kottke.org posts about photography
From top to bottom: Hong Kong protests by Vincent Yu, Greta Thunberg by Maja Hitij, the first image of a black hole, dog sled in Greenland by Steffen Olsen, Megan Rapinoe by Franck Fife, Hong Kong protests by Kin Cheung.
What a decade this year has been, right? Here are some year-end photo lists that look back on the most inspiring, memorable, and distressing moments of 2019.
In Focus at The Atlantic: 2019 in Photos (part 2, part 3). The Top 25 News Photos of 2019. The Most 2019 Photos Ever.
NY Times: The Year in Pictures 2019.
Reuters: Pictures of the Year 2019.
Science: Our Favorite Science Photos of 2019.
Time: The Top 100 Photos of 2019.
CNN: 2019: The Year in Pictures.
Associated Press: Top Photos of 2019.
I was surprised (but also not surprised) that none of these lists included photos of the Chilean protests on violence against women that have since spread around the world (see HuffPo and Quartz for coverage). So I’m including one here (by Pablo Sanhueza):
Here’s a short clip of cinematographer Rodrigo Prieto talking about his work on The Irishman.
The movie takes place over several decades and Prieto worked with director Martin Scorsese to build a distinct look for each period based on different photo processing techniques: Kodachrome for the 50s, Ektachrome for the 60s & early 70s, and neutral for the film’s present-day:
Prieto also talks a little bit about the three camera system needed to “youthify” the actors. (You Honor, I would like to state for the record that Jennifer Lopez did not require fancy cameras or de-aging CGI to make her look 20 years younger in Hustlers. I rest my case.)
For her series called Berlin, artist Diane Meyer embroiders the Berlin Wall back into modern-day scenes of the once-divided German city. Meyer hand-sews the thread right onto the photographs.
In many images, the embroidered sections represent the exact scale and location of the former Wall offering a pixelated view of what lies behind. In this way, the embroidery appears as a translucent trace in the landscape of something that no longer exists but is a weight on history and memory.
(via colossal)
Artist Rob Kesseler is a master of the microphotography of plants and their intricately small parts (like pollen, cells, and seeds). At Colossal, Kessler says a childhood gift of a microscope set him on his way.
“What the microscope gave me was an unprecedented view of nature, a second vision,” he writes, “and awareness that there existed another world of forms, colours and patterns beyond what I could normally see.” The artist says his use of color is inspired by the time he spends researching and observing, and that just like nature, he employs it to attract attention.
Check out much more of Kesseler’s work on his website. (via colossal)
This is a photo of several ice crystal halos around the Sun taken by Michael Schneider in the Swiss Alps with an iPhone 11 Pro. It. Is. Absolutely. Stunning. I can barely write more than a few words here without stealing another peek at it. According to Schneider’s post (translated from German by Google), this display developed gradually as he waited for a friend as some icy fog and/or clouds were dissipating at the top of a Swiss ski resort and he was happy to capture it on his new phone.
Using this site on atmospheric optics, Mark McCaughrean helpfully annotated Schneider’s photo to identify all of the various halos on display:
Displays like this are pretty rare, but Joshua Thomas captured a similar scene in New Mexico a few years ago and Gizmodo’s Mika McKinnon explained what was going on.
Ice halos happen when tiny crystals of ice are suspended in the sky. The crystals can be high up in cirrus clouds, or closer to the ground as diamond dust or ice fog. Like raindrops scatter light into rainbows, the crystals of ice can reflect and refract light, acting as mirrors or prisms depending on the shape of the crystal and the incident angle of the light. While the lower down ice only happens in cold climates, circus clouds are so high they’re freezing cold any time, anywhere in the world, so even people in the tropics mid-summer have a chance of seeing some of these phenomena.
Explaining the optics of these phenomena involves a lot of discussing angular distances.
So so so so cool.
For his Ornitographies project, Xavi Bou takes photographs of birds and stitches them together into single images so that you can see their flight paths through the sky.
My guest editor Patrick briefly shared one of Bou’s images on his exit post a couple of weeks ago, but I thought they were worth another look.
As detailed in this Scientific American article by Erik Olsen, engineer and oceanographer Derya Akkaynak has devised an algorithm that “removes the water from underwater images” so that photos taken underwater have the color and clarity of photos taken in air. She calls the algorithm “Sea-thru”.
Sea-thru’s image analysis factors in the physics of light absorption and scattering in the atmosphere, compared with that in the ocean, where the particles that light interacts with are much larger. Then the program effectively reverses image distortion from water pixel by pixel, restoring lost colors.
