The Tragedy of Macbeth
Welp, from the small glimpses we get in this trailer, Joel Coen’s The Tragedy of Macbeth, starring Denzel Washington and Frances McDormand, looks pretty fantastic. Out in theaters on Dec 25, streaming on Apple+ Jan 14.
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kottke.org posts about trailers
The Trailer for The Matrix Resurrections
Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. YES. YES. YES. YES. YES. YES. YES. YES. YES. YES. YES. YES. YES! YES! YES! YES! YES! YES! YES! YES! YES! YES! YESSSSSSS!!!!! YES! YES! YES! YES! YES! YES! YES!
YES!! YES!! YES!! YES!! YES!! YES!! YES!! YES!!!! YES!!!! YES!!!! YES!!!! YES!!!! YES!!!! YES!!!! YES!!!! YES!!!!
Yes. Fuck yes.
The Footnotes to The French Dispatch
Wes Anderson’s tenth film, The French Dispatch, is about a fictional magazine published by a group of Americans in France. The movie’s magazine is based on the New Yorker and in advance of its release, Anderson has published an anthology of articles from the actual New Yorker (and other magazines) that inspired the characters in the film. It’s called An Editor’s Burial.
A glimpse of post-war France through the eyes and words of 14 (mostly) expatriate journalists including Mavis Gallant, James Baldwin, A.J. Liebling, S.N. Behrman, Luc Sante, Joseph Mitchell, and Lillian Ross; plus, portraits of their editors William Shawn and New Yorker founder Harold Ross. Together: they invented modern magazine journalism.
Because the world is constantly folding in on itself these days, Anderson explained why he is publishing the book to Susan Morrison in the New Yorker:
Two reasons. One: our movie draws on the work and lives of specific writers. Even though it’s not an adaptation, the inspirations are specific and crucial to it. So I wanted a way to say, “Here’s where it comes from.” I want to announce what it is. This book is almost a great big footnote.
Two: it’s an excuse to do a book that I thought would be really entertaining. These are writers I love and pieces I love. A person who is interested in the movie can read Mavis Gallant’s article about the student protests of 1968 in here and discover there’s much more in it than in the movie. There’s a depth, in part because it’s much longer. It’s different, of course. Movies have their own thing. Frances McDormand’s character, Krementz, comes from Mavis Gallant, but Lillian Ross also gets mixed into that character, too — and, I think, a bit of Frances herself. I once heard her say to a very snooty French waiter, “Kindly leave me my dignity.”
As Morrison then noted, it would be very cool if every movie came with a suggested reading list. The French Dispatch is set for release in the US in late October and An Editor’s Burial will be out September 14 and is available for preorder.
Succession Season 3 Teaser Trailer
Ok I know you’ve probably seen the teaser trailer for season 3 of Succession by now but I was away and missed it so we’re all going to watch it together mmm’kay? New season starts “this fall”, whatever that means. I guess that’s enough time for a rewatch of the first two seasons?
Pig
Hermit Nicolas Cage goes on a crusade to find the person who kidnapped his truffle-hunting pig? Yes, please. (This is going to be terrible, right? Or fantastic? No in-between I’m guessing. Would make an interesting triple feature with The Truffle Hunters .)
Summer of Soul
Stevie Wonder. Mahalia Jackson. Nina Simone. Gladys Knight & the Pips. B.B. King. Sly and the Family Stone. Over six weeks in the summer of 1969, all of these legendary artists (and more!) performed at the Harlem Cultural Festival in NYC, drawing an estimated 300,000 people. The festival was filmed and broadcast on a local TV station, but the footage was never commercially released and so unlike that other 1969 festival, this event largely slipped from public memory.
Now, the Harlem Cultural Festival finally gets its due in the form of Summer of Soul, a forthcoming documentary directed by Questlove that uses that old footage to great effect. I’ve heard nothing but good things about this movie — it won both the Grand Jury Prize and the Audience Award at the Sundance Film Festival earlier this year. Summer of Soul is out in theaters and on Hulu July 2.
