This is a unique look at the history of the world from 1925 to 2025, told through the lens of movies whose plots take place in those years. For example, the WWII era is represented by The Sound of Music (1965), The Pianist (2002), The Darkest Hour (2017), Casablanca (1942), The Thin Red Line (1998, Come and See (1985), Son of Saul (2015), Oppenheimer (2023), and Godzilla Minus One (2023).
As the video goes on, more and more of the scenes depict imagined past futures from films like 1984, Transformers: The Movie, Blade Runner, The Matrix, 2001: A Space Odyssey, and Johnny Mnemonic.
In the end, it’s not a happy video — lots of war, both past and future. Hollywood does like to dwell on our worst times.
Slice of Life (trailer) is a feature-length documentary about the American Dream through the lens of former Pizza Huts that have been transformed into everything from bars to churches to candy stores to cannabis dispensaries. A woman who runs an LGBTQ+ church out of a former Pizza Hut says:
It’s the stained-glass windows that draw people and touch people, and I think really takes it out of the realm of a Pizza Hut. It’s the power of transformation. When things continue to transform, beauty can come from it, good things can come out of it.
Pizza Hut was the #1 eating-out destination for me as a kid. My family never ate out much, so even McDonald’s, Arby’s, or Hardee’s was a treat. But Pizza Hut was a whole different deal. Did I enjoy eating salad at home? No way. But I had to have the salad bar at Pizza Hut. Did I normally eat green peppers, onions, and black olives? Nope…but I would happily chow down on a supreme pizza at Pizza Hut.
Ok so this is weird and delightful. Swedish electronics company Teenage Engineering makes a collection of singing wooden dolls called the Choir. The dolls are basically speakers but with some autonomy and personality…and they can work together:
what you see are eight wooden dolls, made to serenade you with a repertoire of choral classics as well as perform your own original compositions through midi over ble. each member has their own characteristic vocal range. individually one can sing a dynamic solo, together they perform an immersive a cappella concert.
Composer Rob Simonsen used three Choirs together to help create the score for Elio, the newest Pixar movie that takes place in space.
we were looking for an otherworldly sound—something that sounded relatable, that echoed vocalizations, communication that humans could understand, but felt like it was from another world. i came across these choir dolls and heard their sound. it was beautiful — electronic, but human. each body is handcrafted. they have a robotic but organic sound at the same time. it felt like a perfect answer to what we were looking for.
In this interview with Simonsen, he talks about working with the Choir to create the movie’s sound; the relevant part starts at the 15:20 mark and includes some of the music they composed with it.
There’s a flip flop element to this too: they mic’d up the dolls to record the audio, just like they would with human performers.
I read Project Hail Mary (by The Martian author Andy Weir) a few summers ago; it was fine. I suspected at the time it might make a better movie than a book and after watching the trailer, I’m excited to see this next summer. Ryan Gosling stars and Phil Lord & Christopher Miller (The Lego Movie, produced the Spider-verse movies) are directing. Out in theaters March 2026.
Death of a Fantastic Machine (aka the camera) is a short documentary on “what happens when humanity’s infatuation with itself and an untethered free market meet 45 billion cameras”…and now AI. It’s about how — since nearly the invention of the camera — photos, films, and videos have been used to lie & mislead, a trend that AI is poised to turbo-charge. Not gonna sugar-coat it: this video made me want to throw my phone in the ocean, destroy my TV, and log off the internet never to return. Oof.
The short is adapted from a feature-length documentary directed by Maximilien Van Aertryck and Axel Danielson called And the King Said, What a Fantastic Machine (trailer). Van Aertryck & Danielson made one of my all-time favorite short films ever, Ten Meter Tower (seriously, you should watch this, it’s fantastic…then you can throw your phone in the ocean).
