homeaboutarchivepodcastnewslettermembership!
aboutarchivepodcastmembership!
aboutarchivemembers!

kottke.org posts about 1917

How 1917 Was Filmed to Look Like One Long Continuous Take

posted by Jason Kottke   Jan 15, 2020

1917 is the latest in a string of one-shot movies, where the action is presented in real-time and filmed to look as though it were done in one continuous take. This video takes a look at how director Sam Mendes, cinematographer Roger Deakins, and editor Lee Smith constructed the film. In this interview, Smith & Mendes say that the film contains dozens of cuts, with shots lasting anywhere from 39 seconds to 8 & 1/2 minutes. My favorite parts of the video are when they show the camera going from hand-held to crane to truck to cover single shots at a variety of speeds and angles. It’s really impressive.

But — does the effect work to draw the audience into the action? I saw 1917 last night and was distracted at times looking for the cuts and wondering how they seamlessly transitioned from a steadicam sort of shot to a crane shot. Maybe I’d read too much about it going in and distracted myself?

1917, a WWI Thriller Presented In Real-Time as a Single Continuous Shot

posted by Jason Kottke   Oct 04, 2019

Master cinematographer Roger Deakins has teamed up with director Sam Mendes on 1917, a WWI thriller that follows two soldiers tasked to deliver a message to the front lines to save the lives of thousands of men. To create a more immersive feeling, they decided to present the action of the movie in real-time and pieced together many long takes to make it seem as though the film is a single continuous 2-hour-long shot. In the video above, the filmmakers give us a behind-the-scenes look at how that impressive undertaking was accomplished.

With the emphasis on time as the film’s organizing principle, it’s not difficult to see the influence of Christopher Nolan’s Dunkirk here. Even the watch-ticking music in the trailer for 1917 is similar to Hans Zimmer’s score for Dunkirk. (via @jayjrendon)