Advertise here with Carbon Ads
This site is made possible by member support. ❤️
Big thanks to Arcustech for hosting the site and offering amazing tech support.
When you buy through links on kottke.org, I may earn an affiliate commission. Thanks for supporting the site!
kottke.org. home of fine hypertext products since 1998.
kottke.org posts about trailers
Away We Go trailer
Vendela Vida, Dave Eggers, Sam Mendes, John Krasinski, Maya Rudolph, Jeff Daniels, Maggie Gyllenhaal, Allison Janney, Catherine O’Hara. Movie. Trailer.
Terminator Salvation trailer
In this trailer for Terminator Salvation — more like salivation, which is what I’m doing waiting for this movie to come out, amiright? — we’re led to believe that perhaps Christian Bale turns out to be a Replicant or a Mecha. (via fimoculous)
2009 movie preview video
During the closing credits of the Academy Awards, a clip was shown previewing some movies that will open in 2009. None of them look like they’ll win any Oscars so I presume this was paid advertising and not editorial on the part of the program. Fun though! (via /film)
Trailer for Inglourious Basterds
Tarantino’s latest film is about Nazi-killing American soldiers and stars Brad Pitt. I can’t decide if this movie is going to completely suck or be really great. Vampire movies notwithstanding, Quentin always gets the benefit of the doubt from me so great it is.
Super Bowl commercials: the movie trailers
My favorite ads during the Super Bowl broadcast are the movie trailers. Here are the trailers they showed this year:
Transformers 2 (Electric Bugaloo.)
Race to Witch Mountain (The Rock + alien kids.)
Up (New Pixar flick.)
Star Trek (JJ Abrams.)
Land of the Lost (No more Will Ferrell, please.)
Year One (No more Jack Black either. Michael Cera, your clock is ticking.)
Angels and Demons (Hanks/Howard follow-up to DaVinci Code’s prequel book.)
Monsters vs Aliens (Kids like aliens. Kids like monsters. Why not give ‘em both at once?)
Fast and Furious (It’s the first film, minus two thes.)
GI Joe
With the exception of the two animated films and Year One, all of the above are either sequels or remakes. And Hulu, in a stroke of highly irritating genius, has inserted advertising before each of the trailers linked above. Advertising *in* advertising…the 20th century has officially ended. Welcome to the future.
Update: I’ve switched out the Hulu links for ones at Apple; they’re higher quality and can be seen outside of the US. I wish the Apple trailers would have been live last night; it would have made for a lot less whining in my inbox. I just go where the links take me, folks. Oh, and I added the GI Joe trailer. (thx, david)
Trailer for Objectified
The trailer for Objectified, a new documentary film about industrial design by Gary Hustwit, who also made Helvetica.
Wolverine trailer
The HD trailer for Wolverine (or, more formally, X-Men Origins: Wolverine). Looks mighty sweet. (via airbag)
Carts of Darkness
The trailer for Carts of Darkness, a documentary film about Vancouver bottle collectors that have taken to racing shopping carts downhill. More excerpts are available on YouTube.
Trailer for The Wrestler
Trailer for The Wrestler, directed by Darren Aronofsky and starring Mickey Rourke.
Back in the late ’80s, Randy “The Ram” Robinson (Mickey Rourke) was a headlining professional wrestler. Now, twenty years later, he ekes out a living performing for handfuls of diehard wrestling fans in high school gyms and community centers around New Jersey. Estranged from his daughter (Evan Rachel Wood) and unable to sustain any real relationships, Randy lives for the thrill of the show and the adoration of his fans.
Rourke looks great in this and Aronofsky appears back on form. I’m not saying that The Fountain was bad…but it probably was. (thx, kabir)
Trailer for 2012
Oh, Roland Emmerich, you know how to push my buttons. As an unapologetic fan of The Day After Tomorrow, I am vibrating on my chair in anticipation for 2012 (click for HD trailer, yadda yadda).
Never before has a date in history been so significant to so many cultures, so many religions, scientists, and governments. ‘2012’ is an epic adventure about a global cataclysm that brings an end to the world and tells of the heroic struggle of the survivors.
And John Cusack is in it! BTW, the music is from the trailer for The Shining. (via sarahnomics)
Trailer for J.J. Abrams’ Star Trek movie
You might have seen the grainy cockeyed bootleg trailer over the weekend but now the real deal is up on Apple’s site in various HD-grade qualities: the second trailer for J.J. Abrams’ new Star Trek movie. From Wikipedia:
It is the eleventh Star Trek film and features the main characters of the original Star Trek series, who are portrayed by a new cast. It follows James T. Kirk enrolling at Starfleet Academy, his first meeting with Spock, and their battles with Romulans from the future, who are interfering with history.