P.S. I hate the title the NY Times gave this video: “Can You Believe Your Own Eyes? Not With A.I.” That is not even what 99% of the video is about and captures none of what’s interesting or thought-provoking about it. However, it is a great illustration of one of the filmmakers’ main points: how the media uses simplifying fear (in this case, the AI bogeyman 🤖👻) to capture eyeballs instead of trying to engage with complexities. “Death of a Fantastic Machine” arouses curiosity just fine by itself. (via craig mod)
Wes Anderson’s first ten features represent twenty-five years of irrepressible creativity, an ongoing ode to outsiders and quixotic dreamers, and a world unto themselves, graced with a mischievous wit and a current of existential melancholy that flows through every captivating frame. This momentous twenty-disc collector’s set includes new 4K masters of the films, over twenty-five hours of special features, and ten illustrated books, presented in a deluxe clothbound edition.
The boxset’s trailer is predictably Andersonian:
More details:
New 4K digital masters of Bottle Rocket, Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou, The Darjeeling Limited, Fantastic Mr. Fox, Moonrise Kingdom, The Grand Budapest Hotel, Isle of Dogs, and The French Dispatch of the Liberty, Kansas Evening Sun, supervised and approved by director Wes Anderson, with 5.1 surround DTS-HD Master Audio soundtracks
This boxset will set you back a cool $400 ($350 on Amazon), but look at all that stuff!
This video feels like a throwback to a simpler time on YouTube: 331 film clips edited together to recreate Eminem’s Lose Yourself. A particularly well-done example of a time-worn genre. I lol’d at “let it go!!”
And an honorable mention to this frame from Porco Rosso:
The weird little guys category generally doesn’t apply to humans, but this image of little kids crawling all over a pig man’s airplane certainly classifies as an unusual swarm.
I bought a shirt with a kodama on it after seeing Princess Mononoke in 1999. At some point, I got rid of the shirt — why the hell did I do that?! It was very close to this shirt on Etsy selling for $288…the collar/sleeve color was a dark blue or black on mine.↩
In this episode of Nerdwriter, Evan Puschak takes a look at a simple scene from one of my favorite recent films and shows how director Steven Soderbergh makes it sing.
Like Spielberg or Fincher, Soderbergh is a master craftsman, who can translate a scene from page to screen with the confidence of a seasoned pro. You feel that confidence when you watch his movies, and it’s both relieving and engaging.
Even after 60+ years, Lawrence of Arabia is one of the best-looking films out there; this video explores why. I got to see Lawrence of Arabia on a big screen last fall and it was stunning — the colors, the amount of detail, the cinematography in general.
Well this is just wonderful: Studio Ghibli has uploaded hundreds of high-resolution still images from almost all of their films, including all of the major ones: Princess Mononoke, Sprited Away, My Neighbor Totoro, The Boy and the Heron, Howl’s Moving Castle, etc. etc. The images are labeled “solely for personal use by individual fans to further enjoy Studio Ghibli films” and people are urged to “please feel free to use the images within the bounds of common sense”.
A few months ago, I wrote about Pee-wee as Himself, a two-part HBO documentary about the life and career of Pee-wee Herman (Paul Reubens) that had then just premiered at Sundance. Now we’ve got a trailer and a premiere date: May 23.
It’s weird to be in this situation, having a documentary made, because I’m used to having control of my alter ego.
Earlier this week, Aaron found this clip featuring a set of twins who were eyewitnesses to an accident and who also speak mostly in unison.
This short clip reveals more about the Powers sisters’ unusual way of communicating (“we don’t know why, but we have tried to talk separately, but it’s not ourselves, it’s not us”):
This synchronicity between twins is uncommon but not unique. In fact, Werner Herzog is filming a movie called Bucking Fastard right now that stars Rooney and Kate Mara as a pair of inseparable twin sisters based on the true story of Freda and Greta Chaplin.
Here’s how Herzog describes the Chaplin twins:
In 1981 they had a short run in the British ‘red tops,’ or tabloid newspapers, and were famous for a few weeks for being the ‘sex-crazed twins’ who were so infatuated with their neighbor, a lorry driver, that he took them to court and had a restraining order taken out against them. Their story is unique. They are the only identical twins we know of who speak synchronously.
