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Wes Anderson’s films are chock full of bad fathers and father figures. Bad Dads, the third book in the Wes Anderson Collection, showcases some of the art from the annual Bad Dads art show (prints!) at the Spoke Art Gallery in San Francisco.
Scenes from van Gogh paintings, modified with a fake tilt-shift effect. (via colossal)
The Floating Piers is a new art installant from Christo and Jeanne-Claude consisting of massive floating bridges and docks covered in yellow fabric that connects a pair of islands to the mainland in Italy’s Lake Iseo. The video above offers an aerial view of the installation.
Visitors can experience this work of art by walking on it from Sulzano to Monte Isola and to the island of San Paolo, which is framed by The Floating Piers. The mountains surrounding the lake offer a bird’s-eye view of The Floating Piers, exposing unnoticed angles and altering perspectives. Lake Iseo is located 100 kilometers east of Milan and 200 kilometers west of Venice.
“Like all of our projects, The Floating Piers is absolutely free and accessible 24 hours a day, weather permitting,” said Christo. “There are no tickets, no openings, no reservations and no owners. The Floating Piers are an extension of the street and belong to everyone.”
This is very reminiscent of The Gates, which is one of my favorite pieces of art. (via tksst)
Bhautik Joshi took 2001: A Space Odyssey and ran it through a “deep neural networks based style transfer” with the paintings of Pablo Picasso.
See also Blade Runner in the style of van Gogh’s Starry Night and Alice in a Neural Networks Wonderland.
In the same vein as these renderings of bicycles drawn from memory, here are celebrities photoshopped to look like fan art drawings. A simple example of dancing the flip flop.
Velocipedia is a collection of drawings of bicycles paired with realistic renderings of what the real-life bikes would look like. Some of the sketches, drawn from memory, are not that accurate and result in hilariously non-functional bikes.
From Austrian street artist Nychos, previews of a Dissection of Darth Vader’s Head piece and a “Barbie meltdown” piece from an upcoming show at Jonathan LeVine Gallery in June. You can see more of his work on his Tumblr and Instagram.
It’s impossible to tell someone how to interpret paintings by Picasso in only 8 minutes, but Evan Puschak provides a quick and dirty framework for how to begin evaluating the great master’s work by considering your first reaction, the content, form, the historical context, and Picasso’s own personal context.
On the 500th anniversary of his death, the Dutch public broadcasting service has created an interactive version of Hieronymus Bosch’s The Garden of Earthly Delights.
Tobias Gremmler used motion capture to transform kung-fu moves into a variety of digital sculptures. (via colossal)
The Misplaced Series removes notable New York buildings from their surroundings and “misplaces” them in desolate landscapes around the world. Concrete behemoths and steel-and-glass towers rise from sand dunes and rocky cliffs, inviting viewers to see them as if for the first time. Out of context, architectural forms become more pronounced and easily understood.
See all 10 buildings in their new surroundings at Misplaced New York.
Nasa Funahara makes art out of colorful masking tape, including recreations of famous artworks.
Angélica Dass’ Humanæ project matches photos of volunteer participants with the Pantone colors of their skin tones.
Update: Turns out this really cool blog you guys should be reading covered this project almost 4 years ago. (thx, @djacobs)
The Popquotery Instagram account mixes fine art with pop culture quotations, mostly from movies. Here for instance, is Degas + Ferris Bueller:
And Waterhouse + Back to the Future:
How about Gowy + Top Gun:
A group of organizations, including Microsoft and the Rembrandthuis museum, have collaborated to produce a new painting by Rembrandt. Or rather, “by” Rembrandt. The team wrote software that analyzed the Dutch master’s entire catalog of paintings and used the data to create a 3D-printed Rembrandt-esque painting.
We now had a digital file true to Rembrandt’s style in content, shapes, and lighting. But paintings aren’t just 2D — they have a remarkable three-dimensionality that comes from brushstrokes and layers of paint. To recreate this texture, we had to study 3D scans of Rembrandt’s paintings and analyze the intricate layers on top of the canvas.
I’d say they did pretty well:
I wonder though, to what extent is this an averaged Rembrandt? According to the program, is there one canonical Rembrandt-esque eye and that’s it? Or can the program paint dozens of variations? After all, because he was (presumably) working with actual people, Rembrandt himself had hundreds or thousands of ways to paint, it wasn’t just the same sort of mouth over and over.
