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The Places We Live features panoramic photos of slums, narrated by the people who live there (through translators). Really really engrossing. To access the stories in the restricting Flash interface, skip the intro, click on a city, and then on one of the households in the upper left corner. There’s a book too. (via snarkmarket)
Street photographer Bill Cunningham didn’t have a ticket to the Inauguration nor did he have an assignment from the NY Times to cover it; he just bought a train ticket, went down on his own, and brought back these photos. Be sure to listen to Cunningham’s wonderful narration; he even gets choked up when describing the moment of Obama’s swearing-in. I wish all journalism were this professionally personal (if that makes any sense). (via greg.org)
In his latest post for his NY Times blog, Errol Morris talks with three photographers — one each from Reuters, AP, and AFP — and has them select their ten favorite photos of George W. Bush.
He popped out that door, and when the door opened and he came through it, the look on his face was like no look I’d ever seen on George Bush’s face in my life. […] And I said, “If he wasn’t just back there behind that door crying, I don’t know what that look on his face is.” Because he just looks absolutely devastated as he comes through this door after essentially ending his eight year presidency. And it’s just really striking. He just looks absolutely devastated.
The interview with the last photographer is the least interesting because he refuses to interpret any of the photographs but his set of photographs includes at least 3 photographs that I had never seen before and that weren’t “published extensively in the United States”.
A zoomable National Geographic map of the Moon from 1969. Richard Furno worked on the map and tells the very long story of how it came about. One of the first images on the page is from a Soviet mission called Luna-3 that took the first photographs of the far side of the Moon. (thx, lynda)
The Printed Picture is an exhibition of physical specimens made using all the different ways that type and image can be printed on paper, metal, glass, etc, with a special emphasis on dozens of photography techniques, from albumen prints to dagguereotypes to color photography. On view at MoMA until June 1.
I know that Polaroid announced last year that they were ceasing production of their instant film and that people have begun to hoard film as it becomes more difficult to find. To NYC hoarders: there are 30-40 10-packs of Polaroid 600 film at the CVS on the corner of Nassau and Fulton. Didn’t catch the price but they’re at the photo processing counter past the registers. Or you could just wait it out.
Simon Hoegsberg has taken a photo that’s 100 meters long. It’s actually several dozen photos stitched together into one big one. A good idea nicely executed. (thx, everyone)
For all of the talk that Shepard Fairey is just a plagiarist, I think that the clearest indication that his art is above board and adding something new to the world is that until a few days ago, no one knew who had taken the photo of Obama that became the basis of the iconic Hope poster, not even Fairey or the photographer who took it.
Reuters are understandably somewhat put out on their own and Young’s behalf, but like it or not, Fairey’s use of the picture are well within the parameters of “fair use”. His transformative use of the image - both in flipping and re-orienting it, adding jacket and tie and the “O” Obama logo, and converting it to his block print style make it consistent with all legal precedents for use.
Update: But, but ,but, not so fast. It looks like Tom Gralish has found the actual photo that Fairey used; it was taken by AP’s Mannie Garcia at a National Press Club event in April 2006. (thx, ryan)
I’m still fascinated by the water landing of US Airways flight 1549 on the Hudson River late last week. Here are a few more things I’ve seen related to it over the last couple of days.
First the videos. Someone visiting the Bronx Zoo caught the plane on video, flying low in the sky just after the bird strike. A Coast Guard video monitoring station got a shot of the plane just after it splashed down…you can see the spray from the impact flying in from the left of the video just after the 2:00 mark.
Soon after the plane hits, the camera zooms in and you can see just how quickly people get out and onto the wings. And then this video shows it most clearly:
Look how low and level and steady Sully guided that thing in! Amazing!
The NY Times has a couple of good pieces in their extensive crash coverage. I loved reading what various passengers had to say about the crash, lots of little moments of heroism in there.
The life raft attached to the plane was upside down in the river, just out of reach. Mr. Wentzell turned and found another passenger, Carl Bazarian, an investment banker from Florida who, at 62, was twice his age. Mr. Wentzell grabbed the wrist of Mr. Bazarian, who grabbed a third man who held onto the plane. Mr. Wentzell then leaned out to flip the raft. “Carl was Iron Man that day,” Mr. Wentzell said. “We got the raft stabilized and we got on.” A man went into the water, and the door salesman and the banker hauled him aboard. He curled in a fetal position, freezing.
