In an essay that covers similar ground to Steven Johnson’s Where Good Ideas Come From, David Galbraith offers an interesting perspective on maximizing your creative potential.
I remember the very instant that I learned to be creative, to ‘invent’ things, to do things in an interesting and unusual way, and it happened by accident, literally.
I created mess around myself, the kind of chaos that would be very dangerous in an operating theater but which is synonymous with artists’ studios, and in that mess I edited the accidents. By increasing the amount of mess I had freed things up and increased the possibilities, I had maximised the adjacent possible and was able to create the appearance of inventing new things by editing the mistakes which appeared novel and interesting.
The adjacent possible is one of those ideas that, once you hear it, you want to apply to everything around you.