The Postage Stamp Pictures of Paul Edlin
Artist Paul Edlin used tiny fragments of postage stamps to create these beautiful abstract collages. Here’s closeup of the top image where you can see the fragments more clearly:
(thx, philip)
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kottke.org posts about art
Tiny Bubbles Quilt
Oh I love the look of this quilt made by Marla Varner of Penny Lane Quilts. Here’s a closer look:
The colors and pattern are just perfect. You can check out several of her other large quilts on her website or on Instagram. (via austin kleon)
US Quarter Featuring Maya Angelou Starts Circulating
The US Mint has started shipping a quarter featuring poet & activist Maya Angelou on it.
A writer, poet, performer, social activist, and teacher, Angelou rose to international prominence as an author after the publication of her groundbreaking autobiography, “I Know Why the Caged Bird Sings.” Angelou’s published works of verse, non-fiction, and fiction include more than 30 bestselling titles. Her remarkable career encompasses dance, theater, journalism, and social activism.
The front of the Angelou quarter features a portrait of George Washington (a slaveowner, I feel it is important to note) that is different from the usual image on regular quarters. The new image was sculpted by Laura Gardin Fraser in 1931:
In 1931, Congress held a competition to design a coin to honor the 200th anniversary of George Washington’s birth. The original competition called for the obverse of the coin to feature a portrait of George Washington, based on the famed life-mask bust by French sculptor Jean-Antoine Houdon. The reverse was to feature a design that was to be “national” in nature.
Laura Gardin Fraser submitted a design that features a right-facing portrait of George Washington on the obverse, while the reverse shows an eagle with wings spread wide. In a 1932 letter to recommend Fraser’s design, the U.S. Commission of Fine Arts (CFA) wrote to (then) Treasury Secretary Andrew W. Mellon:
“This bust is regarded by artists who have studied it as the most authentic likeness of Washington. Such was the skill of the artist in making this life-mask that it embodies those high qualities of the man’s character which have given him a place among the great of the world…Simplicity, directness, and nobility characterize it. The design has style and elegance…The Commission believes that this design would present to the people of this country the Washington whom they revere.”
While her design was popular, it was not chosen. Instead, Secretary Mellon ultimately selected the left-facing John Flannigan design, which has appeared on the quarter’s obverse since 1932.
The Angelou quarter is the first in a series of quarters featuring notable American women:
Beginning in 2022 and continuing through 2025, the Mint will issue five quarters in each of these years. The ethnically, racially, and geographically diverse group of individuals honored through this program reflects a wide range of accomplishments and fields, including suffrage, civil rights, abolition, government, humanities, science, space, and the arts. The additional honorees in 2022 are physicist and first woman astronaut Dr. Sally Ride; Wilma Mankiller, the first female principal chief of the Cherokee Nation and an activist for Native American and women’s rights; Nina Otero-Warren, a leader in New Mexico’s suffrage movement and the first female superintendent of Santa Fe public schools; and Anna May Wong, the first Chinese American film star in Hollywood, who achieved international success despite racism and discrimination.
The Angelou quarter will start circulating later this month and early next month — look for it in your change soon!
Fashion for Hostile Architecture
Artist Sarah Ross’s project Archisuits draws attention to architecture in LA that is specifically designed to prohibit people from sitting on it. Each suit is produced to fit into a specific hostile architectural element so that the wearer can sit or lie comfortably on it.
Cracked Eggshells, Carefully Arranged
I am in deep like with this image of neatly arranged eggshells by Kristen Meyer. And her saltine arrangement is still extremely satisfying. You can check out more of her work on her website and at Instagram. Ok wait, I really like this one too:
(via colossal)
Surreal Psychedelic Headshots
Among Brazilian artist Rafael Silveira’s surrealist work are these portraits of people with landscape faces. I loved what he said about them in brief remarks to Colossal:
From inside, we are a strange mix of dreams, thoughts, feelings, and human meat. I think these portraits are not persons but moods.
(via colossal)
Dreamy & Surreal Imagery by KangHee Kim
Loving these fanciful and playful manipulated photos by KangHee Kim, which can be found on her Instagram or her series Street Errands.
Otherworldly Single Malt Scotch
For his series Vanishing Spirits: The Dried Remains of Single Malt Scotch, photographer Ernie Buttons photographed the creatively lit bottoms of glasses emptied of their single malt Scotch whisky. The results look like alien worlds.
These remind me a lot of Christopher Jonassen’s frying pan worlds and Nadine Schlieper’s & Robert Pufleb’s photos of pancakes that look like moons. (via moss & fog)
Colorful Gradient Sculpture
Courtesy of her distinctive glazing technique — which she uses to “express feelings of transcendental experiences” — Angel Oloshove’s sculpture shares a colorful, gradient aesthetic with contemporary digital media (including this here website). More on her Instagram.
