An artist diagnosed with Alzheimer’s, William Utermohlen
An artist diagnosed with Alzheimer’s, William Utermohlen dealt with his illness by painting self portraits. (thx, ajit)
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kottke.org posts about art
Artist Liz Cohen fixes up old cars
Artist Liz Cohen fixes up old cars and then photographs herself with them as a bikini model. Here’s a recent article on Cohen’s work in the Phoenix New Times and an older article from Wired. (via art fag city)
Let’s say, like Steve Wynn, you’ve punched
Let’s say, like Steve Wynn, you’ve punched a hole in your Picasso. Here’s how to fix it.
Meet Hasan Elahi
Hasan Elahi ran into some trouble with the FBI in 2002 (they thought he was a terrorist) and ever since, he’s been voluntarily tracking his movements and putting the whole thing online: photos of meals, photos of toilets used, airports flown out of, credit card receipts, etc. His goal is to flood the market with information, so it devalues the information that the authorities have on him.
It’s all in your head
The Brian Eno/Will Wright session kicked things off quite well at PopTech. Lots of interesting stuff to say about this one, but I quickly wanted to highlight two things that Eno and Wright said independently in their presentations. Eno:
Art is created by artists so that the viewer has the opportunity to create something.
Later, Wright said in relation to games:
The real game is constructed in the player’s head.
Eno started his presentation by wondering about a overall system for describing culture, from high to low. He and Wright may be onto something here in that respect.
77 Million Paintings, a generative artwork by Brian
77 Million Paintings, a generative artwork by Brian Eno. “Work that continues to create itself in your absence.”
Netlag: infovisualization of the world made of
Netlag: infovisualization of the world made of exterior web cams over time. So as the day goes on, you can see Europe light up, then the eastern seaboard of the US, then the western US, and so on.
Steven Reich to Brian Eno to Cory Arcangel
Onstage at PopTech just now, Brian Eno said that a musical piece by Steven Reich had a huge influence on how he thought about art. He said that Reich’s piece showed him that:
1. You don’t need much.
2. The composer’s role is to set up a system and then let it go.
3. The true composer is actually in the listener’s brain.
I’d never heard of Reich, but the name sounded familiar when Eno mentioned it. I realized I’d seen it yesterday when reading about Cory Arcangel’s show at Team Gallery in reference to his piece, Sweet 16:
Cory applied American avant-garde composer Steven Reich’s concept of phasing to the guitar intro of Guns and Roses’ track Sweet Child O’Mine. Rather than use instruments, Cory took the same two clips from the song’s music video and shortened one clip by a single note. As the videos loop, the two intros grow farther apart until they are back in sync.
He’s veered away from video games, but Cory’s new work is looking really interesting these days.
Thoughtful review of the Picasso and American
Thoughtful review of the Picasso and American Art show currently on at the Whitney.
Billionaire casino owner and art collector Steve
Update: Nora Ephron was present at the accidental violation of Ms. Marie-Therese Walter by Wynn and tells her story on Huffington Post. (via zach)
A collection of artists each picked a
A collection of artists each picked a page from The Pat Robertson and Friends Coloring Book and “colored” them in. (thx, gk)
Painting and painting and repainting art works
Painting and painting and repainting art works on a wall for a week. (Make your own timelapse movies with Gawker.)
Facadeprinter is a paint gun that prints
Facadeprinter is a paint gun that prints images on the wall from 20 feet away. See also the opening credits of the A-Team.
Photographs of female anatomy for artists, just
Photographs of female anatomy for artists, just in case you don’t have the resources to hire live nude models. Male anatomy photos available here. NSFW.
Museum camouflage photographs by Harvey Opgenorth. (via nick baum)
Museum camouflage photographs by Harvey Opgenorth. (via nick baum)
Chris Spurgeon reports on an “astonishing art
Chris Spurgeon reports on an “astonishing art installation” going on right now in London called Bridge by Michael Cross. It’s a flooded church with carefully placed stones that let you walk on water across the room.
“From September 27th - October 21 the Museum
“From September 27th - October 21 the Museum of American Illustration at the Society of Illustrators will host ‘30 Years of Fantagraphics,’ a retrospective art exhibition of over 100 pieces of original art published by the Seattle underground giant.” Artists in the exhibition include Chris Ware, Daniel Clowes, and Robert Crumb.
Photo cans
If you asked me today to choose a medium in which to focus my future artistic energies, I’d have to go with the photo can. After finding this great Photojojo tutorial yesterday on using tin cans and glass jars as photo frames, I selected three recent pictures I’d taken and made this can triptych:
So cool! And simple too. I didn’t follow Photojojo’s directions exactly and I have a few observations to offer for those looking to play around with this:
- Paper quality. I just used regular old printer paper, not glossy photo paper or anything like that. This made the photos look more like actual cheap labels. I also didn’t worry too much about being careful with the glue. Again, a little mistake here and there actually enhances the effect.