One caveat is that the process requires distance information to work. Akkaynak takes numerous photographs of the same scene from various angles, which Sea-thru uses to estimate the distance between the camera and objects in the scene — and, in turn, the water’s light-attenuating impact. Luckily, many scientists already capture distance information in image data sets by using a process called photogrammetry, and Akkaynak says the program will readily work on those photographs.
The paper says the process “recovers color” and in the video above, Akkaynak notes that “it’s a physically accurate correction rather that a visually pleasing modification” that would be done manually in a program like Photoshop.
Since April 2017, Rachel Lopez has been taking photos of the ceilings of Mumbai taxis, many of which are decorated with colorful vinyl overlays. As Lopez says in a piece she wrote for PRI, “it’s more fun than the cold, gray inside of an Uber”. (via @themexican)
For a 2012 print campaign for the Berlin Philharmonic Orchestra, photographers Andreas Mierswa and Markus Kluska photographed the insides of musical instruments.
The photos of the string instruments evoke intimate concert halls, with shafts of light illuminating perfect spaces in which you could imagine string quartets playing to small audiences. Inspired by their work, Romanian artist and photographer Adrian Borda has produced his own set of similar photos.
Free of the constraints of advertising, Borda’s images are a little grittier, reminding me less of tiny concert spaces than of natural rock formations like Arizona’s Antelope Canyon (and other slot canyons of the American Southwest), Petra, and the cenotes of the Yucatan in Mexico.
See also this cool inside-a-typewriter shot from Borda. (via @41Strange)
That’s much of Manhattan, Brooklyn, and Queens captured by Maxar’s Worldview-3 satellite, but at an unusually low angle. Here’s a closer view of the southern tip of Manhattan:
Says Daily Overview of the shot:
This particular shot is made possible due to the focal length of the camera in this satellite that is roughly 32 times longer than that of a standard DSLR camera.
I don’t know what practical value low-angle satellite photos have, but they sure are beautiful.
See also a low-angle satellite photo of San Francisco.
This photo of Berlin, Germany at night was taken in 2012 from the International Space Station. Almost 25 years after the fall of the Berlin Wall, you can still see the division from space because of the colors of the different street lights used in the East and West.
Daniela Augenstine, of the city’s street furniture department, says: “In the eastern part there are sodium-vapour lamps with a yellower colour. And in the western parts there are fluorescent lamps — mercury arc lamps and gas lamps — which all produce a whiter colour.” The western Federal Republic of Germany long favoured non-sodium lamps on the grounds of cost, maintenance and carbon emissions, she says.
A night photo of Berlin from 2016 confirms that street light replacement is happening in the city, albeit slowly.
See also a photo of NYC from 2015 taken from the ISS, which shows the replacement of the city’s sodium vapor street lights with blue-glowing LEDs.
The new LEDs may be environmentally sensitive, but they are also optically harsh.
“The old lights made everybody look bad,” said Christopher Stoddard, an architect, who lives at the corner of Fuller Place. “But these are so cold and blue, it’s like ‘Night of the Living Dead’ out there.”
“We’re all for saving energy,” his wife, Aida Stoddard, also an architect, said, “but the city can do so much better.”
A few blocks away, Rose Gallitelli taped up black garbage bags on her bedroom windows so that she could sleep. “They’re the heavy-duty kind,” she said.
Once a stop along the Silk Roads from Europe to Asia, the city of Tashkent, Uzbekistan boasts many cultural treasures but perhaps the most unlikely is the city’s metro system and its colorful & artistic stations. In 2018, not long after a photography ban was lifted, Amos Chapple took a series of photos of Tashkent’s metro.
See also Photos of Grand Soviet-Era Subway Stations. (via @bennglazier)
To finish the week, some absolutely gorgeous mushroom and myxomycetes pictures by Photographer Alison Pollack who gets close to the ground with a magnifying glass to find her subjects.
The smaller they are, the more challenging they are to photograph, but I absolutely love the challenge, [m]y goal is to show people the beauty of these tiny treasures that are all around the forest but barely visible unless you look very very closely.
I love this photograph by Peruvian photographer Jheison Huerta. It’s a shot of the Milky Way above the Salar de Uyuni salt flat in Bolivia. After it rains, the thin layer of water transforms the flat into the world’s largest mirror, some 80 miles across. Beautiful.
See also The Entire Plane of the Milky Way Captured in a Single Photo. (via astronomy picture of the day)
For his project 31 Days of Wizardry, Jaremi Carey has been dressing up as a different Harry Potter character each day in October and posting the results to his Instagram. These are great. Strong Cindy Sherman vibes when you view them all together. And his Dobby! He’s only done one of the main characters so far though (Hermione on polyjuice)…perhaps he’s saving Dumbledore, Harry, Ron, and Voldemort for the final days?
Carey previously did a similar 365 Days of Drag project in 2016. (via @rel_games)
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