Stairs show up all over the place in Alfred Hitchcock’s movies — here’s a supercut of some of those scenes from his more than 50 years of movie-making.
In the first shot of Alfred Hitchcock’s first film, The Pleasure Garden (1925), a line of women stream down a spiral staircase backstage at a theater. In the last shot of Hitchcock’s last film, Family Plot (1976), Barbara Harris sits down on a staircase, looks into the camera, and winks. In the fifty years and over fifty films between these bookends, Hitchcock made the staircase a recurring motif in his complex grammar of suspense — a device by which potential energy could be, metaphorically and literally, loaded into narrative, a zone of unsteady or vertiginous passage from one space to another, always on the verge of becoming a site of violence.
(via storythings)