and Keller. He cooks over fire. Everything is a story of his terroir. He has his own farm and hand-dives for his own sea urchins.” Hearing about 50 Best winners, and having eaten at a few of them, I started to think of them as icebreaker restaurants β places that create moments, that give you prompts. This can be exhilarating, or it can be infantilizing. It is the dining experience as Cards Against Humanity.
Ok, so narrowing down all of the beautifully shot movies in the world to a list of just 10 is absurd, but to their credit, the gang at Cinefix manage to mention more than 50 or 60 movies in their top 10 review. If you’ve only seen even a few of these, you’re doing well.
Manhattan, Citizen Kane, The Fall, 2001, Hero, The Tree of Life. Damn.
Design Observer and the AIGA have announced the winners of their 50 Books | 50 Covers competition to find the best designed books and book covers published last year. The books are here and the covers are here.
From John Horgan, a list of 25 Terrific Science(y) Books. There are some unorthodox picks here (next to some no-brainers):
Ulysses, by James Joyce, 1922. Yeah, it’s a work of fiction, but as I argued a few years ago, Joyce was a more astute observer of the mind than anyone before or since. He exemplifies Noam Chomsky’s dictum that we will always learn more about ourselves from literature than from science.
The Structure of Scientific Revolutions, Thomas Kuhn, 1962. This sneaky, subversive assault on conventional notions of scientific truth and progress triggered a revolution itself within the philosophy of science. Be sure to note where Kuhn compares scientists with drug addicts.
We went back-and-forth on the top two here, but we ultimately had to go with [Wall-E], the most original and ambitious of all the Pixar movies. The first half-hour, which basically tells the story of the destruction of the planet and the devolution of the human race without a single line of dialogue, is total perfection: It’s almost Kubrickian in its attention to detail and perspective, though it never feels cold or ungenerous.
Piece-of-shit Cars 2 is rightly parked at the bottom of the heap, Wall-E is obviously #1, and they correctly acknowledged Up as overrated. I would have rated the original Toy Story lower and Ratatouille higher, but overall: well done.
Here, in an anthology of some of the finest of the genre, brilliant creative minds in every sector offer their wisdom: David Foster Wallace on living a compassionate life, Debbie Millman on the importance of taking risks, Michael Lewis on the responsibility that good fortune merits β and so many other greats. Some of this advice is grand (believe in the impossible), and some of it is granular enough to check off a life list (donate five percent of your money or your time).
From the Oyster Review, a publication by online bookseller Oyster, a list of the 100 Best Books of the Decade So Far. Good to see The Emperor of All Maladies, Cleopatra: A Life, Bring Up the Bodies, and Mr. Penumbra’s 24-Hour Bookstore on there, among others.
(16) Person who types “wow” in front of retweet
(9) Atheists who love to argue
(7) All internet discourse about bacon
(8) People who complain about BuzzFeed
(2) iTunes
(5) Kickstarters for weddings
Typeface design and distribution is in a state of rapid change. Last year we noted its diffusion around the globe, and that trend persists. The majority of font production is no longer concentrated in a few regional epicenters.
That goes for corporate epicenters as well. The independence of type designers themselves is increasingly evident. Small foundries have existed since the dawn of digital fonts, but now they are the norm. Only a handful of the selections in this year’s list were published by companies with more than ten employees.
I discovered that one of the selections, a beautiful custom typeface made for the reopening/rebranding of the Cooper Hewitt Design Museum (sample shown above), has been made available by the museum for free download (including a web fonts version).
Oh my, I had forgotten about the Name of the Year site and how amazing it is. Each year, they collect the most unusual names in the world and pit them against each other in a March Madness-style bracket. Here are some of the names in the running for the 2015 Name of the Year:
Swindly Lint
Dr. Electron Kebebew
Flavious Coffee
Lancelot Supersad Jr.
Jazznique St. Junious
(A reminder…these are actual names of actual people. Somehow.)
Littice Bacon-Blood
Dr. Wallop Promthong
Infinite Grover
Genghis Muskox
Malvina Complainville
Beethoven Bong
Amanda Miranda Panda
Some Hall of Name inductees include Tokyo Sexwale, Nimrod Weiselfish, Doby Chrotchtangle, Tanqueray Beavers, and Vanilla Dong.
As for directors, Alfred Hitchcock is the most often cited, making the list 5 times (although not placing in the top 10), and spanning 3 decades. Right behind him are Steven Spielberg and Francis Ford Coppola, both of whom made the list 4 times. Like Hitchcock, Spielberg’s pictures were released over 3 decades. Coppola’s pictures, however, were all released in the 1970s - with 2 in 1974 (the only director with 2 films in a single year). All of his pictures placed in the top 22 films, with 3 of them in the top 11. At the other end of the continuum, there were 33 years between Terrence Malick’s 2 films on the list.