The Times also comes through with the 3-D flight graphic I asked for the other day but they upped the ante with a seating chart of the plane where you can click on certain passengers’ seats to read their thoughts. Mark Hood in seat 2A described the landing:
When we touched down, it was like a log ride at Six Flags. It was that smooth.
The whole thing is still so amazing. Looking at the underside of the plane as they lifted it from the water last night, you can see the damage to the bottom of the plane and just how close they all were to being flung all over the place or sinking quickly or a number of other different outcomes.
Another excellent offering from The Big Picture: photos of the Earth from NASA’s The Earth Observatory. Even if you don’t care for cliches, some of these will literally drop your jaw.
Every few weeks, I visit The Selby, an online collection of “photographs, paintings and videos by Todd Selby of interesting people in creative spaces”, and spend way too much time clicking around, even on stuff that I’ve already seen. There are many magazines and sites — Dwell, Domino, Apartment Therapy, etc. — that run photographs of people and the spaces they live in, but those on The Selby feel more intimate and true to life; you get the feeling that Selby knows most of the people he features. Two of my favorite photos are Dustin Yellin and his huge printing machine:
and this lovely photo of Celestine Cooney and Harry Malt.
Update: Timely New York magazine interview with Todd Selby about The Selby.
Photo Cliches is a blog dedicated to collecting, uh, cliched photos. Current categories include people groping statues, people pretending to have fake penises, and my personal favorite: people doing the thumbs-up Lynndie England pose. You may also be interested in the Charlie’s Angels pose Flickr pool. (thx, phil)
Here are a pair of articles from 2002 on street fashion photographer Bill Cunningham, who currently plys his trade for the NY Times. (I love Cunningham’s On the Street dispatches.) The first is Bill on Bill, where the photographer recalls how he got interested in fashion and photography.
As a kid, I photographed people at ski resorts — you know, when you got on the snow train and went up to New Hampshire. And I did parties. I worked as a stock boy at Bonwit Teller in Boston, where my family lived, and there was a very interesting woman, an executive, at Bonwit’s. She was sensitive and aware, and she said, “I see you outside at lunchtime watching people.” And I said, “Oh, yeah, that’s my hobby.” She said, “If you think what they’re wearing is wrong, why don’t you redo them in your mind’s eye.” That was really the first professional direction I received.
The second article is a collection of recollections of Cunningham from some of the people he has photographed.
He taught me how to tell a story with pictures and that it didn’t always involve the best image. I’d say to him, “But isn’t this a better photo?” And he’d say, “Yes, child, but this photo tells the story better.” For him, it wasn’t about the aesthetics of photography. It was about storytelling.
Both articles mention that Cunningham got his first street photography into the Times when he shot a photo of the famously reclusive Greta Garbo walking on Fifth Avenue. I couldn’t find Cunningham’s Garbo photo anywhere online so I tracked down the Times article and found only this poor scan:
Here’s another shot Cunningham made that same day which didn’t end up in the paper (Garbo’s got her hand over her face). Interestingly, street photos of Garbo were not particularly rare. Here are a selection from the 1980s, including several that feature Garbo in similar clothing. Many of them were taken by creepy paparazzo Ted Leyson, who stalked Garbo for more than 10 years in NYC. Leyson took what is believed to be the last photo of Garbo before she died in 1990.
Even in Manhattan, abandoned buildings can still be found. Jake Dobkin took some photos of an abandoned school in Harlem.
This building looked like it had been empty for twenty years. Trees were growing out of the floors and poking out of dozens of holes in the roof. All the windows were gone, and the floors that weren’t covered with snow were thick with dust and the skeletons of dead pigeons. There wasn’t any evidence of human habitation — no footprints, homeless encampments, or graffiti.
He also found an abandoned ballroom, also in Harlem.
Update: Whoops, looks like Bluejake got swamped. I removed the links so the server can recover…here are the photos on Flickr instead.
