Bush swore to do "everything in [his] power" to undo the damage wrought by Clinton's two terms in office, including selling off the national parks to developers, going into massive debt to develop expensive and impractical weapons technologies, and passing sweeping budget cuts that drive the mentally ill out of hospitals and onto the street.
During the 40-minute speech, Bush also promised to bring an end to the severe war drought that plagued the nation under Clinton, assuring citizens that the U.S. will engage in at least one Gulf War-level armed conflict in the next four years.
"You better believe we're going to mix it up with somebody at some point during my administration," said Bush, who plans a 250 percent boost in military spending. "Unlike my predecessor, I am fully committed to putting soldiers in battle situations. Otherwise, what is the point of even having a military?"
For this coming weekend's NY Times Magazine, journalist Jose Antonio Vargas shares the story of his Life as an Undocumented Immigrant.
One day when I was 16, I rode my bike to the nearby D.M.V. office to get my driver's permit. Some of my friends already had their licenses, so I figured it was time. But when I handed the clerk my green card as proof of U.S. residency, she flipped it around, examining it. "This is fake," she whispered. "Don't come back here again."
At the center of Simmons's columns is not the increasingly unknowable athlete but the experience of the fan. His frame of reference is himself. He might not be able to tell you how a ballplayer felt performing a particular feat, but he can tell you how he felt watching it, what childhood memories it evoked, the scene from the movie "Point Break" it brought to mind, which one of his countless theories -- newcomers to his column can consult a glossary on his home page -- it vindicates.
An intimidated verbal threat of abuse in the workplace, by this thug. Never work in its satan life and this is why America is being destroyed. satan hates truth. satan is lies, hate and kills anyone that gets in its way to continue to lie to America & it's idiot followers.
Thug...that's some sort of code word, right? (via ★vuokko)
Breaking news -- a bank holdup, a bus accident, the death of FDR -- was quickly featured on the storefront (NB: usually in 140 characters or less). The storefront even offered streaming multimedia of a kind: telegraph dispatches of boxing matches and baseball games were shouted out play by play through a pair of loudspeakers.
Different "layouts" were used. During World War II an outsized map of Europe loomed over the storefront. For Red Sox World Series appearances, a scaffold was built. Sports desk hacks stood on it to chalk up the scores for bowler-hatted crowds numbering in the hundreds.
The signs even contained advertising. Here's a photo of hundreds of people following the Red Sox in the 1912 World Series:
I'm neither Woodward nor Bernstein. This doesn't mean I am a lousy journalist. This means that I am a certain kind of journalist. Basically, who I am as a journalist is who I am as a person. I am an observer. I am not a run-after-you-with-a-mic-in-your-face type of journalist. I am a get-out-of-the-way-and-the-story-will-present-itself-to-you type of journalist.
Designers are clearly thinking about the way two facing pages work together, whether the stories are related or not. This creates a flow that encourages reading without interruption.
i is composed like a beautiful piece of music. It has the discipline to play only the high notes that matter most. For example, it uses its full bleed capability sparingly. It creates strong impact, even with small things. The surprise of occasional whimsy makes the content inviting.
On NYTimes.com, you can view 20 articles each month at no charge (including slide shows, videos and other features). After 20 articles, we will ask you to become a digital subscriber, with full access to our site.
Cheapest plan is about $180/year and the most expensive is $420/yr. Access is free to paper subscribers.
If you haven't already heard, Al-Jazeera had (and continues to have) some of the best coverage of earthquake and tsunami in Japan. Here's a clip from earlier showing the tsunami rushing through a populated area.
Contrast with CNN, which was apparently home to giggles and Godzilla jokes as the quake was being reported. In the last three or four big events in the world, Al-Jazeera has had the best coverage...is this a changing of the guard?
We did find an example of an American in Japan that made a reference that it was like a "monster movie" (which is included below) but Church handles herself completely appropriately.
Update: Mediaite found a video of the CNN broadcast in question where the anchor chuckles at something her interviewee says. And her whole tone sounds a bit more chipper than it ought to. The sing-song anchor voice might suffice when reporting non-news filler but fails when watching video of dozens of homes (possibly with people in them!) being swept along by a massive wave of water. (via @somebadideas)
Alan Taylor, late of The Big Picture, is up and running at The Atlantic with his new site, In Focus.
In Focus is The Atlantic's news photography blog. Several times a week, I'll post entries featuring collections of images that tell a story. My goal is to use photography to do the kind of high-impact journalism readers have come to expect on other pages of this site. Along the way, I'll cover a range of subjects, from breaking news and historical topics to culture high and low. Sometimes, I'll just showcase amazing photography.
Writer Rob Neyer recently left ESPN for SB Nation and in his first column for SBN, he articulates the difference between "us" (professional journalists) and them (readers).
I've never thought of myself as a member of us rather than them.
I've got a lot of passions, and generally I won't bore you with them. But the passion I indulge almost every day of my life is good writing. I crave it, and when I find it, I treasure it. I surround myself with books full of good writing, and I can't get through the day without scribbling down a brilliant sentence or delightful word in a thick journal that's always close at hand.
Also, it's my business. I'm one of the lucky few who gets paid to indulge his first love.
Where the good writing comes from, though, is irrelevant. All that matters is the writing.
You're paid to write? I know lots of professional writers who either never learned to write well, or have forgotten. You work for a famous website or newspaper? The big boys don't have a monopoly on good writing, let alone facts.
Sportswriting, like writing about computing or video games, lends itself especially well to amateur participation because you've got, what, tens of millions of people who, even at an early age, are basically experts on football, baseball, basketball, hockey, etc. because they've grown up playing, watching, and analyzing those sports. The actual writing bit is harder but the passion is definitely there. (via hello typepad)
Two and a half years ago, Alan Taylor started The Big Picture at the Boston Globe; he basically ran the site in his spare work time as a web developer for the company. Now he's moving on to The Atlantic, where he will edit a new photo site called In Focus.
I wanted the opportunity to do this -- telling news photo stories -- as a fulltime job, and the Atlantic has offered that to me, for which I am grateful. I also think the Atlantic is a better overall fit for the type of international, wide-ranging storytelling I've practiced over the years. The Globe has been a good home and a great platform for over 425 entries since 2008 and I am truly grateful, but I've chosen to move on now, and really hope you'll come along and see what I'm up to. I feel very fortunate for what I've been able to accomplish to date, and for the opportunity given to me now. I really can't believe this is going to be my fulltime gig!
Smart move by The Atlantic, which is increasingly looking like one of the media properties that may make a smooth-ish transistion from print to online/app media. As for The Globe, well, I don't think they quite knew what they had there. Eight million page views per month out of nothing with a less-than-maximal effort...that's the kind of thing you want to encourage if you're in the media business.
Last week, Bill Simmons accidentally tweeted about a possible trade that would send American footballer Randy Moss from the Patriots to the Vikings and got the entire sports world whipped up into a frenzy. His explanation of what actually happened provides an interesting glimpse into how sports media sausage is made.
The first thing you need to know: I don't like breaking stories or the pressure that accompanies it. Sweating out those last few minutes before the moment of truth. Hoping you're right even though you're thinking, "I know I'm right. I have to be right. This is right. (Pause.) Am I right?" Wondering deep down, "I hope my source isn't betraying me," then rehashing every interaction you've ever had with that person. My stomach just isn't built for it. If I had Marc Stein's job, I'd be chain-smoking Lucky Strikes like Don Draper.
At the same time, I know a few Guys Who Know Things at this point. Whenever I stumble into relevant information -- it doesn't happen that often -- my first goal is always to assimilate that material into my column (as long as it's not time-sensitive). Sometimes I redirect the information to an ESPN colleague. Sometimes I keep it in my back pocket and wait for more details. It's a delicate balance. I have never totally figured out what to do.
"He's not, like, a sociopath, but you kind of have to watch what you're doing around him," Ricky Van Veen, the C.E.O. of the Web site College Humor, told me.
"The villain public persona is not a hundred-per-cent true," A. J. Daulerio, the editor-in-chief of Deadspin, Gawker Media's sports blog, said. "It's probably eighty-per-cent true."
"He has fun when people say horrible things about him," the blog guru Anil Dash said.
"I can't lie to make him worse than he is, but he's pretty bad," Ian Spiegelman, a former Gawker writer, said.
"Other people's emotions are alien to him," Choire Sicha, another Gawker alumnus, said.
