Due to the increasing ubiquity of connected cameras, writes Nick Bilton in the NY Times, photography is shifting away from documentation to communication.
Photos, once slices of a moment in the past — sunsets, meetings with friends, the family vacation — are fast becoming an entirely new type of dialogue. The cutting-edge crowd is learning that communicating with a simple image, be it a picture of what’s for dinner or a street sign that slyly indicates to a friend, “Hey, I’m waiting for you,” is easier than bothering with words, even in a world of hyper-abbreviated Twitter posts and texts.
“This is a watershed time where we are moving away from photography as a way of recording and storing a past moment,” said Robin Kelsey, a professor of photography at Harvard, and we are “turning photography into a communication medium.”
Dave Pell worries that the realtime availability of all these photos is getting in the way of our experiencing selves.
Maybe it was a bad angle. Maybe I didn’t get his good side. Maybe he just didn’t have that surfer vibe. Whatever it was, the photo wasn’t all that cool. Given time to reflect (even the few days I used to get between my own childhood birthdays and my mom picking up a set of 4x6 prints at the local pharmacy), my son probably would’ve developed a version of that day that had him riding a giant a wave, looking like a cross between Laird Hamilton and Eddie Vedder. Instead, he pretty much looked like a landlocked three year-old on a beach-bound surfboard who was suffering from a rare — but particularly punishing — bad hair day.
The instant my son looked at the image, his imagination-driven perception of himself was replaced by a digital reproduction of the moment he had just experienced. He had a few seconds, not nearly long enough, to create is own internal version of what that moment looked — and by extension felt — like.