Sight and Sound polled 340 critics and filmmakers in search of the world’s best documentary films. Here are their top 50. From the list, the top five:
A Man with a Movie Camera
Night and Fog
The Thin Blue Line
Unless you went to film school or are a big film nerd, you probably haven’t seen (or even heard of) the top choice, A Man with a Movie Camera. Roger Ebert reviewed the film several years ago as part of his Great Movies Collection.
Born in 1896 and coming of age during the Russian Revolution, Vertov considered himself a radical artist in a decade where modernism and surrealism were gaining stature in all the arts. He began by editing official newsreels, which he assembled into montages that must have appeared rather surprising to some audiences, and then started making his own films. He would invent an entirely new style. Perhaps he did. “It stands as a stinging indictment of almost every film made between its release in 1929 and the appearance of Godard’s ‘Breathless’ 30 years later,” the critic Neil Young wrote, “and Vertov’s dazzling picture seems, today, arguably the fresher of the two.” Godard is said to have introduced the “jump cut,” but Vertov’s film is entirely jump cuts.
If you’re curious, the film is available on YouTube in its entirety:
(via open culture)