posted by Jason Kottke
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The first trailer for Harry Potter and the Half-Blood Prince has been released, featuring a wee Voldemort. Movie is out in November.
HD version of Presto, the short film shown before Pixar’s Wall-E. The shorts shown before Pixar films seemingly have something to do with the next film in the company’s pipeline. Boundin’ preceded Cars (both were set in the desert Southwest), One Man Band came out before Ratatouille (the former set in Italy, the later in France, but with similar “set” design), and Lifted preceded Wall-E (both featured outer space and spaceships), but I can’t figure out what Presto has to do with Up (the teaser’s no help).
Objectified is an upcoming film about industrial design by Gary Hustwit, director of Helvetica.
Objectified is a documentary about industrial design; it’s about the manufactured objects we surround ourselves with, and the people who make them. On an average day, each of us uses hundreds of objects. (Don’t believe it? Start counting: alarm clock, light switch, faucet, shampoo bottle, toothbrush, razor…) Who makes all these things, and why do they look and feel the way they do? All of these objects are “designed,” but how can good design make them, and our lives, better?
The film is due out in early 2009. (via design observer)
Nice remembrance from Roger Ebert on the end of the long-running At the Movies show.
One thing we never did, apart from an occasional special show, was depart from the format: Two critics debating the week’s new movies. No “advance looks” at trailers for movies we hadn’t even seen. No celebrity interviews. No red carpet sound bites. Just two guys talking about the movies. At one point, our show and two clones were on the air simultaneously. Then we were left alone again: The only show on TV that would actually tell you if we thought a movie was bad.
YouTubers are adding innappropriate new soundtracks to movie scenes, thereby ruining them. I stumbled across the Richie suicide scene from The Royal Tenenbaums set to Lynyrd Skynyrd’s Free Bird (instead of Needle in the Hay) and then found a bunch more:
Terminator 2
The Matrix ruined
Star Wars, under pressure
2001
This Monsters Inc. one is actually fantastic.
Starship Troopers
A Clockwork Orange
Reservoir Dogs
Contact
Several of these originated on Something Awful.
Spike Jonze’s Where the Wild Things Are might be in trouble. It was originally due out in October, got pushed back to fall 2009, and has now been taken off of the Warner Bros. release schedule. But not all is lost…here’s what Warner had to say about it:
We’ve given him more money and, even more importantly, more time for him to work on the film,” Horn said. “We’d like to find a common ground that represents Spike’s vision but still offers a film that really delivers for a broad-based audience. We obviously still have a challenge on our hands. But I wouldn’t call it a problem, simply a challenge. No one wants to turn this into a bland, sanitized studio movie. This is a very special piece of material and we’re just trying to get it right.
They’re making a fourth Terminator movie with Christian Bale? Although I didn’t actually mind the third one so bring it on, I guess. (via goldenfiddle)
Update: McG is directing? I take it back…put it back in the can. Also, Joseph, isn’t it time to stop using that name?
Amblin’, Steven Spielberg’s first film shot on 35mm, is available on YouTube (~25 min long). Binary Bonsai has more on the first real movie that Spielberg directed (which the director now dislikes).
Spielberg’s first outing is all about humanity, love, feelings, innocence and all the other softness for which he has since become almost infamous. Whatever tech-lust Spielberg might have, goes on behind the lens, not in front of it. And despite moving on to do some pretty tech-heavy films (Jurassic Park for instance), he almost always keeps the human side of things front and center.
Thumber is a OS X app that screencaps one-second intervals of movies and stitches the results together into one big image. Inspired by one of my favorite art projects, Cinema Redux by Brendan Dawes.
An article from Animation World Magazine about the animation techniques used in Wall-E.
Life is nothing but imperfection and the computer likes perfection, so we spent probably 90% of our time putting in all of the imperfections, whether it’s in the design of something or just the unconscious stuff. How the camera lens works in [a real] housing is never perfect, and we tried to put those imperfections [into the virtual camera] so that everything looks like you’re in familiar [live-action] territory.
Wall-E was wonderful…best new film I’ve seen in a long time. With it, Andrew Stanton joins Brad Bird in Pixar’s top tier of directors, with the much-heralded John Lasseter in third place. But I can see where Tyler Cowen was coming from when he stated in his short review that the film was “not recommended for children” and that “some bold genius at Pixar will be fired”. Wall-E was funny, charming, and endearing but also subversive, disturbing, and dystopian. That combination that usually doesn’t play well at the box office but some of my favorite films ride that fine line between comedy and disconcerting drama.
Some other thoughts and observations:
Advice on writing screenplays.
I think people see inspiration as the ignition that starts the process. In fact, real moments of inspiration often come at the last minute, when you’ve sweated and fretted your way through a couple of drafts. Suddenly, you start to see fresh connections, new ways of doing things. That’s when you feel like you’re flying. The real pleasure of any script is the detail. And a lot gets lost in the process. Put it back in at the last minute.
