kottke.org posts about Tiny Desk Concerts
NPR recently welcomed Swedish pop star Robyn to their office for a Tiny Desk Concert. She sings four songs, including one of her first hits, Show Me Love.
Every choice here is a tender one, down to the teardrop glued to her cheek. Every move is confident, yet comes from a place of vulnerability. Most of these arrangements play up the quiet desperation in her outsized songs, though on “Ever Again,” Robyn pulls off a magic trick by inviting us into the conversation, opening a broken heart to defiant resilience. “Light Up,” in particular, sounds revelatory, a glitchy synth banger reborn as a piano ballad. “I was looking at you like a mirror,” she sings with a catch in her throat, like an old memory surfacing for a split second, as she builds to a moment of emotional release.
Robyn was 16 years old when “Show Me Love” appeared on her debut album, Robyn Is Here. “For me, this is where it all started, in a way,” she tells the audience, understating the foundational impact the hit would have on late-’90s pop. Behind the Desk, its lite new jack swing slows to something more spacious and reflective, if no less flirtatious. She lets the music age with her.
Holy moly, NPR’s Tiny Desk has been going for a long time. Weird Al Yankovic first stopped by the desk in 2010, so early that they didn’t even have it on YouTube until more recently. And the other day, they had him back for a second session!
Yankovic focused on originals the first time around, but for this show he brought parodies of Don McLean’s “American Pie” (“The Saga Begins,” from 1999’s Running with Scissors) and Backstreet Boys’ “I Want It That Way” (“eBay,” from 2003’s Poodle Hat), as well as the Weezer pastiche “Skipper Dan,” from 2011’s Alpocalypse. And, for fans of the breathtakingly factual 2022 biopic Weird: The Al Yankovic Story, he performs the film’s Emmy-losing closing-credits blues-rock jam “Now You Know.”
We only get so many gifts in this life, so let’s set an intention here and now to return “Weird Al” Yankovic to the Tiny Desk in the summer of 2042. But if he’s gonna come back and see us (or whoever’s buried us and moved on) at a sprightly 82, we’ll have to ask him to bring a string section, just to keep things fresh.
Death Cab for Cutie rolled into the NPR offices for a Tiny Desk Concert, which featured two new songs from their current album and some oldies: Title and Registration and Soul Meets Body. Gibbard noted:
I’m starting to realize that some of our earlier records came out a similar distance away from, like, the Beatles records when I was a kid.
This is Death Cab’s second Tiny Desk…here’s the first one from 2015:
I took this as an opportunity to listen to my favorite Death Cab song, Transatlanticism. And when are we getting a Postal Sevice Tiny Desk? Come on, we’ve been good! We need this!
Almost three years ago exactly, Fred Again rolled into the NPR studios and did a Tiny Desk Concert.
When Fred again.. first proposed a Tiny Desk concert, it wasn’t immediately clear how he was going to make it work — not because he lacked creativity, but because translating purely electronic music at the Desk is a daunting task for anyone. How would an artist, whose performances take the form of DJ sets in front of massive audiences, curate an intimate and unique experience? But what the British songwriter and producer came up with is a reminder of what a Tiny Desk is at its best: an opportunity for artists to challenge themselves in such a way that it almost feels like they’re making new music, all while sticking to what feels true to them. For Fred again.. that meant re-learning the marimba, playing the vibraphone, singing at the piano and looping sounds and beats — all at the same time.
Ok, you know this is going to be a good one: De La Soul plays a Tiny Desk Concert.
The humor of De La Soul has always been one of its calling cards. When DJ Maseo tells the Tiny Desk crowd, “Ladies and gentlemen, we’re a new group called De La Soul,” he means it as a joke. But, in so many ways, one of the most influential groups in hip-hop is new: the duties have been reassessed, the focus has shifted and the newness of The Plugs is laid plain here at the Tiny Desk.
Here’s the setlist:
YUHDONTSTOP
Will Be
Much More
Stakes is High
Sunny Storms
Different World
Breakadawn
Pony Ride
A Quick 16 for Mama
Me Myself and I
Feel free to dance at your desk or in your kitchen or wherever you’re listening.
There are a few artists where you hear their name and “Tiny Desk” together and you think, well, that’s going to be great. David Byrne is one of those and his performance does not disappoint.
Though Byrne and his band do normally spread out across large stages, the set design for each show is almost completely bare, without any cables or amps, and the artists wear or carry compact, custom-made instruments to make it easier to move, almost like a marching band.
It’s cozy, but Byrne and his band, in matching, brilliant blue suits, squeeze behind the Desk to perform four songs, opening with the euphoric “Everybody Laughs,” followed by “Don’t Be Like That,” both from his new album. They also perform two Talking Heads songs: “(Nothing But) Flowers,” from the 1988 album Naked, and a show-stopping version of “Life During Wartime,” from 1979’s Fear of Music.
Follow Architectural Digest as they head behind the scenes at the offices of NPR Music to see how the now-iconic Tiny Desk Concerts come together. My favorite bits are the callouts of all the stuff on the shelves behind the artists: Adele’s water bottle, Sabrina Carpenter’s bedazzled martini glass, a Green Bay Packers helmet signed by Harry Styles. And: “Chappell Roan’s wig is actually sitting on Cypress Hill’s skull.”
