kottke.org posts about TV
All six parts of a BBC documentary called The Machine That Made Us are on YouTube: part one, part two, part three, part four, part five, part six (60 minutes total). (BTW, if you’re in the UK, you can watch it on the BBC’s iPlayer.) The film stars Stephen Fry and tells the history of the Gutenberg Press.
Stephen’s investigation combines historical detective work and a hands-on challenge. He travels to France and Germany on the trail of Johannes Gutenberg, the inventor of the printing press and early media entrepreneur. Along the way he discovers the lengths Gutenberg went to keep his project secret, explores the role of avaricious investors and unscrupulous competitors, and discovers why printing mattered so much in medieval Europe.
But to really understand the man and his machine, Stephen gets his hands dirty - assembling a team of craftsmen and helping them build a working replica of Gutenberg’s original press. He learns how to make paper the 15th-century way and works as an apprentice in a metal foundry in preparation for the experiment to put the replica press through its paces. Can Stephen’s modern-day team match the achievement of Gutenberg’s medieval craftsmen?
Here’s part one to get you started:
I haven’t had a chance to watch it yet, but it’s supposed to be really good. Oh, and if you’re thinking “who does this Fry bloke think he is going on about technology like he knows something about it”, you should check out his blog…he’s a top-notch tech blogger. (thx, dean)
Star Trek statistics: just how likely are you to die if you beam down to the planet’s surface wearing a red shirt?
You don’t know about the Red Shirt Phenomenon? Well, as any die-hard Trekkie knows, if you are wearing a red shirt and beam to the planet with Captain Kirk, you’re gonna die. That’s the common thinking, but I decided to put this to the test. After all, I hadn’t seen any definitive proof; it’s just what people said.
Slowing down the playback of a 1999 Apple commercial = drunk Jeff Goldblum. “Internet? I’d say Internet.” Great stuff, indeed. (via cynical-c)
Long long but good good roundbrowser** discussion about which is the best TV drama ever: The Wire, Deadwood, or The Sopranos.
MZS: And I would be, frankly, stunned if, as great an actor as Ian McShane is, he ever did anything that was as demanding and as complex as what he did on Deadwood. Same thing for Gandolfini. And there are even smaller players I think that’s true of as well. Molly Parker, you know, my God, look at all the things she got to do. When is she going to be able to do all those things again?
AS: A lot of that comes from the fact that these people were doing series, and now they’re trying to move on to movies, and no movie part will ever be as complex as Tony Soprano or Al Swearengen or Bubbles.
MZS: Is that an inherent strength of the medium, then, as opposed to movies?
AS: Yeah.
Obviously, there are spoilers here if you haven’t seen all three shows in their entirety.
** A roundbrowser discussion is a roundtable discussion that takes place online. Ok, yeah, I didn’t think it was all that clever either. Oh well.
We started watching HBO’s John Adams miniseries last night. Going in, I thought Paul Giamatti was going to be too familiar to play Adams; I’m happily wrong. He and Laura Linney are nearly perfect as America’s first power couple. Guess we’re going to hold off canceling that cable for a few weeks, at least until — SPOILERS!!! — the Americans win the Revolutionary War.
Tyler Cowen has a short review of Peter Moskos’ book, Cop in the Hood: My Year Policing Baltimore’s Eastern District.
This is one of the two or three best conceptual analyses of “cops and robbers” I have read. It is mandatory reading for all fans of The Wire and recommended for everyone else.
Sheeeeeeeeeeit.
The final episode of St. Elsewhere revealed that all of the action of the show took place in the mind of an autistic child. Two detectives from Homicide: Life on the Street investigate a doctor from St. Elsewhere. Thus Homicide is a fiction. And so are 280 other shows that are connected to those two shows through crossovers and references. This page contains a map of all the crossovers, encompassing such disparate shows as Doctor Who, The King of Queens, and Leave It to Beaver. Wonderful.