We know that twins sometimes develop their own secret language when they are all alone by which they can exclude the rest of the world, but Freda and Greta spoke the same words at the same time. I have had the experience where they open the door, greet me, and ask me inside, all completely synchronous in word and gesture. I suppose this type of a conversation could be a ritual developed by practice. But later on, they answered questions they can’t have been expecting absolutely in unison. Sometimes they spoke separately, then Freda, for the sake of argument, would speak the first half of a sentence, at which point Greta would chime in with a word or two in unison, and then bring the sentence to a conclusion herself. Or the other way around. They wore exactly the same clothes, hairstyles, shoes. Their handbags and umbrellas were identical; they were as coordinated as a Rorschach test ready to be folded in two at any moment. When they walked, they didn’t walk in step like soldiers, left-right, left-right, but they had their inside feet together and kept time with their outside feet. It was the same with their handbags, which they didn’t both carry in their left hands; they carried them in their outer hands and their umbrellas with their inside hands. You could have folded a picture of them, and the two halves would have matched. Their gestures were synchronized, their physical awareness of each other continuous. Who was left and who was right in sitting or walking was for me the only way of telling which one was Greta and which was Freda at our early meetings.
You can see them speaking & interacting in this 1987 short documentary about the twins, A Pair of One.
Filmmaker Ryan Coogler (Black Panther, Creed) is a big ol’ movie dork, and it’s endearing to watch him break down all the different types of film, aspect ratios, and projection options as he explains how many ways you can watch his latest movie, Sinners, when it comes out this week. Super informative too if you’ve always wondered about the different IMAX formats and just what the heck it means when someone you love gets excited about 70mm.
Ok so I’ve watched the trailer for the new Wes Anderson movie, The Phoenician Scheme, a couple of times and I still don’t know what it’s actually about? But from the looks of things, it is more of the same for people who like that sort of thing, which is lucky for me.
Also, Michael Cera might be the most Wes Anderson-coded actor that’s never before been in a Wes Anderson movie.
This is a dire moment in the US. It’s a moment where there’s an opportunity for people with a lot of money to rip apart all of the guidelines enacted by the Roosevelt administration, way back in the day, to guard against the brutality of unfettered capitalism. Capitalists like to have all the power that they want, whenever they want it. They’re not much interested in democracy either, it turns out. Nor, apparently, the rule of law. The government is not the solution — it’s the problem. And now a vengeful president who just wanted a get-out-of-jail-free card is going to punish his enemies and show us all how to destroy the American administrative state by using the big stick of Elon Musk’s chequebook.
Here are a few of the films and their trailers — you can check out the article for the rest.
I Am Not Your Negro (Raoul Peck, 2016):
Election (Alexander Payne, 1999):
White Noise (Daniel Lombroso, 2020) {Note: this is not the DeLillo adaptation}:
American Factory (Julia Reichert and Steven Bognar, 2019):
In a stage production that premiered last year in London, Steve Coogan played four roles (Dr. Strangelove, Captain Mandrake, President Muffley, and Major TJ Kong) in an adaptation of Stanley Kubrick’s Dr. Strangelove. The play was adapted for the stage by Armando Iannucci and Sean Foley. A filmed version of the play is currently playing in theaters…here are some trailers and clips from that:
The play’s run has ended and I don’t know if it will be restaged elsewhere, but like I said above, a filmed version is showing in theaters and you can look for tickets near you.
P.S. In the original version, Peter Sellers was supposed to play the same four characters as Coogan does in the play but was reluctant to play Major Kong. In the end, Sellers sprained his ankle and couldn’t play Kong in the cramped airplane set, but he still played Mandrake, Muffley, and Strangelove. (via @fritinancy.bsky.social)
For some reason, Warner Bros. has uploaded 41 of its movies to YouTube that are free to watch. Among them, Waiting for Guffman, The Accidental Tourist, The Bonfire of the Vanities, Richard Linklater’s SubUrbia, The 11th Hour (Leonardo DiCaprio’s climate change movie), The Science of Sleep, The Avengers (the 1998 non-Marvel spy flick with Ralph Fiennes & Uma Thurman), and Mr. Nice Guy (w/ Jackie Chan — this has the highest number of views on the list by an order of magnitude).
