Put on by the Royal Observatory Greenwich, The Astronomy Photographer of the Year is the largest competition of its kind in the world. For the 2017 awards, more than 3800 photos were entered from 91 countries. It’s astounding to me that many of these were taken with telescopes you can easily buy online (granted, for thousands of dollars) rather than with the Hubble or some building-sized scope on the top of a mountain in Chile.
The photos above were taken by Andriy Borovkov, Alexandra Hart, and Kamil Nureev.
Cinefix celebrates the best cinematographers in film with a 15-minute video packed with gorgeous visuals from movies like Citizen Kane, Rear Window, Apocalypse Now, Rashomon, Schindler’s List, Creed, and Fargo.
As the video notes, male domination in cinematography is worse than in directing…a woman has never even been nominated for an Oscar in the Best Cinematography category. Last year, Jake Swinney shared his list of 12 Essential Women Cinematographers working today, including Ellen Kuras (Eternal Sunshine of the Spotless Mind), Maryse Alberti (The Wrestler, Creed), and Rachel Morrison (Dope).
Each year, in one of my favorite media traditions, Conor Friedersdorf picks dozens of articles, essays, podcasts, and stories from the previous year “that stood the test of time”. Here’s his just-published installment for this year.
Friedersdorf has a keen eye (and ear) for good stories. Shamefully, I’ve read maybe 10% of the articles listed here…I’ve dropped my longform reading in recent years in favor of books, TV, and being out in the real world. Maybe on my next vacation, instead of a book, I’ll tackle this list instead.
Each year, in honor of English novelist Edward Bulwer-Lytton, who once began a novel “It was a dark and stormy night”, the Bulwer-Lytton Fiction Contest attracts hundreds of entrants who attempt to craft the worst opening sentence to an imaginary novel. Kat Russo won the 2017 contest with this line:
The elven city of Losstii faced towering sea cliffs and abutted rolling hills that in the summer were covered with blankets of flowers and in the winter were covered with blankets, because the elves wanted to keep the flowers warm and didn’t know much at all about gardening.
I was also fond of this one, by Anna MacDougald:
There’d been six of us at the outset, but after Smythe took a poisoned dart to the chest, Buddlestone fell from the top of a cliff, Stevens and Mayhew were swallowed by quicksand, and Tait-Harris was eaten by ants, only I remained to bring you our amazing tale.
1. “The Confederacy’s biggest problem was messaging.”
9. “A train is traveling at 100 mph. A child is tied to the track. I have a switch in front of me. If I pull it, the train will switch to another track, and instead of hitting the child it will hit ten convicted felons. What do I do? Trick question: I’m not even there. I’m at your company helping you make record profits.”
Ignacio Montalvo compiled a list of the most beautiful scenes pulled from dozens of movies from the first part of this century and edited them into a succinct video less than 3 minutes long. He included scenes from movies like Spirited Away, Kill Bill, Sunshine, Mad Max: Fury Road, Moulin Rogue, Children of Men, Wall-E, Melancholia, and Interstellar.
From the always entertaining and informative Cinefix, a list of the best crimes depicted in movies. The list is broken down by the typical elements of a cinematic crime: the motive, the team, the plan, the getaway, the cover-up, and so on. The video features Dog Day Afternoon, Ocean’s Eleven, Chinatown, Se7en, and Reservoir Dogs. Would loved to have seen a tiny mention of Bottle Rocket in there, but nope!
“It was a very low-budget movie. A tiny budget, and I had a tiny portion of the tiny budget. When I talked to Sam [Mendes, director] about the shopping bag, he was very specific about it not having markings on it. No store name, no ‘thank you, have a nice day’ — he wanted a plain, white plastic bag.
“Back in 1998, it was the early days for internet shopping. Now I do most of my prop shopping online, but back then it was yellow pages and finding things. I made calls to various manufacturers but the only way I could get one unmarked plastic bag was to buy 5,000 unmarked plastic bags. Even though it didn’t seem like a lot at the time, it was still in the range of $500. Which with my $17,000 budget or about that, I couldn’t afford it.
