Every once in awhile on the site, I’ll use the phrase “in my wheelhouse”, meaning something that is particularly interesting to me. Well, Grantland’s long oral history of the making of Boogie Nights is so in my wheelhouse that I might be the captain.
When [Anderson] set out to film Boogie Nights, it was with a resolve bordering on arrogance. Compromise wasn’t part of the plan. Still, after an intense production and postproduction period — one in which the director had to manage a cranky, confused Burt Reynolds and an untested, rapping underwear model named Mark Wahlberg — Anderson was forced once again to fight studio heads for his cut of the film.
But Anderson’s vision prevailed this time. Nearly 20 years later, Boogie Nights endures. For its beautiful portrait of nontraditional families; for Reynolds and Wahlberg, the surrogate father and son, who were never better; for Philip Seymour Hoffman, squeezing into character and breaking hearts; for its prodigy director sticking to his guns and nailing it; for John C. Reilly’s hot-tub poetry; for Roller Girl. Is everybody ready? This is the making and near unmaking of Boogie Nights.
Man, I love that movie. But think on this: Leonardo DiCaprio as Dirk Diggler, Drew Barrymore as Roller Girl, and Bill Murray as Jack Horner.