In this paragraph I will state the main claim that the research makes, making appropriate use of "scare quotes" to ensure that it's clear that I have no opinion about this research whatsoever.
In this paragraph I will briefly (because no paragraph should be more than one line) state which existing scientific ideas this new research "challenges".
If the research is about a potential cure, or a solution to a problem, this paragraph will describe how it will raise hopes for a group of sufferers or victims.
And then I'll make a little joke about one of the study's possible conclusions. (via someone who actually found the thing and sent it on to this lazy "curator")
To go along with James Fallows' 1982 report on personal computing, a 1981 TV report about reading newspapers online.
It takes over two hours to recieve the entire text of the newspaper over the phone and with an hourly use charge of five dollars, the new telepaper won't be much competition for the 20-cent street edition.
The report was done back in the days when "Owns Home Computer" was a useful differentiating label.
There's lots of good stuff in this long James Fallows article about Google's now-intense interest in the health of journalism. In short, Google feels obligated from a business perspective to help serious news organizations put good information online so that people can find it through Google.
There really is no single cause," I was told by Josh Cohen, a former Web-news manager for Reuters who now directs Google's dealings with publishers and broadcasters, at his office in New York. "Rather, you could pick any single cause, and that on its own would be enough to explain the problems-except it's not on its own." The most obvious cause is that classified advertising, traditionally 30 to 40 percent of a newspaper's total revenue, is disappearing in a rush to online sites. "There are a lot of people in the business who think that in the not-too-distant future, the classified share of a paper's revenue will go to zero," Cohen said. "Stop right there. In any business, if you lose a third of your revenue, you're going to be in serious trouble."
Errol Morris recently gave the commencement address at the Berkeley Graduate School of Journalism; here's the transcript.
It has become fashionable nowadays to speak of the subjectivity or the relativity of truth. I find such talk ridiculous at best. Let's go back to Randall Dale Adams. He found himself within days of being executed in "Old Sparky," the electric chair in Walls Unit, Huntsville Texas.
There is nothing post-modern about the electric chair. It takes a living human being and turns him into a piece of meat. Imagine you -- you the young journalists of tomorrow -- being strapped into an electric chair for a crime you didn't commit. Would you take comfort from a witness telling you that it really doesn't make any difference whether you are guilty or innocent? That there is no truth? "I think you're guilty; you think you're innocent. Can't we work it all out?"
Lorem iPad dolor sit amet, consectetur Apple adipisicing elit, sed do eiusmod incididunt ut labore et dolore magna aliqua Shenzhen. Ut enim ad minim veniam, quis nostrud no multi-tasking ullamco laboris nisi ut aliquip iPad ex ea commodo consequat. Duis aute irure dolor iPad in reprehenderit in voluptate velit esse CEO Steve Jobs dolore eu fugiat nulla pariatur. Windows 7 ha ha ha. Excepteur sint occaecat battery life non proident, iPad in culpa qui officia deserunt mollit anim id est laborum.
Morbi erat justo, magical in semper posuere Jony Ive, molestie eget ipsum. Praesent eget erat no camera. Apple a erat sit amet ante pretium just a big iPod touch bibendum a at magna. Suspendisse Flash, sem sed tempor gravida, dolor mi auctor HTML5, vel feugiat justo metus nec diam. Maecenas quis iPad volutpat augue.
Twilight of the American newspaper tells the story of San Francisco and its newspapers. And in that tale, a glimpse that we might be losing our sense of place along with the newspaper.
We will end up with one and a half cities in America -- Washington, D.C., and American Idol. We will all live in Washington, D.C., where the conversation is a droning, never advancing, debate between "conservatives" and "liberals." We will not read about newlyweds. We will not read about the death of salesmen. We will not read about prize Holsteins or new novels. We are a nation dismantling the structures of intellectual property and all critical apparatus. We are without professional book reviewers and art critics and essays about what it might mean that our local newspaper has died. We are a nation of Amazon reader responses (Moby Dick is "not a really good piece of fiction" -- Feb. 14, 2009, by Donald J. Bingle, Saint Charles, Ill. -- two stars out of five). We are without obituaries, but the famous will achieve immortality by a Wikipedia entry.
An article on Aug. 2 about older alumni who have been helped by university career counselors referred imprecisely to comments by a 1990 graduate of Lehigh University who lost his job in February when his company was downsized, and a correction in this space last Sunday misspelled his surname. As the article correctly noted, he is David Monson, not Munson, and he was speaking generally -- not about himself -- when he said that newly unemployed people sometimes mope around the house in sweatpants.
--
ON 17 July 2008 in our front page article "Ron the Lash" we falsely reported that whilst recovering from an operation to his ankle Cristiano Ronaldo had "gone on a bender" at a Hollywood nightclub where he splashed out pounds 10,000 on champagne and vodka and threw his crutches to the ground and tried to dance on his uninjured foot. We now accept that Cristiano did not "go on a bender", did not drink any alcohol that evening, did not spend pounds 10,000 on alcohol, nor throw his crutches to the floor or try to dance.
This is the new emerging model -- cutting costs, raising prices. It may still fail in the end. But we shouldn't act as if the online-only crowd has it all figured out. Every month, several million Americans pay to have newspapers and magazines delivered to their homes-a trick most online publications have yet to pull off.
The shrinking circulation while raising prices reminds me of Apple's strategy in the mobile phone and personal computing space: they have less market share but they make more money on each sale than their competitors by offering a premium product.
Called San Francisco Panorama, the editors say it is, in large part, homage to an institution that they feel, contrary to conventional wisdom, still has a lot of life in it. Their experience in publishing literary fiction is something of a model.
"People have been saying the short story is dying for a lot longer than they've been saying newspapers are dying," Jordan Bass, managing editor of the quarterly, said in an interview on Tuesday. "But you can still put out a great short-story magazine that people want to grab. The same is true for newspapers."
In reality, these longstanding facts provide the true foundation of journalism. But in practice, they play second-fiddle to the news, condensed beyond all meaning into a paragraph halfway down in a news story, tucked away in a remote corner of our news sites.
An appraisal on Saturday about Walter Cronkite's career included a number of errors. In some copies, it misstated the date that the Rev. Dr. Martin Luther King Jr. was killed and referred incorrectly to Mr. Cronkite's coverage of D-Day. Dr. King was killed on April 4, 1968, not April 30. Mr. Cronkite covered the D-Day landing from a warplane; he did not storm the beaches. In addition, Neil Armstrong set foot on the moon on July 20, 1969, not July 26. "The CBS Evening News" overtook "The Huntley-Brinkley Report" on NBC in the ratings during the 1967-68 television season, not after Chet Huntley retired in 1970. A communications satellite used to relay correspondents' reports from around the world was Telstar, not Telestar. Howard K. Smith was not one of the CBS correspondents Mr. Cronkite would turn to for reports from the field after he became anchor of "The CBS Evening News" in 1962; he left CBS before Mr. Cronkite was the anchor. Because of an editing error, the appraisal also misstated the name of the news agency for which Mr. Cronkite was Moscow bureau chief after World War II. At that time it was United Press, not United Press International.
Gothamist's Jake Dobkin attended a public discussion of "Rules for City Issued Press Credentials" in NYC today and took some good notes. The proposed new rules address some inconsistencies in the city's issuing process...in particularly the denial of press passes to bloggers and other online publications.
Restrictions limiting press passes to certain mediums will be removed -- in the future, online, offline, on-air, etc. will all be treated equally. To qualify for a press pass, the journalist or journalism organization will need to provide six clips from the last 24 months showing news-gathering activity that would merit a press card -- that would include live reportage from police and fire scenes, public assemblies, government press conferences, or similar events.
"Everything's okay. Everything's like usual. Yesterday trading ended. Everything's okay. The economists went to their homes, the laundry is drying on the lines, dinners are waiting in place... Dow Jones traded steadily and closed with 8,761 points, Nasdaq added 0.9% to a level of 1,860 points.... The guy from the shakshuka [an Israeli egg-and-tomato dish] shop raised his prices again...."
There's a real "emperor has no clothes" vibe to this. (via snarkmarket)
In his spare time, between aerobic eating and the requisite gym time to burn it all off, he has managed to produce a memoir of his lifelong, complicated relationship with food. Recognizing that the book is certain to seriously compromise his ability to be a spy in the land of food, Frank picked this as a natural time to move on. He will be turning in his restaurant-critic credentials when his memoir, "Born Round: the Secret History of a Full-Time Eater," is published in late August.