Directors Stanley Kubrick and Martin Scorsese follow, with 3 films each making the cut. Tied with Malick for 2 pictures are Bob Fosse, William Friedkin, Akira Kurosawa, Christopher Nolan, Ridley Scott, Steven Soderbergh, Orson Welles and Bob Wise; all others received 1 mention.
The top ten:
1. “Raging Bull” (Thelma Schoonmaker, 1980)
2. “Citizen Kane” (Robert Wise, 1941)
3. “Apocalypse Now” (Lisa Fruchtman, Gerald B. Greenberg, Walter Murch, 1979)
4. “All That Jazz” (Alan Heim, 1979)
5. “Bonnie And Clyde” (Dede Allen, 1967)
6. “The Godfather” (William H. Reynolds, Peter Zinner, 1972)
7. “Lawrence of Arabia” (Anne V. Coates, 1962)
8. “Jaws” (Verna Fields, 1975)
9. “JFK” (Pietro Scalia, Joe Hutshing, 1991)
10. “The French Connection” (Gerald B. Greenberg, 1971)
You think of filmmaking as male dominated, but one thing I noticed about that top 10 right away: five women in the list, including three in the top five. (via hitfix)
For much of Hollywood history, there were virtually no filmmaking opportunities available to women other than screenwriting and acting β with one major exception. Women have always been welcomed β and in many quarters preferred by male directors β as film editors, or “cutters,” as they were originally known. In the early days, the job was regarded as menial labor, and it largely was. Cutters worked by hand, running film on reels with hand cranks and manually cutting and gluing together strips of it. (Moreover, they almost never received screen credit.) After the advent of the Moviola editing machine in 1924, the process became faster and easier, but was still tedious and low paying, which is why most cutters remained young, working-class women.
It was around this time that the job of cutting films became less about just maintaining proper continuity and more about being creative. The Russian films of Sergei Eisenstein introduced the concept of montage β how “colliding” separate pieces of film together could advance a storyline and manipulate viewers’ emotions β and this approach became widely discussed and imitated the world over, not least of all by some of the more enterprising female cutters in America, some of whom, like Margaret Booth, began to experiment with leftover footage on the cutting room floor and proved to be quite inventive.
The Dissolve picks the 50 best films of the current decade. Picks 50-26, and picks 25-1. Boyhood, The Social Network, Under the Skin, and Inside Llewyn Davis all rank high. (via @khoi)
David Ehrlich returns with a video montage of his 25 favorite movies of 2014. (Here’s his 2013 video.)
His top 5:
5. Gone Girl
4. Nymphomaniac
3. Under The Skin
2. Inherent Vice
1. The Grand Budapest Hotel
These year-end videos by Ehrlich are incredibly effective trailers for movies. Not just the individual films, but the whole idea of cinema itself. Having just watched this, I want to leave my office, head to the nearest theater and just watch movies all day.
After he died, a book containing legendary movie director Akira Kurosawa’s 100 favorite films was published. The list was made by his daughter, arranged chronologically, and limited to one film per director. His daughter describes the selection process:
The principle of the choice is: one film for one director, entry of the unforgettable films about which I and my father had a lovely talk, and of some ideas on cinema that he had cherished but did not express in public.
Some of Kurosawa’s choices: My Neighbor Totoro for Miyazaki, The King of Comedy for Scorsese (?), Annie Hall for Woody Allen, Fitzcarraldo for Herzog, Barry Lyndon for Kubrick (??), and The Birds for Hitchcock. No Orson Welles, Coens, David Lynch, or Malick.
Photos by AP Photo/UNRWA, Justin Sullivan/Getty Images, Robert Cohen/MCT/St. Louis Post-Dispatch, Andrew Hara/Getty Images, Yasuyoshi Chiba/Agence France-Presse, and ESA/Rosetta/MPS for OSIRIS Team, respectively.
Hiro teaching Baymax how to fist bump in Big Hero 6.
Update:Jason Porath smartly speculates that Big Hero 6’s fist bump scene was a social media snack sized moment inserted into the movie for marketing purposes, which is part of a larger industry trend.
I don’t have a good word to describe this phenomenon, so I’m going to term it “hashgags.” This is a joke in an animated movie, usually input at the behest of marketing forces, that is used to sell the movie. It’s usually inserted late into production and test screened to within an inch of its life. Some are used repeatedly, some are one-offs that do well with trailers. And it is crippling the entire industry.
The Pew Research Center shares some of the most interesting findings from the reports they published in 2014. The increasing gap in wealth between white and non-white households since the 2007 recession was the most shocking to me.
Over the past 10 years, the net worth of black households has been cut in half.
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