Believe
The second season of Ted Lasso starts on July 23rd and this new trailer has me all fired up. The first season was a very welcome diversion during the height of the pandemic and was an almost magical unicorn of a TV thing.
Who Are You, Charlie Brown?
Who Are You, Charlie Brown? is a forthcoming feature-length documentary about the Peanuts comic strip and its creator, Charles Schulz.
Honoring the “everyman” creator, Charles “Sparky” Schulz, “Who Are You, Charlie Brown?” celebrates the significance and global multi-generational popularity of the comic strip and its timeless artistry and design to profile the man whose simple characters would touch the lives of millions through the decades and become beloved cultural icons. Featuring interviews with Jean Schulz, the widow of Charles Schulz, along with Drew Barrymore, Al Roker, Kevin Smith, Billie Jean King, Paul Feig, Ira Glass, Noah Schnapp, Miya Cech, Keith L. Williams, Chip Kidd, Lynn Johnston, Robb Armstrong and more, the documentary interweaves a new animated story that follows Charlie Brown on a quest to discover himself.
Narrated by Lupita Nyong’o, the film premieres on Apple TV+ on June 25.
Roadrunner: A Film About Anthony Bourdain
Filmmaker Morgan Neville (who did the Fred Rogers doc Won’t You Be My Neighbor?) has directed a documentary about Anthony Bourdain called Roadrunner that opens in theaters on July 16.
It’s not where you go. It’s what you leave behind… Chef, writer, adventurer, provocateur: Anthony Bourdain lived his life unabashedly. Roadrunner: A Film About Anthony Bourdain is an intimate, behind-the-scenes look at how an anonymous chef became a world-renowned cultural icon. From Academy Award®-winning filmmaker Morgan Neville (20 Feet From Stardom, Won’t You Be My Neighbor?), this unflinching look at Bourdain reverberates with his presence, in his own voice and in the way he indelibly impacted the world around him.
This trailer makes me want to buy a movie ticket — and about 10 plane tickets. So looking forward to this. I need more unabashed living in my life.
The Sparks Brothers
Edgar Wright has directed a documentary on a band called Sparks, which was formed by brothers Ron & Russell Mael in 1967 and the trailer (above) hails as “your favorite band’s favorite band”.
How can one rock band be successful, underrated, hugely influential, and criminally overlooked all at the same time? Edgar Wright’s debut documentary THE SPARKS BROTHERS, which features commentary from celebrity fans Flea, Jane Wiedlin, Beck, Jack Antonoff, Jason Schwartzman, Neil Gaiman, and more, takes audiences on a musical odyssey through five weird and wonderful decades with brothers/bandmates Ron and Russell Mael celebrating the inspiring legacy of Sparks: your favorite band’s favorite band.
The Sparks Brothers will be in theaters on June 18.
Life in Color with David Attenborough
A new three-part nature series premiered today on Netflix: Life in Color with David Attenborough.
Animals can use color for all kinds of different reasons — whether to win a mate or beat a rival, to warn off an enemy or to hide from one. To understand how these colors work, we need to see them from an animal’s perspective. With new cameras developed especially for this series, now we can.
Trailer for The Underground Railroad
This is the trailer for The Underground Railroad, a limited series from Amazon based on the Pulitzer-winning novel by Colson Whitehead, directed by Barry Jenkins. The series will contain 10 episodes and be available to stream on Amazon Prime from May 14.
Ted Lasso Season 2 Teaser Trailer
Apple just announced that season two of Ted Lasso will be premiering on Apple+ on July 23. That’s it, that’s the news. Watch the trailer. Rejoice. Be happy.
Greta Thunberg: A Year to Change the World
Greta Thunberg took a year off of school to travel the world to better understand the changing planet, a journey captured in this three-part BBC series set to debut on PBS this Thursday (April 22, aka Earth Day). I found out about this from Lizzie Widdicombe’s short profile of Thunberg in the New Yorker.