Sad to see him go...I liked Bruni as a reviewer. But how long can the Times continue to expect their critics to remain anonymous? Savvy restaurateurs often knew when Bruni was in the house and it remains unclear whether a known reviewer is a biased reviewer.
Dan Baum was a staff writer for The New Yorker for a time. In 2007, the magazine didn't renew his contract and he's currently explaining why (from his perspective) on Twitter (archived here). It's maddening to read the whole story 140 characters at a time but it's pretty interesting inside-baseball stuff, where baseball = professional writing. Here are some of the highlights so far (he's not quite done yet).
First, a little about the job of New Yorker staff writer. "Staff writer" is a bit of a misnomer, as you're not an employee, but rather a contractor. So there's no health insurance, no 401K, and most of all, no guarantee of a job beyond one year. My gig was a straight dollars-for-words arrangement: 30,000 words a year for $90,000. And the contract was year-to-year. Every September, I was up for review. Turns out, all New Yorker writers work this way, even the bigfeet. It's Just the way the New Yorker chooses to behave. It shows no loyalty to its writers, yet expects full fealty in return. It gets away with it, because writing for the New Yorker is the ne plus ultra of journalism gigs. Like everybody, I loved it.
Some early advice from his editor on how to structure a story:
"Think about trying a process story," he said, using a term I'd never heard. "It's a New Yorker standard," he went on. "You simply deconstruct a process for the reader. John McPhee was the master. It makes for a simple structure."
More editorial advice:
Great piece of New Yorker advice: "This is the New Yorker, so you can use any narrative structure you like," he said. "Just know that when I get it, I'm going to take it apart and make it all chronological." Telling a story in strict chronological order turned out to be a fabulous discipline. It made the story easy to write, and may be why New Yorker stories are so easy to read. Of course, the magazine does run everything through the deflavorizer, following Samuel Johnson's immortal advice: "Read what you have written, and when you come across a passage you think is particularly fine, strike it out."
On the magazine's legendary fact-checkers:
The editing is as superb as you'd imagine. And it's lovely to have all the time and resources you need. I particularly liked the fact-checkers, who go way beyond getting names spelled right and actually do a lot of reporting. More than once, the fact-checkers uncovered information I hadn't had, found crucial sources I hadn't interviewed. It's like having a team of back-up reporters.
Non-fiction frequently calls for a strong individual voice, and occasionally the use of the first person, so double bylines often aren't practical. Dan most often does the legwork of reporting the story -- the travel and the phone calls -- with Margaret acting as bureau chief: "Ask this." "Don't forget that." "Go back to him tomorrow." Dan then writes the first draft.
On second thought, perhaps it's not that unconventional at all. Since Meg and I started going out nine years ago, we've collaborated on several projects without shared credit; I provided much advice related to Blogger, Kinja, and Megnut and she's always operating behind the scenes here at kottke.org.
You know, newspapers are gonna say, "We already let the horse out of the barn door. How can you charge for content? Information wants to be free." All that bullshit. As I remember, there wasn't an American in America 30 thirty years ago who paid for their television. Television was free 30 years ago. Now everybody's paying 16 bucks a month, 17 bucks a month, 70 dollars a month.
5. "Icelanders are among the most inbred human beings on earth -- geneticists often use them for research."
Now this is insulting. Icelanders' DNA shows their roots to be a healthy mix between Nordic Y chromosomes and X chromosomes from the British Isles. The reason genetic-research company deCODE uses Icelandic genes for its research is not because the codes are so homogeneous, but because the population has kept excellent genealogical records dating back thousands of years.
I sort of shrugged my shoulders at this stuff when I read the piece and forged ahead for the financial meat and potatoes, but it doesn't read so well when collected all in one place like this. Was the piece supposed to be a farce? If not, it doesn't reflect well on Lewis or his editors at VF. (thx, micah)
Steven Johnson takes on the future of journalism and newspapers using the ecosystem metaphor that he successfully deployed in The Invention of Air. Johnson argues that journalism in the future will look a lot like how technology and politics are covered now because those two topics are the "old growth forests of the web", i.e. they've been covered long enough on the web that old media has had time to adjust, react, and in many cases, go out of business in the face of that coverage.
The funny thing about newspapers today is that their audience is growing at a remarkable clip. Their underlying business model is being attacked by multiple forces, but their online audience is growing faster than their print audience is shrinking. As of January, print circulation had declined from 62 million to 49 million since my days at the College Hill Bookstore. But their online audience has grown from zero to 75 million over that period. Measured by pure audience interest, newspapers have never been more relevant. If they embrace this role as an authoritative guide to the entire ecosystem of news, if they stop paying for content that the web is already generating on its own, I suspect in the long run they will be as sustainable and as vital as they have ever been. The implied motto of every paper in the country should be: all the news that's fit to link.
NEWScan is kind of like The Big Picture for newspapers...it shows the front pages of 14 major newspapers all on one page and big enough so you can read the text. This is a neat way to skim the news of the day. (thx, eric)
David Simon, formerly of The Wire and The Baltimore Sun, noticed an underreported Baltimore shooting involving a police officer and decided to investigate it himself. What he found is not good news for the citizenry.
Well, sorry, but I didn't trip over any blogger trying to find out McKissick's identity and performance history. Nor were any citizen journalists at the City Council hearing in January when police officials inflated the nature and severity of the threats against officers. And there wasn't anyone working sources in the police department to counterbalance all of the spin or omission.
I didn't trip over a herd of hungry Sun reporters either, but that's the point. In an American city, a police officer with the authority to take human life can now do so in the shadows, while his higher-ups can claim that this is necessary not to avoid public accountability, but to mitigate against a nonexistent wave of threats. And the last remaining daily newspaper in town no longer has the manpower, the expertise or the institutional memory to challenge any of it.
In other Simon news, apparently he's doing a pilot for HBO for a show called Treme, "post-Katrina-themed drama that chronicles the rebuilding of the city through the eyes of local musicians". The cast will include Clarke Peters and Wendell Pierce, who played Lester and Bunk on The Wire.
And speaking of The Wire, the latest issue of Film Quarterly has several articles devoted to the show. Only one article is online so you best send Lamar out to the newsstand for a paper copy. (thx, david & walter)
We have been asked to point out that Stuart Kennedy, of Flat E, 38 Don Street, Aberdeen, who appeared at Peterhead Sheriff Court on Monday, had 316 pink, frilly garters confiscated not 316 pink, frilly knickers.
And this:
A film review on Sept. 5 about "Save Me" confused some characters and actors. It is Mark, not Chad, who is sent to the Genesis House retreat for converting gay men to heterosexuality. (Mark is played by Chad Allen; there is no character named Chad). The hunky fellow resident is Scott (played by Robert Gant), not Ted (Stephen Lang). And it is Mark and Scott -- not "Chad and Ted" -- who partake of cigarettes and "furtive man-on-man action."
They also highlighted a Guardian typo: "Gabriel Garcia Marquez's novel is One Hundred Years of Solitude, not One Hundred Years of Solicitude". I don't know though...2006 and 2005 were pretty great.
Hopefully I'll have some time this afternoon to update the 2008 Election Maps page; I've got lots of good submissions waiting in my inbox. Thanks to everyone who sent in links and screenshots.
Idea for the Obama administration: fireside chats. On the radio, on satellite radio, as a podcast, transcripts available online soon after airing. Done live if possible, a genuine lightly scripted chat. Maybe Obama could have special guests on to talk about different aspects of policy and government. Bush does weekly radio addresses but they're short, boring, and scripted.
And I gotta tell you, if change.gov is indicative of how the Obama administration is going to use the web to engage with Americans, this is going to be an interesting four years.
Ok, that's probably the last Obama post for a bit. Back to your irregularly unscheduled programming.
Update: The Times used 96 pt. type for the front page headline on at least one other occasion: January 1, 2000. I wonder if there are others. (thx, jeff)
I selected a front page from every other decade, starting with the very first edition of the paper in 1881. Note the shifting hierarchy of images (yellow), advertising (orange) and editorial content (blue). The small black arrows are links to related content elsewhere within the paper.
They also look at the front pages of the web site from 1996 - 2006.