Twenty years! It’s been twenty years since Bloc Party’s debut album Silent Alarm was released. To celebrate, the band stopped by the NPR office’s for a Tiny Desk Concert.
To celebrate, this Tiny Desk set begins with the super catchy and energetic pop anthem “Banquet” from Silent Alarm. The band continues with a couple songs from 2008’s Intimacy: the shimmery, glockenspiel-forward “Signs,” then “Mercury,” where we give a sneak peek of Okereke’s vocal effects rig under the Desk. Bloc Party closes with “Blue,” a sweet song on the slower side of the band’s catalog. It ends quietly, yet powerfully, as Okereke sings, “I fall asleep on your sleeve / with those three words in my dreams.”
Still bangs. (via @unlikelywords.bsky.social)
Living Colour recently visited the NPR Music office for a Tiny Desk Concert. Cult of Personality might be an all-time top 10 song for me — I vividly remember their 1989 appearance on Saturday Night Live.1 They still got it!
Hi, friends. It’s Friday and I don’t know about you, but I think we need to unwind a little bit with this Tiny Desk Concert from Doechii. Aaron posted this back in December but it’s popped up in my feed and inbox a few times in the past few days — must be that shiny new best rap album Grammy — so I thought I’d pop it in here again.
Backed by a full band, horns and two background singers, Doechii’s performance was a masterclass in creativity. Sporting vintage academia looks, complete with matching cornrows and beads, Doechii delivers a freshly rearranged medley of cuts from ALLIGATOR BITES NEVER HEAL, tailored specifically for Tiny Desk. While hip-hop remained at the core, she truly gave us everything: a jazz arrangement of “BOOM BAP,” heavy rock vibes on “CATFISH” and a Southern praise break outro on “NISSAN ALTIMA.”
She closed her set with “Black Girl Memoir” from her debut album, Oh The Places You’ll Go. Before performing, she shared, “I wrote this song specifically for Black women. As a dark-skinned woman, there’s a very unique experience I’m trying to internalize … This is dedicated to all the beautiful Black women in the room.” While her star has been steadily on the rise since her debut, 2024 is shaping up to be the year Doechii cements herself as a household name.
Speaking of speaking of Tiny Desk Concerts here are two recent good ones. (Eep, wait, they’re all really good. What if any performance by a very talented performer in an intimate setting is always going to be special?)
Waxahatchee was solo in her 2013 performance, but here she is with an excellent five piece band, including Jeff Tweedy’s son on drums.
And here’s Doechii with a NINE piece. Gosh, this is so good and so fun to watch.
This is also worth a watch about how the NPR engineers make the concerts sound so good.
During the pandemic, Billie Eilish did a Tiny Desk Concert at home amidst a very faithful recreation of the NPR office. Last week, Eilish played a proper set at the actual office. From the video’s description:
Saudade is a Portuguese word that can be roughly defined as a feeling of melancholy, nostalgia or yearning for something that is beloved but not present. There’s no perfect translation, but one of the closest English expressions of the word I’ve ever seen is Billie Eilish’s Tiny Desk performance.
You’d think the Los Angeles-born singer invented the term. Every breath is so full of indulgent melancholy, hopeful regret, at 22 years old she’s become a captivating fixture of what it means, or rather what it feels, to love and lose simultaneously.
Accompanied by a small band and her brother Finneas, Eilish played The Greatest, L’Amour de Ma Vie, i love you, and Birds of a Feather. Lovely.
In 2020, during the dark days of our first pandemic winter, Dua Lipa played NPR’s Tiny Desk Concert remotely from London, which is still the most popular Tiny Desk of all time (130M views). This week, NPR had Lipa ‘round the office for a proper set, with the singer playing four songs off of her latest album, Radical Optimism.
Befitting an artist whose newest songs often reflect the pursuit of personal growth — see: “Happy for You” — Lipa and her team breezed through the NPR Music offices with a mix of low-drama professionalism and unmistakable warmth. We’ve dealt with a lot of stars (and their teams) over the years, and as often as people ask us to dish about people who’ve been difficult, we’ve mostly accumulated stories of people who’ve been lovely to have around. Even among all those, Lipa and her people stood out: They were kind, gracious, fun and game.
NPR recently welcomed Chaka Khan into the office for a Tiny Desk Concert.
When the “Queen of Funk,” Chaka Khan, began to sing her hit “Sweet Thing” at the Tiny Desk, she seemed surprised at how the audience enthusiastically joined in. It’s just one example of how ingrained her work is in the fabric of music history. Since she emerged in the 1970s with the funk band Rufus, Khan has crafted a legacy that includes 22 albums, 10 Grammys, forays into jazz and theater and collaborations with Prince, Stevie Wonder, Joni Mitchell and Quincy Jones. Her 50 years in the music industry recently culminated in a long overdue 2023 induction into the Rock and Roll Hall of Fame.
This was great right from the jump…one of my favorite Tiny Desks for sure.
The Boston Typewriter Orchestra is “a collective endeavor which engages in rhythmic typewriter manipulation combined with elements of performance, comedy and satire.” They recently submitted to be on NPR’s Tiny Desk Concerts with Selectric Funeral, their first piece to feature an electric typewriter.
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