Thunberg is on the autism spectrum, and the film illustrates how the condition lends a unique moral clarity to her activism. “I don’t follow social codes,” she said. “Everyone else seems to be playing a role, just going on like before. And I, who am autistic, I don’t play this social game.” She eschews empty optimism. Her over-all reaction to the coronavirus pandemic is to compare it with her cause: “If we humans would actually start treating the climate crisis like a crisis, we could really change things.”
Her uncompromising words can give the wrong impression. “People seem to think that I am depressed, or angry, or worried, but that’s not true,” she said. Having a cause makes her happy. “It was like I got meaning in my life.”
Also from that piece: Thunberg doesn’t live at home; she lives in a safe-house “in a kind of witness-protection program” situation because, one would assume, she gets a lot of threats due of her work.
The Outside Story
One of the fun things about having a website that’s been running continuously for more than 23 years is that you get to watch the people you featured early in their careers grow and change and do bigger and better things. I’ve been posting filmmaker Casimir Nozkowski’s work on kottke.org since 2009 and now, his first feature-length film, The Outside Story, is set to debut at the end of this month. A short synopsis:
After locking himself out of his apartment, an introverted, heartbroken editor finds himself on an epic journey up, down and around his block with life-altering ramifications.
From the looks of the trailer (embedded above), The Outside Story has the same energy, playfulness, and keen lens into the interplay between humans & their environments as Nozkowski’s shorter work, which is not surprising given how it was filmed and where the inspiration came from. He told me, via email:
This is an indie film in the truest sense. Shot in 16 days on the streets of Brooklyn. It’s the biggest thing I’ve ever done and I’m just trying to get the word out any way I can. It’s loosely inspired by my short doc, 70 Hester Street where I examined my own building and block after years of taking it for granted.
You can watch 70 Hester Street here and The Outside Story will be available for purchase on all the usual streaming services on April 30.
The Green Knight
A24 and David Lowery have adapted the Middle English poem Sir Gawain and the Green Knight for the screen. The film was scheduled to be released early last year, but the pandemic intervened; it’s now due out at the end of July.
An epic fantasy adventure based on the timeless Arthurian legend, The Green Knight tells the story of Sir Gawain (Dev Patel), King Arthur’s reckless and headstrong nephew, who embarks on a daring quest to confront the eponymous Green Knight, a gigantic emerald-skinned stranger and tester of men. Gawain contends with ghosts, giants, thieves, and schemers in what becomes a deeper journey to define his character and prove his worth in the eyes of his family and kingdom by facing the ultimate challenger. From visionary filmmaker David Lowery comes a fresh and bold spin on a classic tale from the knights of the round table.
I read this story (Simon Armitage’s translation) to my kids a year or two back and it wasn’t our absolute favorite (it paled in comparison to our previous read, Emily Wilson’s The Odyssey), so I’m curious to see how it works as a film.
Can’t Get You Out of My Head: An Emotional History of the Modern World
Can’t Get You Out of My Head: An Emotional History of the Modern World is the latest world-explaining documentary series from television journalist Adam Curtis. It’s available in the UK on BBC’s iPlayer and, unofficially as a fan upload, on YouTube; I’ve embedded the trailer and the first part above.
But what exactly is it about you might wonder, even after watching the trailer. Reading Sam Knight’s January 2021 profile of Curtis in the New Yorker might help you there:
For more than thirty years, Curtis has made hallucinatory, daring attempts to explain modern mass predicaments, such as the origins of postwar individualism, wars in the Middle East, and our relationship to reality itself. He describes his films as a combination of two sometimes contradictory elements: a stream of unusual, evocative images from the past, richly scored with pop music, that are overlaid with his own, plainly delivered, often unverifiable analysis. He seeks to summon “the complexity of the world.”