Philip Kromer took the newspaper endorsement data from the Editor and Publisher page I linked to this morning and mapped the results. The states are colored according to FiveThirtyEight's current projections and those newspapers with larger circulations have larger circles. From Kromer's blog post:
This seems to speak of why so many on the right feel there's a MSM bias - 50% of the country is urban, 50% rural, but newspapers are located exclusively in urban areas. So, surprisingly, the major right-leaning papers are all located in parts of the country we consider highly leftish. The urban areas that are the largest are thus both the most liberal and the most likely to have a sizeable conservative target audience.
The culture of newspaper management is a dysfunctional relic of a low-bandwidth, monopoly era. It still hasn't adapted to the lessons of Web 2.0, it's generally beholden to a short-term stock price instead of a long-term re-investment strategy and it simply refuses to accept that you can't expect 20 profit margins in a competitive market. Instead of leading, it is a legacy anchor.
Vanity Fair has a list of the 25 best news photographs. Many are familar but I had never seen the photo of Roman Polanski sitting outside his house after his wife's murder. (Quite a few of these photos are disturbing. Viewer beware.)
As part of the latest initiative, Google will foot the bill to copy the archives of any newspaper publisher willing to permit the stories to be shown for free on Google's Web site. The participating publishers will receive an unspecified portion of the revenue generated from the ads displayed next to the stories.
Wired is keeping a blog that details the process of writing an upcoming story on, appropriately, writer/director Charlie Kaufman.
An almost-real-time, behind-the-scenes look at the assigning, writing, editing, and designing of a Wired feature. You can see more about the design process on Wired creative director Scott Dadich's SPD blog, The Process. This is a one-time experiment, tied solely to the Charlie Kaufman profile scheduled to run in our November 08 issue.
We will post internal e-mails, audio, video, drafts, memos, and layouts. We reserve the right to edit our posts, out of sympathy for the reader or to protect our relationships with our sources. We will not post emails with sources or reproduce communications that take place outside of Wired.
Reading through, I'm not sure I want to know how the sausage is made. With the well-established processes and tropes that magazines follow in publishing each and ever month, stuff like this has a tendency to come off as cynical and overly mechanical (e.g. the piece is already mostly written...they just need Kaufman to fill in the details). I also keep thinking...what if Kaufman reads this before his interviews take place? Is it better or worse for the finished piece that he knows their whole angle going in? (via snarkmarket)
Update: Clarification from Jason Tanz (the author of the Kaufman piece) at Wired...most of the interviews with Kaufman have already been conducted and a rough draft of the story has been completed. They wanted to be at least this far along before they posted any of these materials so as to avoid complications with the interview process. Tanz says that they hope to be "pretty close to real time [on the storyboard blog] by the end of next week".
The Digital Journalist has launched a photo blog modeled after The Big Picture. Well done. I've followed this site on and off for years but always found it too difficult to navigate through to find the photography, which is shot by top-notch photojournalists and is amazing. Nice to see the photography put front and center. Case in point: this wonderful selection of sports photos by Walter Iooss Jr., punctuated by stories of the athletes he was photographing (Tiger Woods, Muhammad Ali, Michael Jordan, etc.). Here's Iooss' account of photographing Jordan at the 1988 dunk contest:
The problem with shooting the NBA slam-dunk contest was that you never knew how the players were going to dunk, especially Jordan. In 1997 [sic, it was actually 1987] he had twirled and dunked with his back to me. But by this time I knew him a little better. As he sat in the stands three hours before the contest, I said, "Michael, can you tell me which way you're going to go, so I can move and get your face in the picture?" He looked at me as if I were crazy but then said, "Sure. Before I go out to dunk I'll put my index finger on my knee and point which way I'm going." I said, "You're going to remember that?" And he said, "Sure." So later, when they announced his name, I looked over to him on the bench and there was his finger pointing left. I got up and moved to the right side of the basket so I could see his face. He went left every time he dunked. On his last two dunks he ran the length of the court, took off from the foul line and slammed the ball through. On the next-to-last one he landed in my lap. On the last one I set up in the same spot. He looked at me as if to say, "Go left a little, give me some room this time." And that was it, the picture was made: 1000th of a second frozen in time.
BTW, I've heard that The Big Picture has spawned a number of copycats around the web, including this one from the WSJ.
The New York Times is known for its hard news coverage, but he observes that from a business perspective it's primarily a fashion and food publication that runs a small political news operation on the side. One issue of T Magazine, he says, pays for an entire NYT European bureau.
A map of the world as reported by the New York Times. Countries are color coded by the amount of times they are mentioned in the Times, per capita. Greenland, Iraq, New Zealand, Iceland, and Panama are disproportionally represented.
But at a press conference today, Gloucester Mayor Carolyn Kirk emerged from a closed-door meeting with city, school and health officials to say that there had been no independent confirmation of any teen pregnancy pact. She also said that the principal, who was not present at the meeting, is now "foggy in his memory" of how he heard about the pact.
"It is pretty scary," said Charles Truxal, 64, a retired corporate manager in Rochester, Minn. "People are thinking things are going to get better, and they haven't been. And then you go hide in your basement because tornadoes are coming through. If you think about things, you have very little power to make it change."
My guess is that the writers' editor was out of town and they decided to see if they could slip this Onion-esque article on to the wire. (thx, scott)
Internally, externally, everywhere, people are being really thankful to me. I need to make sure (with some link-love in my upcoming blogroll) that the response gets directed to the photographers as well. I'm just a web developer with access to their photos and a blog - they're the ones out there working hard to get these amazing images. "Photographers" here is a loose term, encompassing photojournalists, stringers, amateurs, scientific imaging teams and more.
New Yorker profile of Keith Olbermann, with lots about the changing face of journalism from the desire for objective neutrality to the more sensational opinion that saturates cable, newspapers, and the blogosphere.
But Olbermann contends that the labored pretense of neutrality in the news business is a fruitless exercise. "There are people who, with absolute conviction, believe that Brian Williams is a Communist," he said. "There are people who, with absolute conviction, believe that Katie Couric is in the pay of the Pentagon. There are people who are absolutely certain that Charlie Gibson sleeps with Hillary Clinton, based on the last debate. This is an old schoolyard thing I learned from being repeatedly beat up in the fourth grade. It finally dawned on me one day -- they are going to keep beating me up whether I respond to them or not." Olbermann continued, "Brian sometimes looks like his collar button is going to burst from the restraint that he has. I know the pain that he goes through; he measures each word like an apothecary -- and they beat him up, too. The point is, why not? Why not add something to the discourse?"
As much as I agree with some of what Olbermann says, I put him in the same bucket as Lou Dobbs and Bill O'Reilly...entertaining but intellectually untrustworthy.
Is Deborah Solomon, the NY Times Magazine's notoriously irritating Q&A interviewer, turning over a new leaf? After complaints about her columns surfaced last fall, the NY Times public editor agreed that Solomon had not complied with the Times' policy of fairly representing the answers of her interviewees. Ben Wheeler noted that her most recent piece is an excellent straightforward interview with zero snarky asides or abusive questions.
If you point out when they suck, you gotta point out when they do well. On Sunday, Deborah Solomon's weekly NY Times Magazine interview was an excellent talk with Enrique Penalosa, former mayor of Bogota known for his Susan Jacobs/Scandinavian vision of urban planning. Solomon's old method, of inserting snide remarks and different questions after the fact, is gone; we can thank Ira Glass and Amy Dickinson (Ann Landers's successor) for that, since they complained when she did it to them. But beyond that change, Solomon here just asks good, sensible questions of an interesting subject.
It is written on a completely clear slate, by someone who had not already been taught how to regard the cinema by a thousand other writers, and the newness of it all leaps from the page. What is remarkable is Gorky's prescience in the last two paragraphs, as he leaps ahead from his description of the first films to speculation on what directions the cinema might eventually take, toward sex and violence. How did he know?
The bulk of Gorky's short review concerns the absence of color and sound from the films, as if he's viewing shadows of reality.
Their smiles are lifeless, even though their movements are full of living energy and are so swift as to be almost imperceptible. Their laughter is soundless although you see the muscles contracting in their grey faces. Before you a life is surging, a life deprived of words and shorn of the living spectrum of colours -- the grey, the soundless, the bleak and dismal life.
