My favorite presentation at XOXO this year was Ed Yong’s talk about the pandemic, journalism, his work over the past four years, and the personal toll that all those things took on him. I just watched the entire thing again, riveted the whole time.
Hearing how thoughtfully & compassionately he approached his work during the pandemic was really inspirational: “My pillars are empathy, curiosity, and kindness — and much else flows from that.” And his defense of journalism, especially journalism as “a caretaking profession”:
For people who feel lost and alone, we get to say through our work: you are not. For people who feel like society has abandoned them and their lives do not matter, we get to say: actually, they fucking do. We are one of the only professions that can do that through our work and that can do that at scale — a scale commensurate with many of the crises that we face.
Then, it was hard to hear about how his work “completely broke” him. To say that Yong’s experience mirrored my own is, according to the mild PTSD I’m experiencing as I consider everything he related in that video, an understatement. We covered the pandemic in different ways, but like Yong, I was completely consumed by it. I read hundreds(/thousands?) of stories, papers, and posts a week for more than a year, wrote hundreds of posts, and posted hundreds of links, trying to make sense of what was happening so that, hopefully, I could help others do the same. The sense of purpose and duty I felt to my readers — and to reality — was intense, to the point of overwhelm.
Like Yong, I eventually had to step back, taking a seven-month sabbatical in 2022. I didn’t talk about the pandemic at all in that post, but in retrospect, it was the catalyst for my break. Unlike Yong, I am back at it: hopefully more aware of my limits, running like it’s an ultramarathon rather than a sprint, trying to keep my empathy for others in the right frame so I can share their stories effectively without losing myself.1
I didn’t get a chance to meet Yong in person at XOXO, so: Ed, thank you so much for all of your marvelous work and amazing talk and for setting an example of how to do compassionate, important work without compromising your values. (And I love seeing your bird photos pop up on Bluesky.)
I hope that makes sense? Sometimes you can feel the pain of others so intensely that it renders you useless to help them or to keep yourself afloat. So you’re still empathetic and open to the experiences of others, but in a much more functional and constructive way.↩
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Exactly one year ago today I came home, to Russia.
I didn’t manage to take a single step on the soil of my country as a free man: I was arrested even before border control.
The hero of one of my favorite books, “Resurrection,” by Leo Tolstoy, says, “Yes, the only suitable place for an honest man in Russia at the present time is prison.”
It sounds fine, but it was wrong then, and it’s even more wrong now.
There are a lot of honest people in Russia-tens of millions. There are far more than is commonly believed.
The authorities, however, who were repugnant then and are even more so now, are afraid not of honest people but of those who are not afraid of them. Or let me be more precise: those who may be afraid but overcome their fear.
There are a lot of them, too. We meet them all the time, in all sorts of places, from rallies to the media, people who remain independent. Indeed, even here, on Instagram. I recently read that the Ministry of the Interior was firing staff who had “liked” my posts. So in Russia, in 2022, even a “like” can take courage.
In every period, the essence of politics has been that a tin-pot tsar who wants to arrogate to himself the right to personal, unaccountable power needs to intimidate the honest people who are not afraid of him. And they, in turn, need to convince everyone around them that they should not be afraid, that there are, by an order of magnitude, more honest people than the mean little tsar’s security guards. Why live your whole life in fear, even being robbed in the process, if everything can be arranged differently and more justly?
The pendulum swings endlessly. Or the tug-of-war. Today you are brave. Tomorrow they seem to have scared you a bit. And the day after tomorrow they have scared you so much that you despair and become brave again.
Two years later, Navalny was dead, murdered by Russia’s leader, dictator Vladimir Putin. I do not think it is hyperbole to read Navalny’s words as a warning, a harbinger of what happens to a country and its people when they come under undemocratic leadership.
A Syllabus for Generalists. Featuring resources for learning about geometry, chemistry, world history, home maintenance, origami, tying knots, and playing chess.
When he was asked to design a new outpost of iconic NYC hot dog joint Papaya King in the East Village, Andrew Bernheimer went around to several other establishments in the city built to serve food quickly — Chipotle, Russ & Daughters, Katz’s, Shake Shack, Gray’s Papaya — and looked at their floor plans and flow of customers through their spaces. Mark Lamster talked to Bernheimer about the survey.
ML: I think at fast food joints we’re conscious that we’re in a very controlled environment, but perhaps don’t realize (because we are in a rush), just how manipulative that space can be. How did you see this playing out in the places you looked at?
AB: It ranged. Artisanal places (like Russ & Daughters) don’t feel manipulative in an insidious way at all (other than showing off some great food and triggering all sorts of synaptic response), while others do (Five Guys and their peanuts, a pretty nasty and obvious trigger to go order soda or spend money on WATER). We didn’t just look at fast food joints, but also icons of New York (R&D, Katz’s) that do try to serve people quickly but I don’t think qualify as “fast food joints.” In these cases the manipulation is either entirely subliminal and beyond recognition, or it has been rendered unnecessary because a place has become iconic, the domain of the “regular.”
Speaking as a customer, places like Katz’s and Russ & Daughters always felt like a total mess to me. Katz’s in particular is the worst: the whole thing with the tickets, paying on the way out, the complete lack of a single line, separate ordering locations for different types of food, etc.
That Gray’s Papaya that used to be on the corner of 8th St and 6th Ave, however, was fantastic. It had the huge benefit of being situated on the corner, but when you walked in, there was the food being cooked right in front of you. It was obvious where the line was and what direction it was moving. And after getting your food, you could exit immediately out the “back” door or circle back against the line to find a counter spot to quickly eat your meal.
