When you think about TV shows about the workplace, The Office is likely top of mind. So, cutting an intro to new workplace darling Severance to match the visual style of The Office intro with The Office theme song was going to happen eventually…and here it is. Nicely done.
The Tolkien Estate has built a new website dedicated to J.R.R. Tolkien and it includes dozens of hard-drawn maps, illustrations, paintings, and calligraphic works done by the author in the course of writing his books. Tolkien was a talented artist and his maps and visual art were an integral part of his work. From Artnet:
Tolkien’s art and writings went hand and hand, with illustrations serving as an an integral part of his creative process. Sometimes the words would inspire the artwork, and sometimes drawing a scene would move the narrative in new directions.
The author meticulously mapped out the world of Middle Earth to ensure the accurate movements of his large cast of characters.
I was lucky enough to see some of these maps and drawings in person at this 2019 exhibition at the Morgan Library — great stuff. (via @tedgioia)
In an uncompromising TED Talk from a few days ago, Garry Kasparov warns we must confront “true evil” in the world when we see it, in this case Vladimir Putin and his regime.
Actually, my first article of warning was published in “The Wall Street Journal” on January 4, 2001. I saw evil because I heard evil. Putin was telling us what he was. All we had to do was listen. When Putin said that there was no such thing as a former KGB agent, I knew Russia’s fragile democracy was in danger. When Putin said that the collapse of the Soviet Union was the greatest geopolitical catastrophe of the 20th century, I knew Russia’s newly independent neighbors were at risk. And when Putin talked at the Munich Security Conference in 2007 about a return to spheres of influence, I knew he was ready to launch his plan. It was the language from the Molotov-Ribbentrop Pact, 1939. The language Hitler and Stalin used to divide Europe. And a year later, in 2008, Putin invaded the Republic of Georgia. 2014, Ukraine.
It’s a paradox, isn’t it? Dictators lie about everything they have done, but often they tell us exactly what they’re going to do. Just listen. Anyone who is surprised at Putin’s war crimes in Ukraine must not be aware about his long record, beginning with the Second Chechen War in Grozny more than two decades ago. Vladimir Putin has been a war criminal from the start.
When he was talking about the problem with compromising with authoritarians, I was reminded of a phrase I’ve heard in a couple of different contexts recently: meeting a racist halfway on their views is still racism; meeting a fascist halfway on their views is still fascism. As Rebecca Solnit put it in an article about the 2020 election: “Who the hell wants unity with Nazis until and unless they stop being Nazis?” Meeting a brutal authoritarian halfway, Kasparov is arguing, is still tyranny.
Somehow, during the printing process at a US Treasury Department printing facility, this $20 bill got a Del Monte banana sticker affixed to it…and then the seal and serial number was printed over it. The bill, known as the Del Monte Note, was sold at auction in January 2021 for $396,000.
Since 1952, Sight and Sound has been asking critics and other folks in the film world what the greatest films of all time are. For decades, Citizen Kane was in the top slot and therefore occupied this seemingly unassailable position in western culture as the greatest film ever made. Then in 2012, Kane was unseated by Vertigo. This year, Sight and Sound polled more than 1600 academics, curators, critics, archivists, and programmers to determine the current list of The Greatest Films of All Time. Here’s the top 10:
1. Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles
2. Vertigo
3. Citizen Kane
4. Tokyo Story
5. In the Mood for Love
6. 2001: A Space Odyssey
7. Beau Travail
8. Mulholland Drive
9. Man with a Movie Camera
10. Singin’ in the Rain
I have to confess, I’d never heard of the top pick before today (which appears to be 3 hours and 21 minutes long and on HBO Max if you’re interested.). The most recent film that’s highest on the list is the excellent Portrait of a Lady on Fire, coming it at #30. (And boy some folks on social media are big mad about it!) A second poll was taken among directors and their top 10 was slightly different:
1. 2001: A Space Odyssey
2. Citizen Kane
3. The Godfather
4. Tokyo Story
4. Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles
6. Vertigo
6. 8 1/2
8. Mirror
9. Persona
9. In the Mood for Love
9. Close-Up
I don’t know that there’s much to say about this…it’s the world’s fastest land animal moving in slow motion, muscles rippling, legs moving in concert, etc. It’s beautiful and mesmerizing — time kinda stopped for me while I was watching it.
This 360° time lapse video, filmed by meteorologist Witek Kaszkin in 2015, follows the never-setting Sun in a 24-hour trip around the sky above the Arctic Circle as the icy Arctic landscape is bathed in constant summer sunlight.
See also — and I may be burying the lede here — Kaszkin’s video of a total solar eclipse filmed from the same location. Wow. (via the kid should see this)
The details of the atrocities committed against the people of Bucha, Ukraine by Russian soldiers are more horrifying than language has words for. Luke Mogelson and photographer James Nachtwey are reporting for the New Yorker from Bucha as loved ones and volunteers try to make sense of the destruction. Note: the descriptions and photos in this piece may be disturbing (but IMO, we cannot turn away from this). This is one of the tamer paragraphs:
On the far side of a stretch of railroad tracks, two elderly women had been killed in their house. One lay in the doorway, another in the kitchen. Both were bundled in heavy winter coats. Neighbors said that they had been sisters, both in their seventies. Their small house was filled with hardcover books, and they did not own a television; it was impossible not to imagine their quiet, literary life together before it was annihilated. In the only bedroom, two narrow mattresses were pushed together and covered by a single blanket.
Update: From the NY Times, Bucha’s Month of Terror.
As the Russian advance on Kyiv stalled in the face of fierce resistance, civilians said, the enemy occupation of Bucha slid into a campaign of terror and revenge. When a defeated and demoralized Russian Army finally retreated, it left behind a grim tableau: bodies of dead civilians strewn on streets, in basements or in backyards, many with gunshot wounds to their heads, some with their hands tied behind their backs.
Is there a physical limit to how loud a noise can be? As you might imagine, the answer is somewhat complicated, even if you assume normal atmospheric conditions. In video, Benn Jordan discusses a few possible answers, as well as how we should think about the question in the first place. One possible answer is 194 decibels, although experiencing a sound that loud would probably kill you.