Photography has ceased to record immobility. It perpetuates the image of movement. When these gadgets are in the hands of the public, when anyone can photograph the ones who are dear to them, not just in their immobile form, but with movement, action, familiar gestures and the words out of their mouths, then death will no longer be absolute, final.
And this one from the projectionist of the first Lumiere in NYC:
You had to have lived these moments of collective exaltation, have attended these thrilling screenings in order to understand just how far the excitement of the crowd could go. With the flick of a switch, I plunge several thousand spectators into darkness. Each scene passes, accompanied by tempestuous applause; after the sixth scene, I return the hall to light. The audience is shaking. Cries ring out.
The vitascope projects upon a large area of canvas groups that appear to stand forth from the canvas, and move with great facility and agility, as though actuated by separate impulses. In this way the bare canvas before the audience becomes instantly a stage upon which living beings move about.
So enthusiastic was the appreciation of the crowd long before this exhibition was finished that vociferous cheering was heard. There were loud calls for Mr. Edison, but he made no response.
By 1898, the language of cinema was beginning to sort itself out, more or less, as this Times editorial notes.
All the resources of the word-builders see to have been exhausted in finding names for the simple but ingenious machine that throws moving pictures on a screen. The essential features in every device of this sort are the same -- a brilliant light before which a long band of minute photographs is rapidly drawn, and a lens to focus and distribute the rays properly. The arrangements for the manipulation of the light, the band, and the lens are numerous, but they vary only in the inconsequential details, and for all practical purposes the machines are identical. Some mysterious impulse, however, has impelled almost every purchaser of the apparatus to buy with it, or to invent for it, a distinctive name. Vitascope and biograph are most familiar here, with cinematograph coming next at a considerable distance. These hardly begin the list that might be formed from a careful study of the amusement advertisements in the papers of this and other countries. From such sources might be taken phantoscope, criterioscope, kinematograph, wondorscope, animatoscope, vitagraph, panoramograph, cosmoscope, anarithmoscope, katoptikum, magniscope, zoeoptrotrope, phantasmagoria projectoscope, variscope, cinograph, cinnomonograph, hypnoscope, centograph, and xograph. This is far from exhausting the supply. Electroscope exists, and so do cinagraphoscope, animaloscope, theatrograph, chronophotographoscope, motograph, rayoscope, motorscope, kinotiphone, thromotrope, phenakistoscope, venetrope, vitrescope, zinematograph, vitropticon, stinnetiscope, vivrescope, diaramiscope, corminograph, kineoptoscope, craboscope, vitaletiscope, cinematoscope, mutoscope, cinoscope, kinetograph, lobsterscope, and nobody knows how many more. Here, surely, is a curious development of the managerial mind.
It's difficult to read these accounts and not think about how we'll all sound in 100 years as we now attempt to explain the internet, mobile phones, the web, blogs, and the like.
The sizes of the photographs are deliberately large - taking advantage of the majority of web users who have screens capable of displaying 1024x768 or larger. The long-held tradition of keeping images online tiny and lightweight is commendable still - when designing a general purpose site. But one dedicated to quality imagery should take full advantage of the medium, and I hope I've struck a good balance with The Big Picture.
When I see quality photography consigned to the archives, or when I see bandwidth readily given up to video streams of dubious quality, or when I see photo galleries that act as ad farms, punishing viewers into a click-click-click experience just to drive page views - those times are the times I'm glad I was able to get this project off the ground (many thanks to my friends within boston.com)
TimesMachine is a collection of full-page image scans of the newspaper from 1851-1922 (i.e., the public domain archives). Organized chronologically and navigated by a simple calendar interface, TimesMachine provides a unique way to traverse the historical archives of The New York Times. Topics ranging from the Civil War to the sinking of the Titanic to the first cross-country auto race to women's fashions in the 20s are just a few electronic flips away. And of course, there's the advertisements.
Unfortunately, full access to the archives through TimesMachine is only available to subscribers. (via fimoculous)
A list of the top one articles by Neal Pollack about how sportswriters should stop writing about the NBA MVP race and, oh yeah, lists of stuff are dumb:
Sportswriters and pundits, on the other hand, are treating the MVP race with the gravitas of a presidential election. That's because they make up the Electoral College. When they're debating who's going to win the award, they're not really talking about who they think the best player is; they're talking about whom they should pick as the best player. It's the ultimate circle-jerk of sports-guy self-regard.
I read a lot of news by surfing the Internet, as do many of my colleagues and friends, and I've always dreamed of a way to browse news based on geography. What's happening in Paris today? What are the top headlines in Japan?
In past few years, several prominent US magazines and newspapers have begun to offer their extensive archives online and on DVD. In some cases, this includes material dating back to the 1850s. Collectively it is an incredible record of recent human history, the ideas, people, and events that have shaped our country and world as recorded by writers, photographers, editors, illustrators, advertisers, and designers who lived through those times. Here are some of most notable of those archives:
The NY Times provides their entire archive online, most of it for free. Most of the stories from 1923 to 1986 are available for a small fee. The Times briefly launched an interface for browsing their archive called TimesMachine but withdrew it soon after launch.
The Huffington Post's editorial processes are based on what Peretti has named the "mullet strategy." ("Business up front, party in the back" is how his trend-spotting site BuzzFeed glosses it.) "User-generated content is all the rage, but most of it totally sucks," Peretti says. The mullet strategy invites users to "argue and vent on the secondary pages, but professional editors keep the front page looking sharp. The mullet strategy is here to stay, because the best way for Web companies to increase traffic is to let users have control, but the best way to sell advertising is a slick, pretty front page where corporate sponsors can admire their brands."
The NY Times launches TimesMachine, an alternate look into their vast online archive. It's basically an interface into every single page of the newspaper from Sep 18, 1851 to Dec 30, 1922. The advertising on these old pages is fascinating.
Update: For whatever reason, the Times has taken TimesMachine offline.
In a Google search of five keywords or phrases representing the top five news stories of 02007, weblogs will rank higher than the "New York Times" Web site
Q: In some commentaries, you touch on the latest journalistic trends, sometimes in not so complimentary a way. Such as blogs and citizen journalism. Is this a form of news gathering that you embrace?
A: I can't embrace it. Not after what I've been through at the hands of the copy editors' desks. I have suffered many, many arguments about what I've wanted to say -- whether it was grammatically correct, factually correct and all of that -- and I want everybody to have to experience what I experienced. But today, your blogger is totally free. He is his own reporter, his own editor, his own publisher, and he can do whatever he wants.
A person like me who believes in the tradition of a discipline in journalism can only rue the day we've arrived at where we don't need discipline or anything. All you need is a keyboard.
He suffered, so you should too, you undisciplined mouthers-off! Update: A reader writes: "You are not giving the man the respect he deserves. He did not suffer--he honed his craft in an environment that expected professionalism, balance and honesty. What is unfortunate today is that today's professional media are not held to the same standards. Most, if not all bloggers, do not rise to the quality of a Daniel Schorr. Unfortunately, neither do most of his younger colleagues."
When I go back and read journalism from the '70s and '80s, I can see that there has been little, if any, innovation in the form since. But! While they may not be drastically "new," there are at least two bits of excitement in internet journalism today that seem somewhat radical. First, Brian Lam at Gizmodo talks overtly about the twisted relationship between tech companies and journalists. ("As one reporter put it while chiding me, 'Journalists are guests in the houses of these companies.' Not first and foremost! We are the auditors of companies and their gadgets on behalf of the readers.") And over on another Gawker Media blog (my former employer, and one that I have deeply conflicted feelings about), Jezebel's Tracie Egan writes an astounding and reallly not for the faint-of-heart (or crotch) account of schtupping this guy she met in Vegas. It's BANANAS. And probably NSFW. And a great read.
For a long time, I wanted to write a profile of the designer Tom Ford—and I realized the only way to do so properly would be to have sex with him and write about it. I sent an emissary to him; he declined the opportunity. I was relieved.
Fantastic and disturbing Esquire article about Dateline NBC's "To Catch a Predator" series in which people are lured to a house with the prospect of sex with minors, ambushed by a camera crew, and then arrested when they attempt to leave. I can't say much about the article without spoiling it, but a friend who has watched the show says there's nothing redeeming about any of the people on the show, from the show's host on down to the would-be molesters...and how the whole thing is orchestrated off-camera makes it seem even worse. More from Esquire about the article and NBC's rebuttal.
