The New Yorker is running an excerpt from Seth Rogen’s new memoir, Yearbook (ebook), which will be out next week. When you’re reading this, remember to hear Rogen’s voice in your head; it makes it so much better.
The movie “Tombstone” came out in 1993, and, although it wasn’t a massive box-office or critical hit (the New York Times called it “morally ambiguous”), it made an impression on many, mostly owing to an amazing performance by Val Kilmer that was publicly praised by President Bill Clinton — which is the single most nineties sentence one could write. As 1994 rolled around, a young me was smitten with not only Kilmer’s performance as Doc Holliday but the entire Western aesthetic. The result? A fuckload of vests.
I could not own enough vests. I’d have bought more torsos just to wear them all if that were an option. A vest packed me in, gave me shape, and, most important, kind of made me feel like a cowboy who was dying of tuberculosis, which Kilmer had somehow made seem super-awesome. I also wore a pocket watch, which, in a truly impressive act of delusion, I’d convinced myself was cool.
It wasn’t.
Weekend after weekend, a slow song would come on, boys would ask girls to dance, girls would ask boys to dance, and I’d generally find myself standing off to the side, watching it all happen, spinning my pocket watch like some sort of nineteen-twenties Mafia snitch.
I’m a little older than Rogen — Tombstone hit when I was in college — and seeing the film didn’t make me want to wear vests, but that didn’t stop me and my friends from going around quoting the film at length, pretty much all of the time for months on end. One of our favorites — I can’t remember which of us originally came up with this — was reworking Doc Holliday’s line about his partner not wearing a bustle (seen at the beginning of this clip) into: “Kate, you’re not doing The Hustle. How doo doo doo doodoo doodoo doo doo…” That’s some prime middle school humor right there.