See also The World’s Loudest Sound, aka the sound generated by the Krakatoa volcanic eruption in 1883, which Jordan mentions in the video.
This is very cool: Tom Scott (who you may remember from The Giant Chainmail Box That Stops a House From Dissolving) visits an underground storage facility operated in a working salt mine by a company called Deepstore.
DeepStore was set up in the 1990s because we’ve got the perfect atmosphere down here to store items. The salt creates a naturally occurring dry atmosphere. And of course with the racking, nothing actually comes into contact with the salt. Because this is relatively a shallow mine — we’re around 150 metres, 400-500 feet — and because of the salt bed, it has created this natural ambient temperature of 14-15° along with a relative humidity of 53-55%, which anybody in the archive and storage world knows, naturally occurring, that is absolutely fantastic.
I would love to see more video of just riding through the tunnels in that cavernous place…gonna have to poke around on YouTube to see what I can uncover.
Update: Some more mine storage video here and here. (thx, @four_sides & @zakmahshie)
Wow, NASA just released a video shot by the Mars Perseverance rover of a solar eclipse by the moon Phobos. The video description calls it “the most zoomed-in, highest frame-rate observation of a Phobos solar eclipse ever taken from the Martian surface”. According to this article from JPL, the video of the eclipse is played in realtime; it only lasted about 40 seconds.
Captured with Perseverance’s next-generation Mastcam-Z camera on April 2, the 397th Martian day, or sol, of the mission, the eclipse lasted a little over 40 seconds — much shorter than a typical solar eclipse involving Earth’s Moon. (Phobos is about 157 times smaller than Earth’s Moon. Mars’ other moon, Deimos, is even smaller.)
Just a hunk of space rock passing in front of a massive burning ball of gas recorded by a robot from the surface of an extraterrestrial planet, no big deal.
Building on the lessons of World War II, Ukrainians are trying to save their art and other important cultural artifacts from destruction during Russia’s invasion. When an invader repeatedly tries to deny the cultural distinction of a people for decades and even centuries, like Russia has done with Ukraine, saving buildings and statues and paintings can be of great importance.
Because under the 1954 convention, “damage to cultural property means damage to the cultural heritage of all mankind”. So attacks on cultural heritage are a considered war crime. But treaties can only do so much. In the years since, conflicts around the world have rendered immeasurable damage to cultural heritage. A lot of it intentional. Like the Taliban’s destruction of the Bamiyan buddhas. And Isis’ attacks on ancient sites all over Syria.
“That cultural heritage is not only impacted, but in many ways it’s implicated and central to armed conflict. These are things that people point to that are unifying factors for their society. They are tangible reflections of their identity.”
And Putin has made it clear that identity is at the ideological center of Russia’s invasion: “I would like to emphasize again that Ukraine is not just a neighboring country for us. It is an inalienable part of our own history, culture, and spiritual space.”
“He thinks that we don’t really exist and they want to destroy all the signs of our identity.”
BTW, regarding the destruction of the museum that housed works by Maria Prymachenko at the start of the video: according to the Ukrainian Institute, the works were saved from burning by local residents.
The Fleur is artist Ondrej Zunka’s collection of imagined digital flowers with fanciful forms — an “Encyclopedia Botanica Digital”. (via colossal)
In this short clip, the cast of Galaxy Quest looks back on how the speech, mannerisms, and culture of the Thermian people were developed. One of the actors came up with the voice in an audition and the filmmakers and actors just ran with it. (via digg)
There is something deeply soothing to the human brain, at least to this human brain, about watching liquids flow. A burbling brook, cascading waterfall, crashing waves. Even better when it looks like outer space, like this video by Vadim Sherbakov of wonderfully whirling colorful inks with glitter. (via colossal)
P.S. A reminder if you’re into this sort of thing, there are dozens of similar videos in this mesmerizing collection.
#nyc is photographer Jeff Mermelstein’s collection of photos he’s taken on the streets of NYC of text messages on people’s phone screens. From a review of the book at LensCulture:
At once detached and intimate, we are offered a collection of fragmentary texts that register the daily life events and feelings of a city’s occupants, a raw vox pop assortment of broken and interrupted and incomplete messages. We watch users reading, texting and even editing on their phones. There are texts about break ups, declarations of love, dreams, lusts, illnesses, affairs, abortion, pregnancy, death, sexual proclivities, money, as well as recipes, cooking, dirty shower curtains and roach traps. Some messages remain unfathomable and enigmatic: “The nun said, ‘That’s OK…”
I wonder about the privacy aspect of this, but it’s always fascinating to see how other people communicate.
I did not mean to watch an entire 75-minute documentary in the middle of my workday, but this sucked me right in and it might do the same to you. Zhao Xiaoyong is one of thousands of painters in Dafen, China who hand-paint replicas of famous paintings by the likes of Matisse, Degas, Renoir, Leonardo, and Kahlo. But a favorite artist amongst many of them, including Zhao, is Vincent van Gogh.
Zhao says, “I’ve been painting his paintings for nearly 20 years. I want to see the originals.” He works from photos of paintings and believes his work will be better if he can see them in person. And so, he and a few others make the trip to Europe — to visit a buyer of their paintings in the Netherlands, to see the originals of their replicas in the Van Gogh Museum, and to visit some of the places he lived and worked. It quickly becomes a spiritual journey. On a street in Arles, they came across a scene that van Gogh painted in 1888:
Here we are! Oh, it is like this. Things from a hundred years ago are still here. See, the sky in my picture is so blue. The sky is so blue! Van Gogh also painted this picture at dusk. Now I know why his sky is so bright. It was at dusk when he painted. Just like how we experienced today. It’s just like that.
Never having painted from life before but inspired by the scene, Zhao paints the scene as van Gogh would have more than a century before — that is, as van Gogh would have stood there painting but also in the artist’s signature style and informed by Zhao’s deep knowledge of having made many replicas of that specific painting over the years.
After his trip, while sitting around a dinner table with friends, Zhao asks, “Have I become an artist? Do I have anything that deserves appreciation?” and it’s not difficult to imagine any number of painters and artists throughout the centuries and asking themselves those same questions over dinner and drink. Fascinating documentary.