Shopping for Superman, guides viewers through a 50-year journey revealing the origin story of their friendly neighborhood comic shops and the people fighting to keep their doors open.
Since it began, the retail comics industry has contracted by over 75% with more shops closing every month.
After five years of diminished sales, a global pandemic, and the digitization of retail shopping dominating most markets, Shopping for Superman asks the question, “Can our local comic shops be saved?”
Shopping for Superman, does more than explain the history of retail comic book shops. Its underlying narrative reveals how shops directly influenced comic book publishing to cultivate some of the most daring and controversial materials ever committed to print.
Through the evolution of comics, bolstered by shop owners, local communities gained access to safe spaces for individuals having a crisis of identity, a place that promoted literacy and critical thinking in areas where those things are scarce.
Audiences will see, first-hand, just how necessary their support will be in keeping these shops open and available for future generations.
I recently rewatched Glass Onion and had a couple thoughts about it.
1. Before settling in to watch, I’d remembered that Edward Norton’s mega-billionaire character Miles Bron bore some resemblance to Elon Musk, but I’d forgotten that the whole plot of the movie revolves around what a blustering dope, what a dumb charlatan, what a dim-witted con man Bron/Musk is. As we endure this political moment dominated by halfwit flimflammers, witnessing Bron’s downfall orchestrated by a gay detective and a Black woman was surprisingly cathartic.
2. I love films like this! Like Knives Out, Glass Onion is stacked with acting talent, helmed by a great writer/director, funny & dramatic, and, crucially, doesn’t take itself too seriously. There’s a sense that everyone is having a good time, with a wink at the audience. And they’re just flat-out fun to watch. Is there a name for movies like this? A micro-genre? The type of movie you could imagine Muppets being a part of without too many changes?
I’d include movies like the Ocean’s series, Lucky Logan, some of Wes Anderson’s films, perhaps Kenneth Branagh’s Hercule Poirot trilogy, and maybe even Mike White’s The White Lotus series. Like, what do we call these winking prestige ensemble dramedy thrillers? (Surely we can’t call them “winking prestige ensemble dramedy thrillers”.) And what other films would you include?
Hey look at this, a media diet post that’s not months and months since the last one! Phew, it’s a been a long-ass six weeks since the beginning of the year, hasn’t it? Here’s a list of what I’ve been reading, watching, listening to, and experiencing to help get me through the days.
Nosferatu (2024). Not usually a fan of horror movies, but I liked this a lot. Great acting and cinematography. (A-)
Shōgun by James Clavell. This took a bit to get fully into, but I was riveted for the last 600-800 pages, even though I knew what was going to happen from having seen the TV show. So much more delicious detail in the book though. A great reading experience. (A)
September 5. Loved this. Solid journalism thriller in the vein of Spotlight, The Post, and All the President’s Men. (A)
Silo (season two). In agreement with many other viewers that the middle of the season was not all that compelling, but the final two episodes were great. (B+)
Not Like Us. For whatever reason, I ignored the Drake/Kendrick feud, so I got to this late but wow. “Hey, hey, hey, hey, run for your life…” (A)
Arca Tulum. Eating at this sort of restaurant should yield exclamations like “I’ve never tasted anything quite like this”. I thought this at least three times at Arca. But also: a pile of rocks is not the ideal plate for messy food. (A-)
Aldo’s. This is a Mexican gelato chain and they had a Biscoff-flavored gelato that was so good that I went back for it three more times. (A)
Antojitos La Chiapaneca. This is the only restaurant I ate at twice in Tulum — their al pastor tacos are so good. (A)
The Serviceberry by Robin Wall Kimmerer. A quick read but very relevant to what’s happening in the world right now. In keeping with the theme, I left the book at my hotel for someone else to read. (B+)
Janet Planet. A little too contemplative for me. (B)
Abruzzo.Mario Carbone created the menu for this Italian place at the Newark Airport. I had the penne vodka and I think it was the best thing I have ever eaten at an airport? Is it insane that I kinda want to plan a trip with an EWR connection so that I can have it again? P.S. the Tripadvisor reviewers haaaated this place. (A)