WARNING, **EXTENSIVE SPOILERS** ABOUT SEASONS 1-5. So, The Wire is over. The 60th and final episode of the show aired on Sunday night. I watched it last night and felt very sad afterwards. Sad that it’s over and that doing a sixth season could not and would not work. A good chunk of my morning was spent clinging to the show’s final moments; I must have read close to 50 or 60 pages of interviews and analysis concerning the end of the show. Here are a few of those articles worth reading:
Heaven and Here is providing their usual excellent coverage of the end of the show.
I don’t know if Cheese’s speech about the game was one of the more definitive the show’s ever put forth, or the ultimate in dime store Wire-isms. I also don’t know which way it was supposed to be perceived by the characters. But that it was immediately followed by a murder that contradicted everything it contained — one that went against a lot of what’s been both depressing and demoralizing about the show — was kind of awesome.
Alan Sepinwall has the definitive end-of-the-show interview with David Simon. It’s long but oh so good.
We knew that if we got a long enough run, all three of the chess players would be out of the game, so to speak. Prison or dead. We did not chart all of their fates to a specific outcome, but we knew that the Pit crew would be subject to an exacting attrition.
We knew, for example, that when Carcetti declares that he wants no more stat games in his new administration that the arc would end with his subordinates going into Daniels’ office and demanding yet another stat game. Or that McNulty would end up on the pool table felt like Cole, albeit quitting rather than dead. Or that Carver’s long arc toward maturity and leadership would begin with him making rank under ugly pretenses and then being lectured by Daniels about what you can and can’t live with. (It’s at that point that Carver slowly begins to change, not merely when he encounters Colvin’s integrity.) We knew that the FBI file that Burrell would not be put into play in season one would eventually be used to deny Daniels the prize.
Sepinwall also wrote an extensive recap of the final episode.
Heather Havrilesky’s interview with David Simon on Salon covers some of the same ground as Sepinwall’s interview but is still quite fine. Here’s David Simon explaining what the whole season five newspaper thread was all about:
[The season] begins with a very good act of adversarial journalism — they catch a quid pro quo between a drug dealer and a council president — which actually happened in Baltimore. Not necessarily the council president, but between a drug dealer and the city government. That whole thing with the strip club? That really happened in real life. It was news. The Baltimore Sun did catch that, it was good journalism, so I was honoring good journalism. It ends with an honorable piece of narrative journalism, about Bubbles. And the Baltimore Sun has, on occasion, done very good narrative journalism.
In between those bookends, which I thought were important, because in our minds we weren’t writing a piece that was abusive to the Sun or any other newspaper … the paper misses every story. They miss that the mayor wants to be governor, so ultimately the guy who was the reformer ends up telling people to cook the stats as bad as Royce ever did. Well, in Baltimore that happened. And they missed the fact that the third-grade test scores are cooked to make it look like the schools are improving, when in fact it doesn’t extend to the fifth grade, and that No Child Left Behind is an unmitigated disaster. They set out to do a story on the school system, but they abandoned it for homelessness because they’re sort of reed thin. Prosecutions collapse because of backroom maneuvering and ambition by various political figures, speaking of Clay Davis … And when a guy like Prop Joe dies, he’s a brief on page B5.
That was the theme, and we were taking long-odd bets that very few journalists would even sense it. That would be the critique of journalism that really mattered to me, because we’ve shown you the city as it is, and as it is intricately, for four years. It was all rooted in real stuff.
The last of Andrew Johnston’s recaps for The House Next Door. He remains skeptical about the newspaper part of season five’s main plot:
In my decade-plus as a professional journalist, I’ve seen a lot of people compromise their principles in order to stay employed, but never have I seen so many people compromise so much. At the risk of seeming terminally naive, I have to ask if things are really that much worse in the newspaper world than they are in the magazine biz (and now that I’ve raised the question, I’m sure more than one person will provide evidence in the comments below that yes, things are that bad).
Yanksfan vs. Soxfan views The Wire through the lens of Baltimore sports.
From the air, the picture isn’t quite so romantic. The satelite image above shows the site that was once home to Memorial Stadium. An entire neighborhood is oriented in a horsehoe around it. But there’s practically nothing on the site now. It’s a void. The last remnant of Memorial Stadium came down in 2002. That was a concrete wall dedicated to the soldiers who gave their lives in the First and Second World Wars. It read, “Time will not dim the glory of their deeds.”
