If you liked the video mapping on the IAC building, this one might be even better. For the 600th anniversary of the construction of the tower clock in Prague, The Macula projected a really great video on the tower…watch at least through the brick stacking animation.
That’s right, the Washington Monument was the tallest building in the world for about five years before the Eiffel Tower, at almost double the height of the Washington Monument, took over the top spot for more than 40 years. (via modcult)
Action was finally taken in 1992 (bracing the first storey with steel tendons, to relieve strain on its vulnerable masonry) and in 1993 (stacking 600 tons of lead ingots on the piazza to the tower’s north, to counterweight the lean). Yet both measures, especially the lead ingots, riled the aesthete Italian public, deforming as they did the slender tower’s bella figura.
In response, in 1995, the committee opted for 10 underground steel anchors, to invisibly yank the tower northwards. Little did they know, though, this would bring the tower closer to collapse than ever before, in an episode now known as Black September.
The secret ingredient that makes the mortar so strong and durable is amylopectin, a type of polysaccharide, or complex carbohydrate, found in rice and other starchy foods, the scientists determined. The mortar’s potency is so impressive that it can still be used today as a suitable restoration mortar for ancient masonry.
A new Subway has recently opened in Manhattan…hanging on the outside of the 27th floor of the skeleton of 1 World Trade Center. The Subway will move upwards as the building is constructed and it is hoped that construction workers will dine there instead of heading off-site for long lunches via a slow hoist.
“I don’t think the veggies will be a big seller,” said Mr. Schragger, who owns four other Subways in Manhattan. “I imagine most of the guys will want protein. Philly Cheesesteaks and the Feast.”
Philly Cheesesteaks and the Feast would be a great name for a band.
In Hong Kong, cars drive on the left while in the rest of China, they drive on the right. If you’re building a bridge between the two, you’ve got to come up with a clever way to switch lanes without disruption or accident. Behold, the flipper:
The only way that could be more cool is if one of the lanes went into a tunnel under the water or corkscrewed over the other lane in a rollercoaster/Mario Kart fashion. Lots more on the NL Architects site.
A 22-yo architecture student from The Philippines has “beaten” Sim City 3000 by building a city with the largest possible population that sustains itself for 50,000 years. The city, called Magnasanti, is not somewhere you would want to live.
There are a lot of other problems in the city hidden under the illusion of order and greatness: Suffocating air pollution, high unemployment, no fire stations, schools, or hospitals, a regimented lifestyle — this is the price that these sims pay for living in the city with the highest population. It’s a sick and twisted goal to strive towards. The ironic thing about it is the sims in Magnasanti tolerate it. They don’t rebel, or cause revolutions and social chaos. No one considers challenging the system by physical means since a hyper-efficient police state keeps them in line. They have all been successfully dumbed down, sickened with poor health, enslaved and mind-controlled just enough to keep this system going for thousands of years. 50,000 years to be exact. They are all imprisoned in space and time.
There’s something dystopic about the place generally, and CityCenter is starting to feel like the world of Blade Runner come to life. I head back to my room, shut the black-out curtains and lie in bed. More people commit suicide in Las Vegas than in any other city in the United States.
But then, upon his return to NYC:
Drinks at Prime Meats, in Brooklyn, with my wife. Realistically, this place is as much an artifice as anything on the Strip, a re-imagining of a 19th-century saloon, complete with polished bar, antique typography, Edison bulbs. Why, then, does it feel so much more honest? Because its aesthetic is filtered through a contemporary sensibility? Because it seems a natural part of a vibrant neighborhood? Is this all bullshit I invent to make myself feel more comfortable?
This includes new drawings made with glitter, old drawings pepped up with a little sparkle, as well as anything else that you can imagine so long as it satisfies two criteria:
It’s still unknown exactly why this area — and this area alone — should produce such regular lightning. One theory holds that ionized methane gas rising from the Catatumbo bogs is meeting with storm clouds coming down from the Andes, helping to create the perfect conditions for a lightning storm.
With a total of roughly 1.2 million lightning discharges per year, the Relampago del Catatumbo is thought to be the world’s greatest producer of ozone. As the lightning rips through the air, it produces nitrogen oxide, which is later converted by sunlight into ozone, which ends up in a protective layer high above the planet.
I learned about this storm from the description of a course that Geoff Manaugh is teaching at Columbia about…what would you call it…geoarchitecture?
The studio will be divided into three groups — one designing glaciers, one designing islands, one designing storms. Each group will mix vernacular, non-fossil fuel-based building technologies with what sounds like science fiction in order to explore the fine line between architectural design and the amplified cultivation of natural processes.
The largest sealed environment ever created, constructed at a cost of $200 million, and now falling somewhere between David Gissen’s idea of subnature — wherein the slow power of vegetative life is unleashed “as a transgressive animated force against buildings” — and a bioclimatically inspired Dubai, Biosphere 2 even included its own one million-gallon artificial sea.