I’m not a proponent of the idea that any Trek is good Trek so I really want to hate this movie but it looks kind of awesome. At least f’ing McG didn’t direct.
Trailer for Pixar’s Up
New trailer for Pixar’s Up. I hope I’m wrong, but this seems like the first Pixar movie that won’t appeal to adults and kids at the same time.
Toy Story 2 vs Dark Knight
Anytime is a good time for a well-cut movie trailer mashup: here’s The Dark Knight version of the Toy Story 2 trailer. (via buzzfeed)
Synecdoche, New York trailer
The trailer for Synecdoche, New York, the first film directed by Charlie Kaufman, who wrote Being John Malkovich, Adaptation, and Eternal Sunshine of the Spotless Mind. A.O. Scott liked it at Cannes. The film will be out in limited release (NY & LA?) on Oct 24. Say sih-NECK-duh-kee…kinda like Schenectady. (via crazymonk)
Update: I removed the embedded video…I didn’t know it came with all that extra cruft around it.
Update: The video is back, YouTube-style.
Zack and Miri Make a Porno trailer
The R-rated trailer for Kevin Smith’s new film, Zack and Miri Make a Porno. Promising!
In a world, RIP
Don LaFontaine, the voice of countless movie trailers, is dead at 68. I liked this tribute from the Washington Post:
In a world of people who all have some sort of private omniscient voice-over running things inside their heads, sometimes God, sometimes Mom, and sometimes Don LaFontaine…
In a world where marketing is far more important than content…came one man…with a Voice.
Check out a brief bio video of LaFontaine with his voice in action.
Trailer for Harry Potter and the Half-Blood Prince
The first trailer for Harry Potter and the Half-Blood Prince has been released, featuring a wee Voldemort. Movie is out in November.
Terminator Salvation trailer
They’re making a fourth Terminator movie with Christian Bale? Although I didn’t actually mind the third one so bring it on, I guess. (via goldenfiddle)
Update: McG is directing? I take it back…put it back in the can. Also, Joseph, isn’t it time to stop using that name?
Trailer for The Curious Case of Benjamin Button
Trailer for The Curious Case of Benjamin Button. David Fincher, Brad Pitt, Cate Blanchett, F. Scott Fitzgerald. Pitt’s character starts off as an old man and ages backwards. Is it possible to buy tickets for this *right now*? BTW, the full text of the Fitzgerald short story on which the film is based is available online.
Ferris Bueller Requiem for a Dream
Re-cut trailer for Ferris Bueller’s Day Off using music from Requiem for a Dream. (via shaun inman)
Star Wars: The Clone Wars
Lucas finally does away with all those pesky human actors in an animated sequel to Episode II that no one was clamoring for. But I had to look at the trailer.
Hancock, second trailer
The second trailer for Hancock, the Will-Smith-as-apathetic-superhero movie due out this summer, is up on Apple Trailers. I believe this is the same one I linked to on YouTube a month ago, but watch it again anyway. I am hoping against hope that this one isn’t going to be as stupid as I think and instead will be as awesome as I hope.
I’ve got Will Smith action hero fatigue,
I’ve got Will Smith action hero fatigue, but HOLY CRAP does Hancock look awesome. I am into apathetic superheroes. There’s a second trailer available on YouTube…and its quality is surprisingly good. (You can tell I don’t make it out to the movies a lot these days…the first trailer has been out since December.)
Pablo Ferro and Dr. Strangelove
Here’s the trailer for Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb.
It was done by a fellow named Pablo Ferro; it was his first movie trailer. Steven Heller writes:
After seeing Ferro’s commercials, Kubrick hired him to direct the advertising trailers and teasers for Dr. Strangelove and convinced him to resettle in London (Kubrick’s base of operations until he died there in March 1999). Ferro was inclined to be peripatetic anyway, and ever anxious to bypass already completed challenges he agreed to pull up stakes on the chance that he would get to direct a few British TV commercials, which he did. The black and white spot that Ferro designed for Dr. Strangelove employed his quick-cut technique — using as many as 125 separate images in a minute — to convey both the dark humor and the political immediacy of the film. At something akin to stroboscopic speed words and images flew across the screen to the accompaniment of loud sound effects and snippets of ironic dialog. At a time when the bomb loomed so large in the US public’s fears (remember Barry Goldwater ran for President promising to nuke China), and the polarization of left and right — east and west — was at its zenith, Ferro’s commercial was not only the boldest and most hypnotic graphic on TV, it was a sly subversive statement.
Ferro worked with Kubrick on the iconic and fantastic main titles for the film as well.