Regret the Error's annual list of media errors and corrections is one of my favorites...the 2007 installment doesn't disappoint. The corrections in the UK newspapers are awesome:
An article about Lord Lambton ("Lord Louche, sex king of Chiantishire", News Review, January 7) falsely stated that his son Ned (now Lord Durham) and daughter Catherine held a party at Lord Lambton's villa, Cetinale, in 1997, which degenerated into such an orgy that Lord Lambton banned them from Cetinale for years. In fact, Lord Durham does not have a sister called Catherine (that is the name of his former wife), there has not been any orgiastic party of any kind and Lord Lambton did not ban him (or Catherine) from Cetinale at all.
Look, I have got a rule. As an intelligence officer, your responsibility is to tell me what you know. Tell me what you don't know. Then you're allowed to tell me what you think. But you always keep those three separated.
Abbott rightly comments that that's good advice for journalists and bloggers.
Eight years ago, in the bastions of the "liberal media" that were supposed to love Gore -- The New York Times, The Washington Post, The Boston Globe, CNN -- he was variously described as "repellent," "delusional," a vote-rigger, a man who "lies like a rug," "Pinocchio." Eric Pooley, who covered him for Time magazine, says, "He brought out the creative-writing student in so many reporters... Everybody kind of let loose on the guy."
I want to believe that news outlets are in the business of news, not entertainment, but it's just not true in most cases. Even more depressing is that blogs, especially political blogs, are even worse in this regard.
Mailer: I said that the need of the magazine reader for a remark he could repeat at dinner was best satisfied by writers with names like Gore Vidal.
Flanner: All those writers called Gore Vidal.
Vidal: I know. There are thousands of them, yeah.
Mailer: There are two or three.
Cavett: Who are some of the others?
Mailer [with a dark look]: I don't know.
Cavett: Who wants to host the rest of this show?
Mailer, years later, told me that it was at this point that "in the face of the Cavett wit and Flanner's deft interruption" -- adored by the audience -- and in consideration of his alcohol content, he realized that he was not being skillful at mounting a sustained argument.
In an interview a number of years ago with Cavett, Charlie Rose showed a clip of the incident:
The video should cue up at the clip in question, but if not, skip to 29:00 in. Highly entertaining reading and viewing.
"The full Ginsburg" is the term for appearing on all five of the big Sunday morning political shows: This Week, Meet the Press, Face the Nation, Fox News Sunday, and Late Edition. The term is named after William Ginsburg, Monica Lewinsky's attorney and the first person to complete this political Pokemon collection. According to Wikipedia, four individuals have completed the full circuit: Ginsburg, Dick Cheney, John Edwards, and Hillary Clinton. Source: Brouhahaha, The New Yorker.
I like to develop topics, approach them from different, often contradictory angles, and most of all, I like to polish the shit out of them so that the flow and the prose shine and bedazzle. On and offline, I find the internet-driven pressure to make pieces short, data-dense, and crisply opinionated -- as opposed to thoughtful, multi-perspectival, and lyrical -- rather oppressive, leading to a certain kind of superficial smugness as well as general submission to the forces of reference over reflection. I do enjoy writing 125-word record reviews though!
My favorite aspect of the piece is the interspersed American Apparel ads...they add a little texture to the discussion.
Mental Floss has an ongoing feature called The First Time News Was Fit To Print, which chronicles the first mentions of famous people, places, and events in the NY Times. Among the topics covered so far: The Simpsons, Kobe Bryant, and Starbucks.
Louisiana pastor Eddie Thompson feels that the media and activists have gotten the story wrong about the Jena Six. In this article, he attempts to correct some of the misconceptions and erroneous statements made about the case.
The actions of the three white students who hung the nooses demonstrate prejudice and bigotry. However, they were not just given "two days suspension" as reported by national news agencies. After first being expelled, then upon appeal, being allowed to re-enter the school system, they were sent to an alternative school, off-campus, for an extended period of time. They underwent investigations by Federal and Sate authorities. They were given psychological evaluations. Even when they were eventually allowed back on campus they were not allowed to be a part of the general population for weeks.
Is lazy reporting hurting the visual arts? Jonathan Jones argues that almost all reporting about art takes one of six forms: expensive art, graffiti, plagiarism, earth-shattering discoveries, and restoration. Looking back through kottke.org's art tag page, I am guilty of linking to stories of all those types. Eep.
While poking around in the newly opened archives of the New York Times yesterday, I stumbled upon an article called How We Dine (full text in PDF) from January 1, 1859. I'm not well versed in the history of food criticism, but I believe this is perhaps the first restaurant review to appear in the Times and that the unnamed gentleman who wrote it (the byline is "by the Strong-Minded Reporter of the Times") is the progenitor of the paper's later reviewers like Ruth Reichl, Mimi Sheraton, and Frank Bruni.
The article starts off with a directive from the editor-in-chief to "go and dine":
"Very well," replied the editor-in-chief. "Dine somewhere else to-day and somewhere else to-morrow. I wish you to dine everywhere, -- from the Astor House Restaurant to the smallest description of dining saloon in the City, in order that you may furnish an account of all these places. The cashier will pay your expenses."
Before starting on his quest, the reporter differentiates eating from dining -- noting that many believe "whereas all people know how to eat, it is only the French who know how to dine" -- and defines what he means by an American dinner (as opposed to a French one). Here's his list of the types of American dinner to be found in New York, from most comfortable to least:
1. The Family dinner at home. 2. The Stetsonian dinner. 3. The Delmonican, or French dinner. 4. The Minor dinner of the Stetsonian principle. 5. The Eating-house dinner, so called. 6. The Second-class Eating-house dinner. 7. The Third-class Eating-house feed.
The remainder of the article is devoted to descriptions of what a diner might find at each of these types of establishments. Among the places he dined was Delmonico's, where dining in America is said to have originated:
Once let Delmonico have your order, and you are safe. You may repose in peace up to the very moment when you sit down with your guests. No nobleman of England -- no Marquis of the ancienne nobless -- was ever better served or waited on in greater style that you will be in a private room at Delmonico's. The lights will be brilliant, the waiters will be curled and perfumed and gloved, the dishes will be strictly en règle and the wines will come with precision of clock-work that has been duly wound up. If you "pay your money like a gentleman," you will be fed like a gentleman, and no mistake... The cookery, however, will be superb, and the attendance will be good. If you make the ordinary mistakes of a untraveled man, and call for dishes in unusual progression, the waiter will perhaps sneer almost imperceptibly, but he will go no further, if you don't try his feelings too harshly, or put your knife into your mouth.
According to a series of articles by Joe O'Connell, Delmonico's was the first restaurant in the US when it opened in 1830 and invented Eggs Benedict, Oysters Rockefeller, Baked Alaska, Lobster Newberg, and the term "86'd", used when the popular Delmonico Steak (#86 on menu) was sold out, or so the story goes. O'Connell's history of Delmonico's provides us with some context for the How We Dine piece:
The restaurant was a novelty in New York. There were new foods, a courteous staff, and cooking that was unknown at the homes of even the wealthiest New Yorkers. The restaurant was open for lunch and dinner.
The restaurant featured a bill of fare, which was itself new. Those who dined at inns were fed on a set meal for a set price. As a result, everyone was fed the same meal and were charged the same price, whether they ate little or much. In Paris, however, restaurants offered their patrons a "bill of fare", a carte, which listed separate dishes with individual prices. Each patron could choose a combination of dishes which was different from the other patrons. Each dish was priced separately. Thus, the restaurant was able to accommodate the tastes and hunger of each individual. The various dishes and their prices were listed on a carte or (the English translation) "bill of fare". Today, we call it a menu.
And from Delmonico's developed many different types of dining establishments, which the Strong-Minded Reporter set out to document thirty years later. Contrast his visit to Delmonico's with the experience in the "sandwich-room" at Browne's Auction Hotel, an eating-house:
The habitués of the place are rarely questioned at all. The man who has eaten a sandwich every day for the past ten years at the Auction Hotel no sooner takes his seat than a sandwich is set before him. The man who has for the same period indulged daily in pie or hard boiled eggs (there are some men with amazing digestion) is similarly treated. The occasional visitor, however, is briefly questioned by the attendant before whom he takes his place. "Sandwich?" or "Pie?" If he say "Sandwich," in reply, the little man laconically inquires, "Mustard?" The customer nods, and is served. If his mission be pie, instead, a little square morsel of cheese is invariably presented to him. Why such a custom should prevail at these places, no amount of research has yet enabled me to ascertain. Nothing can be more incongruous to pie than cheese, which, according to rule and common sense, is only admissible after pie, as a digester. But the guests at the Auction Hotel invariably take them together, and with strict fairness -- a bite at the pie, and a bite at the cheese, again the pie, and again the cheese, and so on until both are finished.
