Advertise here with Carbon Ads

This site is made possible by member support. ๐Ÿ’ž

Big thanks to Arcustech for hosting the site and offering amazing tech support.

When you buy through links on kottke.org, I may earn an affiliate commission. Thanks for supporting the site!

kottke.org. home of fine hypertext products since 1998.

๐Ÿ”  ๐Ÿ’€  ๐Ÿ“ธ  ๐Ÿ˜ญ  ๐Ÿ•ณ๏ธ  ๐Ÿค   ๐ŸŽฌ  ๐Ÿฅ”

Film personality test

Ben Tesch proposes the following personality test:

What I find most interesting is which movie people consider the best movie from a particular director, as it is usually very telling and polarizing in a different way, so to this point I will propose a new personality test where you reblog your favorite movie from each of these directors:

1. Joel Coen: No Country for Old Men, The Big Lebowski, Fargo, The Hudsucker Proxy, Miller’s Crossing, Raising Arizona, etc
2. Wes Anderson: The Darjeeling Limited, The Life Aquatic with Steve Zissou, The Royal Tennenbaums, Rushmore, Bottle Rocket, etc
3. Hal Ashby: Being There, Shampoo, Harold and Maude, etc
4. Kevin Smith: Zack and Miri Make a Porno, Dogma, Chasing Amy, Mallrats, Clerks, etc
5. Quentin Tarantino: Grindhouse, Kill Bill, Pulp Fiction, Reservoir Dogs, etc

I would also personally throw in:

6. Stanley Kubrick: 2001, The Shining, A Clockwork Orange, Full Metal Jacket, Dr. Strangelove, Lolita, etc.
7. P.T. Anderson: Boogie Nights, Hard Eight, There Will Be Blood, Punch-Drunk Love, Magnolia.
8. Errol Morris: The Thin Blue Line, The Fog of War, Mr. Death, Fast, Cheap and Out of Control, Gates of Heaven, etc.

I’m a FRHMPDBF (Fargo, Rushmore, Harold and Maude, Mallrats, Pulp Fiction, Dr. Strangelove, Boogie Nights, and The Fog of War). Notes: I’ve only seen one Hal Ashby movie. I very easily could have gone with The Thin Blue Line, Magnolia, and perhaps even Kill Bill. I would choose anything else on the list over any of Kevin Smith’s movies. Most of my picks I’d seen for the first time around the same time period, approx. 1995-1998. And what a sausage fest…I’ll add Coppola’s Lost in Translation to the mix. (via sandwich, who intriguingly chose Darjeeling over Rushmore, Tenenbaums, Zissou, and Bottle Rocket. I wonder what personality defect that indicates?)