Kubrick wanted to film it all using small airplane models (doubtless prefiguring his classic space ship ballet in 2001: A Space Odyssey). Ferro dissuaded him and located the official stock footage that they used instead. Ferro further conceived the idea to fill the entire screen with lettering (which incidentally had never been done before), requiring the setting of credits at different sizes and weights, which potentially ran counter to legal contractual obligations. But Kubrick supported it regardless. On the other hand, Ferro was prepared to have the titles refined by a lettering artist, but Kubrick correctly felt that the rough hewn quality of the hand-drawn comp was more effective. So he carefully lettered the entire thing himself with a thin pen. Yet only after the film was released did he notice that one word was misspelled: “base on” instead of “based on”. Ooops!
If you want that hand-lettered look for yourself, Pablo Skinny is a font by Fargoboy that closely duplicates Ferro’s handwriting.
Ferro went on to make several well-known movie title sequences, including those for Bullitt and the original The Thomas Crown Affair but not Napoleon Dynamite. He collaborated with Kubrick once again on the trailer for A Clockwork Orange, another classic.
Update: According to this Wikipedia article, the work of Canadian avant-garde filmmaker Arthur Lipsett caught the eye of Stanley Kubrick after an Oscar nomination for his short film, Very Nice, Very Nice and, more importantly for our business here, that Kubrick directed the Strangelove trailer himself in Lipsett’s style after Lipsett refused to work with Kubrick on it:
Stanley Kubrick was one of Lipsett’s fans, and asked him to create a trailer for his upcoming movie Dr. Strangelove. Lipsett declined Kubrick’s offer. Kubrick went on to direct the trailer himself; however, Lipsett’s influence on Kubrick is clearly visible when watching the trailer.
The two are stylistically similar for sure, but Ferro is credited with having designed the main title sequence (according to the titles themselves). That passage doesn’t appear to have been derived from any particular source, so I looked for something more definitive. From a 1986 article by Lois Siegel
After his Academy Award nomination, he received a letter from British filmmaker Stanley Kubrick. The typewritten letter said, “I’m interested in having a trailer done for Dr. Strangelove.” Kubrick regarded Lipsett’s work as a landmark in cinema — a breakthrough. He was interested in involving Lipsett. This didn’t happen, but the actual trailer did reflect Lipsett’s style in Very Nice, Very Nice.
An endnote to a 2004 profile of Lipsett by Brett Kashmere describes what Kubrick wrote to Lipsett in the letter:
Kubrick described Very Nice, Very Nice (1961) as “one of the most imaginative and brilliant uses of the movie screen and soundtrack that I have ever seen.” Kubrick was so enthused with the film he invited Lipsett to create a trailer for Dr. Strangelove (Stanley Kubrick, 1965) an offer Lipsett refused. Stanley Kubrick, letter to Arthur Lipsett, Arthur Lipsett Collection, Cinematheque québécoise Archives, Montreal, May 31, 1962.
It’s not clear what the connection is between Lipsett’s work and the trailer that Ferro ended up producing for Strangelove, but several sources (including Heller) say that Ferro developed his quick-cut style directing commercials in the 1950s, work that would predate that of Lipsett.
Lipsett more clearly influenced the work of another prominent filmmaker, George Lucas. Lucas found inspiration in Lipsett’s 21-87 in making THX-1138 and borrowed the concept of “the Force” for the Star Wars movies. Lucas’ films are littered with references to Lipsett’s film; e.g. Princess Leia’s cell in Star Wars was in cell #2187. (thx, gordon)
Trailer for Glass, A Portrait of Philip
Trailer for Glass, A Portrait of Philip in 12 Parts, a film about composer Philip Glass. The joke that Chuck Close tells at the end is from a page on Glass’ own site. (via crazymonk)
Trailer for Errol Morris’ Standard Operating Procedure. (via crazymonk)
Trailer for Errol Morris’ Standard Operating Procedure. (via crazymonk)
New trailer for Speed Racer…watch it
New trailer for Speed Racer…watch it in full HD glory if your internet connection can take it. The courses remind me even more of Mario Kart than in the first trailer.
Trailer for Indiana Jones and the Kingdom
Trailer for Indiana Jones and the Kingdom of the Crystal Skull redone in the style of a circa-1980s movie trailer.
If adventure has a name, it must be: Indiana Jones.
Interview with Michel Gondry on his new
Interview with Michel Gondry on his new movie, Be Kind Rewind.
I hate cynicism. I wipe it from me. I don’t like cynical people. I don’t like cynical movies. Cynicism is very easy. You don’t have to justify it. You don’t have to fight for it.
Gondry also did a hilarious remake of the film’s original trailer.
Update: Maybe Gondry got the premise for the movie from an old Nickelodeon show called Amanda, Please! Or not.
Stay Connected