P.S. You can follow and buy Zhao’s work on Instagram. (via open culture)
Hoping to draw attention to the climate crisis, activist Wynn Bruce set himself on fire in front of the Supreme Court on Earth Day. He later died from his injuries.
A Colorado man who set himself on fire in front of the Supreme Court on Friday in an apparent Earth Day protest against climate change has died, police said.
The Metropolitan Police Department of Washington, D.C., said that Wynn Bruce, 50, of Boulder, Colo., had died on Saturday from his injuries after being airlifted to a hospital following the incident. Members of his family could not be reached immediately for comment.
Kritee Kanko, a climate scientist at the Environmental Defense Fund and a Zen Buddhist priest in Boulder, said that she is a friend of Mr. Bruce and that the self-immolation was a planned act of protest.
“This act is not suicide,” Dr. Kritee wrote on Twitter early Sunday morning. “This is a deeply fearless act of compassion to bring attention to climate crisis.”
It’s shocking and sad but perhaps not surprising how little media attention this has gotten. Bruce, a Buddhist, seems to have planned this action for several weeks or even months, leaving clues in a repeatedly edited comment on Facebook. His action mirrors that of Thích Quảng Đức in 1963, who self-immolated in Saigon in 1963 to protest the persecution of Buddhists in South Vietnam. Rest in peace, Wynn Bruce.
As part of his Real Time series of new clock designs, Maarten Baas created the Sweeper’s Clock, a timepiece where the time is indicated by hands made of trash that is swept around the face by a pair of cleaners sweeping for 12 hours.
I got this from Colossal, who also highlight Baas’s Schiphol Clock and Analog Digital Clock.
Hey folks, just wanted to let you know about a slight change in the lineup around here. The Kottke Ride Home podcast has been renamed Cool Stuff Ride Home and will no longer be affiliated with kottke.org. The show’s got the same format (15-20 minutes of interesting news & information each weekday, a linkblog in podcast form) and the same great host, just with a new name that more accurately represents what the show is about. You can find the podcast here, here, or wherever you listen to your podcasts.
It’s been a pleasure to have the podcast as part of kottke.org for the last year and a half. Brian, James, and the crew at Ride Home Media were great to work with and I especially valued getting to know Jackson Bird — who knows, you might see something of him around here in the future. Good luck with the podcast!
Google has developed a typeface called Noto that seemingly includes every single character and symbol used for writing in the history of the world. I mean, look at all these different options: Korean, Bengali, Emoji, Egyptian hieroglyphs, Coptic, Old Hungarian, Cuneiform, Linear B, Osage, and literally dozens more.
Noto is a collection of high-quality fonts with multiple weights and widths in sans, serif, mono, and other styles. The Noto fonts are perfect for harmonious, aesthetic, and typographically correct global communication, in more than 1,000 languages and over 150 writing systems.
A particular shoutout to Noto Emoji: it supports the latest emoji release (14.0) and includes 3,663 emoji in multiple weights.
Perhaps it’s time for a new typeface ‘round these parts…
Update: I got it in my head that Noto was a new typeface, but it was first released in 2013. But Noto’s monochrome emoji font is new — I think that’s where I got confused.
At the Oscars last night, The Queen of Basketball won the award for best documentary short. The film is about Lusia Harris, the only woman to officially be drafted by an NBA team. Here’s what I wrote about Harris and the film back in August:
Before this morning, I had never heard of Lusia Harris and now she’s one of my favorite basketball players. Playing in the 1970s, before the enforcement of Title IX in athletics, the 6’3” Harris dominated in high school, led a small university to three consecutive national basketball championships in the first 5 years of the program (while averaging 25.9 points and 14.5 rebounds per game), scored the first basket in Olympics women’s basketball history, is the only woman ever officially drafted by an NBA team, and was inducted into the National Basketball Hall of Fame.
Great to see this film win, but also bittersweet because Harris died only two months ago at the age of 66. The director is Ben Proudfoot, whose stuff I have been posting about since 2011. Really fun to see him be rewarded for his talent.
Starting on May 1, Lego is introducing minifigs of The Muppets!
The Muppets are such a sprawling concern that not all your favorites are here, but you’ve got Kermit, Fozzie, Miss Piggy, Rowlf, Gonzo, Dr. Bunsen Honeydew, Beaker, Animal, Janice, The Swedish Chef, and Statler & Waldorf — that’s a pretty good lineup.
Update: I love this Lego-ized version of The Muppet Show opening theme they did. So good.
*peeks hesitantly around the corner*
Hey everyone. Tomorrow, after almost 7 months of a sabbatical break, I’m resuming regular publication of kottke.org. (Actually, I’ve been posting a bit here and there this week already — underpromise & over-deliver, etc.) I’m going to share more about what I’ve been up to (and what I’ve not been up to) in a massive forthcoming post, but for now, know that I’m happy to be back here in the saddle once again. (And that my fiddle leaf fig is doing well!)
I am, however, still dealing with some chronic pain that sometimes makes it difficult for me to work. I’m doing the things I need to do to get better & stronger, but just be aware that it might affect my output here. It’s a very frustrating situation — in many ways, I’m in the best physical shape of my life and am excited to be back here but this more-or-less constant background pain is a real source of friction as I go about my day. Just wanted to get that out there — thanks for your continued patience.
Ok, here we go!
You have to admire Daniel Radcliffe for his movie & theater role choices since Harry Potter. He’s done Swiss Army Man, Equus on Broadway, all sorts of small & independent films, several on- and off-Broadway plays, and now he’s starring as Al in a Weird Al Yankovic biopic. And……it works? Variety calls it a “scripted mockumentary”. I’ll watch.
Over a period of four years and after thousands of miles of driving, Eric Tabuchi photographed the backs of semi-trailers with letters of the alphabet on them, eventually compiling all 26 letters. Here’s the first dozen:
(via present & correct)
For his music video for Sébastien Guérive’s Bellatrix, Thomas Blanchard filmed ice crystals forming at close range and ultra-high resolution.