“The bag was always going to be filmed separately. Sam was going to take the video camera [that Wes Bentley used] and go out with the special effects guys with lawn blowers. It wasn’t slotted in the schedule. So I started my prep and I said, I’ll figure the bag out later. I’ll figure the bag out later. I’ll figure the bag out later. Towards the end of my prep, my assistant and I were in downtown LA and we’re buying all sorts of stuff from all sorts of stores for all the characters. We came back to my house, and we’re unloading my car, and we’re piling all these bags on to the table, and right in the middle of the pile, is this white plastic bag with no markings. And I’m like, THAT’S THE BAG. We didn’t know where it came from — we’d been to 55 different places. The receipts just say ‘item number whatever.’ I have no idea where that bag came from, but it came to me. It came from the prop gods who knew I’d never find one otherwise.”
The cup of water in Jurassic Park:
“I was at work and Steven [Spielberg] calls into the office. He goes, ‘I’m in the car, I’m playing Earth, Wind & Fire, and my mirror is shaking. That’s what we need to do. I want to shake the mirror and I want to do something with the water.’ The mirror shaking was really very easy — put a little vibrating motor in it that shook it. The water was a another story. It was very difficult thing to do. You couldn’t do it. I had everyone working on it. Finally, messing around with a guitar one night, I set a glass and started playing notes on a guitar and got to a right frequency, a right note, and it did exactly what I wanted it to do.”
Oh, and the red stapler from Office Space!
“I wanted the stapler to stand out in the cubicle and the color scheme in the cubicles was sort of gray and blue-green, so I had them make it red. It was just a regular off-the-shelf Swingline stapler. They didn’t make them in red back then, so I had them paint it red and then put the Swingline logo on the side.
“Since Swingline didn’t make one back then, people were calling them trying to order red staplers. Then people started making red Swinglines and selling them on Ebay and making lots of money, so Swingline finally decided to start making red staplers.
“I have the burnt one from the last scene. Stephen Root has one that was in his cubicle. There were three total that we made. I don’t know where the third one is.”
Ahhh, I could read these all day. Wait, the horse head in that scene in The Godfather was real?!
“John Marley, the guy who played the movie producer, was a pain in the ass because he was a complainer every time he was on screen. Now, we go to shoot the famous scene. We’re shooting out on Long Island on a winter day, which is cold, dark, and rainy outside. We’re down at an elegant old stone mansion, and John is wearing his silk coat and his pajamas, standing by the bed. Now, four grips walk in carrying this huge metal case. He has no idea what the hell’s inside. I’m not exaggerating — it was probably about 6 to 8-ft square with the latches on each corner. He stands by the bed, and they lower this thing on the floor. They take off the four latches, and he almost faints. He sees this fucking horse’s head with the tongue hanging out. Oh, Jesus Christ!
“The next thing we know, the head is on the bed, on the yellow sheets. So you know, the horse’s head was frozen with dry ice, so it was fucking cold. Francis figures, ‘This is my shot to get him.’ They put all the phony blood. John refuses to stretch his legs out. He’s got his legs pulled in so it doesn’t hit the horse’s head. Francis kept telling him to straighten out. His scream was blood-curdling. What you hear in the movie was not done later on. We were laughing at a certain point. We were fucking howling. He was freaking out. When that scene was over, he ran off the set, throwing the bloody shit on the floor. He was gone for the rest of the day.”
It’s easy to see the influence of the books from the list on the movies he made. Indeed, two of the top five books were actually made into Studio Ghibli films (The Borrowers and When Marnie Was There).
P.S. The Totoro / Little Prince illustration is from Pinterest, but I couldn’t find the original source. Anyone?
Cinefix has begun the monumental task of compiling a list of the best shots in film. They’ve got a list of more than 1000 potential clips to evaluate and rank, but in part one of their series, they focus on the best shots by size — “breaking down some of the best close ups, mediums, wide shots and extremes in film history”.