See also Loving Vincent and Alice in a Neural Networks Wonderland. (thx, lucas)
Update: Peter Schjeldahl, art critic for the New Yorker, weighs in on The Next Rembrandt.
In truth, the portrait wobbles at a second glance and crashes at a third. The sitter has a sparkle of personality but utterly lacks the personhood — the being-ness — that never eluded Rembrandt. He is an actor, acting.
He also calls it “fan fiction”.
For the Captured project, prison inmates drew pictures of people they felt should be in jail instead, “the CEOs of companies destroying our environment, economy, and society”. All 1000 books have sold out with the proceeds going to Bernie Sanders’ campaign.
This fantastic short video from Anthony Cerniello shows a person imperceptibly aging from youth to old age.
The idea was that something is happening but you can’t see it but you can feel it, like aging itself.
I would love to know how this was done. Benjamin Button-esque FX, I would imagine.
Update: Oh hey, luckily for me, this blogger named Jason Kottke posted this video more than two years ago and noted how the video was made.
Anthony Cerniello took photos of similar-looking family members at a reunion, from the youngest to the oldest, and edited them together in a video to create a nearly seamless portrait of a person aging in only a few minutes.
I think I’ll have to subscribe to this fella’s site. (via @jniemasik)
Loving Vincent is an upcoming feature-length film about Vincent van Gogh that is animated in an unusual way: using 12 oil paintings per second. They’ve trained dozens of painters — and are looking for more if you’re interested — in the style of van Gogh to illustrate every instant of the film. Here are some of the painters working on the movie:
Update: A full trailer is out:
(via colossal)
Henry Darger is perhaps the most famous outsider artist in the world. This is a short documentary about his life (not much is known) and art (which now fetches tens of thousands of dollars).
Spanish artist Mar Cerdà uses watercolor and paper to create amazingly detailed dioramas, including those made from scenes in Wes Anderson movies. So far, he’s done scenes from The Grand Budapest Hotel, The Darjeeling Limited, and The Royal Tenenbaums. (via designboom)
The Neues Museum in Berlin is the current home of the bust of Queen Nefertiti, a singular piece of ancient Egyptian sculpture. A pair of artists went to the museum, did a 360° scan of the bust without the museum’s permission, and have made the resulting high-resolution 3D model available to all.
In lieu of the contested original, a 3D-printed copy of the bust made from the model is now on display in Egypt at the American University of Cairo. (via hyperallergic)
Update: There’s cause to be skeptical about how the 3D scan of Nefertiti was accomplished and the artists are being a little vague as to how they did it. The video shows the artists using a Kinect Xbox controller but a Kinect scan can’t deliver the resolution level of the 3D model. Perhaps it was stitched together using a bunch of photos? Or maybe they hacked into the museum’s files and took their model?
The last possibility and reigning theory is that Ms. Badri and Mr. Nelles elusive hacker partners are literally real hackers who stole a copy of the high resolution scan from the Museum’s servers. A high resolution scan must exist as a high res 3D printed replica is already available for sale online.
Adam Westbrook talks about Vincent van Gogh and the benefit of doing creative work without the audience in mind. Having never read Csikszentmihalyi’s Flow (I know, I know), I was unfamiliar with the word “autotelic”. From Wikipedia:
Mihaly Csikszentmihalyi describes people who are internally driven, and as such may exhibit a sense of purpose and curiosity, as autotelic. This determination is an exclusive difference from being externally driven, where things such as comfort, money, power, or fame are the motivating force.
Doug Belshaw has a bit more on autotelism and how it relates to education.
Artist Jill Pelto turns climate change graphs into art. So, for instance, a chart of rising global temperatures turns into a forest fire, which are becoming more common as temps rise:
And a graph of the retreat of glaciers over the years becomes a retreating glacier:
(via @EricHolthaus & climate central)
Artist Jaakko Seppälä drew 10 of his favorite comic characters in each other’s distinctive styles, e.g. Lucy van Pelt in the style of Calvin and Hobbes or Garfield in the style of Donald Duck.