Bellatrix Sébastien Guérive music video is an experimental film on the crystallization of ice stars. It is a chemical saturation in hot water which is then cooled. The chemical saturation becomes very unstable when the liquid cools. The slightest disturbance in the liquid activates crystallization.
I spent hours and hours as a kid watching snowflakes accumulate on windowsills, raindrops rolling down windows, clouds rolling in from the west, and frost advance on surfaces, looking for patterns in the seeming randomness, so this is right up my alley. (via colossal)
Let’s listen in on a support group for recovering conspiracy theorists.
Hi, my name’s Terry and I believe that Matt Damon runs a network of underground tunnels beneath a pizza parlor in Washington DC to secretly vaccinate 5G towers.
Hi, Terry.
So, it’s been six days since I last posted anything on Facebook about lizards running the world.
But even the most hardcore members of the group don’t believe one of the most durable conservative tenets of American capitalism…
Seán Doran strikes again. In this short flyover rendered in 8K resolution by Doran, we’re treated to a detailed look at a crater on Mars. The imagery is from the HiRISE camera onboard the Mars Reconnaissance Orbiter. Beautiful — worth taking a second or third pass to catch all the details.
Men in the US typically do not talk about or worry about birth control that much, to the detriment of the health and safety of women. In the spirit of trying to change that a little, I’m going to talk to you about my experience. About a decade ago, knowing that I did not want to have any more children, I had a vasectomy. And let me tell you, it’s been great. Quickly, here’s what a vasectomy is, via the Mayo Clinic:
Vasectomy is a form of male birth control that cuts the supply of sperm to your semen. It’s done by cutting and sealing the tubes that carry sperm. Vasectomy has a low risk of problems and can usually be performed in an outpatient setting under local anesthesia.
Whether you’re in a committed relationship or a more casual one, knowing that you’re rolling up to sexual encounters with the birth control handled is a really good feeling for everyone concerned.1 Women have typically (and unfairly) had to be the responsible ones about birth control, in large part because it’s ultimately their body, health, and well-being that’s on the line if a sexual act results in pregnancy, but there are benefits of birth control that accrue to both parties (and to society) and taking over that important responsibility from your sexual partner is way more than equitable.
(Here’s the part where I need to come clean: getting a vasectomy was not my idea. I had to be talked into it. It seemed scary and birth control was not something I thought about as much as I should have. I’m ashamed of this; I wish I’d been more proactive and taken more responsibility about it. Guys, we should be talking about and thinking about this shit just as much as women do! I hope you’ve figured this out earlier than I did. Ok, back to the matter at hand.)
Vasectomies are often covered by health insurance and are (somewhat) reversible. These issues can be legitimate dealbreakers for some people. Some folks cannot afford the cost of the procedure or can’t take the necessary time off of work to recover (heavy lifting is verboten for a few days afterwards). And if you get a vasectomy in your 20s for the purpose of 10-15 years of birth control before deciding to start a family, the lack of guarantee around reversal might be unappealing. Talk to your doctor, insurance company, and place of employment about these concerns!
Does the procedure hurt? This is a concern that many men have and the answer is yes: it hurts a little bit during and for a few days afterwards. For most people, you’re in and out in an hour or two, you ice your crotch, pop some Advil, take it easy for a few days, and you’re good to go.1 It’s a small price to pay and honestly if you don’t want to get a vasectomy because you’re worried about your balls aching for 48 hours, I’m going to suggest that you are a whiny little baby — and I’m telling you this as someone who is quite uncomfortable and sometimes faints during even routine medical procedures.
So, if you’re a sperm-producing person who has sex with people who can get pregnant and do not wish for pregnancy to occur, you should consider getting a vasectomy. It’s a minor procedure with few side effects that results in an almost iron-clad guarantee against unwanted pregnancy. At the very least, know that this is an option you have and that you can talk to your partner and doctor about it. Good luck!
Just to be clear, you still have to worry about sexually transmitted infections — a vasectomy obviously does not provide any protection against that.↩
There also is a follow-up about 6-12 weeks later to make sure the procedure worked. You masturbate into a cup and they check to see that there’s no sperm in the sample. Part of this follow-up, if my experience is any guide, includes checking that the doctor’s office bathroom door is locked about 50 times while watching very outdated porn on a small TV mounted up in the corner of the tiny room. It’s fine though! And you have a fun story to tell later.↩
Architect Kei Endo creates really lovely watercolor paintings of hotel rooms that she’s stayed in — you can find her work on Instagram and her website. The paintings include floor plans of the rooms, exterior and interior views, illustrations of the food, and even precise renderings of the bath products. I love these so much.
You can check out her painting process on Instagram (for instance) and YouTube. (via spoon & tamago)
A father and daughter at a tailoring workshop in Japan have mastered kaketsugi, the art of invisibly mending clothes — that is, repairing holes and tears in fabric so seamlessly and completely that they appear to never have been damaged in the first place. The before and after photos are incredible…you absolutely cannot tell where the repair was made, even under close inspection.
A short 5-minute video of the pair at work is available on YouTube while a 25-minute feature is available here. (via iancu)
Creative coder Neal Agarwal has launched his newest project: Asteroid Launcher. You can choose the asteroid’s composition (iron, stone, comet, etc.), size, speed, angle of incidence, and place of impact. Then you click “launch” and see the havoc you’ve wrought upon the world, with all kinds of interesting statistics. I bombarded Los Angeles with an iron asteroid a half-mile across moving at 50,000 mph and the results were significant, as you can see from the fireball it created:
Some of the most interesting bits about the impact:
Crikey! See also the description of the much more massive meteorite that slammed into the Yucatan peninsula 66 million years ago:
The meteorite itself was so massive that it didn’t notice any atmosphere whatsoever,” said Rebolledo. “It was traveling 20 to 40 kilometers per second, 10 kilometers - probably 14 kilometers — wide, pushing the atmosphere and building such incredible pressure that the ocean in front of it just went away.
And The World’s Loudest Sound:
The sound made by the Krakatoa volcanic eruption in 1883 was so loud it ruptured eardrums of people 40 miles away, travelled around the world four times, and was clearly heard 3,000 miles away.
