An interesting article in The Brooklyn Rail debates the value of commercialism versus criticism in the art world. Riffing off of an essay called “Frivolity and Unction” from Dave Hickey’s book, Air Guitar, writer Shane McAdams opines that art doesn’t have to be “important” to be good:
“Art” can be unimportant and still allow for the experience of a work of art to be life-changing. I value the memories I have of listening to baseball games on my grandparents’ porch, but Baseball, as a concept, remains entirely unimportant. Such concepts as baseball, art, and Hickey’s example of rock and roll, are wholly unimportant except for the experiences they foster and the history to which they contribute.
Chris Johanesen has a short review of the Eyebeam panel last night. “I’d certainly rather read an insightful and well-written post about sandwiches than an unoriginal, poorly thought out post about politics.” I like that Ebert quote too.
If you happen to be in NYC on November 3rd, stop by Eyebeam in the evening and check out a panel that I’m on about criticism called “Everybody’s A Critic, Or Are They?” Here’s a description:
With 9 million blogs, umpteen online message boards, thousands of shows on hundreds of cable channels, and an increased number of magazines on the newsstand, the number of outlets for expressing criticism has never been higher and the barriers to would-be critics have never been lower. Is this devaluing evaluation or does the shotgun approach result in better criticism? YOU be the Judge!
Joining me on the panel are Emily Gordon, Village Voice film critic Michael Atkinson, and Columbia professor & author Duncan Watts. The wonderful Steven Heller will moderate and no doubt bring the conversation to a higher level. Details:
November 3, 2005
7:00 PM - 9:00 PM
540 W. 21st St.
New York, NY 10011