Their picks include Psycho for the extreme close up, The Godfather Part II for the wide shot, and Lawrence of Arabia for the extreme wide shot.
Update: Here are the other three videos in Cinefix’s series:
Cinefix lists the best movie dialogue of all time. This is an unorthodox list…not sure many would rate Aaron Sorkin’s movie about Steve Jobs so highly. I enjoyed the shout out to Primer for its realistic-seeming dialogue of the cofounders of a small startup dealing with terrific success.
Photographers from more than 60 countries submitted almost 230,000 entries for the World Photography Organization’s 2017 Sony World Photography Awards and they recently announced the top 10 (as well as the commended top 50) photographers in several different categories. Some fantastic work in here.
From top to bottom, a school of fish by Christian Vizl, the Shaolin Wushu school of martial arts by Luo Pin Xi, and a landscape by Tom Jacobi. (via in focus)
The Wellcome Image Awards 2017 recognize the best images related to healthcare and biomedical science taken during the past year.
The Wellcome Image Awards are Wellcome’s most eye-catching celebration of science, medicine and life. Now in their 20th year, the Awards recognise the creators of informative, striking and technically excellent images that communicate significant aspects of healthcare and biomedical science. Those featured are selected from all of the new images acquired by Wellcome Images during the preceding year. The judges are experts from medical science and science communication.
From top to bottom, there’s Mark R. Smith’s photo of a baby Hawaiian bobtail squid, neural stem cells growing on a synthetic gel photographed by Collin Edington and Iris Lee, and Scott Echols’ image of a pigeon’s blood vessel network. (via digg)
Reversing Paralysis
Self-Driving Trucks
Paying with Your Face
Practical Quantum Computers
The 360-Degree Selfie
Hot Solar Cells
Gene Therapy 2.0
The Cell Atlas
Botnets of Things
Reinforcement Learning
Solar panels cover a growing number of rooftops, but even decades after they were first developed, the slabs of silicon remain bulky, expensive, and inefficient. Fundamental limitations prevent these conventional photovoltaics from absorbing more than a fraction of the energy in sunlight.
But a team of MIT scientists has built a different sort of solar energy device that uses inventive engineering and advances in materials science to capture far more of the sun’s energy. The trick is to first turn sunlight into heat and then convert it back into light, but now focused within the spectrum that solar cells can use. While various researchers have been working for years on so-called solar thermophotovoltaics, the MIT device is the first one to absorb more energy than its photovoltaic cell alone, demonstrating that the approach could dramatically increase efficiency.
Back in 2000, Amazon ran a poll asking their customers what they thought were the best books, music, and movies of the past 1000 years. The results, archived by the Internet Archive, are a time capsule not only of recently popular works (Braveheart, Millennium by the Backstreet Boys, Harry Potter and the Sorcerer’s Stone by J.K. Rowling) but also of who was on the internet at that time. It’s interesting that Harry Potter made the list; the first book had only been out in the US for less than a year and a half and the 2nd and 3rd books had been out for less than 6 months.
The winners in each category were The Lord of the Rings by J.R.R. Tolkien, Sgt. Pepper’s Lonely Hearts Club Band by The Beatles, and Star Wars. The author of the millennium was J.R.R. Tolkien (runner-up: Ayn Rand), The Beatles and Pink Floyd were the top musical artists, and the directors were Steven Spielberg and George Lucas. Here are the full top 10 lists:
Since 2001, the Oscars have awarded The Academy Award for Best Animated Feature. The video above shows a scene from each of the winning movies: Shrek, Spirited Away, Finding Nemo, The Incredibles, Wallace & Gromit: The Curse of the Were-Rabbit, Happy Feet, Ratatouille, Wall-E, Up, Toy Story 3, Rango, Brave, Frozen, Big Hero 6, and Inside Out….as well as 2016’s five nominees: Kubo and the Two Strings, Moana, My Life as a Zucchini, The Red Turtle, and Zootopia. Pixar has dominated the category with 8 wins (and 10 nominations) out of 15 years, but the strong field this year meant the studio’s critically acclaimed blockbuster Finding Dory wasn’t even nominated, joining Cars 2, Monsters University, and The Good Dinosaur as the only Pixar films made during that period not to be nominated.