Jean-Michel Basquiat: King Pleasure is a new exhibition of the life and work of Jean-Michel Basquiat, curated by his two younger sisters, Lisane Basquiat and Jeanine Heriveaux. It opened this past weekend in NYC and includes a bunch of work that’s never been exhibited before. From the NY Times:
The show, “Jean-Michel Basquiat: King Pleasure,” features more than 200 artworks and artifacts from the artist’s estate — 177 of which have never been exhibited before — in a 15,000-square-foot space designed by the architect David Adjaye. Providing perhaps the most detailed personal portrait to date of Basquiat’s development, the show comes at a time when the artist’s market value continues to soar and his themes of race and self-identity have become especially resonant. (The mayor’s office is to proclaim Saturday, the show’s opening, Jean-Michel Basquiat Day.)
“They’re literally opening up the vaults,” said Brett Gorvy, a dealer and a former chairman and international head of postwar and contemporary art at Christie’s. “These are paintings I’ve only seen in books.”
This looks great; definitely hitting this the next time I’m in NYC. Tickets are available here. (via pentagram, who did the identity for the exhibition)
I enjoyed this roast of how we handle money in America by The Daily Show’s Ronny Chieng.
He goes after income & sales taxes:
America decided filing taxes should be as quick and painless as getting a root canal at the DMV. You got your 1099s, your Form 1040, your Schedule C, your R2-D2, your Blink-182. You spend days trying to figure out what you owe the government and then the government tells you if are you right because apparently they knew the whole frigging time. It is like the world’s most pointless game show.
Tipping:
Everywhere else, a tip is a show of appreciation, not a GoFundMe for someone who doesn’t earn a living wage. A waiter’s ability to pay rent shouldn’t be dependent on how generous Becky feels after three martinis.
And our currency:
In other countries, every denomination is a different size because it makes it easier to tell them apart, especially if you are blind. But apparently blind people don’t need to use money in America ‘cause look at this shit. Same exact size, all of it. You gotta look over each individual bill to figure out which slaveowner to hand over.
(thx, meg)
Rudy Willingham holds up paper cutouts of people (and Muppets!) against carefully chosen backgrounds and photographs the results, resulting in these witty portraits.
You can find more of Willingham’s work across his various social media platforms: website, Instagram, Twitter, Facebook, and TikTok.
The port of Amsterdam is one of the busiest seaports in Europe. But it gets really busy when there are tall ships from all over the world and everyone wants to get out on the water to see them. This is a time lapse video taken at the 2015 SAIL maritime festival that shows the port absolutely teeming with ships and boats of all shapes and sizes.
You might have noticed that the two families in Succession and Arrested Development share some similarities — business-focused, rich, dysfunctional, sibling rivalry. Luís Azevedo explored the likeness with this video of scenes from Succession with music & Ron Howard’s voiceover from Arrested Development. So good. Also worth a look: scenes from Arrested Development with the music from Succession.
See also The Simpsons Parody of Succession and The Succession Theme Works Over Any TV Show Title Sequence.
Apple recently announced the winners of a competition to highlight the best macro photos shot on the newest iPhones. Amazing photos from a phone. The camera is really the only reason I upgrade my iPhone every year…it just gets better and better.
For his Solar Power Series, photographer Tom Hegen aerially photographed solar power plants in France, Spain, and the US. It’s not an accident that some of these look like flowers and plants — the compact geometry to ideally capture solar power is similar in both instances.
In a single hour, the amount of power from the sun that strikes the Earth is more than the entire world consumes in a year. Having this in mind, renewable energy sources could be the key to combating climate change.
What does transforming towards more sustainable sources of energy look like?
(via colossal)
This drone fly-through of Tesla’s new factory in Berlin is amazing. I’ve never seen anything quite like this — the drone flies through the robotic machinery in between cycles of stamping out parts and also through the cars as they are being assembled. A uniquely effective how-things-are-made video.
Nathan Pyle has come up with some alternate names for everyday foods: wheat wands for breadsticks, leafbucket for salad, fried beans 2.0 for refried beans, guac cartridge for avocado, and breadcocoon meatapillar for corn dogs. Click through for more.
I’ve been reading David Whyte’s Consolations over the past couple of weeks, skipping around, seeking illumination, counsel, and understanding for some of life’s present challenges. The chapter on giving was particularly resonant; here’s an excerpt:
Giving means paying attention and creating imaginative contact with the one to whom we are giving; it is a form of attention itself, a way of acknowledging and giving thanks for lives other than our own.
The first step in giving may be to create a budget, to make a list or to browse a shopfront or the web, but the essential deed is done through the door of contemplation: of the person, the charity, the cause, finding the essence of the need, the person or the relationship. Out of this image comes the surprise of understanding and the ability again to surprise the recipient by showing that someone else understands them and, through a display of virtuosity, can even identify needs they cannot admit themselves. The full genius of gift-giving is found when we give what a person does not fully feel they deserve, but that does not overstretch the point; it is the appropriate but surprising next step in their lives. It disarms and moves and empowers all at once, while gratifying the one who gives beyond most everyday satisfactions.
To give is to make an imaginative journey and put oneself in the body, the mind and the anticipation of another. To give is to make our own identities more real in the world by committing to something specific in the other person and something tangible that could represent that quality. To give is also to carry out the difficult task of putting something of our own essence in what we have given. The perfect gift may be tiny and inexpensive, but accompanied by a note that moves the recipient; the perfect gift may be enormous, extravagant, expensive and jaw-dropping as a courageous act of flamboyance and devil-may-care love, but to give appropriately always involves a tiny act of courage, a step of coming to meet, of saying I see you, and appreciate you and am also making an implicit promise for the future.
See also Friendship, an essay of Whyte’s I revisit every few months.
From Lindsay Holiday, an engaging history of birth control, covering the ineffective and often dangerous methods used in the ancient world, the rhythm method, proto-condoms, actual condoms, Lysol (!!), and of course one of the modern world’s most impactful inventions, the hormonal birth control pill.