The experience of being a regular has barely changed in 150 years. And finally, our intrepid reporter visits an unnamed third class eating-house:
The noise in the dining hall is terrific. A guest has no sooner seated himself than a plate is literally flung at him by an irritated and perspiring waiter, loosely habited in an unbuttoned shirt whereof the varying color is, I am given to understand, white on Sunday, and daily darkening until Saturday, when it is mixed white and black -- black predominating. The jerking of the plate is closely followed up by a similar performance with a knife and a steel fork, and immediately succeeding these harmless missiles come a fearful shout from the waiter demanding in hasty tones, "What do you want now?" Having mildly stated what you desire to be served with, the waiter echoes your words in a voice of thunder, goes through the same ceremony with the next man and the next, through an infinite series, and rushes frantically from your presence. Presently returning, he appears with a column of dishes whereof the base is in one hand and the extreme edge of the capital is artfully secured under his chin. He passes down the aisle of guests, and, as he goes, deals out the dishes as he would cards, until the last is served, when he commences again Da Capo. The disgusting manner in which the individuals who dine at this place, thrust their food into their mouths with the blades of their knives, makes you tremble with apprehensions of suicide...
The entire article is well worth the read...one of the most interesting things I've found online in awhile.
Update: According to their web site, a restaurant in New Orleans named Antoine's claims that they invented Oysters Rockefeller. Another tidbit: from what I can gather, the Delmonico's that now exists in lower Manhattan has little to do with the original Delmonico's (even though they claim otherwise), sort of like the various Ray's Pizza places sprinkled about Manhattan. (thx, everyone who sent this in)
Now that the NY Times has discontinued their Times Select subscription program and made much more of their 150+ years of content available for anyone to read and link to, let's take a look at some of the more notable items that the non-subscriber has been missing.
- A report on Custer's Last Stand a couple of weeks after the occurance (I couldn't find anything sooner). The coverage of Native Americans is notable for the racism, both thinly veiled and overt, displayed in the writing, e.g. a story from September 1872 titled The Hostile Savages.
- The first mention of television (as a concept) in the Times, from February 1907. "The new 'telephotograph' invention of Dr. Arthur Korn, Professor of Physics in Munich University, is a distinct step nearer the realization of all this, and he assures us that 'television,' or seeing by telegraph, is merely a question of a year or two with certain improvements in apparatus."
- First mention of Harry Potter. Before it became a phenomenon, it was just another children's book on the fiction best-seller list.
- Some of the output by prolific Times reporter R.W. Apple is available (after 1981, pre-1981).
- Not a lot is available from the WWII era, which is a shame. For instance, I wish this article about the dropping of the first atomic bomb on Hiroshima was available in the Times archive. Nothing about the moon landing, Kennedy's assassination, Watergate, etc. etc. either. :(
- Oddly, The Principles of Uncertainty, an illustrated blog by Maira Kalman isn't available anymore. Update: Kalman's blog is probably unavailable because it's due to be published in book form in October. (thx, rafia) Further update:Kalman's blog is back online and wonderful. The culprit was a misconfiguration at the Times' end. (thx, rich)
- Several other previously unavailable blogs are listed here and here.
- It looks like most of the links to old NY Times articles I (and countless other early bloggers) posted in the late 90s and early 00s now work. Tens of thousands of broken links fixed in one pass. Huzzah!
I'll also note that this move by the Times puts them in a much better position to win the Long Bet between Dave Winer and the Times' Martin Nisenholtz at the end of this year.
In a Google search of five keywords or phrases representing the top five news stories of 2007, weblogs will rank higher than the New York Times' Web site.
No more Times Select. The NY Times finally admits what everyone else knew two years ago and stops charging for their content. Additionally, all content from 1987 to the present and from 1851 to 1922 will be offered free of charge.
What changed, The Times said, was that many more readers started coming to the site from search engines and links on other sites instead of coming directly to NYTimes.com.
How did that change not happen for the Times when it happened to the entire rest of the web 3-4 years ago?
A rerun, because it came up at dinner the other night: EPIC 2014, the recent history of technology and the media as told from the vantage point of 7 years in the future. "2008 sees the alliance that will challenge Microsoft's ambitions. Google and Amazon join forces to form Googlezon. Google supplies the Google Grid and unparalled search technology. Amazon supplies the social recommendation engine and its huge commercial infrastructure."
An interesting somewhat-inside look at Google's search technology. I found this interesting: "When there is a blackout in New York, the first articles appear in 15 minutes; we get queries in two seconds." No matter how hard CNN or Digg or Twitter works to harness their audience to break news, hooking up Google search queries to Google News in a useful manner would likely scoop them all every time.
Baltimore is sometimes the forgotten middle child among attention-getting Eastern cities like Washington and New York. But a civic revival, which began with the harbor's makeover 27 years ago, has given out-of-towners reason to visit. Yes, there are wonderful seafood restaurants, Colonial history, quaint waterfronts and other tourist-ready attractions. But Baltimore's renaissance has also cultivated cool restaurants with innovative cuisine, independent theaters that showcase emerging talent and galleries that specialize in contemporary art. In other words, Baltimore is all grown up, but it's still a big city with a small-town feel.
Large swaths of Baltimore could be declared emergency areas subject to heightened police enforcement - including a lockdown of streets - under a city councilman's proposal that aims to slow the city's climbing homicide count.
The legislation - which met with a lukewarm response from Mayor Sheila Dixon's administration yesterday, and which others likened to martial law - would allow police to close liquor stores and bars, limit the number of people on city sidewalks and halt traffic in areas declared "public safety act zones." It comes as the number of homicides in Baltimore reached 108, up from 98 at the same time last year.
Scientists confirm what every TV news network, conservative radio commentator, and blogger already knows: "Repeated exposure to one person's viewpoint can have almost as much influence as exposure to shared opinions from multiple people. This finding shows that hearing an opinion multiple times increases the recipient's sense of familiarity and in some cases gives a listener a false sense that an opinion is more widespread then it actually is." (via snarkmarket)
Everybody makes [mistakes]; it's par for the course. What I have learned is not to be too sure I'm right. The world is much more surprising than we give it credit for. That's part of my political philosophy, my philosophy of life. That's really fundamental to it: Trial and error is really the only thing in life that works ultimately over the long term. Journalism is like that, too, so we need to be honest about our mistakes. We often aren't enough. Everybody makes mistakes. And we need to be a little bit cautious about making predictions.
On real journalism vs. opinion:
There's a very talented, hard-working press corps and, of course, it represents only a small fraction of the people who are doing [journalism]. I think all the major newspapers are doing it well. Not a single one is doing it badly, the ones that are committing resources to it. The larger fraction are the parasites, the bloggers, commentators, opinionizers -- I don't exempt myself -- who are feeding off of the real news that the press is providing. That larger sort of commentariat is not doing a very good job.
The future of real journalism:
What I worry about is what everyone in my business worries about: Who's going to fund the real reporting? The magazine and newspaper business was a cross-subsidy. You had the advertising, particularly classified, and you had a local market, which subsidized the gathering of news. That model is breaking down because the bundle is breaking into pieces and it's hard to see in the long run who funds the kind of large-scale news reporting operations that the major papers have run if the advertising is all going online and if people can all get the news for free at Yahoo.
On extremism in American politics:
The [political] system has been rigged by partisan activists to their advantage. They participate in primaries. General elections don't matter because they've gerrymandered the congressional districts. They have the advantages of energy and being single-minded and they use these wedge issues which they're very good at and which both sides conspire in using in order to marginalize the middle. The result of that is the turnout among moderates and independents is down; turnout on the extremes is up. The parties are increasingly sorted by ideology so that all the liberals are in one party and all the conservatives are in another. That is a new development in American history.
On getting out of the way of a story:
I'm not a fan of the idea that the journalist and the journalist's attitude should be front and center. I think that a good journalist's duty is to get out of the way. The hardest thing about journalism -- the hardest thing, a much higher art than being clever -- is just to get out of the way, to show the leader of the world as the reader would see it if the reader were there. Just to be eyes and ears. Calvin Trillin, another writer I greatly admired who steered me towards journalism, once said that getting himself out of his stories was like taking off a very tight shirt in a very small phone booth. He's right.