The Super Bowl is old news at this point and I have a love/hate thing with Bill Simmons going on, but I loved his ranking of the top 10 coin flips in history, which in typical Simmons fashion, crosses a bunch of different boundaries, from technology:
10. The Wright Brothers. In 1903, Wilbur and Orville flipped a coin to see who would attempt the first airborne flight. Wilbur won … and couldn’t keep the plane in the air. They repaired the plane and three days later Orville nailed the second flight, leading Skip Bayless to tweet, “I know this is Orville’s day but I can’t get over that choke job by Wilbur!”
…to sports:
3. Secretariat. Remember when Penny Chenery and Ogden Phipps flipped a coin for the first pick of two foals that Bold Ruler had sired? And Phipps won and picked a foal born from Bold Ruler and Hasty Matelda? And Chenery settled for Secretariat, the eventual Triple Crown winner that became the most famous race horse who ever lived? And then Diane Lane played Chenery in Disney’s Secretariat movie that was 25 minutes too long? Poor Ogden Phipps.
…to the #1 pick from the musical world (which you might guess but will have to click through for).
If you look at Lin’s photo of the clownfish for more than a second or two — pay attention…this is the nightmarish side to living on the reef that Pixar kept from you in Finding Nemo — you will notice not just three pairs of eyes but six pairs of eyes. In the mouth of each clownfish is a parasitic isopod looking right at the camera. The isopod enters the fish through the gills, attaches itself to the fish’s tongue, feeds on the blood in the tongue until it falls off, and then attaches itself to the tongue stump. And the fish uses the isopod as a replacement tongue! Cool! And gross!
Jorge Luengo Ruiz has collected what he calls the most beautiful shots in the history of Disney. The scenes are pulled from nearly every Disney feature-length animation ever made, including Snow White, Peter Pan, The Lion King, and Moana. There’s a simple shot early on of Dumbo’s shadow passing over the ground that I really liked.
Buzzfeed did some stills of the best shots from Studio Ghibli movies, but it would be great to see a video collection. Both studios have produced amazing work, but Ghibli might best Disney in terms of sheer artistry and beauty.
Cinefix takes a look at what makes ending credit sequences effective, the different techniques used to end movies, and picks a number of films with the best end credits.
The shape of the narratives movies tend to tell lend themselves to an emotional climax that hits right as the screen fades to black for the last time. Be it triumphant, tragic, bittersweet, or thoughtful, the most important feeling is often the last. So, wisely, one of the most common functions of the creative end title sequence is what we’re going to call the coda credits. They grab on to the final emotional note and let it ride out in a long sustain, letting the audience hold onto the final feeling and carry the echoes out with them as the credits roll.
Here are some things I liked this year: Arrival. Halt and Catch Fire. Hamilton. Swiss Army Man. Kurzgesagt. The Underground Railroad by Colson Whitehead. kottke.org. Westworld. The San Junipero episode of Black Mirror. Seveneves. Gravitational waves. Museums with friends. Sapiens: A Brief History of Humankind by Yuval Noah Harari. Hillary Clinton. The Neapolitan Novels. Game of Thrones. My kids. OJ: Made in America. Flat water with ample skipping stones. The Americans. Bruce Conner’s Crossroads at The Whitney. My baby momma. Wait But Why. Mad River Glen. Sunsets. Zero Days. Fleabag. My local (which is not so local anymore). Fall foliage. Transparent. Instagram. Swim holes on hot summer days. Lemonade. the lemons. The Power Broker by Robert Caro. The Obamas. Force Majeure. Snap peas from the farmer’s market. All of the kottke.org members, each and every damn one of you beautiful people. Reading Harry Potter to my kids. Jumping waves in Mexico. Story of Your Life by Ted Chiang. Steak for two. Dope. A bunch of stuff I’m forgetting. Picasso’s Bull’s Head at MoMA. A Moon Shaped Pool. The Crown. Journalism. Carol. The Auralnauts. Wonderland by Steven Johnson. SNL’s Black Jeopardy. Twitter. Epoch by Tycho. Every Frame a Painting. My friends, old and new, you know who you are.