Al Hirschfeld’s Drawings of Steven Sondheim’s Musicals
Writing for the New York Times, theater critic emeritus Ben Brantley praises caricaturist Al Hirschfeld’s depictions of the late Steven Sondheim’s work:
These seemingly simple pen strokes — and the ellipsis of the white space, which your own, happily collaborative mind fills in — are anything but static. They tremble with energy, tension and, above all, character, as it is conjured in real time on a stage.
Hirschfeld always said he would rather be called a “characterist” than a caricaturist. His illustrations of Sondheim, the most complex character portraitist in the Broadway songbook, make you understand why. Caricatures are a shorthand for the physical traits that make stars distinctive: Angela Lansbury’s immense Tweety Bird eyes, for example, or Bernadette Peters’s Cupid’s bow mouth.
Hirschfeld nails such elements of physiognomy. He also endows them with the exciting emotional temperature that heats up every Sondheim song. The Lansbury he draws as the corrupt mayor Cora Hoover Hooper of “Anyone Can Whistle” (1964) and as the cannibal pie-maker Mrs. Lovett in “Sweeney Todd” are recognizably the same woman.
I particularly like the great energy swirling all around the lead characters in Hirschfeld’s take on “West Side Story”:
The Courtroom Sketch Artist
Choire Sicha’s interview with Jane Rosenberg, the courtroom sketch artist currently working on the Ghislaine Maxwell trial in New York, is delightful.
(Rosenberg has been drawing defendants since 1980.)Do you and other courtroom artists ever fight?
Oh, sure. You don’t want to hear all that.All I want to hear is that!
Oh, no, no. I’m not starting. I get along professionally with most artists. There are some who are just really a problem. It’s not normal, what I put up with from the other ones. I used to have a story every day — they cursed me out! They knocked my pastels over! They’re sly as a fox, they do it when no one’s around, but all the court officers know who they are. They’re not in this trial.Jeez. It’s much nicer among the reporters!
We compete, also! There’s issues of competition for certain clients. Some of us have our set clients, and there’s stealing going on, all kinds of backstabbing going on. It’s not all roses. I’m okay with who’s here, and we do what we have to do.
Goofy 18th-Century Self-Portraits by Joseph Ducreux
Joseph Ducreux was a French painter active in the latter part of the 18th century — he was a portraitist in the court of Louis XVI and continued his career after the French Revolution. But Ducreux is increasingly remembered for his series of self-portraits that were surprisingly informal for the age in which they were painted. To contemporary eyes, they almost seem to have been painted for use in memes, a purpose for which they certainly have been used.
Beautifully Arranged Rock Sculptures
Jon Foreman neatly arranges rocks into colorful sculptures. He also does similar sand, leaves, debris, and shells. You can order prints on his site or check out more of his stuff on Instagram. (via colossal)
Blonde Drawings
CJ Hendry has done a series of photorealistic drawings of hair called BLONDE. You can see some of the work in progress on her Instagram and see it in person in NYC Dec 10-12. Love these. (via @downtown.collective)
The Dutch Angle
These days, movies, TV shows, and even commercials all use something called the Dutch angle,1 a filmmaking technique where the camera is angled to produce a tilted scene, often to highlight that something is not quite right. The technique originated in Germany, inspired by Expressionist painters.
It was pioneered by German directors during World War I, when outside films were blocked from being shown in Germany. Unlike Hollywood, which was serving up largely glamorous, rollicking films, the German film industry took inspiration from the Expressionist movement in art and literature, which was focused on processing the insanity of world war. Its themes touched on betrayal, suicide, psychosis, and terror. And Expressionist films expressed that darkness not just through their plotlines, but their set designs, costumes… and unusual camera shots.
This got me thinking about my favorite shot from Black Panther, this camera roll in the scene where Killmonger takes the Wakandan throne:
It’s the Dutch angle but even more dynamic and it blew me away the first time I saw it. I poked around a little to see if this particular move had been done before (if director Ryan Coogler and cinematographer Rachel Morrison were referencing something specific) and I found Christopher Nolan (although I’d argue that he uses it in a slightly different way) and Stranger Things (in the scene starting at 1:33). Anywhere else?
As with Pennsylvania Dutch, the Dutch in Dutch angle is a bastardization of Deutsch (German).↩
Face-Swapping Collages
For the past year or so, UK artist Shane Wheatcroft has been making these hand-cut collages that replace people’s faces with various other scenes and objects. It’s hard to tell from these images, but (at least some of?) the collages are 3D. A number of Wheatcroft’s artworks are available for sale on Artfinder. (via jenni)
Great Art Explained: The Mona Lisa (The Extended Cut)
In the most recent episode of the excellent YouTube series Great Art Explained, James Payne expands on an earlier, shorter video on the Mona Lisa with this double-length extended cut.