The Orioles moved into Camden Yards in 1994. You’d think that, when the city agreed to build a new home for the team, there would have been a plan for the old site. But that’s not how the development game works. A rising tide doesn’t necessarily lift all boats. The money was downtown, and that’s where it stayed.
Assorted other articles that I’ll leave unexcerpted: AV Club interview with Simon, final episode recap from Thoughts on Stuff, and a letter on HBO’s site from David Simon to the fans of the show.
And finally, a few other tidbits.
- According to Simon in his interview with Sepinwall, the superhero-like jump taken by Omar in season five from an apartment balcony was based on a real-life experience by the real-life Omar.
- Did you catch Simon’s cameo in the newsroom at The Sun? Did Ed Burns have a cameo of his own at McNulty’s wake?
- Aside from Ziggy Sobotka, Brother Mouzone, and maybe Horseface, season five featured every surviving main character in the show’s five season run. Mr. Prezbo was the last to turn up as the subject of Dukie’s transparent short con.
- At the beginning of season four, I wished that season five would be a Godfather II-style prequel showing how the main characters (Avon, Stringer, McNutty, Daniels, Omar, etc.) got to where they did. Turns out that Simon and company had that in mind all along; in seasons four and five, we simultaneously see the beginnings and ends of several characters. Michael and Dukie are explicitly set up as the new Omar and Bubbles, respectively. Carver is the new Daniels. Sydnor is the new McNulty (with some Freamon sprinkled in). I’m also guess that, more or less, Kima is the new Bunk, Kenard is the new Avon/Marlo, and Randy is the new Cheese (Simon has confirmed that Cheese is Randy’s dad). Namond is the only season four kid that doesn’t really morph into one of the other characters…maybe Bunny.
- Slim Charles shooting Cheese in the head was the most satisfying moment I’ve ever witnessed on TV.
Now that it’s done, I think we’re going to cancel HBO and everything but basic cable. I doubt it’ll be missed much…aside from sports and movies, The Wire was only thing we watched on TV.
No spoilers, no spoilers. It appears that the very last episode of The Wire will not air a week early on HBO OnDemand like all the previous episodes have this season. Air date is Sunday, March 9…the show appears OnDemand the next day. The series finale will clock in at 93 minutes, longer by 15 minutes than last season’s finale.
Just a heads up to let you know that a liveblog of the Oscars is going to be starting here in a little bit. Follow along as I follow along, if you know what I mean (and I think you do).
7:44a, Feb 25th: The Oscars are over. 20% of the nominees won. The cat threw up on the rug and Ollie’s a bit fussy this morning. We’ll see you back here next year.
11:42p: Bedtime. Last update until tomorrow morning, when I assume the Oscar ceremony will finally be over.
11:06p: None of the stories on the front page of Digg refer to the Oscars. Unsurprising that they have their heads in the sand on such an important issue.
10:47p: BREAKING NEWS: The program on ESPN2 right now is not Fisting; it’s Fishing. Fishing. Also, 1363 unread items in my RSS reader.
10:28p: Fashion update. Just took off my shirt. It’s hot in here, it’s not just me.
10:08p: Battery life at 31% and dropping.
10:00p: Just checked the movie times at the theater two blocks from my apartment. Juno at 10:50, There Will Be Blood at 10:20, Atonement at 10:30, and No Country for Old Men at 10:15 & 10:55. Michael Clayton is on Movies OnDemand for $4.99 at any time.
9:32p: Is this a good time to go to the movies? Lots of empty seats at There Will Be Blood maybe?
9:07p: My liveblogging outfit this evening: jeans by Banana Republic, long sleeve tshirt by American Apparel, socks by Wal-Mart, boxer shorts by Muji.
8:55p: What else is on right now: The Mummy on Encore, Buffy the Vampire Slayer on Fox Movie Channel, Miller’s Crossing on Encore Action, The Departed on Cinemax, episode #8 of The Wire on HBO, the Masterpiece version of Pride and Prejudice on PBS, Bulls vs. Rockets on ESPN, Godfather II on AMC, and Born Into Brothels is just ending on IFC but Spanking the Monkey starts in 20 minutes.
