Sage advice from Alec Baldwin about the Mark Sanford affair: Don’t Take the Bait.
Now is a wonderful opportunity to show the country what Democrats/liberals/progressives/unaligned learned from the Clinton era. Whatever personal problems that public officials deal with privately, leave them alone. This could happen to anyone, in any state, regardless of party. Why make the voters of South Carolina suffer while Sanford is skewered? If he wants to resign, so be it. If not, let him deal with it in private.
And Baldwin didn’t say this but I will: lefty political sites like HuffPo and TPM have and are devoting a lot of time and attention to these Republican sex scandals. Hey, they’re good for pageviews, right? That’s part of the problem too. Aren’t there more important political things going on in the world than this gossip?
A profile of Alec Baldwin by Ian Parker for the New Yorker.
He recalled a day, a few years ago, when he was driving through L.A., saw a car run a red light, smash into another car, and keep moving. Baldwin gave chase and, eventually, blocked the culprit in a cul-de-sac. Before the police arrived, the driver got out of his car — “Typical drug-addict, alcoholic, fuckhead look on his face. He was, ‘O.K., what? What? You’re chasing me. What?’ This nineteen-year-old kid, his eyes blazing. I’m thinking, I’m going to come over there and knock your teeth down your fucking throat just because you’re asking me ‘What?’ You know what, you little fuck? I saw you. I’m a pretty liberal person, but my liberalness comes from what the government should be doing with its excess of wealth. That doesn’t mean I’m not a law-and-order person. I’m the kind of person — you catch the kid who’s drunk and high and he almost killed a girl, let’s take him in and beat the shit out of him for a couple of hours. Then he’ll learn.” He laughed. “I believe that!”
Things I have enjoyed Alec Baldwin in:
The Hunt for Red October
Glengarry Glen Ross
The Royal Tenenbaums
But what firmly installs Baldwin onto my list of favorite actors of all time is his many Saturday Night Live appearances. Watching Schweddy Balls and Inside the Actors Studio (with Baldwin as Charles Nelson Reilly) still brings tears of howling laughter to my eyes. I gotta bump 30 Rock to the top of my viewing queue.
Alec Baldwin must relish the opportunity to channel his rage through Jack Donaghy, the beloved heartless media executive he plays on 30 Rock, a rage in evidence at The Huffington Post in his open-skewering of the suits who own and run his show’s network.
On the problem of the studios in the ongoing WGA negotiations:
They are owned by huge, creativity-deadening corporations and operated by lawyers and marketing executives who lord over the worst creative decline I have witnessed in a long time, particularly in films. In television, companies like GE view properties like NBC the way realtors view square footage. GE does not care what is on NBC. So long as the programming is relatively inoffensive, they want to earn as much per square foot as they can.
I missed this at the time, but 30 Rock snuck in a last-minute subversive writers’ strike joke for its last pre-strike show.
For some defictionalized 30 Rock goods, t-shirts for the parent company of 30 Rock’s NBC, Sheinhardt Wig Company, can be had here.
(via glass shallot)