Through most of history pregnancy and childbirth were a very dangerous undertaking for women. In medieval Europe 1 in 3 women died in their child-bearing years and 1 in 4 children did not live to see their first birthday. Even when both mother and child survived the ordeal of birth women were not always able to provide for a child. And in most cultures pregnancy outside of wedlock was considered a great sin and often resulted in the shunning of the woman and child while the man often got away scot-free. It is no surprise therefore that women throughout history have been trying a wide variety of methods to prevent conception.
(via open culture)
The Instagram account Geomorphological Landscapes features some of the more beautiful and unusual natural and geological features our planet has to offer, including inselbergs, caves, murmurations, ice balls, clouds, and river meanders. The account doesn’t stick to strictly natural wonders, but whatever they post is usually worth a look. (via dense discovery)
Toile de Jouy is a fabric, typically featuring “romantic pastoral scenes”, that was popular in France in the 18th century — the wealthy covered their walls in it. Interior designer Sheila Bridges developed her own patterns for her Harlem Toile, inspired by her Harlem and Philadelphia neighborhoods and the African American experience more generally.
As an African American living in Harlem, I have always been intrigued and inspired by the historical narrative of the decorative arts, especially traditional French toile with its pastoral motifs from the late 1700s. I’m entertained by the stories these patterns tell and the questions they sometimes raise. But after searching for many years for the perfect toile for my own home, I decided that it quite simply didn’t exist. I created Harlem Toile de Jouy initially as a wallcovering then expanded the collection to include fabrics, bedding, plates, glassware, umbrellas and clothing. This design (which lampoons some of the stereotypes deeply woven into the African American experience), has been featured in The Studio Museum In Harlem, the Museum of Art and Design in New York City, and the Musée De La Toile De Jouy in Jouy-en Josas, France. I am honored to have my Harlem Toile De Jouy wallpaper included in The Cooper Hewitt, Smithsonian Design Museum’s permanent wallpaper collection.
Veronica Chambers wrote a great piece about Harlem Toile for the NY Times: The Wallpaper That Is Also a ‘Reminder That My Ancestors Had My Back’.
The wallpaper, which was created by the celebrated interior designer Sheila Bridges in 2006, features beautiful drawings of African Americans in the lush, historical settings that rarely featured them — a couple in 18th-century dress dance under a structure that recalls the Arc de Triomphe to the tunes of a boombox that rests playfully on the grass; women in ball gowns sit under a majestic tree, one combs the other’s hair while yet another woman holds up a fairy-talelike mirror; a courting couple in fashion that now brings to mind the popular series “Bridgerton” feast on a picnic. For a Black girl who grew up loving Jane Austen and Toni Morrison with equal aplomb, Harlem Toile was more than wallpaper. It was a tableau of possibility and belonging.
I’m not doing justice to all of what is being expressed in Bridges’ work and how it’s resonating with Chambers & other members of the Black community, so you should just read the piece. (thx, caroline)
Elissaveta M. Brandon recently wrote about the uptick in companies placing huge logos, often drawn in solar panels, so that they can be seen in satellite imagery. I collected images of a few examples of logos that are viewable from space above: a solar array at Walt Disney World, an X on the roof of the SpaceX HQ, a Target logo on top of a Target store, the BMW Museum, and a huge Coca-Cola logo that’s been in the Chilean desert since 1986 (and is therefore difficult to see on satellite imagery). (via clive thompson)
I love this series of simple comics that contrast two opposing views of the same situations. (via @thegreaterbombay)
In the small Chinese village of Nuanquan, they make fireworks displays by throwing molten iron against the wall, which causes it to explode in a shower of sparks.
For the past 30 years, Wang De has been practicing the ancient art of Da Shuhua, a 500-year-old tradition that first began with blacksmiths in the Nuanquan village of China. Wanting a way to celebrate Chinese New Year, but without the means to afford traditional fireworks, these blacksmiths devised a new form of entertainment. By tossing molten iron against the walls, they created beautiful showers of sparks, beginning a practice that would soon become a part of their cultural heritage. Now, it’s a special part of Nuanquan’s legacy as there’s no place else on Earth to witness the fiery spectacle.
This would be something to see in person — thousands of tiny sparks flying around at great speeds is exactly the sort of thing that compressed online video doesn’t depict that well.
Japan’s lost and found system is legendarily good — millions of items are turned into local police stations by residents every year and most of those items make their way back to their owners (unless it’s a cheap umbrella). As this short video explains, there are a few reasons why the system works so well — the importance of the “societal eye”1 in Japanese culture is one of them.
The Japanese concept of ‘hitono-me’ or the ‘societal eye’ is an important part of the process. “Our internal morals usually help us modify our behavior, but so does the ‘societal eye.’” The culture prevents people from doing wrong, even without a police presence. “Japanese people care deeply about how other people view their behavior. So their attitude to lost property is tied to their image in society.” The moral discipline is upheld even in the face of natural disasters. “It’s often the case in Japan that when disasters happen, crime doesn’t go up. The only exception was the Fukushima disaster when we had cases of crime. So I think that the power of people’s eyes around us is far greater than the power of public authority.”
This article goes into more detail about why Japan’s lost and found system works so well. The comments on YouTube are full of people describing their experience w/ the lost and found system, many by foreigners who are stunned at the honesty. Here’s one:
This is really true. I lost my bag that had all our passports, laptops, money… everything. Somehow they managed to track it down 200km in Nagoya and bring it to me the next morning in Takayama. I offered to give them something as a token of my gratitude but they didn’t accept because this is considered normal in their country. Absolutely amazing.
It is not quite the same thing, but “hitono-me” reminds me of Jane Jacobs’ emphasis on the importance in cities of having “eyes upon the street”:
A city street equipped to handle strangers, and to make a safety asset, in itself, out of the presence of strangers, as the streets of successful city neighborhoods always do, must have three main qualities:
First, there must be a clear demarcation between what is public space and what is private space. Public and private spaces cannot ooze into each other as they do typically in suburban settings or in projects.
Second, there must be eyes upon the street, eyes belonging to those we might call the natural proprietors of the street. The buildings on a street equipped to handle strangers and to insure the safety of both residents and strangers, must be oriented to the street. They cannot turn their backs or blank sides on it and leave it blind.