Reservation Dogs (season three). I reviewed Res Dogs in the last media diet post (“I enjoyed the first season more than the subsequent two”) but I’d like another crack at it. The last three episodes of the show were fantastic, especially the hospital breakout and Elora meeting her dad. (A+)
Flow. Reminded me strongly of Studio Ghibli’s films, but this wonderful animated movie is also uniquely its own thing. (A+)
The Bends. My usual Radiohead fare tends towards Kid A and In Rainbows, but I’ve been listening to The Bends a lot lately and appreciating the less polished rockiness of it. (A-)
Wool. Since the book (more or less) covers the events of the first two seasons of the TV series, I read half of it after season one and the other half after the latest season. And…I think the TV series is much better? (B-)
Thelma. A gem of a film, like Mission Impossible crossed with About Schmidt (or maybe The Bucket List). June Squibb is *fantastic* in the lead role. (A)
The Great British Bake Off (2024). Overall I enjoyed this season — they recruited a selection of talented bakers and the changes they’ve made (e.g. getting away from stunt bakes). But I found the semifinal and final difficult to watch because one of the contestants forgot he was supposed to be entertaining on television and totally lost his composure. (B+)
GNX. I also reviewed this in the last media diet post but I’ve continued to listen and I think GNX may have moved past DAMN. as my favorite Kendrick album? (A+)
Hundreds of Beavers. Super fun and inventive…this is like an animated movie with video game elements made with live-action actors. If you’re the sort of person who loves movies like Monty Python and the Holy Grail, you’ll probably love this movie. (B+)
Orbital by Samantha Harvey. A reviewer complained that the final third of the book took on the style of a writing exercise and I agree. (B)
The Penguin. Colin Farrell is unrecognizable (and great) as Oz, and Cristin Milioti is a chillingly fantastic Sofia Falcone. The first few episodes were really strong but I felt it slipped a bit as the season went on. (A-)
In deciding the Oscar Best Picture winners from 1927-2023, let’s say you relied on the contemporary ratings of films on Letterboxd instead of the Academy vote totals of the time. Sometimes, you’d get the same answers but rarely. You’d get lots more foreign films from directors like Ozu, Kurosawa, Truffaut, Leone, Bergman, and Tarkovsky. You’d get Best Picture wins for The Empire Strikes Back (over Ordinary People), Do the Right Thing (over Driving Miss Daisy), and Brokeback Mountain (over Crash). And Paddington 2!
Looking at just one year, 1999 was a good one for movies but the Oscar nominees were on the safer side:
American Beauty
The Cider House Rules
The Green Mile
The Insider
The Sixth Sense
Before he died in 2023, Paul Reubens conducted 40 hours of interviews about his life and career with filmmaker Matt Wolf. These interview form the backbone of Wolf’s two-part documentary series Pee-wee as Himself. The series recently premiered at Sundance and there’s no trailer yet, but Variety has an overview and review.
Reubens is a compelling enough figure to carry a straightforward bio-doc, and over its substantial length, Wolf’s two-part film does justice to its subject’s thoroughly sui generis artistry — a rare blend of experimental performance, broad comedy and high, queer camp that caught imaginations of all ages — while giving due scrutiny to the off-screen legal troubles that unfairly threw his career off-course. Reubens is a generous, engaging raconteur on all such matters, while also allowing himself to be drawn on a personal life that he kept close to his chest up until his death. But it’s the brittle, unsettled dynamic of the interview footage itself that makes “Pee-wee as Himself” unusual and engrossing, as Wolf and Reubens — never, we learn, an artist comfortable with surrendering creative authority — grapple for control of a story that each wants to tell very differently. The result is perhaps a draw, though far from a dull one.
In the interviews for the film, Reubens reveals publicly for the first time that he is gay. He’d been openly gay earlier in his life but had his reasons for not talking about it as his career blossomed:
In adolescence, those inclinations shifted toward the bohemia of the late-1960s art scene, and upon leaving home and going west, CalArts proved a sympathetic environment for his singular talents and personality. At this stage of his life, Reubens was openly gay, while his family was fully supportive in this regard. A long-term, live-in relationship with a fellow artist brought him both happiness and creative stasis: “I lost a lot of myself and my ambition in being with someone else,” he says, reflecting on his subsequent decision to suppress his sexuality to prioritize his career.