Here are some things I didn’t like this year: Brexit. Trump. The media. Finishing reading the Harry Potter books to my kids. The 2016 election, every single fucking second of it. Leaving New York. Nino Sarratore. The continued retreat of the American public from reality. The demise of Gawker and sale of Gawker Media. Twitter. The unprecedented warming of both poles. Shutting down Stellar. Too many dinners for one. The continued inaction on gun deaths. Misogyny. Xenophobia. Fascism. Racism. White nationalism. Authoritarianism. Religiously motivated terrorism. Climate change denialism. Here’s to fewer isms in 2017.
Because of an editing error, an article on Monday about a theological battle being fought by Muslim imams and scholars in the West against the Islamic State misstated the Snapchat handle used by Suhaib Webb, one of Muslim leaders speaking out. It is imamsuhaibwebb, not Pimpin4Paradise786.
No wonder people think the NY Times is untrustworthy. Another from the Times:
An article on March 20 about wave piloting in the Marshall Islands misstated the number of possible paths that could be navigated without instruments among the 34 islands and atolls of the Marshall Islands. It is 561, not a trillion trillion.
This one was only slightly wrong:
CORRECTION: Boris Johnson’s award-winning limerick about the Turkish president referred to Erdogan as a wanker who performed a sex act with a goat. A previous version of this article included the prompt for the poetry contest, which included a different sex act, also with a goat.
When in doubt, blame technology:
Correction at 9:58 a.m. on 3/09/2016: Due to an oversight involving a haphazardly-installed Chrome extension during the editing process, the name Donald Trump was erroneously replaced with the phrase “Someone With Tiny Hands” when this story originally published.
Brexit, climate change, Trump, Syria, white nationalism, Turkey, racism and police violence, the Flint water crisis, natural disasters, terrorist attacks, drowned migrants. I was tempted to just post a photo of a burning dumpster or the this is fine dog and leave it at that. But professional photographers and the agencies & publications that employ them are essential in bearing witness to the atrocities and injustices and triumphs and breakthroughs of the world and helping us understand what’s happening out there. It’s worth seeking out what they saw this year.
I’ve selected five of my favorite photos from these lists and included them above. From top to bottom, the photographers are Jonathan Bachman, Brent Stirton, Kai Pfaffenbach, Anuar Patjane Floriuk, and Mahmoud Raslan. The top photo, by Bachman, pictures the arrest of Ieshia Evans while protesting the death of Alton Sterling by the Baton Rouge police and is just flat-out amazing. In a piece for The Guardian, Evans wrote:
When the armored officers rushed at me, I had no fear. I wasn’t afraid. I was just wondering: “How do these people sleep at night?” Then they put me in a van and drove me away. Only hours later did someone explain that I was arrested for obstructing a highway.
There’s so much fear in that photo — institutional fear, racial fear, societal fear — but none of it is coming from Evans. Total hero.
The original Planet Earth series was released 10 years ago. In celebration, BBC asked some YouTube creators to share their favorite scenes from the show. My pick would be the shark jumping out of the water, not least because of the technique the filmmakers invented to capture the scene.
I look forward to David Ehrlich’s video countdown of his favorite films of the year and 2016’s installment does not disappoint. Nice to see Beyonce’s Lemonade, the weirdo Swiss Army Man (which I loved, Daniel Radcliffe 4eva!), and the excellent OJ: Made in America on there. Still puzzled by Hail Caesar…I love the Coen brothers but was bored by this one. No Arrival though…this was the only movie I saw in the theater twice this year. For those looking for upcoming or recently released films to watch, Ehrlich includes Jackie, La La Land, and Scorsese’s Silence on his list.
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