Yet there is some evidence that a sizable number of white men see the push toward diversity, along with the larger changes it telegraphs, as less about joining and more about replacement, and a country that is less hospitable to them.
That sentiment is perhaps expressed in a quote widely circulated online in these discussions, though the origin is unknown: “When you’re accustomed to privilege, equality feels like oppression.”
This is perhaps what Tyler Cowen was getting at with his highly speculative and provocative What the hell is going on?
The contemporary world is not very well built for a large chunk of males. The nature of current service jobs, coddled class time and homework-intensive schooling, a feminized culture allergic to most forms of violence, post-feminist gender relations, and egalitarian semi-cosmopolitanism just don’t sit well with many…what shall I call them? Brutes?
Quite simply, there are many people who don’t like it when the world becomes nicer. They do less well with nice. And they respond by in turn behaving less nicely, if only in their voting behavior and perhaps their internet harassment as well.
I wouldn’t recommend it, but a spin through the comments on Cowen’s piece provides some examples of what he’s talking about.
A few days ago, I watched An Honest Liar, a documentary about the magician and charlatan-debunker The Amazing Randi. I had forgotten that in the 70s and 80s in America, belief in psychics like Uri Geller, faith healers like Peter Popoff, extraterrestrial abductions, and the like was not all that far from the mainstream. Such events and people were covered in newspapers, on the evening news, and featured on talk shows, including The Tonight Show with Johnny Carson.
The media is awash in pieces attempting to explain the success of the Presidential campaign of Donald Trump. Many are puzzled…how could this happen in America!? After watching Randi debunking hoaxes, I’m no longer surprised at Trump’s success. Maria Konnikova, author of a recent book on scams and cons, wrote about Trump and con artists for the New Yorker.
A line, thin but perceptible, divides even egregious liars from confidence men. People deceive one another for all sorts of reasons: they might lie to stay out of trouble, for example, or to make themselves seem more interesting, or to urge a business deal toward its consummation. David Maurer, a linguist turned historian of the con, said, “If confidence men operate outside the law, it must be remembered that they are not much further outside than many of our pillars of society who go under names less sinister.” Still, there is a meaningful difference between an ordinary liar and a con artist. A grifter takes advantage of a person’s confidence for his own specific ends — ends that are often unknowable to the victim and unrelated to the business at hand. He willfully deceives a mark into handing over his trust under false pretenses. He has a plan. What ultimately sets con artists apart is their intent. To figure out if someone is a con artist, one needs to ask two questions. First, is their deception knowing, malicious, and directed, ultimately, toward their own personal gain? Second, is the con a means to an end unrelated to the substance of the scheme itself?
She doesn’t express an opinion on whether Trump is a con artist — it’s difficult to tell without knowing his intent — but it’s clear that like Uri Geller and Peter Popoff, Trump is adept at making people believe what he is saying without a lot of hard evidence. Like The Amazing Randi said in the movie: “no matter how smart or well educated you are, you can be deceived.” Hopefully, like Geller, Popoff, and UFOs eventually did, the idea of Trump as a viable candidate for President will soon disappear back into the fringes of American discourse.
On Last Week Tonight last night, John Oliver took on the #brand running for President known as Donald Trump. Or, as he would have been known had one of his ancestors not changed his last name, Donald Drumpf. If you’d like to play along at home, you can install the Drumpfinator Chrome extension, which will replace any mentions of “Trump” on the web with “Drumpf”.
Many years ago, Errol Morris interviewed Donald Trump about Citizen Kane as part of a project called The Movie Movie.
The table getting larger and larger and larger with he and his wife getting further and further apart as he got wealthier and wealthier, perhaps I can understand that.
Trump acquits himself pretty well on Kane and its lessons — although I would not characterize Kane’s fall as “modest” — and his commentary about the film is probably the first actually interesting thing I have ever heard him say. But I watched all the way to the end and he shoots himself in the foot in the most Trumpian & misogynistic way — it’s actually perfect.
The Movie Movie, according to Morris’ web site, was based on the idea of putting modern day figures like Trump and Mikhail Gorbachev into the movies that they most admire. So Trump would star as Kane in Citizen Kane and Gorby would be in Dr. Strangelove as who, Strangelove himself? Man, what a fantastic idea. Joshua Oppenheimer used a variant of this idea to powerful effect in The Act of Killing, a film executive produced by Morris.
Morris himself turned a bit of the original The Movie Movie idea into a 4-minute clip for the 2002 Oscars of people — some of them famous: Trump, Gorbachev, Tom Brady, Christie Turlington, Keith Richards, Philip Glass, Al Sharpton — talking about their favorite movies.
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