8:43p: Non-ceremonial bulletin: I’ve turned on the comments.
8:34p: I’m told that the ceremony has started.
7:58p: The Oscars have not started yet.
NOTE: don’t read any further if you haven’t watched episode 6 of The Wire’s 5th season. SPOILERS.
I’ve been meaning to write a post on my thoughts about season 5 of The Wire but luckily Heaven and Here beat me to much of what I was thinking. The highlights:
Too many characters, too many stories, too much telling and not enough time for showing, which is why it feels more like a conventional TV show than in years past.
Unnecessary cameos. What is this, a reunion tour? Hi Nicky, hi Randy! (Although I think the Randy thing is interesting in relation to his dad…did Cheese get the way he is through a similar trajectory? And I suspect that Randy will come back into play…the season 4 kids are the only ones, besides the drug dealers themselves, who have any evidence of wrongdoing by Marlo, et. al.)
How are they going to wrap this up? I don’t care what happens to Carcetti or McNulty or Freamon or Daniels and we’re obviously going to get some sort of closure on either Omar or Marlo, but if they leave the Dukie, Bubs, and Michael threads significantly hanging, I’m gonna be pissed. (Prediction: if Marlo gets got, it will come from within…either Chris or Michael or both.)
The whole McNulty/Freamon thing: blah. Same thing with the newspaper angle…not as interesting as I thought it was going to be.
But all the rest of the seasons started slow and built into something…they coalesced. Maybe this one will as well?
The only thing I really like about McNulty’s manufactured investigation is how it affects so many different things in the system. Carcetti running for governor on the homeless issue. The newspaper switching their focus from the schools to the homeless. All the little things that pull resources and energy away from the Marlo Stanfield case. Pulling Kima off her triple. Motivating Bunk to reopen the case files on the bodies in the vacants. Everything is connected, unexpectedly.
Oh, and I love the “Dickensian” stuff in the newsroom…it’s Simon’s little shoutout/fuck you to the real media’s coverage of the show, frequently called Dickensian. Heaven and Here on the term’s misuse:
Something that has been bothering me about the deluge of stories on the show lately (which is , as Shoals said to me earlier today, “split now between nay-sayers and people drowning in their own adulation,”) is the loose use of the term “Dickensian.” Some stories are simply grabbing onto the upcoming plotline of the Sun editor assigning a story on “Dickensian” kids, but more often than I like, I see lazy writers using Dickens as a sort of shorthand for intricacy, urban despair, and nightmarish institutional breakdown, as if he owned the patent on all that.
Maybe much of the media criticism we were promised in season 5 is meta?
Cynical-C shares some of the more interesting complaints received by the FCC about television programming. One viewer complains about The Family Guy:
The show has no redeeming/moral value what so ever. The show actually had the gall to show GOD in bed with a young woman ready to have sexual intercourse and the dialogue to go with that event, including the use of condoms. They also had Jesus and his earthly father Joseph having an argument. Along with portraying the total disrespect of family values Stewie hitting his mother, the father and son ganging up on the wife/mother, there was also a male sexual predator in this episode as well.; The whole show was quite revolting. It should be taken off the air.
Starting in about 40 minutes, I’ll be liveblogging the Mythbusters episode where they take on the infamous airplane on a conveyor belt problem. Updates will be reverse chronological (newest at the top) so don’t scroll down if you’re DVRing the episode for later viewing or otherwise don’t want anything spoiled.
Fair warning? Ok here we go.
10:32p I’ve turned comments on. Why not!!
10:04p
The plane took off so easily. The laws of physics are proven correct once again. But I’m not sure this is going to settle anything. I’m getting email as we speak that the test was unfair. Plane was too light. Tarp was pulled too slowly. Etc. But the thing is, it doesn’t matter how large the plane is…given enough runway and a strong enough conveyor belt, it will still take off. Ditto for the speed of the treadmill…it doesn’t matter how fast the treadmill is moving. It could be going 300 mph in the opposite direction and as long as the bearings in the plane’s wheels don’t melt, it’s gonna take off. (For an explanation, try this one by my friend Mouser, who has a MIT Ph.D in Physics Sc.D. in Nuclear Science and Engineering.)