Stanley Kubrick’s MySpace page is actually pretty interesting. Lots of photos of the man and his films.
Vulture’s wrong, wrong, wrong list of the best Pixar films. Finding Nemo belongs in #1 with The Incredibles and Ratatouille close behind. Then Toy Story 2 followed by the rest. Putting The Incredibles in the #7 spot, that’s just plain irresponsible.
Wall-E is getting excellent reviews so far…it’s currently rated a 92 on Metacritic.
God ruined I Am Legend with the most literal deus ex machina I’ve ever seen in a movie. The alternate ending makes a whole lot more sense. Then again, I would have been satisfied with three straight hours of how Neville spends his time in Manhattan wilderness, alone, procuring supplies, checking buildings off of his scavenging list, visiting the MoMA to get new art for his walls, collecting iPods for “new” music, etc. Is it every New Yorker’s fantasy to have all of Manhattan to himself for a day?
A list of movie cameos that end up stealing the whole movie. The deserving #1 is Alec Baldwin’s Glengarry Glen Ross speech. (God, what a great scene.)
Now showing on HBO:
On March 11, 1977, Roman Polanski was arrested in Los Angeles and charged with the following counts: furnishing a controlled substance to a minor, committing a lewd or lascivious act on a child, unlawful sexual intercourse, rape by use of drugs, perversion and sodomy. Less than a year later, on February 1, 1978, Polanski drove to LAX, bought a one-way ticket to Europe, and never came back. Roman Polanski: Wanted and Desired explores the implausible events that took place between these dates, along with details, before and after, that forever altered the life and career of Polanski, one of the world’s most acclaimed directors.
This snippet of an interview with the filmmaker should give you a taste of what to expect from the film:
I felt it was my job to explain how people think they know the story, but they don’t. That doesn’t excuse Polanski in any way, but it shows what he went through. I think the best viewer for this film is someone who can’t stand Roman Polanski and is disgusted by what happened. But if they allow themselves to watch the film, they usually come away from it feeling differently. If not about the crime, then at least about the aftermath. It’s quite surprising.
The Smoking Gun has the grand jury testimony of then 13-year-old Samantha Gailey, taken two weeks after she had sex with Polanski. If you don’t catch the movie on HBO, it’ll be out in limited release in theaters on July 11.
Update: There’s a post on the HBO bulletin board for the movie that looks like it was written by Samantha Geimer (formerly Gailey):
I hope you all watched and enjoyed the movie. I think Marina did an excellent job in uncovering the facts. Since my mother did not participate, let me clarify a few things for you all.
She did not travel in the same social circles with Roman. She met him once, that meeting had nothing to do with my getting the modeling job. She did not send me off to be raped, or have some blackmail plot in mind. Calling the police pretty much rules blackmail out from the get go. Roman was not known as a pedophile in March of 1977, he was a influential and respected director. Even his relationship with Natasha Kinski did not occur until after my meeting with him, as far as I know.
The sex was not consentual and I have never said it was.
And last, I was not supposed to be alone with him, a friend was to come along with with us, but he talked me into going alone with him as the last minute, my mother was unaware of that until I called her later to check in. Even so, she would never have dreamed he would do what he did to me, just because we were alone. This was a long time ago, when child molestation did not immediately leap to the front of everyone’s mind as is does today. I do find it strange that some of his friends say he couldn’t have done it, while others say of course he would.
My mother has carried alot of guilt about this for many years, so I would appreciate it if people would stop blaming her. There is alot of blame to go around.
Quentin Tarantino’s next movie: Inglourious Basterds. Here’s le plot:
A band of U.S. soldiers facing death by firing squad for their misdeeds are given a chance to redeem themselves by heading into the perilous no-man’s lands of Nazi-occupied France on a suicide mission for the Allies.
According to Ain’t It Cool News, Tarantino will release the movie in two parts, as he did with Kill Bill. (via crazymonk)
From an abridged script for Indiana Jones and the Kingdom of the Crystal Skull:
PRODUCER FRANK MARSHALL immediately proves his commitment to using CGI “only when necessary” by featuring completely necessary CGI prairie dogs in the first shot of the movie.
A bunch of cars drive through the DESERT to AREA 51. HARRISON FORD’S SHADOW, then HARRISON FORD’S SHOE, then HARRISON FORD’S ARM, then HARRISON FORD’S HAT and finally HARRISON FUCKING FORD are eventually revealed.
HARRISON FORD
Alright folks, let’s get this show on the road. I want to make it to Country Buffet by four.CATE BLANCHETT
Pryvet, Harrison. I am evil Soviet. You vill help me find Moose and Squirrel, yes?HARRISON FORD
Holy Christ, you’re not going to talk like that the whole movie are you?CATE BLANCHETT
Da. You vill help locate MacKuffin now.
