Advertise here with Carbon Ads

This site is made possible by member support. ๐Ÿ’ž

Big thanks to Arcustech for hosting the site and offering amazing tech support.

When you buy through links on kottke.org, I may earn an affiliate commission. Thanks for supporting the site!

kottke.org. home of fine hypertext products since 1998.

๐Ÿ”  ๐Ÿ’€  ๐Ÿ“ธ  ๐Ÿ˜ญ  ๐Ÿ•ณ๏ธ  ๐Ÿค   ๐ŸŽฌ  ๐Ÿฅ”

Francis Ford Coppola Breaks Down His Most Iconic Films

Francis Ford Coppola, a legendary filmmaker no matter how you slice it, sat down recently to talk through his most notable films: The Godfather films, The Conversation, Apocalypse Now, and a new movie he’s working on called Megalopolis. I really enjoyed this. Some tidbits:

  • Coppola didn’t know anything about the Mafia before making The Godfather.
  • The studio did not want to call it Godfather Part II. And now explicit sequels like that are ubiquitous.
  • He praised the way Marlon Brando thought about ants and termites?!
  • I’d missed that Godfather Part III had been recently recut and rechristened “Mario Puzo’s The Godfather, Coda: The Death of Michael Corleone”, which is what Coppola wanted to call it all along.

And this is a great way to think about creative projects:

Learning from the great Elia Kazan, I always try to have a word that is the core of what the movie is really about โ€” in one word. For “Godfather,” the key word is succession. That’s what the movie is about. Apocalypse Now,” morality. “The Conversation,” privacy.

(via open culture)