Working with editor Glenn Herdling, and using the Marvel Method of story to art to dialogue, Fishman developed the plot, Herdling found some of Marvel’s best artists to pencil, ink, and color, then Fishman wrote the copy (conveying everything the lawyers and SEC demanded), and Herdling put everything together. And so, thirty years ago today, a slim four-page comic debuted, with a cover by legendary artist John Romita Sr. Inside, Spider-Man and the Incredible Hulk (sporting, appropriately, an accountant’s green eye shade) discussed net income, publishing revenues, and earnings per share.

The report caused an immediate sensation. No one had seen anything like it. Even more impressive was the subsequent annual report. A 36-page stapled book on glossy paper, it combined information in comics form, introduced by Uatu the Watcher, with updates on licensing, advertising, and more, along with traditional financial tables and text.

Set at an IRS tax-return-processing center in Illinois in the mid-1980s, The Pale King is the story of a crew of entry-level processors and their attempts to do their job in the face of soul-crushing tedium. “The Pale King may be the first novel to make accountants and IRS agents into heroes,” says Bonnie Nadell, Wallace’s longtime agent and literary executor. Michael Pietsch, Little, Brown’s publisher and The Pale King’s editor, says, “Wallace takes agonizing daily events like standing in lines, traffic jams, and horrific bus rides — things we all hate — and turns them into moments of laughter and understanding. Although David did not finish the novel, it is a surprisingly whole and satisfying reading experience that showcases his extraordinary imaginative talents and his mixing of comedy and deep sadness in scenes from daily life.”