9:58p
Update: Due to popular demand, the above graphic is available on a t-shirt at CafePress. Prices start at $18 and they’re available in men’s and women’s sizes.
9:58p
Heeeeeeeere we go.
9:56p
The pilot flying the ultralight is predicting that he won’t be able to take off.
9:55p
Orville Wright died 60 years ago today.
9:50p
Cockroach mini-myth: cockroaches would survive a nuclear blast longer than humans but there were other kinds of bugs that fared better. Another commercial.
9:47p
Back to the shaving cream in the car prank. Now they’re going to use A-B foam…they’re trying to fill all the space in the car and perhaps explode it. Totally worked.
9:44p
Expedia commercial. Nice synergistic placement. Good work, Discovery Channel’s ad sales team.
9:43p
Ok, to do the large-scale plane test, they’re using a 2000 foot tarp and a 400 pound ultralight. Tarp is pulled in one direction and the plane tries to take off in the other direction. The wind is picking up and blowing the tarp runway all over the place. They’re also having problems with punching holes in the tarp. They’re going to try again after we hear some more about radioactive cockroaches. Aaaand, another commercial.
9:36p
Second mini-myth: if you freeze a can of shaving cream, cut it open, and then put the foam in a car, it will heat and expand to fill the car. One can did almost nothing. 50 cans didn’t do too much either.
9:32p
Off to commercial again. Macbook Air ad. I don’t understand all the whining about how expensive and underpowered it is. You can’t get by with an 80 GB hard drive? Come on.
9:30p
Now a bit of explanation from the boys. (Things are moving faster now, which is welcome.) The thrust from the airplane acts upon the air so it doesn’t matter too much what the runway is doing to the plane’s wheels. And then back to the roach thing. They irradiated them (and some other bugs) and most of the roaches died. Still pending…
9:25p
Ok, they’re dragging paper behind a Segway and trying to take off with the model airplane in the opposite direction. IT JUST TOOK OFF.
9:19p
Back to the roach thing. More recapping and a little bit more setup. I don’t see how people can watch this show…it’s sooooo slooooow. And now another commercial break. Hello picture-in-picture.
9:18p
As expected, the model airplane “flew” off the end of the exercise treadmill. It didn’t have enough room to take off, but if it stayed straight, it probably would have.
9:14p
First recap…they took a solid minute to explain what they’ve already done. Ugh.
9:13p
Going into the first commercial, we’ve caught a glimpse of how they’re going to test the main myth. They’re going to drag a huge plastic sheet long the ground and have the plane sit on the plastic and being going the other way attempting to take off. A reasonable substitute for the treadmill.
9:08p
They’re starting off small with a model airplane on an exercise treadmill. They’re showing the two hosts learning how to fly the tiny airplane. One of them is riding around on a Segway. Oh, and they’re also doing two other mini-myths during the episode. They just switched gears to the first mini-myth: can a cockroach survive a nuclear blast?
9:04p
And we’re off. They’re calling it “the moment we’ve all been waiting for”. My guess: the plane will take off.
8:58p
I’ve only watched one other episode of Mythbusters before today. I found the show to be a little slow and very repetitive; 8 minutes of material stretched into 45 minutes of show. Unfortunately, this practice seems to be common among science programs on television.
8:40p
Watching Family Guy as a warmup. The one with the nudist family. Good stuff.
8:22p
Preemptive answer for the inevitable “Do you realize how boring/stupid/goofy it is to liveblog this?” Most definitely.
For real this time: Mythbusters will air their challenge of the airplane on a conveyor belt puzzle this Wednesday at 9pm ET. (thx, darin)
Two-hour special on the History Channel called Life After People, 9pm tonight and rerunning throughout the week.
What would happen to planet earth if the human race were to suddenly disappear forever? Would ecosystems thrive? What remnants of our industrialized world would survive? What would crumble fastest? From the ruins of ancient civilizations to present day cities devastated by natural disasters, history gives us clues to these questions and many more.
This appears to be unrelated to Alan Weisman’s well-reviewed The World Without Us. If it comes down to watching this or Killer of Sheep, watch Sheep.
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