Late last week, the Louvre announced that it had put its entire collection online, over 482,000 works in all.
Designed for both researchers and curious art lovers, the collections.louvre.fr database already contains more than 482,000 entries, including works from the Louvre and the Musée National Eugène-Delacroix, sculptures from the Tuileries and Carrousel gardens, and ‘MNR’ works (Musées Nationaux Récupération, or National Museums Recovery) recovered after WWII and entrusted to the Louvre until they can be returned to their legitimate owners. For the first time ever, the entire Louvre collection is available online, whether works are on display in the museum, on long-term loan in other French institutions, or in storage.
With so many works, where to start? Try these “playlists” created by the museum, e.g. Masterpieces of the Louvre or Major Events in History. Or try the search function and find, for instance, all of the museum’s works by Leonardo da Vinci or Élisabeth Louise Vigée Le Brun (one of the very few women whose art is on display at the museum).
Ok, this post doesn’t have anything to do with boy detective Encyclopedia Brown…I just needed him for the title. In the NY Times, art critic Jason Farago argues that in order to improve the visitor experience at the Louvre, the Mona Lisa and her smile have got to go.
Yet the Louvre is being held hostage by the Kim Kardashian of 16th-century Italian portraiture: the handsome but only moderately interesting Lisa Gherardini, better known (after her husband) as La Gioconda, whose renown so eclipses her importance that no one can even remember how she got famous in the first place.
Some 80 percent of visitors, according to the Louvre’s research, are here for the Mona Lisa — and most of them leave unhappy. Content in the 20th century to be merely famous, she has become, in this age of mass tourism and digital narcissism, a black hole of anti-art who has turned the museum inside out.
Enough!
I visited the Louvre back in 2017 and the Mona-driven crowds were very distracting. I wrote a short review for my media diet:
The best-known works are underwhelming and the rest of this massive museum is overwhelming. The massive crowds, constant photo-taking, and selfies make it difficult to actually look at the art. Should have skipped it.
The Louvre is actually not a good place to look at art and if moving the Mona Lisa to a dedicated gallery elsewhere can help solve that problem, they should do it. (via @fimoculous)
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