And third, the sidewalk must have users on it fairly continuously, both to add to the number of effective eyes on the street and to induce the people in buildings along the street to watch the sidewalks in sufficient numbers. Nobody enjoys sitting on a stoop or looking out a window at an empty street. Almost nobody does such a thing. Large numbers of people entertain themselves, off and on, by watching street activity.
Almost no need to note here that “eyes upon the street” is a thing that almost does not exist in most American cities these days. ↩
Starting in 1991 and continuing through 1996, Marvel released their quarterly and annual financial reports to shareholders in the form of comic books. Columbia University librarian Karen Green writes:
Working with editor Glenn Herdling, and using the Marvel Method of story to art to dialogue, Fishman developed the plot, Herdling found some of Marvel’s best artists to pencil, ink, and color, then Fishman wrote the copy (conveying everything the lawyers and SEC demanded), and Herdling put everything together. And so, thirty years ago today, a slim four-page comic debuted, with a cover by legendary artist John Romita Sr. Inside, Spider-Man and the Incredible Hulk (sporting, appropriately, an accountant’s green eye shade) discussed net income, publishing revenues, and earnings per share.
The report caused an immediate sensation. No one had seen anything like it. Even more impressive was the subsequent annual report. A 36-page stapled book on glossy paper, it combined information in comics form, introduced by Uatu the Watcher, with updates on licensing, advertising, and more, along with traditional financial tables and text.
If you’re interested, you can score copies of many of these on eBay for under $20.
If you, like me, grew up semi-obsessively watching game shows from the 70s and 80s, you will get a big kick out of this. Photographer Steven Rosenow makes incredibly accurate digital renderings of the sets of old game shows like Jeopardy!, The Price Is Right, Wheel of Fortune, Match Game, and Family Feud, which he shares with a Facebook group called Eyes of a Generation. David Friedman shared some of these recreations in his newsletter. Here’s Rosenow’s notes on the Price Is Right set:
This was a fairly difficult set to model in 3D even though I had blueprints of the set to work with, as well as blueprints of CBS Studio 33… Assistance in this project was provided by the current owner of Door No. 2, who bought it from CBS when it was auctioned off.
I might have a new aspiration in life: to be “the current owner of Door No. 2”. (via waxy)
In an excerpt in The Atlantic from his new book about puzzles, A.J. Jacobs writes about the puzzle he commissioned from Dutch puzzle creator Oskar van Deventer, a “generation puzzle” that will take him almost literally forever to solve.
And then, on a Friday morning, I woke up to an email from Oskar. He had finished making the puzzle — and it worked. He had made a 55-pin Jacobs’ Ladder. Solving it would take 1.2 decillion moves1 (the number 1 followed by 33 digits). Written out, that’s: 1,298,074,214,633,706,907,132,624,082,305,023 moves.
We’d crushed the old record by 13 orders of magnitude. Oskar did some delightfully nerdy calculations on just how long it would take to solve this puzzle. If you were to twist one peg per second, he explained, the puzzle would take about 40 septillion years. By the time you solved it, the sun would have long ago destroyed the Earth and burned out. In fact, all light in the universe would have been extinguished. Only black holes would remain. Moreover, Oskar said, if only one atom were to rub off due to friction for each move, it would erode before you could solve it.
Here’s a video about the puzzle from the guy who designed and built it:
FYI: Jacobs’ book, The Puzzler, includes a “a hidden, super-challenging but solvable puzzle that will earn the first reader to crack it a $10,000 prize”. Good luck!
Small rounding error here…it’s actually 1.3 decillion moves.↩
Vo Trong Nghia Architects designed this resort welcome center on Phu Quoc Island in Vietnam out of approximately 42,000 pieces of bamboo, rope, and bamboo pins. Beautiful. From Dezeen:
(via colossal)Skylights incorporated into the building’s thatched roof also allow daylight to illuminate the interior, while the grid system enables breezes to ventilate the space naturally.
“The light comes in beautifully and, along with the natural colour of bamboo, creates a warm and intimate atmosphere, even though the structure is very open in terms of airflow,” the studio added.
I’ve featured storm chasing photographer Mike Olbinski’s work here on kottke.org pretty frequently. His latest video celebrates a decade of capturing haboobs (dust storms). Here’s a haboob primer:
Just how do haboobs form? When air is forced down and pushed forward by the front of a traveling thunderstorm cell, it drags with it dust and debris. Winds of speeds up to 60 mph can stir up dust and sand and create a blowing wall as high as 10,000 feet. Haboobs usually last only 10 to 30 minutes, but on rare occasions can last longer and create hazardous conditions for ground transportation systems, air traffic and motorists.
There are famously no photos allowed when visiting the Sistine Chapel in the Vatican. So, this new book series “that includes 1:1 scale images of the masterpieces by Michelangelo, Botticelli, and other Renaissance artists” from the chapel might be your best bet to enjoying this wonder of the art world at home. But here’s the bad news: the 20-pound volume costs $22,000 and has been limited to 1999 copies, no reprints.
Published by Callaway Arts & Entertainment and Italy’s Scripta Maneant, the book uses state-of-the-art color printing to ensure its colors match those used in the Chapel. The close-up detail of each image provides a perspective that cannot be obtained by visiting the Chapel in person. Readers can see the artist’s brush strokes and texture of the paint, as well as the small cracks and imperfections that line the walls and ceiling.
The publishing agreement with the Vatican stipulated that only 1,999 copies could be printed. Six hundred of them are in English. The Italian language copies have already sold out. The deal also stipulates no reprints.
This book looks incredible — two photographers took 270,000 images over 65 nights that were stitched together using 3D software to accurately portray the paintings done on the chapel’s curved surfaces. (via open culture)
Science fiction and fantasy artists could labor for a thousand years and never come up with something as beautiful and unbelievable as the aurora borealis. Nature: still undefeated. Those two shots are from the 2022 Northern Lights Photographer of the Year awards — the top one was captured by Tor-Ivar Næss in Norway and the bottom one was taken in Denmark by Ruslan Merzlyakov.