Update: See also the Great Comic Switcheroo of 1997, where a bunch of comic authors drew each others’ comics for a day. (via @craigpatik)
At Wait But Why, Tim Urban turns history on its side by thinking about time-synchronized events around the world, as opposed to events through the progression of time in each part of the world.
Likewise, I might know that Copernicus began writing his seminal work On the Revolutions of the Celestial Spheres in Poland in the early 1510s, but by learning that right around that same time in Italy, Michelangelo painted the ceiling of the Sistine Chapel, I get a better picture of the times. By learning that it was right while both of these things were happening that Henry VIII married Catherine of Aragon in England, the 1510s suddenly begins to take on a distinct personality. These three facts, when put together, allow me to see a more three-dimensional picture of the 1510s — it allows me to see the 1510s horizontally, like cutting out a complete segment of the vine tangle and examining it all together.
He does this mainly by charting and graphing the lifetimes of famous people, revealing hidden contemporaries.
I’ve been slowly making my way through Ken Burns’ remastered The Civil War.1 At a few points in the program, narrator David McCullough reminds the viewer of what was going on around the world at the same time as the war. In the US, 1863 brought the Battle of Gettysburg and The Emancipation Proclamation. But also:
In Paris that year, new paintings by Cezanne, Whistler, and Manet were shown at a special exhibit for outcasts. In Russia, Dostoevsky finished Notes from the Underground. And in London, Karl Marx labored to complete his masterpiece, Das Kapital.
And a year later, while the advantage in the war was turning towards the US:1
In 1864, a rebellion in China that cost 20 million lives finally came to an end. In 1864, the Tsar’s armies conquered Turkistan and Tolstoy finished War and Peace. In 1864, Louis Pasteur pasteurized wine, the Geneva Convention established the neutrality of battlefield hospitals, and Karl Marx founded the International Workingmen’s Association in London and in New York.
Urban explicitly references the war in his post:
People in the US associate the 1860s with Lincoln and the Civil War. But what we overlook is that the 1860s was one of history’s greatest literary decades. In the ten years between 1859 and 1869, Darwin published his world-changing On the Origin of Species (1859), Dickens published A Tale of Two Cities (1859) and Great Expectations (1861), Lewis Carroll published Alice in Wonderland (1865), Dostoyevsky published Crime and Punishment (1866), and Tolstoy capped things off with War and Peace (1869).
The Civil War. The Origin of Species. Alice in Wonderland. The infancy of Impressionism. Pasteurization. Das Kapital. Gregor Mendel’s laws of inheritance. All in an eight-year span. Dang.
Which is simply excellent. I had forgotten how powerful the storytelling technique Burns devised for his documentaries is. Really really worth your time to watch or re-watch.↩
In talking about the Civil War, I’ve been trying to use Michael Todd Landis’ new language…so, “labor camps” instead of “plantations” and “United States” instead of “Union”.↩
Before the holiday break, I took in the Picasso Sculpture show at MoMA. Sculpture typically isn’t my cup of tea art-wise (or Picasso-wise) and much of the exhibition was lost on me, but Bull’s Head stopped me in my tracks.
Picasso once said of the piece:
Guess how I made the bull’s head? One day, in a pile of objects all jumbled up together, I found an old bicycle seat right next to a rusty set of handlebars. In a flash, they joined together in my head. The idea of the Bull’s Head came to me before I had a chance to think. All I did was weld them together… [but] if you were only to see the bull’s head and not the bicycle seat and handlebars that form it, the sculpture would lose some of its impact.
The piece is, at once, just barely over the line of what can be considered art and also so wonderfully artistic. Love it.
According to Jacq the Stripper’s Twitter bio, “I dance. Naked. For large (and occasionally insultingly modest) sums of money. I wrote a book about it.” Her book is The Beaver Show, and you can buy it in paperback or Kindle.
It’s a memoir of her life on the gentlemen’s club stage.
On Twitter, she also posts her art, featuring absurd things male customers say.
Using a tilt-shift effect, St. Tesla created miniature versions of galaxies, nebula, and supernovas. So cute!
From artist Travis Durden, Greek-style faux-marble sculptures of Star Wars characters. I think the one of General Grievous is my favorite. (via colossal)
P.S. Colossal is on a roll lately. Go look.
Colossal notes that artist Ed Fairburn has produced a bunch of new work (previously). Love these.
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