Lucy Mangan’s review for The Guardian was overwhelmingly positive:
The power dynamic, how it shifts, how it hides and how it is used to shape our world — the world in which we ordinary people must live — is Curtis’s great interest. He ranges from the literal rewriting of history by Chairman Mao’s formidable fourth wife, Jiang Qing, during the Cultural Revolution to the psychologists plumbing the depths of “the self” and trying to impose behaviours on drugged and electro-shocked subjects. He moves from the infiltration of the Black Panthers by undercover officers inciting and facilitating more violence than the movement had ever planned or been able to carry out alone, to the death of paternalism in industry and its replacement by official legislation drafted by those with hidden and vested interests. The idea that we are indeed living, as posited by various figures in the author’s landscape and (we infer from the whole) the author himself, in a world made up of strata of artifice laid down by those more or less malevolently in charge becomes increasingly persuasive.
Other reviews, particularly from those on the right, call his work incoherent and Curtis himself something of a propagandist. Admission: I haven’t seen any of Curtis’s work, save for the occasional clip here and there. I know some of you out there are big fans — should I start with this one, HyperNormalisation, Century of the Self, or….?
Eyes on the Prize to Re-Air on PBS
The fantastic civil rights documentary Eyes on the Prize will soon be available for viewing on public media and online. WORLD Channel and PBS will begin airing the 14-part series in early April. The first part of the series, covering the civil rights movement from 1954-1965, will also be available to watch online starting in mid-April. Check out the press release for more info.
Eyes on the Prize, created by Executive Producer Henry Hampton, is an award-winning and critically-acclaimed in-depth documentary series on civil rights in America. Hampton set out to share his vision of what he called “the remarkable human drama that was the Civil Rights Movement” through the experiences and challenges of those fighting for justice. Produced by Blackside Inc, Eyes on the Prize tells the definitive story of the civil rights era from the point of view of the ordinary men and women whose extraordinary actions launched a movement that changed the fabric of American life and embodied a struggle whose reverberations continue to be felt today.
With contemporary interviews and historical footage, the Academy Award-nominated documentary traces the civil rights movement from the Montgomery bus boycott to the Voting Rights Act; from early acts of individual courage through the flowering of a mass movement and its eventual split into factions. The late Julian Bond, political leader and civil rights activist, narrates.
If you’ve never seen Eyes on the Prize, you should definitely take this opportunity to check it out. (via @jbenton)
Modern Trailers for Classic Films
In order to promote the classic films available on the streaming service, HBO Max has created a selection of modern-style movie trailers for them. The re-trailered flicks include Dog Day Afternoon, Boogie Nights, Alien, Casablanca, and The Exorcist.
BTW, because of its Turner Classic Movies section, HBO Max seems like the best big streaming service for watching good, classic movies. It’s become nearly impossible to find anything on Netflix made before 2000, but on HBO Max right now you can watch Rocky, A Clockwork Orange, The 400 Blows, Seven Samurai, THX 1138, Malcolm X, 8 1/2, Solaris, Citizen Kane, Grey Gardens, North By Northwest, Rashomon, Tokyo Story, and dozens of others. (via open culture)
Tina
Tina is an upcoming documentary film about music legend Tina Turner, featuring interviews with Angela Bassett, Oprah, Kurt Loder (who co-wrote the 1986 autobiography on which the movie is based), and Turner herself.
With a wealth of never-before-seen footage, audio tapes, personal photos, and new interviews, including with the singer herself, TINA presents an unvarnished and dynamic account of the life and career of music icon Tina Turner.
Everything changed when Tina began telling her story, a story of trauma and survival, that gave way to a rebirth as the record-breaking queen of rock ‘n’ roll. But behind closed doors, the singer struggled with the survivor narrative that meant her past was never fully behind her.
Tina will begin airing on HBO on March 27. A companion playlist of Turner’s music is available at Spotify.
Update: Cassie Da Costa reviewed Tina for Vanity Fair:
Her new interview in the film allows her to speak authoritatively on her own celebrity and personal life without having to revisit the sordid details of the abuse she experienced at the hands of Ike. And though it doesn’t shy away from the darkness held within her biography, Tina turns decidedly toward the light. The result is a film that shines, both in its passion for Turner’s talent and the depth and complexity of her character.
