Russian Doll has depth, and bodega scenes
In one of his recent media diet* posts, Jason mentioned Russian Doll.
Russian Doll. Groundhog Day adjacent. Natasha Lyonne is mesmerizing. (B+)
Natasha Lyonne is quite mesmerizing in Russian Doll, and both Greta Lee and Chloe Sevigny give layered performances around her curly bangs and gruff but sensitive delivery. But the Groundhog Day comparison sells it short.
Russian Doll is all at once a New York story, a story of rediscovery, of addiction, of healing, of trauma, and of how visually stunning a vivid palate can be on the small screen. The full season was utterly captivating on many levels, and deserves more recognition than just being good episodic television. The soundtrack is note-perfect as well, though Love’s “Alone Again Or” will forever stand in my mind as part of this scene in Bottle Rocket. (The best Wes Anderson film. Fight me.)
I lived by Lyonne’s tidbit of advice via The Cut for a couple cold weeks in March, but really it’s always applicable for introverts.
This is all to say, please watch Russian Doll if you haven’t already, and let’s discuss. Find me on Twitter.
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