Nikolai Sutyagin decided to build himself a home befitting the owner of a lumber and construction company. This resident of Archanglesk, Russia, built a regular Izba, or wooden country dwelling, that was the standard two stories, because anything higher is considered a fire hazard by law. Once complete, he began to add to the roof bit by bit, using leftover lumber from his company. Eventually his home teetered at an unbelievable 12-15 stories, tall enough to view the White Sea from the top. Though Nikolai ran into some trouble with an embezzling employee and jail time for beating up said employee, he and his family are rumored to still dwell in the timber tower, which looks like something out of an Edward Gorey etching.
The ancient Roman vomitorium, or vomitoria, were supposedly places where diners could go and void their stomachs during a meal, in order to make room for more delicacies. There are even detailed descriptions of the rooms, stating that they had large slabs or pillars to lean over that would better facilitate voiding the stomach. Though it might come as a disappointment to preteen boys studying Latin, the vomitorium of such lore is a myth. A true vomitoria is actually a well-designed passage within an ampitheater that allowed large numbers of Romans to file in and out of large spaces quickly. The root of the word, vomere, translates to “spew out,” which makes sense when applied to hurried exits.
A couple in London have found the ultimate space-saving solution for a city-dwelling book lover: a staircase bookshelf. UK-based Levitate Architects came up with the page-turning passage as a unique way to augment a loft sleeping space in the attic with discreet storage. If they could create a record crate bathroom, I’d be ready to move in.
There are some architects who theorize that intuitive, adaptable buildings are in our future. These structures might be made of components that adjust to certain variables: a particularly rainy evening, a raucous Super Bowl party on the third floor, or a brutally cold December day. Says German architect Axel Ritter:
Buildings of the future will be able to change colour, size, shape and opacity in reaction to stimuli. Architects will be able to design buildings that change their geometry according to the weight of the people inside.
The use of these reactive materials would alter the relationship between architecture and building behavior. If you’re lucky, it might also improve your apartment’s laughable square footage.
A gold-plated wind turbine powers an interactively-lit dance floor and speaker system. Michael Jackson’s music plays day and night for the fans that congregate in these remote sand flats.
Li-Sun Exotic Mushroom Farm grows their mushrooms in a disused railway tunnel just outside of Sydney, Australia; the varieties grown there have been bred specifically for growing in the tunnel…”they are species designed for architecture”.
He keeps his mushroom cultures in test-tubes filled with boiled potato and agar, and initially incubates the spawn on rye or wheat grains in clear plastic bags sealed with sponge anti-mould filters before transferring it to jars, black bin bags, or plastic-wrapped logs; (middle) Shimeji and (bottom) pink oyster mushrooms cropping on racks inside the tunnel. Dr. Arrold came up with the simple but clever idea of growing mushrooms in black bin bags with holes cut in them. Previously, mushrooms were typically grown inside clear plastic bags. The equal exposure to light meant that the mushrooms fruited all over, which made it harder to harvest without missing some
Calling all future-forward architects, urban designers, renegade planners and imaginative engineers: Show us how you would re-invent the suburbs! What would a McMansion become if it weren’t a single-family dwelling? How could a vacant big box store be retrofitted for agriculture? What sort of design solutions can you come up with to facilitate car-free mobility, ‘burb-grown food, and local, renewable energy generation? We want to see how you’d design future-proof spaces and systems using the suburban structures of the present, from small-scale retrofits to large-scale restoration—the wilder the better!
The root bridges, some of which are over a hundred feet long, take ten to fifteen years to become fully functional, but they’re extraordinarily strong — strong enough that some of them can support the weight of fifty or more people at a time. In fact, because they are alive and still growing, the bridges actually gain strength over time — and some of the ancient root bridges used daily by the people of the villages around Cherrapunjee may be well over five hundred years old.
The top floor of Corbusier’s Villa Stein (one of perhaps the top 500 most important houses of the late 19th/early 20th centuries - i.e. a Van Gogh of houses) is for sale for the same price per sq.ft. (approx $1400) as buildings in the same area of suburban Paris, designed by nobody in particular. Meanwhile, Van Gogh’s Portrait of Dr. Gachet sold for an inflation adjusted price of $136 million yet a poster of similar square footage and style costs around $10.
In terms of signaling, it’s difficult to hang a house on one’s parlor wall…buying a Corbusier means living in it wherever it happens to be located, at least part of the year.
Not quite a building, but the monumental quality of its form and its polygonal facades lend this Jawa Sandcrawler a building-like presence. These large treaded vehicles have inspired buildings from a Tunisian hotel to Rem Koolhaas’ Casa de Musica in Porto.
Another nail house is actually a nail church. Citicorp Center was built without corner columns to accommodate St. Peter’s Church, which occupied one corner of the block on which the skyscraper was built. The engineer who built Citicorp Center made a mistake related to the church’s accommodation and famously corrected it after the building was built.
Yet as data centers increasingly become the nerve centers of business and society — even the storehouses of our fleeting cultural memory (that dancing cockatoo on YouTube!) — the demand for bigger and better ones increases: there is a growing need to produce the most computing power per square foot at the lowest possible cost in energy and resources. All of which is bringing a new level of attention, and challenges, to a once rather hidden phenomenon. Call it the architecture of search: the tens of thousands of square feet of machinery, humming away 24/7, 365 days a year — often built on, say, a former bean field — that lie behind your Internet queries.
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