(thx, david)
Not so long ago, on May 24th, IMDB message board participant beachedblonde coined a new phrase: nuke the fridge. Here’s the definition from the Urban Dictionary…it’s roughly equivalent to jumping the shark:
A colloquialism used to delineate the precise moment at which a cinematic franchise has crossed over from remote plausibility to self parodying absurdity, usually indicating a low point in the series from which it is unlikely to recover. A reference to one of the opening scenes of Indiana Jones and the Kingdom of the Crystal Skull, in which the titular hero manages to avoid death by nuclear explosion by hiding inside a kitchen refrigerator.
Sample usage:
Man, when Peter Parker started doing the emo dance in Spider-Man 3, that franchise officially nuked the fridge.
Since then, things have progressed quickly. The original posting seems to have been deleted but the phrase caught on, infected other message boards and web sites, and is now a full-blown meme on the verge of nuking the fridge itself. Google currently returns close to 16,000 results for variations on the phrase. Some participants in the IMDB forums have already grown tired of the phrase’s repeated use. A Wikipedia page was created and has already been deleted (reason: “Protologism with no RELIABLE sources evidencing more than extremely limited usage”). A web site dedicated to the meme is available at nukingthefridge.com, not to be confused with the movie review blog at nukedthefridge.com. And of course, no meme these days is complete without the proper new media accoutrements: Facebook page, MySpace page, t-shirt, YouTube page, an auction to sell the domain name, and a post on a large-ish general interest blog way after the whole thing’s already played out. I only heard it for the first time an hour ago and I’m already sick of it. Memes seem to be spreading so rapidly now on the web that they burn out before they can properly establish themselves. It’ll be interesting to see if nuke the fridge makes it through this ultra-virulent phase and somehow slows down enough to jump to casual mainstream usage. (via cyn-c)
While we’re on the topic of The Curious Case of Benjamin Button, Andrew Sean Greer wrote a book with a similar premise published in 2004 called The Confessions of Max Tivoli. It was based in part on the same Fitzgerald story as Fincher’s film.
Mr. Greer is candid about the precedents: F. Scott Fitzgerald told a related story in “The Curious Case of Benjamin Button,” and that in turn was inspired by a remark of Mark Twain that the best part of life came at the beginning and the worst part at the end. Later Fitzgerald found “an almost identical plot” in Samuel Butler’s “Note-books.” In “The Sword and the Stone,” which Mr. Greer read as a child, Merlin ages backward. Mr. Greer carries it further back, to Greek mythology, and forward to “Mork & Mindy,” in which Jonathan Winters played a baby. And at one book signing, he said, a reader asked him if he knew about the “Star Trek” episode in which ——
Actually, when he began the book he was thinking more of Bob Dylan. In 2001, having published a collection of stories and in the middle of writing a novel, he found himself singing “My Back Pages” — “I was so much older then, I’m younger than that now” — and he had what amounted to an epiphany. “I thought that could be a book not like anything I’d written before,” he said. “It sounded like a wild adventure that no one’s going to want to read, but it could be a lot of fun, and maybe that’s the point of it.”
This passage from a NY Times review of Tivoli provides a good sense of what the tone of the film might be:
For when the repercussions of Max’s reverse aging are eventually understood, the tragedy of his predicament becomes clear. Not only does he have the exact year of his death forever staring him in the face (1941, when he will complete his 70-year process of anti-decay), but he must also live his entire life, except for a few brief months in 1906 when his real and apparent ages coincide, being something other than what he seems.
Oh, and Shaun Inman quotes from Vonnegut’s Slaughterhouse-Five about WWII moving backwards:
When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating day and night, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody again.
(thx, jamaica)
The idea of a 3-D movie has been explored since basically the dawn of the moving image, but now, according to Portfolio, the idea is waxing once again, thanks to Jeffrey Katzenberg and several others. The rationale:
Studios are latching onto 3-D for much the same reason that Bob Dole took Viagra. Most of Hollywood’s businesses are making money โ for all Katzenberg’s complaining, DreamWorks’ first-quarter profit was up 69 percent โ but the sector that makes Hollywood feel best about itself, theatrical showings, is deflating, in large part because the difference between seeing a movie in your local multiplex and on a 52-inch high-definition TV in your family room is not that vast.
Trailer for The Curious Case of Benjamin Button. David Fincher, Brad Pitt, Cate Blanchett, F. Scott Fitzgerald. Pitt’s character starts off as an old man and ages backwards. Is it possible to buy tickets for this *right now*? BTW, the full text of the Fitzgerald short story on which the film is based is available online.
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