- Glue. I removed the original label from the can and glued the photo directly to the can itself. Instead of rubber cement, I used a glue stick with acid-free acrylic emulsion. The glue stick made application really easy. And I didn’t apply the glue all the way around the can. I just glued down one end to the can, waited for that to dry, wrapped the photo around the can, pulled it tight, and glued the underside of that end to the end already affixed to the can. (When I tore the existing label off the can, I noticed that’s how it was glued on there, so I tried the same thing and it worked.)
- Can size, etc. Shopping in the canned food aisle of the supermarket takes on a different meaning when you’re not attempting to find green beans for dinner but trying to find aesthetically pleasing art supplies. I went with a larger can, one with stewed tomatoes; its proportions seemed more pleasing than those of a soup can. The problem was that when I got it home, it was almost 13 inches around, meaning that 8 1/2” x 11” paper wasn’t going to work. (I ended up getting some 8 1/2” x 14” paper.) So bring your tape measure to the grocery store with you to make sure the desired can will work with your paper size.
- No pop-tops. A lot of soup cans now feature pop-tops. Get the old fashioned kind instead…the last thing you want is Uncle Steve lifting your photo can off of the coffee table, fiddling with the pop-top, and, hey!, Chunky Vegetable three years past its expiration date all over the place.
- Botulism? Speaking of past the expiration date, what’s the shelf life of your artwork? The answer seems to be almost indefinitely when kept at temperatures at or below 75 degrees F, but I wouldn’t advise eating anything from your photo cans after a year or two. The risk of botulism is almost nonexistent in contemporary commercially canned food, but if you see any of your art swelling up, throw it out. In addition, botulism dislikes acidic environments, so you’re probably better off selecting cans with acidic food items in them, like tomatoes, fruits (without sweet syrups), and sauerkraut. But be careful not to get items that are too acidic…over a long period of time, the acid may eat through the can.
Good luck!
Barnaby Furnas’ “flood” paintings are quite impressive
Barnaby Furnas’ “flood” paintings are quite impressive in person…check them out at the Boesky Gallery in Chelsea through Oct 18. Their sheer size and the degree to which their creation must have been out of the artist’s control is intriguing.
Tough art history quiz: who did ths
Tough art history quiz: who did ths painting…an elephant, an artist, or a preschooler? I play a similar game when I go to contemporary art museums: art or fire extinguisher? (via cyn-c)
Photos of a piece by artist Sharon
Photos of a piece by artist Sharon Baker, a full-sized replica of herself made of dough and then baked. At the show she cut it up and served herself to guests. (An obvious move with a name like Baker.)
On TV tonight: Ric Burns documentary on
On TV tonight: Ric Burns documentary on Andy Warhol. Part 2 tomorrow night.
Profile of Michel Gondry, director of the
Profile of Michel Gondry, director of the upcoming The Science of Sleep. An exhibition at the Jeffrey Deitch gallery in Manhattan accompanies the film’s opening. View some of Gondry’s short work (commercials, music videos) on YouTube.
Old news, but the copy of Edvard
Old news, but the copy of Edvard Munch’s The Scream stolen two years ago from an Oslo museum has been recovered. M&M’s will honor their offer of 2 million M&M’s for the safe recovery of the painting. No word on whether the reward was responsible for the recovery.
Stolen mobile phone + automatic upload of the
Stolen mobile phone + automatic upload of the thief’s photos to Flickr = art project. (thx, stewart)
Mars, Inc. is offering a reward of 2
Mars, Inc. is offering a reward of 2 million dark chocolate M&M’s for the safe return of The Scream, the Edvard Munch painting stolen from a museum in Norway in 2004. Mmmm….Munch. (via girlhacker)
BMW commercial featuring the beautiful kinetic sculptures
BMW commercial featuring the beautiful kinetic sculptures of Theo Jansen, who I covered previously on kottke.org. (via poptech)
New Barnaby Furnas show
The web site for the Marianne Boesky Gallery is a bit behind the times, so it doesn’t yet have the information for Barnaby Furnas’ upcoming show of his work from September 15 to October 14. The show will include his recent “flood” paintings; here’s a representative piece from the Saatchi Gallery:
Furnas’ huge flood paintings are created using a technique called “the pour”, detailed in a New Yorker article from earlier this year:
Furnas started at the high end of the canvas, not pouring but slathering on water-based Mars Black with sweeps of a wide brush. He switched to a dark red, laying it down quickly, and sometimes flinging it out in Pollock-like arcs. Sarah and Jared went into action with plastic spritz bottles, spraying water on the paint to make it spread and flow down the inclined plane. Boesky, equipped with a bottle of her own, followed their lead. The canvas began to look like a river of blood, dark and murky at the bottom, shading to a brighter and more lurid red in the middle. It was happening very fast, and changing from one second to the next-streaks of different red combining and separating, and running down to the lower end, where they dripped off the canvas into pails and other receptacles. After fifteen minutes, the whole midsection of the canvas was covered.
His Hamburger Hill piece at the 2004 Whitney Biennial was one of my favorites there, so I’ll definitely be checking out this new show.
One of the three statues on the
One of the three statues on the top of the Washburn Lofts in Minneapolis unwittingly represents the period in the city’s history when it led the world in the production of prosthetic limbs. See also The Mill City Museum. (thx, paul)
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