For Mona Lisa, Leonardo used a thin grain of poplar tree and applied an undercoat of lead white, rather than just a mix of chalk and pigment. He wanted a reflective base. Leonardo painted with semi-transparent glazes that had a very small amount of pigment mixed with the oil, so how dark you wanted your glaze to be depends on how much pigment you use. He used more like a “wash”, which he applied thin — layer by layer. Here you can see two colors of contrast — light and dark. When you apply thin glaze over both of them, you can see it starts to unify the contrast but also brings depth and luminosity. The lead white undercoat reflects the light back through the glazes, giving the picture more depth and in essence, lighting Mona Lisa from within.
This was fascinating, not a wasted moment in the whole thing. I’ve read, watched, and listened to a lot of analysis of the Mona Lisa over the years, but Payne’s detailed explanation both added to my knowledge and clarified what I already knew.
Paper Sculptures of Bleached Coral
Artist Rogan Brown is highlighting what the climate crisis is doing to global coral populations with two recent delicate and intricate paper sculptures of bleached coral. Brown writes:
Here I try to capture the beauty, intricacy and fragility of the coral reef in layers of simple paper. The world’s coral reefs have become symbols of the devastating effects of global warming and man-made pollution. Mass bleaching events occur each year with increasing regularity and if the situation continues then it is inevitable that we will witness the demise of these magnificent biodiverse habitats. My hope is that by reminding us of how astonishing these ecosystems are we may unite to save them.
You can check out the rest of Brown’s intricate paper sculptures in his portfolio or on Instagram. (via colossal)
Leonardo da Vinci’s Best Painting (Is Not The Mona Lisa)
For the latest episode of Nerdwriter, Evan Puschak (after briefly introducing his forthcoming book) discusses his favorite Leonardo da Vinci painting, The Virgin and Child with Saint Anne.
In this way, moving from the apex of the pyramid to its bottom right corner is actually a trip through time, from the past to the present to the future. And that timeline also extends along a three-dimensional axis — the lamb is in front of Jesus, who’s in front of Mary, who’s in front of Anne. But on this axis, it goes even further — behind Anne, we’re launched into the geological past. These mountains, these bones of the Earth, suggest a deep time — so deep that it conflicts with the Christian sense of the age of the world. Now that reflects a larger conflict in the Renaissance between religion and a growing appreciation for natural science, which is embodied in no person more than Leonardo da Vinci, the insatiably curious polymath.
Camouflaged Portraits
Cecilia Paredes takes photos of herself blending into elaborate backgrounds. You can see more of her work at Colossal, Lens Culture, Schneider Gallery, and Artsy.
Wind Turbine Wall
Designer Joe Doucet’s Wind Turbine Wall is both a kinetic sculpture and a way to harness wind power to create electricity.
Wind energy has played a key role in helping national grids around the world reduce dependence on fossil fuels to generate energy, but wind turbines for the home have encountered very slow uptake due, in part, to their intrusive physicality.
Designed to be as aesthetically pleasing as it is functional, this “kinetic wall” is made up of an array of rotary blades that spin individually, driving a mini generator that creates electricity. The electricity is utilized in the home or business, can be stored in a wall-mounted battery, or can even be fed back into the national grid to provide revenue for the owner.
Here’s the wall in action:
From a writeup of the project in Fast Company:
Doucet has built a prototype for a single spinning rod and run simulations based on that. The average annual electricity consumption for an American home uses a little over 10,000 kilowatt-hours per year. One of these walls would be enough. But where Doucet sees true potential is in larger-scale commercial buildings and even cities. “Instead of the typical retaining walls along roads and freeways, you’d have an array of these,” says Doucet, who says he’s in conversation with several manufacturers to help him bring the product to market. “With the added wind boost from trucks, our highways could take care of all our energy needs.”
(thx, michael)
Flingbot: A Robotic Artist That Flings Paint
Artist & engineer JBV has built a robot artist called Flingbot that works by throwing paint at a canvas according to a number of randomized parameters, e.g. fling strength, scoop shape, paint color, and throwing angles:
The next parameters are the starting and ending fling angles. Randomly chosen by the code, the trajectory and point it hits the canvas is variable creating another factor of uniqueness. This is all controlled by a servo under the base of the catapult, which also happens to be the motor that allows Flingbot to position itself under the paint reservoirs.
This means that every painting Flingbot creates is effectively unique.