The Most Sought-After Travel Guide Is a Google Doc. “Nothing is more embarrassing than waiting for a viral pastry because some influencer said it was yummy after not paying a dime.” Personally shared Google Docs or Maps are often more trustworthy.
Photos of Spanish Human Tower Competitions. “More than 40 teams of ‘castellers’ recently gathered for the city’s 29th biannual human-tower competition — working together to build the highest and most complex human towers (castells) possible.”
Collage artist Lola Dupré makes these wonderfully weird images of exaggerated objects, animals, and people. You find more of Dupré’s work on her website and on Instagram. (via colossal)
Songs played back at much slower speeds were a thing several years ago — the effect can turn even the harshest rock song or bounciest pop tune into something that sounds like Enya or an ethereal Gregorian chant. I listen to these while I work sometimes and I’ve got a new one for the rotation: Radiohead’s Everything in Its Right Place, but played 800% slower.
Whoa, new Nintendo hardware! And it’s…an interactive alarm clock? You can wake up to the sounds of Zelda or Mario Kart, shush the clock by waving your hand, and if you snooze too long, the alarm will become more intense and Bowser appears.
The myth of the climate haven. “Because of its speed and scale, however, human-caused climate change is especially extreme, and everywhere will be impacted by some degree of risk. There is no completely safe haven.”
Who died and left the US $7 billion? “It was the biggest estate-tax payment in modern history, but no one knew who made it. Then an anonymous phone call pointed to one man.” We don’t even know who our billionaires are.
I attended the XOXO Festival back in August, and video of some of the talks are starting to trickle online. I’m going to highlight a couple of my favorites here on the site; the first one I’d like to share is Erin Kissane’s talk about fixing the social internet.
The talk was about why I left the internet, how the Covid Tracking Project got me back online, and most of all how the work we did at CTP led to me to believe that we — the weirdos of internet-making and online life — have to not merely retreat from the big-world social internet, but fix it.
As Hurricane Milton exploded from a Category 1 storm into a Category 5 storm over the course of 12 hours yesterday, climate scientists and meteorologists were stunned. NBC6’s John Morales, a veteran TV meteorologist in South Florida, choked up on air while describing how quickly and dramatically the storm had intensified. To most people, a drop in pressure of 50 millibars means nothing; a weatherman understands, as Morales said mid-broadcast, that “this is just horrific.” Florida is still cleaning up from Helene; this storm is spinning much faster, and it’s more compact and organized.
In a way, Milton is exactly the type of storm that scientists have been warning could happen; Michael Wehner, a climate scientist at Lawrence Berkeley National Laboratory, in California, called it shocking but not surprising. “One of the things we know is that, in a warmer world, the most intense storms are more intense,” he told me. Milton might have been a significant hurricane regardless, but every aspect of the storm that could have been dialed up has been.
My thoughts are with everyone in Milton’s path and also with those still recovering & cleaning up from Helene. Please stay safe, everyone.
Mainstream journalists are clamoring for Harris to do more interviews, but these interviews haven’t been substantive. “Not only are these interviews not terribly valuable for the candidate; they’re not terribly valuable as journalism.”
I really liked this entertaining short film by Eric Kissack (editor & producer for The Good Place), in which a couple moving into a new apartment together discovers a previously unnoticed feature of their new space, which in turn…well, I don’t want to spoil anything. Just watch it.
A look at Mozilla’s rebrand. “Mozilla’s new logo is a flag symbol built from the Mozilla M that comes to life to reveal the company’s iconic Tyrannosaurus Rex symbol and mascot, originally designed by Shepard Fairey.”
Ain’t Nothing Like the Real Thing, an investigation of fake objects. “Value is found through fakeness, not in spite of it, giving the fake object the potential to be even better than the real thing.”
Out today from National Geographic is Infinite Cosmos, a gorgeous-looking book by Ethan Siegel (intro by Brian Greene). It’s about the history of the JWST, humanity’s biggest ever space telescope, a machine that allows us to peer deeper & clearer into the universe than ever before, and some of the amazing results obtained through its use.
Even with its unprecedented capabilities, JWST’s views of the universe are still finite and limited. The faintest, most distant objects in the cosmos — including the very first stars of all — remain invisible even in the longest-exposure JWST images acquired to date. The universe itself offers a natural enhancement, however, that can reveal features that would otherwise remain unobservable: gravitational lensing.
Whenever a large amount of mass gathers together in one location, it bends and distorts the fabric of the surrounding space-time, just as the theory of general relativity dictates. As light from background objects even farther away passes close to or through that region of the universe, it not only gets distorted but also gets magnified and potentially bent, either into multiple images or into a complete or partial ring. The foreground mass behaves as a gravitational lens. The amount of mass and how it’s distributed affect the light passing through it, amplifying the light coming from those background sources.
The food documentary series Chef’s Table returns with chefs & culinary experts from Italy, China, Cambodia, and the US who all work in the medium of the noodle. Here’s the trailer for Chef’s Table: Noodles:
Tressie McMillan Cottom reflects on her profile of Sean Combs for Vanity Fair three years ago. “I’ve talked to some strange characters in my time, but this was in the top tier of strangeness.” Great kicker too.
Billy Wilder (Sunset Boulevard, The Apartment, Some Like It Hot) was both a great director and a great writer. In this video essay, Taylor Ramos & Tony Zhou examine how Wilder balanced the verbal, dramatic, and situational ironies of his scripts with making it all work on the screen, emotionally and structurally.
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