Speaking of the fundamentalist movement to repeal the 20th century, Jack Mirkinson isn’t writing for The Atlantic and therefore is free to not mince words:
[Alito] says that Roe should be scrapped because the right to an abortion is “not deeply rooted in the Nation’s history and traditions” — a byzantine litmus test that would wipe out just about every modern civil rights protection you can think of, given the nature of American history. He forthrightly casts aside the notion that the court should be cautious about overturning decades of precedent. He sends unmistakable signals that other civil rights opinions, especially ones protecting gay rights, are in the crosshairs.
The final opinion could differ, but what we have in front of us is an extremist, illegitimate opinion from an extremist, illegitimate court, one that sees women as serfs and breeders, that sees queer people as subhuman, that sees minorities of every kind as dirt under its collective shoe. It is happily dragging us into the dark ages. Alito and everyone who joins him are evil people. No hell is too hot for them.
(via waxy)
Well hey there, it’s been a few months, so it’s time for another roundup of what I’ve been reading, watching, listening to, and experiencing recently. In addition to the stuff below, I have a few things in progress: the second season of Russian Doll, Oliver Burkeman’s Four Thousand Weeks, and I just started dipping into Rebecca Woolf’s forthcoming memoir, All of This. Oh, and I’m listening to Russell Shorto’s The Island at the Center of the World on audiobook and the third season of Michael Lewis’ Against the Rules podcast. All always, don’t sweat the letter grades too much.
Everything Everywhere All at Once. This movie is a little bit of a miracle: action, comedy, heartfelt, and a little bit of a mess, all together in a perfect balance. This is the best movie I’ve seen in ages. (A+)
Encanto. The kids and I liked it fine. (B+)
The Expanse (season six). I’m going to miss spending time in this world with these people. (A-)
Matrix by Lauren Groff. Was delighted and moved by this work of historical fiction about Marie de France. (A)
Station Eleven. I loved the slow burn and resolution of this show. I didn’t think I wanted to watch a TV show about a flu pandemic causing the end of civilization, but it was actually perfect. Both actresses who played Kirsten were fantastic. (A/A+)
The Last Duel. Every director is entitled to their Rashomon I guess? And I’m not sure Matt Damon was the right choice here… (B)
Pig. Had no idea what to expect from this one. Even so, Taken + Truffle Hunters + Fight Club + Ratatouille was a surprise. (B+)
Strafford ice cream. This Black-owned dairy farm makes the richest, creamiest ice cream I’ve ever had. So glad I randomly bought a pint of it a few months ago…I’m never going back to anything else. (A)
Severance. Fantastic opening credits sequence and while I wasn’t as enamored as many were after the first few episodes, the show definitely grew on me. (A-)
My Brilliant Friend (season three). I don’t know why there’s no more buzz about this show. The acting, world-building, story, and Max Richter’s soundtrack are all fantastic. And the fight against fascism! (A)
The Gilded Age. Exactly what I wanted out of a period drama from the maker of Downton Abbey and Gosford Park. (B+)
Exhalation. Second time through, this time on audiobook. I love these stories - Chiang is a genius. (A)
The Book of Boba Fett. This turned into season 2.5 of The Mandalorian and I am totally ok with that. (B+)
Other People’s Money podcast. As a snack-sized in-between season for his excellent Against the Rules podcast, Michael Lewis revisits his first book, Liar’s Poker, written about his experience working for Salomon Brothers in the 80s. (A-)
The King’s Man. Not as fun as the first movie but more fun than the second one? But they all could be better. (B)
Turning Red. I loved Domee Shi’s short film, Bao, and this film is similarly clever and heartfelt. (A-)
Drive My Car. Really appreciated the cinematography of this one; wish I could have seen it in the theater. (A-)
Jennifer Packer at The Whitney. I was unfamiliar with Packer’s work before seeing this exhibition, but I’m a fan now. (A-)
Licorice Pizza. I’m really flabbergasted at the two pointless racist scenes in this film. PT Anderson is a better filmmaker than this. It’s a shame because I enjoyed the rest of the film — the two leads are great. Can’t recommend it though. (D)
Death on the Nile. These movies are fun. Sometimes all you want to do is watch Kenneth Branagh chew scenery as Hercule Poirot. (B+)
Moonfall. Not as fun or coherent (I know, lol) as some of Emmerich’s other movies. The acting in this is…not great. (C+)
Hawkeye. Fun but I don’t know how many more Marvel things I want to keep up with. (B)
Spider-Man: No Way Home. Tom Holland’s Spider-Man is always fun. (B+)
Fantastic Beasts: The Secrets of Dumbledore. Better than the overcomplicated sequel and Mikkelsen was a better Grindelwald than Depp. The story wrapped up so nicely that who knows if there will be a fourth movie. (B)
The Tragedy of Macbeth. Brilliant cinematography and set design. (B+)
The Batman. Oh I don’t know. I guess this was a pretty decent detective story, but I’m not sure why Batman needed to be involved. (B)
The Northman. This would have been much better had it ended 20 minutes sooner. Not sure we needed another movie that concludes with ultimately pointless violent masculine revenge. (B-)
Kimi. Soderbergh does Rear Window + The Conversation. The direction is always tight and Zoë Kravitz is great in this. (A-)
The Mysterious Benedict Society. The kids and I enjoyed this solid adaptation of the first book of a popular series. (B+)
Armageddon. The pace of this movie is incredible — it just drops you right into the action and never stops for more than 2 hours. Also, the top question when searching this movie title on Google is “Is Armageddon movie a true story?” *sigh* (B-)
Past installments of my media diet are available here.
Gabrielle Schwarz at The Guardian has gathered 20 of the most iconic and meaningful photographs of the effects of the climate crisis. Metaphors abound. I think often of Kristi McCluer’s photograph of the golfers casually playing a round in proximity to 2017 Eagle Creek fire in the Pacific Northwest. As David Simon said at the time, “In the pantheon of visual metaphors for America today, this is the money shot.” (Iceberg photo by Magnus Kristensen and sled dog photo by Steffen Olsen.)