And lots more...I recommend reading the entire thing, especially the exchange between Rauch and the interviewer about personal political identities that was too long/difficult to excerpt here. Much more from Rauch here.
The content of the O'Reilly Factor was recently analyzed and compared against "rhetorical techniques identified as elements of propaganda by the now-defunct research group Institute for Propaganda Analysis". The findings indicate that host Bill O'Reilly called someone a name almost 9 times a minute.
What a group of copy editors thought of the best headline ever (Skywalkers in Korea cross Han solo). "For the the Han solo hed to work, there'd have to be a reason for the allusion to Star Wars. Since there isn't, it's a forced attempt to be clever. Your average rap artist has a far better grasp of cleverness than whoever wrote that headline." (thx, braulio)
I know it's only 2007, but this is the headline of the decade. For a story about people crossing a tightrope strung across the Han River in South Korea, AP came up with this masterpiece: Skywalkers in Korea cross Han solo.
MadLibs-style template for writing general interest news stories about "weird" subcultures. "[Bizarre pseudonym], otherwise known as [male person's name #1] a [number between 15 and 75]-year-old software engineer, was dressed in [costume or armor piece] as he waited in line to pay the $[your age + 50] fee to carouse, enjoy [exotic or fictional food], and discuss [oddball topic] with others drawn to this, the greatest spectacle in the tri-state region involving [entertainment franchise]."
It's been awhile since I've done one of these. Here are some updates on some of the topics, links, ideas, posts, people, etc. that have appeared on kottke.org recently:
Two counterexamples to the assertion that cities != organisms or ecosystems: cancer and coral reefs. (thx, neville and david)
In pointing to the story about Ken Thompson's C compiler back door, I forgot to note that the backdoor was theoretical, not real. But it could have easily been implemented, which was Thompson's whole point. A transcript of his original talk is available on the ACM web site. (thx, eric)
are those twitter updates on your blog updated automatically when you update your twitter? if so, how did you do it?
A couple of weeks ago, I added my Twitter updates and recent music (via last.fm) into the front page flow (they're not in the RSS feed, for now). Check out the front page and scroll down a bit if you want to check them out. The Twitter post is updated three times a week (MWF) and includes my previous four Twitter posts. I use cron to grab the RSS file from Twitter, some PHP to get the recent posts, and some more PHP to stick it into the flow. The last.fm post works much the same way, although it's only updated once a week and needs a splash of something to liven it up a bit.
In case someone in the back didn't hear it, this map is not from Dungeons and Dragons but from Zork/Dungeon. (via a surprising amount of people in a short period of time)
When reading about how low NYC's greenhouse gas emissions are relative to the rest of the US, keep in mind the area surrounding NYC (kottke.org link). "Think of Manhattan as a place which outsources its pollution, simply because land there is so valuable." (thx, bob)
I'm ashamed to say I'm still hooked on DesktopTD. The problem is that the creator of the game keeps updating the damn thing, adding new challenges just as you've finally convinced yourself that you've wrung all of the stimulation out of the game. As Robin notes, it's a brilliant strategy, the continual incremental sequel. Version 1.21 introduced a 10K gold fun mode...you get 10,000 gold pieces at the beginning to build a maze. Try building one where you can send all 50 levels at the same time and not lose any lives. Fun, indeed.
Regarding the low wattage color palette, reader Jonathan notes that you should use that palette in conjunction with a print stylesheet that optimizes the colors for printing so that you're not wasting a lot of ink on those dark background colors. He also sent along an OS X trick I'd never seen before: to invert the colors on your monitor, press ctrl-option-cmd-8. (thx, jonathan)
In reviewing all of this, the following seem related in an interesting way: Nickelback's self-plagiarism, continual incremental sequels, digital photo alteration, Tarantino and Rodriquez's Grindhouse, and the recent appropriation of SimpleBits' logo by LogoMaid.
Update: In an earlier iteration of this post, I incorrectly identified the woman in the photo as a Palestinian...she is a Jewish settler. (thx to everyone who wrote in)
Michael Pollan has some good advice for writing about nature and science. "So choose your first person deliberately. Too many newspaper first persons -- and a lot of magazine first persons too -- are written in the voice of the neutral feature-writer. They're the voice of the Journalist. That is the least interesting first person you have. Nobody cares about journalists. They're not normal people. So choose a first person that draws on a more normal side of your personality. And think about which one will help you tell the story. You'll see that in very subtle ways it will shape your point of view and your tone and unlock interesting things."
Nice positive review of Monocle, a new monthly magazine that would "bond and glue all the people that roam the world". I finally got my hands on the first issue the other day and it is quite something. "Overall, Monocle comes across as fresh, original, careful not to be influenced in its editorial choices by the media system's herd logic (no stories on the 'hot topic of the moment', and zero -- zero! -- celebrities and people gossip)."
Malcolm Gladwell on the difference between secrets and puzzles, particularly as it relates to something like the Enron scandal. I think this is one of the more interesting pieces from Gladwell in recent years. Having lived in California during the blackouts and the absurdly high electricity bills, I want Skilling's head as much as anyone, but Gladwell has a good point here. There's moreon his blog, including a question: "According to the way the accounting rules were written at the time, what specific transgressions were Skilling guilty of that merited twenty-four years in prison?" Also note the similar themes to one of my favorite articles from last year, The Press' New Paradigm.
Every year, Regret the Error1 publishes a roundup of the year's media errors and corrections. I didn't think anything could beat these corrections from the 2005 list:
Norma Adams-Wade's June 15 column incorrectly called Mary Ann Thompson-Frenk a socialist. She is a socialite.
The Denver Daily News would like to offer a sincere apology for a typo in Wednesday's Town Talk regarding New Jersey's proposal to ban smoking in automobiles. It was not the author's intention to call New Jersey 'Jew Jersey.'
A correction in this column Thursday about a June 14 Taste section recipe for French coconut pie incorrectly suggested that the recipe called for a pint of vodka.
In Wednesday's Taste section, a Washington Post recipe on Page F7 included an incorrect cooking time for carbonada (braised beef with onions and red wine). The dish should be cooked for 2 1/2 hours, not 10 to 20 minutes.
Because of an editing error, a recipe last Wednesday for meatballs with an article about foods to serve during the Super Bowl misstated the amount of chipotle chilies in adobo to be used. It is one or two canned chilies, not one or two cans.
A story in the July 24 edition of the Sentinel & Enterprise incorrectly spelled Sheri Normandin's name. Also, Bobby Kincaid is not a quadriplegic.
The regional court in Duesseldorf ordered the weekly WirtschaftsWoche to print a correction to an article that claimed Piech wore "garish ties with hunting motifs" and did not know the exact number of his children from various marriages, a court spokesman said. The magazine, owned by the Handelsblatt group, had published a picture of Piech wearing a tie with a picture of a man with a gun and an elephant. It quoted Piech as saying in an interview that he had sired "about a dozen children. The exact number is not known". The court accepted Piech's argument that his comment had been meant ironically and that the motif on his tie was not a hunting motif...
Mr Wakefield is not and never has been a member of the Communist Party. The error is regretted.
In a March 17 story about protests planned against the Iraq war, The Associated Press erroneously identified Jeremy Straughn as a political socialist at Purdue University. He is a political sociologist.
She's got the patent resume of somebody that has serious skill. She loves football. She's African-American, which would kind of be a big coon. A big coon. Oh my God. I am totally, totally, totally, totally, totally sorry for that. [He meant "coup".]
Recent articles in this column may have given the impression that Mr Sven Goran Eriksson was a greedy, useless, incompetent fool. This was a misunderstanding. Mr Eriksson is in fact a footballing genius. We are happy to make this clear.
I especially like the recipe ones...just the thought of some unsuspecting reader eating her meatballs with all those chilies or the fellow debating whether he should serve his obviously raw braised beef to the rest of his family. Be sure to check out the whole list.
[1] When I first posted this, I misspelled "Regret" as "Reget". (No, really!) I deeply regret the error. (thx, mauayan)↩
Update: The NY Times put up a piece that Apple filed right before he entered the hosptial that they were going to run later in the fall: The Global Gourmand.
