This is the trailer for Orion and the Dark, an animated kids movie written by Charlie Kaufman. Yes, the I’m Thinking of Ending Things; Synecdoche, New York; Eternal Sunshine of the Spotless Mind Charlie Kaufman. And it’s getting pretty good reviews so far. The AV Club:
Orion And The Dark may look almost nothing like any Charlie Kaufman film to date, but it bears his personality. While that might be a bit much for the youngest kids, for 11-year-olds like those depicted in this story, it may strike a chord simply by refusing to underestimate their intelligence.
I’m Thinking of Ending Things. Charlie Kaufman (Being John Malkovich, Eternal Sunshine of the Spotless Mind, Adaptation), director. Łukasz Żal (Ida, Cold War), cinematographer. Jesse Plemons (Friday Night Lights), Jessie Buckley (Chernobyl), Toni Collette (too many amazing things), David Thewlis (Lupin from Harry Potter). Adapted from I’m Thinking of Ending Things by Iain Reid. Netflix. September 4. Trailer above. Excited! Bye.
Charlie Kaufman, who wrote “Being John Malkovitch” and “Eternal Sunshine of the Spotless Mind” and wrote and directed “Synecdoche, New York,” talks about his latest writing/now co-directing project, “Anomalisa,” which is “a stop-motion animated dark comedy about a depressed customer-service expert who falls in love on a business trip”:
Is it weird for me to say that Anomalisa contains the most realistic sex scene I’ve ever seen in a movie? Given that it’s happening between puppets?
It’s not weird. Almost everybody we speak to feels that way. We worked really hard on that scene. It took six months to shoot. We were very aware of people coming into it thinking it was going to be like Team America, that it was going to be a joke, and we didn’t want it to be [like that]. We knew there would probably be some laughing at first because it’s puppet sex. We weren’t opposed to that, but what we found is that there is the occasional laugh at that point out of nervousness, but then people get really quiet.
There’s also an interview with co-director Duke Johnson that starts, “‘There were a lot of penises,’ says Duke Johnson. ‘They break very easily because they’re tiny.’”
Seven years after his directorial debut with the fantastic Synecdoche, New York comes Charlie Kaufman’s second movie as a director, a stop-motion animated film called Anomalisa. The film successfully raised funds on Kickstarter and will be out in select theaters in December.
Well, maybe. According to the LA Times, the pair are pitching a film around that Kaufman will write and Jonze will direct.
The pair are pitching a new movie. While the plot is being kept under tight wraps — it’s a pitch, so a script has yet to be written, and Kaufman movies are famously hard to describe in a few sentences anyway — two people familiar with the project said it has been making the rounds to independent financiers in recent weeks.
If it moves forward, the film would reunite the pair in the roles that vaulted them to fame for the first time since “Adaptation” in 2002.
You ever think about how in, like, a Tom Hanks movie, everyone lives in a reality in which there’s no such person as Tom Hanks? Because otherwise, people would be mistaking the main character for Tom Hanks all the time? So either Tom Hanks doesn’t exist in the world the movie takes place in, or he does exist but he looks like someone else?
Charlie Kaufman probably has a half-written screenplay about this stuffed in a drawer somewhere. (via jimray)
Update: Dozens reminded me that the “lookie loo with a bundle of joy” scheme in Ocean’s 12 involved the pregnant Tess Ocean character (played by Julia Roberts) looking like the movie star Julia Roberts. Several other people cited this scene in The Last Action Hero. And in Take Her, She’s Mine, character played by Jimmy Stewart is repeatedly mistaken for the famous actor, Jimmy Stewart. (thx, all)
Update: TV Tropes has many many examples of this phenomenon, which they call the Celebrity Paradox. (thx, joe)
Have you heard about Tom Hanks’ and Meg Ryan’s new movie, “You’ve Got Mail”? It’s just like Tom Hanks’ and Meg Ryan’s old movie, “Sleepless in Seattle”. Except with computers. They should have just called it “Sleepless in Cyberspace”.
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