Netflix to Air Documentary About the Last Blockbuster Video Store
Netflix was founded in 1997 as a DVD rental service. At the time, Blockbuster Video was a multi-billion dollar video rental behemoth, growing to over 9000 stores as recently as 2004. In 2000, Netflix offered to sell to Blockbuster for $50 million — Blockbuster declined. By 2011, Blockbuster was bankrupt and down to 2400 stores while Netflix had gone public and their streaming business was exploding. Today, Netflix has a market cap of $223 billion, is a member of the S&P 100, and will soon start showing The Last Blockbuster, a documentary about the very last Blockbuster video rental store in the world. Absolutely savage victory lap.
Bob Odenkirk Action Movie??!
This is the trailer for Nobody, an action film that’s a cross between John Wick, Breaking Bad, and a tiny bit of Force Majeure (although maybe I’m alone in making this connection). The film stars Bob Odenkirk as an unassuming dad who decides he wants to be assuming again — violent hijinks ensue. Looks like it’s coming out in late March, which is still a bit too early for me to want to see a movie in a theater again.
Black Art: In the Absence of Light
Next week, a documentary film directed by Sam Pollard will premiere on HBO: Black Art: In the Absence of Light.
Inspired by the late David Driskell’s landmark 1976 exhibition, “Two Centuries of Black American Art,” the documentary Black Art: In the Absence of Light offers an illuminating introduction to the work of some of the foremost Black visual artists working today.
Directed by Sam Pollard (Atlanta’s Missing and Murdered: The Lost Children) the film shines a light on the extraordinary impact of Driskell’s exhibit on generations of Black artists who have staked a claim on their rightful place within the 21st-Century art world. Interweaving insights and context from scholars and historians, along with interviews from a new generation of working African American curators and artists including Theaster Gates, Kerry James Marshall, Faith Ringgold, Amy Sherald and Carrie Mae Weems, the documentary is a look at the Contributions of Black American artists in today’s contemporary art world.
Just added this to my HBO Max queue — it looks great.
Spaghetti Western Trailer for The Mandalorian
Just as the original Star Wars movie was inspired by Flash Gordon and Kurosawa,1 The Mandalorian is modelled on the western — a lone gunfighter makes his way through the wilderness to protect the innocent. As Mando star Pedro Pascal put it: “I think that George Lucas played with the Western undertones with the first movie, ‘Episode IV,’ and now they’re taking the suggestions of that tone and infusing it with steroids.” So naturally, it’s a great idea to make a trailer for The Mandalorian in the style of a Sergio Leone spaghetti western, complete with music by Ennio Morricone. Il Mandaloriano!
Lucas made Star Wars because he couldn’t get the rights to do a Flash Gordon movie. Who knew that “Flash Gordon as a samurai film” would be such a lucrative idea?↩
Sisters with Transistors: Electronic Music’s Unsung Heroines
Sisters with Transistors (great title!) is a documentary film by Lisa Rovner about the overlooked female pioneers of electronic music.
The history of women has been a history of silence.
As one of the film’s subjects, Laurie Spiegel explains: “We women were especially drawn to electronic music when the possibility of a woman composing was in itself controversial. Electronics let us make music that could be heard by others without having to be taken seriously by the male dominated Establishment.”
The film’s subjects, which you can read about here, include Clara Rockmore, Daphne Oram, Bebe Barron, Pauline Oliveros, Delia Derbyshire, Maryanne Amacher, Eliane Radigue, Suzanne Ciani, and Laurie Spiegel. Oram, for example, was one of the founding members of BBC’s Radiophonic Workshop:
With many of her country’s men serving in the second World War, she began her career in radio broadcasting in the early ’40s. Galvanized by the ongoing developments in audio technology, she devoted much of her free time to exploring new ways to make sounds with electronics. One of the founding figures of the BBC’s Radiophonic Workshop, she was one of the earliest British composers to produce electronic sounds and compose from field recordings — Musique Concrete, the ancestry of today’s electronic music.