Photos from the 2008 International Aquatic Plant Layout Contest…AKA fancily decorated aquariums. (thx, dustin)
A photo tour of the Boston-area locations mentioned in Infinite Jest. From the photographer:
Perhaps most interestingly, although “Enfield” is not a real town, it seems to substitute for Chestnut Hill. We found a school at the top of one of the larger hills in Chestnut Hill, which we believe is the location for ETA.
Perhaps someday there will be IJ walking tours of Boston that same way there are Ulysses -based tours of Dublin or Sex and the City tours of NYC.
The TiltShiftMaker site lets you make your own fake tilt-shift photo (you know, the ones that make everything look miniature). Just upload a photo or choose one from the web, adjust a few parameters, and you’re all set…no Photoshop needed. Here’s one I did of Ollie in Turbine Hall at the Tate Modern (larger). (via chris glass)
The Danziger Projects gallery in New York is running an exhibition called Can & Did, a collection of art, graphics, and photography from the Obama campaign. The opening party is on Inauguration night (Jan 20) and it runs through the end of February. All details in the press release.
TinEye is an image search engine. You give it an image and it’ll find it on the web for you. If it works — I didn’t get to try it too much because it was down — this is great for chasing down attribution and finding other pix by the same photographer and such. (via master kalina)
Photographs of an abandoned London. Turns out that the streets of London on Christmas morning are extraordinarily empty. Details here. (thx, peter)
Photos of the abandoned soundstage for The Wire.
So I found out yesterday that the soundstage for “The Wire” still existed. I wasted no time in visiting it and was there almost less than 24 hours. It’s one of my favorite TV shows ever and I had to see this before everyone ruined it. The building is also scheduled for demolition and they are going to build a super market on it.
(thx, hurty)
Is a recent Annie Leibovitz photograph shot for the 2009 Lavazza espresso calendar the worst photograph ever made?
This picture as a whole has absolutely zero connection to reality or honest depiction, but is unredeemed by any countervailing expressive or artistic purpose. And (and this puts it out in front of many other contenders) it was all done intentionally, front to back, top to bottom, money-no-object, by an army of the most talented professionals, from art director to stylists to make-up artists to baby-wranglers to lighting assistants to photographer to digital retoucher, all working assiduously in concert in pursuit of the utterly pointless.
It is a horrible photograph. Leibovitz’s recent portrait of Queen Elizabeth was also digitally stitched up…the Queen was photographed inside and later matched with a garden background. I’m not going to say that these aren’t photographs, but they aren’t the kind of photographs that I’m fond of.
The wonderful Big Picture presents part one of the year 2008 in photographs. I’ll say it again, seeing these fantastic photos large is a whole ‘nother ball game. Parts two and three to come later today and tomorrow.
Update: Part two.
Update: And part three.
In an obvious move, Time named Barack Obama their Person of the Year for 2008. But give Time credit; they got Shepard Fairey to do the cover based on his iconic poster of Obama.
Update: They’ve also compiled some of the best photos of Obama from Flickr.
Update: Here’s a video of Fairey talking about his work and how he created the Time cover.
Included in the NYPL’s recent addition to the Flickr Commons project is Changing New York, a selection of photos taken of NYC in the 1930s by Berenice Abbott as part of a government program for unemployed artists. Here are the Starrett-Lehigh Building and looking north from Washington Square…so open! And the buildings are so low too. The Cyanotypes of British Algae set is worth a look as well.
Seed Magazine has collected some of the wonderful science-themed photography which appears in the pages of the magazine into an online portfolio.
Bacteria photo by Eshel Ben-Jacob.
Top: The Jackson 5, Encino, CA, 1970. Photographed by John Olson for Life Magazine.
Bottom: “Bad Route” by Miguel Calderon, 1998. Featured in Wes Anderson’s The Royal Tenenbaums.
The challenge: create a fictitious book cover using an image from the Life magazine photo archive. Aside from the first few created in a rush, some of these are pretty good.
Seventeen-year-old Yamaguchi Otoya uses a foot-long sword to kill Japan Socialist Party leader Asanuma Inajiro on a public stage in Tokyo. Yamaguchi was upset with Asanuma’s support of a U.S.-Japan mutual defense treaty.
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