Pee-wee as Himself will air later this year on HBO.
Back in June, I posted about the 4K restoration of Akira Kurosawa’s Seven Samurai coming out in theaters; here’s the trailer:
I just checked and the 4K version appears to be out on streaming and 4K Blu-ray. The 4K Blu-ray is available from the Criterion Collection and includes a bunch of extra goodies: two audio commentaries, a making-of documentary, “a two-hour conversation between director Akira Kurosawa and filmmaker Nagisa Oshima”, and a documentary looking at the samurai traditions and films that helped shape Kurosawa’s masterpiece.
As for streaming, here’s the situation:
There’s a version on Max that might or might not be the recently restored 4K version. I’ve played the beginning and the titles are nice & crisp and there’s no dust & scratches. But the description doesn’t say anything about 4K and you need to subscribe to their top-tier service to get 4K streaming anyway, so who knows. It might just be a 1080p restoration — which still looks really good, to be clear. (Note: Max’s support team confirms that their version isn’t 4K. Boo. Thx @nabil-boutaleb.bsky.social.)
Apple TV appears to have Criterion’s 4K restoration — the listing shows the “4K” icon and Criterion links directly to it from their page. And the trailer is for the 4K restoration.
Amazon may also have the 4K version, but there’s no “4K” icon on their listing. But Criterion does link directly to it from their page.
Streaming services should be better about telling viewers exactly what they are getting. I know most people don’t care and the streamers just want to push content to eyeballs, but this is Seven Samurai we’re talking about here!
Anyway, if there are any big film/streaming nerds out there who can help me sort this out, let me know! I’d love to be as accurate as possible even if Max & Amazon don’t care. (Tbh, this kinda makes me want to buy a 4K Blu-ray player and go back to physical media…)
Director Denis Villeneuve steps into the Criterion Closet to choose and talk about a few of his favorite films, including Krzysztof Kieślowski’s Three Colors trilogy, Steven Soderbergh’s Che, and Seven Samurai. At one point, he says, “We all look like Smurfs next to Fellini.”
Oh this is just delightful: for the opening of his documentary film on the history of music on SNL he co-directed with Oz Rodriguez, Questlove produced what the NY Times calls “a high-speed, six-minute DJ mix of SNL music highlights”. So. Good.
From the same piece in the Times, Questlove explains how it came about:
It’s impossible for me to phone anything in, even if I wanted to. I just wanted to throw the ultimate D.J. gig and hook you in from the gate. It started off small, and it couldn’t stop.
In the beginning, I was just going in five-year intervals — what’s the three strongest moments between ‘75 and ‘80? — and do it that way. But I’m so programmed as a D.J. it’s physically impossible for me to gather a group of songs together and not start — that’s my version of improvisation. And once you put, like, 17 songs together, you have a conversation with yourself: “OK, are we really doing this?”
My producers said: “It’ll never happen! The clearance, the clearance!” This is the first time that I realized my diplomatic position in music. People say, “Ahmir, you might be the next Quincy Jones, because your whole thing is more social than creative, knowing the right people, knowing who’s who.” There were at least 19 situations in which I had to come hat in hand to said person, and mind you, this is for two seconds — Michael Bolton singing “Love Is a Wonderful Thing” just once.
He got every clearance except for Luciano Pavarotti:
The only outright no that I couldn’t fix was that Luciano Pavarotti was going to be part of the Bobby McFerrin-Busta Rhymes mash-up. But it was too much to explain to his estate, and I couldn’t go to Italy and whatever. It could have been brilliant, Bobby McFerrin and Pavarotti going toe to toe.
The film premieres tonight on NBC and will be available on Peacock starting tomorrow.
Update: The YouTube video is now barely watchable — 2/3s of the screen is blurred. You’ll have to watch the film on Peacock to get the full experience.
Socials & More