Sisters with Transistors has been playing at some online festivals but I couldn’t find any info about release dates or screenings in the US. Hopefully it will be out there soon? (via open culture)
Our Friend
That’s the trailer for Our Friend, a movie based on the true story told in this Esquire article by Matthew Teague: The Friend: Love Is Not a Big Enough Word.
His wife was just thirty-four. They had two little girls. The cancer was everywhere, and the parts of dying that nobody talks about were about to start. His best friend came to help out for a couple weeks. And he never left.
I remember very clearly that essay and the day I read it — I think about it all the time. I don’t know if the movie is going to be any good (I hope so), but if you’ve never read this essay, carve out some time to do so today.
The Way I See It, a Documentary Film About Former White House Photographer Pete Souza
Pete Souza was the White House photographer for Ronald Reagan and Barack Obama. Reflecting on his experience and the how the current President comports himself while in office, Souza published two books: Obama: An Intimate Portrait and Shade: A Tale of Two Presidents. Those books form the basis for a documentary directed by Dawn Porter on Souza and his work called The Way I See It.
Based on the New York Times #1 bestseller comes The Way I See It, an unprecedented look behind the scenes of two of the most iconic Presidents in American History, Barack Obama and Ronald Reagan, as seen through the eyes of renowned photographer Pete Souza. As Official White House Photographer, Souza was an eyewitness to the unique and tremendous responsibilities of being the most powerful person on Earth. The movie reveals how Souza transforms from a respected photojournalist to a searing commentator on the issues we face as a country and a people.
I didn’t know that Trump’s presidency is not really getting recorded photographically as past presidencies have, but I’m not surprised.
The film was shown on MSNBC the other day…I don’t know if they’re rerunning it or what. It’s also out in theaters but with many of those still closed, I assume it’ll be out on streaming at some point soonish? (Update: According to the MSNBC schedule, it looks like it’s re-airing at midnight on Friday.)
Totally Under Control
In secrecy over the past several months, filmmaker Alex Gibney has been making a documentary film about the US government’s response to the Covid-19 pandemic called Totally Under Control. He and co-directors Ophelia Harutyunyan and Suzanne Hillinger interviewed “countless scientists, medical professionals, and government officials on the inside” to produce the film.
Academy Award-winning filmmaker Alex Gibney, directing with Ophelia Harutyunyan and Suzanne Hillinger, interrogates this question and its devastating implications in Totally Under Control. With damning testimony from public health officials and hard investigative reporting, Gibney exposes a system-wide collapse caused by a profound dereliction of Presidential leadership.
Gibney previously directed Enron: The Smartest Guys in the Room, Going Clear, and Zero Days (all excellent documentaries). The film comes out in theaters on October 13 and on Hulu on October 20.
Oliver Sacks: His Own Life, a New Documentary Film
Oliver Sacks: His Own Life is a new documentary film by Ric Burns about famed author and neurologist Oliver Sacks.
A month after receiving a fatal diagnosis in January 2015, Oliver Sacks sat down for a series of filmed interviews in his apartment in New York City. For eighty hours, surrounded by family, friends, and notebooks from six decades of thinking and writing about the brain, he talked about his life and work, his abiding sense of wonder at the natural world, and the place of human beings within it. Drawing on these deeply personal reflections, as well as nearly two dozen interviews with close friends, family members, colleagues and patients, and archival material from every point in his life, this film is the story of a beloved doctor and writer who redefined our understanding of the brain and mind.
The film is playing in virtual cinemas around the country right now: you can check out the list at the end of this page for more information and showtimes.
Update: The film is debuting on PBS today and will be, I assume, available online as well.
My Octopus Teacher
I don’t want to give away too much about this movie but I’d recommend watching the trailer and then the movie (you can find it on Netflix). I watched it last night at Kevin Kelly’s urging:
This is one of the best documentaries I have ever seen. Nothing about its subject would suggest greatness, but it was perfectly crafted.
It’s such a simple movie but it packs a surprising emotional wallop and is philosophically rich. Even (or perhaps especially) the bits that seem problematic are thought-provoking. Highly recommended.
See also A Dreaming Octopus Changes Color.
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