All in all, accounting for all the different parameters, there are almost 3 trillion paintings that Flingbot can make. The number is likely even higher than this because there are even more variables to consider that are out of Flingbots control. These include the consistency of the paint, the angle of the canvas, the temperature in the room…the list goes on. It’s safe to say that each one of Flingbot’s painting is truly one of a kind.
(via the morning news)
“Drawing in the Air”
Korean artist Lee Sangsoo makes these minimalist yet expressive sculptures of animals, people, and objects. And they’re perhaps larger than you expect.
I know I’ve said this probably 100 times before, but I’m continually amazed at how, with just a few strokes of a brush or twists of metal, an artist can create something that’s both abstract and familiar. That beige and brown sculpture above…my brain took about 0.03 seconds to recognize that as a siamese cat. Artists hacking the human brain’s pattern recognition ability and us being delighted by it is the gift that keeps on giving. (via colossal)
A People’s Archive of Sinking and Melting
For the last ten years, artist Amy Balkin has been collecting artifacts related to the climate crisis. The collection is called A People’s Archive of Sinking and Melting.
A People’s Archive of Sinking and Melting is a collection of materials contributed by people living in places that may disappear because of the combined physical, political, and economic impacts of climate change, primarily sea level rise, erosion, desertification, and glacial melting.
From a piece about the archive in the New Yorker:
There is an incredible pathos to Balkin’s collection of things. In the light of imagined future eyes, tinged by loss, all manner of things become relevant that would otherwise pass unnoticed. Even two beer-bottle caps, in this context, are mesmerizing. Both are from places that are threatened with a certain kind of disappearance, or, at the very least, radical change; through their corrosion and fading, they seemed to foretell this disappearance somehow. And yet, paradoxically, looking at them, I knew that these pieces of metal would likely outlast me. A future person might see them in a museum, displayed with a label that reads “Beer-bottle caps, common in this time.” But what would that person’s world be like? What would be lost, between now and then, even as these fragments are shored up against ruin?
You can contribute to the archive — instructions for sending in an artifact are here.
Swirling Clay Landscape Sculptures
Alisa Lariushkina uses air-dry clay to make swirling sculptures that look like landscape paintings. Lariushkina’s patterns and color palette evoke the style of Post-Impressionist painters — indeed she’s even recreated van Gogh’s Starry Night in clay. (via my modern met)
A Small Store
Always great to check back in on the work of Me Kyeoung Lee, who has been drawing delicate & detailed portraits of convenience stores from around Korea. Check out her Instagram for more work and some behind-the-scenes — I was surprised at how large some of her drawings are. (via colossal)
Star Wars Oil Paintings
Check out these expressive impressionist oil paintings of scenes from Star Wars by Naci Caba. (He also does paintings of Lord of the Rings and Harry Potter.) Seeing futuristic sci-fi rendered in this medium is giving me a bit of cognitive dissonance.
You can buy prints and even the original oil paintings in his shop or at Etsy. (via digg)
Foraged Mushroom Collages
Using foraged mushrooms, berries, leaves, moss, and other natural materials, Heather Brooks makes these lovely and lively colorful collages, which she displays on Instagram and offers prints of on Etsy and on her website. (via life is so beautiful)
Dynamic Ribboned Sculptures by Isabel Miramontes
It’s quite a neat trick of the artistically gifted to make figures cast in solid bronze seem like they’re moving, and that’s exactly what Isabel Miramontes has done with her ribboned sculptures of people. (via colossal)
A Rubens Masterpiece? Or a Fake?
This is Samson and Delilah, a painting attributed to the Flemish master Peter Paul Rubens that hangs in the National Gallery in Britain.
Since the late 90s, there’s been some doubt cast upon the painting’s authorship, summarized in this short video:
From a recent piece in the Guardian about an AI art-analysis algorithm that declared Samson and Delilah is not a Rubens painting:
Critics have long argued that it is only a copy of a Rubens original that is known to have been painted between 1608 and 1609 for his Antwerp patron Nicolaas Rockox which then disappeared after his death in 1640.
They argue that the National Gallery picture is a different painting, one that only surfaced in 1929, declared a Rubens by Ludwig Burchard, an expert who, after his death in 1960, was found to have misattributed paintings by giving out certificates of authenticity for commercial gain.
The picture’s critics dismiss its colours as uncharacteristic of Rubens’s palette and its composition as awkward. They question why, for example, it differs from two contemporary copies made from Rubens’s original. The toes of Samson’s outstretched right foot, for example, are cropped in the National Gallery version, while they are shown in an engraving by Jacob Matham and a painting that depicts the Samson and Delilah hanging in Rockox’s home by Frans Francken the Younger.
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